Canon 500D vs Sony A7 II

The Canon EOS 500D (called Canon T1i in some regions) and the Sony Alpha A7 II are two digital cameras that were announced, respectively, in March 2009 and November 2014. The 500D is a DSLR, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (500D) and a full frame (A7 II) sensor. The Canon has a resolution of 15.1 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 500D		Sony A7 II
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Sony E mount lenses
15.1 MP – APS-C sensor		24 MP – Full Frame sensor
1080/20p Video		1080/60p Video
ISO 100-6,400 (100 - 12,800)		ISO 100-25,600 (50 - 51,200)
Optical viewfinder		Electronic viewfinder (2400k dots)
3.0" LCD – 920k dots		3.0" LCD – 1230k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
3.4 shutter flaps per second		5 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
400 shots per battery charge		350 shots per battery charge
129 x 98 x 62 mm, 520 g		127 x 96 x 60 mm, 599 g

Check 500D offers at
ebay.com
Check A7 II offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 500D and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon 500D and the Sony A7 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is somewhat smaller (4 percent) than the Canon 500D. However, the A7 II is markedly heavier (15 percent) than the 500D. It is noteworthy in this context that the A7 II is splash and dust-proof, while the 500D does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (500D) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the A7 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 500D gets 400 shots out of its Canon LP-E5 battery, while the A7 II can take 350 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon 500D	129 mm	98 mm	62 mm	520 g	400	n	Mar 2009	EUR 699	ebay.com
2.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	EUR 2 099	ebay.com
3.		Canon 450D	129 mm	98 mm	62 mm	524 g	500	n	Jan 2008	EUR 699	ebay.com
4.		Canon 550D	129 mm	98 mm	62 mm	530 g	440	n	Feb 2010	EUR 649	ebay.com
5.		Canon 600D	133 mm	100 mm	80 mm	570 g	440	n	Feb 2011	EUR 549	ebay.com
6.		Canon 650D	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	EUR 799	ebay.com
7.		Canon 700D	133 mm	100 mm	79 mm	580 g	440	n	Mar 2013	EUR 599	ebay.com
8.		Canon 750D	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	EUR 699	ebay.com
9.		Canon 760D	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	EUR 749	ebay.com
10.		Canon 1200D	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	EUR 399	ebay.com
11.		Canon G1 X	117 mm	81 mm	65 mm	534 g	250	n	Jan 2012	EUR 749	ebay.com
12.		Canon G1 X Mark II	116 mm	74 mm	66 mm	553 g	240	n	Feb 2014	EUR 849	ebay.com
13.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	EUR 1 499	ebay.com
14.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	EUR 2 299	amazon.com
15.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	EUR 3 499	ebay.com
16.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	EUR 3 399	ebay.com
17.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	EUR 5 299	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 500D was launched at a markedly lower price (by 60 percent) than the A7 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 500D features an APS-C sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 158 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the A7 II offers a higher resolution than the 500D (15.1MP), but the A7 II nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 4.69μm for the 500D) due to its larger sensor. Moreover, the A7 II is a much more recent model (by 5 years and 7 months) than the 500D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon 500D are 23.8 x 15.8 inches or 60.4 x 40.2 cm for good quality, 19 x 12.7 inches or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inches or 40.2 x 26.8 cm for excellent quality prints.

The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS 500D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7 II offers substantially better image quality than the 500D (overall score 27 points higher). The advantage is based on 3.2 bits higher color depth, 2.1 EV in additional dynamic range, and 1.9 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 500D	APS-C	15.1	4752	3168	1080/20p	21.7	11.5	663	63
2.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
3.		Canon 450D	APS-C	12.2	4272	2848	none	21.9	10.8	692	61
4.		Canon 550D	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	784	66
5.		Canon 600D	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	793	65
6.		Canon 650D	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
7.		Canon 700D	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	681	61
8.		Canon 750D	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
9.		Canon 760D	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
10.		Canon 1200D	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
11.		Canon G1 X	1.5-inch	14.2	4352	3264	1080/24p	21.7	10.8	644	60
12.		Canon G1 X Mark II	1.5-inch	13.0	4160	3120	1080/30p	21.5	10.8	581	58
13.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
14.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
15.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
16.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
17.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7 II provides a faster frame rate than the 500D. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/20p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the 500D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 II offers a wider field of view (100%) than the one in the 500D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7 II has a higher magnification (0.71x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 500D and Sony A7 II along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 500D	optical	n	3.0 / 920	fixed	n	1/4000s	3.4/s	Y	n
2.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
3.		Canon 450D	optical	n	3.0 / 230	fixed	n	1/4000s	3.5/s	Y	n
4.		Canon 550D	optical	n	3.0 / 1040	fixed	n	1/4000s	3.7/s	Y	n
5.		Canon 600D	optical	n	3.0 / 1040	swivel	n	1/4000s	3.7/s	Y	n
6.		Canon 650D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
7.		Canon 700D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
8.		Canon 750D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
9.		Canon 760D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
10.		Canon 1200D	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
11.		Canon G1 X	optical	n	3.0 / 922	swivel	n	1/4000s	1.9/s	Y	Y
12.		Canon G1 X Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	5.2/s	Y	Y
13.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
14.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
16.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
17.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The 500D has one, while the A7 II does not. While the built-in flash of the 500D is not very powerful, it can at times be useful as a fill-in light.

