Fujifilm GFX 50R vs Panasonic FZ330

The Fujifilm GFX 50R and the Panasonic Lumix DMC-FZ330 (labelled Panasonic FZ300 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2018 and July 2015. The GFX 50R is a mirrorless interchangeable lens camera, while the FZ330 is a fixed lens compact. The cameras are based on a medium format (GFX 50R) and a 1/2.3-inch (FZ330) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Panasonic provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 50R		Panasonic FZ330
Mirrorless system camera		Fixed lens compact camera
Fujifilm G mount lenses		25-600mm f/2.8
51.1 MP – Medium Format sensor		12 MP – 1/2.3" sensor
1080/30p Video		4K/30p Video
ISO 100-12,800 (50 - 102,400)		ISO 100-6,400
Electronic viewfinder (3690k dots)		Electronic viewfinder (1440k dots)
3.2" LCD – 2360k dots		3.0" LCD – 1040k dots
Tilting touchscreen		Swivel touchscreen
3 shutter flaps per second		12 shutter flaps per second
Weathersealed body		Weathersealed body
400 shots per battery charge		380 shots per battery charge
161 x 97 x 66 mm, 775 g		132 x 92 x 117 mm, 691 g

Check GFX 50R offers at
ebay.com
Check FZ330 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50R and the Panasonic Lumix DMC-FZ330? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 50R and the Panasonic FZ330 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ330 is notably smaller (22 percent) than the Fujifilm GFX 50R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ330 has a lens built in, whereas the GFX 50R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the GFX 50R gets 400 shots out of its Fujifilm NP-T125 battery, while the FZ330 can take 380 images on a single charge of its Panasonic DMW-BLC12 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
2.		Panasonic FZ330	132 mm	92 mm	117 mm	691 g	380	Y	Jul 2015	US$ 599	amazon.com
3.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	US$ 3 699	ebay.com
4.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	US$ 3 699	ebay.com
5.		Canon G3 X	123 mm	77 mm	105 mm	733 g	300	Y	Jun 2015	US$ 999	ebay.com
6.		Canon SX60	128 mm	93 mm	114 mm	650 g	340	n	Sep 2014	US$ 549	ebay.com
7.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
8.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
9.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
10.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	US$ 4 999	amazon.com
11.		Hasselblad X1D	150 mm	98 mm	71 mm	725 g	..	Y	Jun 2016	US$ 8 995	ebay.com
12.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	US$ 5 749	ebay.com
13.		Leica M-E Typ 240	139 mm	80 mm	42 mm	680 g	500	Y	Jun 2019	US$ 3 999	ebay.com
14.		Leica Q2	130 mm	80 mm	92 mm	718 g	370	Y	Mar 2019	US$ 4 999	amazon.com
15.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	US$ 499	ebay.com
16.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	US$ 599	ebay.com
17.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	US$ 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ330 was launched at a lower price than the GFX 50R, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50R features a medium format sensor and the Panasonic FZ330 a 1/2.3-inch sensor. The sensor area in the FZ330 is 98 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

With 51.1MP, the GFX 50R offers a higher resolution than the FZ330 (12MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 1.53μm for the FZ330) due to its larger sensor. Moreover, the GFX 50R is a much more recent model (by 3 years and 2 months) than the FZ330, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Panasonic FZ330 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Fujifilm GFX 50R has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-FZ330 are ISO 100 to ISO 6400 (no boost).