The 500D writes its imaging data to SDHC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. The A7 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 500D cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 500D and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 500D	Y	mono / mono	-	-	mini	2.0	-	-	-
2.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon 450D	Y	- / -	-	-	mini	2.0	-	-	-
4.		Canon 550D	Y	stereo / -	Y	-	mini	2.0	-	-	-
5.		Canon 600D	Y	mono / mono	Y	-	mini	2.0	-	-	-
6.		Canon 650D	Y	stereo / mono	Y	-	mini	2.0	-	-	-
7.		Canon 700D	Y	stereo / mono	Y	-	mini	2.0	-	-	-
8.		Canon 750D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
9.		Canon 760D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
10.		Canon 1200D	Y	mono / mono	-	-	mini	2.0	-	-	-
11.		Canon G1 X	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Canon G1 X Mark II	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
13.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y

It is notable that the A7 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 500D does not provide wifi capability.

Both the 500D and the A7 II have been discontinued, but can regularly be found used on ebay. The 500D was replaced by the Canon 550D, while the A7 II was followed by the Sony A7 III. Further information on the features and operation of the 500D and A7 II can be found, respectively, in the Canon 500D Manual (free pdf) or the online Sony A7 II Manual.

Review summary

So what conclusions can be drawn? Is the Canon 500D better than the Sony A7 II or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Canon EOS 500D:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Less heavy: Is lighter (by 79g or 13 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in March 2009).

Arguments in favor of the Sony Alpha A7 II:

• More detail: Has more megapixels (24 vs 15.1MP), which boosts linear resolution by 26%.
• Better image quality: Scores substantially higher (27 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (3.2 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1.9 stops ISO advantage).
• Better video: Provides higher movie framerates (1080/60p versus 1080/20p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.54x).
• More detailed LCD: Has a higher resolution rear screen (1230k vs 920k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (5 vs 3.4 flaps/sec) to capture the decisive moment.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 5 years and 7 months of technical progress since the 500D launch.

If the number of relative strengths (bullet points above) is taken as a guide, the A7 II is the clear winner of the contest (24 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 500D and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 500D or the A7 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon 500D	..	+ +	..	74/100	4.5/5	4.5/5	Mar 2009	EUR 699	ebay.com
2.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	EUR 2 099	ebay.com
3.		Canon 450D	..	+ +	..	+ +	4/5	4.5/5	Jan 2008	EUR 699	ebay.com
4.		Canon 550D	..	+ +	..	77/100	4/5	4.5/5	Feb 2010	EUR 649	ebay.com
5.		Canon 600D	3/5	o	..	77/100	4.5/5	4.5/5	Feb 2011	EUR 549	ebay.com
6.		Canon 650D	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	EUR 799	ebay.com
7.		Canon 700D	..	..	..	76/100	4.5/5	4.5/5	Mar 2013	EUR 599	ebay.com
8.		Canon 750D	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	EUR 699	ebay.com
9.		Canon 760D	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	EUR 749	ebay.com
10.		Canon 1200D	3/5	+	..	..	4/5	4.5/5	Feb 2014	EUR 399	ebay.com
11.		Canon G1 X	5/5	+	..	76/100	4/5	4.5/5	Jan 2012	EUR 749	ebay.com
12.		Canon G1 X Mark II	3/5	+	..	77/100	4/5	4.5/5	Feb 2014	EUR 849	ebay.com
13.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	EUR 1 499	ebay.com
14.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	EUR 2 299	amazon.com
15.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	EUR 3 499	ebay.com
16.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	EUR 3 399	ebay.com
17.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	EUR 5 299	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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