In terms of underlying technology, the GFX 50R is build around a CMOS sensor, while the FZ330 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
2.		Panasonic FZ330	1/2.3	12.0	4000	3000	4K/30p	19.3	11.0	97	38
3.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
4.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
5.		Canon G3 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	521	63
6.		Canon SX60	1/2.3	14.2	4608	3072	1080/60p	19.2	10.8	127	39
7.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
8.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
9.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
10.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
11.		Hasselblad X1D	Medium Format	51.3	8272	6200	1080/25p	26.2	14.8	4489	102
12.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
13.		Leica M-E Typ 240	Full Frame	23.7	5952	3976	1080/25p	25.2	14.2	2821	94
14.		Leica Q2	Full Frame	46.7	8368	5584	4K/30p	26.4	13.5	2491	96
15.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
16.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
17.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ330 provides a better video resolution than the GFX 50R. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 50R offers a substantially higher resolution than the one in the FZ330 (3690k vs 1440k dots). The table below summarizes some of the other core capabilities of the Fujifilm GFX 50R and Panasonic FZ330 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
2.		Panasonic FZ330	1440	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
3.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
4.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
5.		Canon G3 X	optional	n	3.2 / 1620	tilting	Y	1/2000s	5.9/s	Y	Y
6.		Canon SX60	922	n	3.0 / 922	swivel	n	1/2000s	6.4/s	Y	Y
7.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
8.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
9.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
10.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
11.		Hasselblad X1D	2360	n	3.0 / 920	fixed	Y	1/2000s	2.3/s	n	n
12.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
13.		Leica M-E Typ 240	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	n	n
14.		Leica Q2	3680	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	n	Y
15.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
16.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
17.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The FZ330 has one, while the GFX 50R does not. While the built-in flash of the FZ330 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50R and the Panasonic FZ330 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 50R and the FZ330 write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ330 only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the FZ330 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50R and Panasonic Lumix DMC-FZ330 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
2.		Panasonic FZ330	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
3.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
4.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
5.		Canon G3 X	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
6.		Canon SX60	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
7.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
8.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
9.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
10.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Hasselblad X1D	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
12.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
13.		Leica M-E Typ 240	Y	mono / -	-	-	-	2.0	-	-	-
14.		Leica Q2	Y	stereo / mono	-	-	-	-	Y	-	Y
15.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
16.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-

Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the FZ330) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The FZ330 is a recent model that features in the current product line-up of Panasonic. In contrast, the GFX 50R has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the GFX 50R from Fujifilm. Further information on the features and operation of the GFX 50R and FZ330 can be found, respectively, in the Fujifilm GFX 50R Manual (free pdf) or the online Panasonic FZ330 Manual.

Review summary

So how do things add up? Is the Fujifilm GFX 50R better than the Panasonic FZ330 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Fujifilm GFX 50R:

• More detail: Offers more megapixels (51.1 vs 12MP) with a 106% higher linear resolution.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 1440k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.70x).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 3 years and 2 months of technical progress since the FZ330 launch.

Arguments in favor of the Panasonic Lumix DMC-FZ330:

• Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has an integrated lens, whereas the GFX 50R necessitates an extra lens.
• More compact: Is smaller (132x92mm vs 161x97mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 50R).
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been around for much longer (launched in July 2015).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the match-up (17 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 50R and the Panasonic FZ330 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GFX 50R or the FZ330 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
2.		Panasonic FZ330	..	+ +	..	..	4.5/5	4.5/5	Jul 2015	US$ 599	amazon.com
3.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	US$ 3 699	ebay.com
4.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	US$ 3 699	ebay.com
5.		Canon G3 X	3.5/5	+	..	..	4.5/5	4/5	Jun 2015	US$ 999	ebay.com
6.		Canon SX60	3/5	+ +	..	75/100	4/5	4.5/5	Sep 2014	US$ 549	ebay.com
7.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
8.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
9.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
10.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	US$ 4 999	amazon.com
11.		Hasselblad X1D	..	o	..	81/100	..	4/5	Jun 2016	US$ 8 995	ebay.com
12.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	US$ 5 749	ebay.com
13.		Leica M-E Typ 240	..	..	..	..	..	..	Jun 2019	US$ 3 999	ebay.com
14.		Leica Q2	..	..	4.5/5	84/100	4.5/5	4/5	Mar 2019	US$ 4 999	amazon.com
15.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	US$ 499	ebay.com
16.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	US$ 599	ebay.com
17.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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