Fujifilm X-A7 vs Panasonic L1

The Fujifilm X-A7 and the Panasonic Lumix DMC-L1 are two digital cameras that were officially introduced, respectively, in September 2019 and February 2006. The X-A7 is a mirrorless interchangeable lens camera, while the L1 is a DSLR. The cameras are based on an APS-C (X-A7) and a Four Thirds (L1) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 7.4 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X-A7		Panasonic L1
Mirrorless system camera		Digital single lens reflex
Fujifilm X mount lenses		Four Thirds lenses
24 MP – APS-C sensor		7.4 MP – Four Thirds sensor
4K/30p Video		no Video
ISO 200-12,800 (200 - 51,200)		ISO 100-1,600
No viewfinder, LCD framing		Optical viewfinder
3.5" LCD – 2760k dots		2.5" LCD – 207k dots
Swivel touchscreen		Fixed screen (not touch-sensitive)
6 shutter flaps per second		3 shutter flaps per second
440 shots per battery charge		750 shots per battery charge
119 x 68 x 41 mm, 320 g		146 x 87 x 64 mm, 606 g

Check X-A7 offers at
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Check L1 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-A7 and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm X-A7 and the Panasonic L1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The X-A7 can be obtained in four different colors (silver, graphite, brown, green), while the L1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is considerably larger (57 percent) than the Fujifilm X-A7. Moreover, the L1 is substantially heavier (89 percent) than the X-A7. In this context, it is worth noting that neither the X-A7 nor the L1 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-A7) and the Four Thirds Lens Catalog (L1). Mirrorless cameras, such as the Fujifilm X-A7, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

The power pack in the X-A7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm X-A7	119 mm	68 mm	41 mm	320 g	440	n	Sep 2019	US$ 499	ebay.com
2.		Panasonic L1	146 mm	87 mm	64 mm	606 g	750	n	Feb 2006	US$ 999	ebay.com
3.		Canon XT	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	US$ 899	ebay.com
4.		Fujifilm X-A3	117 mm	67 mm	40 mm	339 g	410	n	Aug 2016	US$ 399	ebay.com
5.		Fujifilm X-A5	117 mm	68 mm	40 mm	361 g	450	n	Jan 2018	US$ 399	ebay.com
6.		Fujifilm X-E3	121 mm	74 mm	43 mm	337 g	350	n	Sep 2017	US$ 899	ebay.com
7.		Fujifilm X-E4	121 mm	73 mm	33 mm	364 g	380	n	Jan 2021	US$ 849	amazon.com
8.		Fujifilm X-T20	118 mm	83 mm	41 mm	383 g	350	n	Jan 2017	US$ 899	ebay.com
9.		Fujifilm X-T30	118 mm	83 mm	47 mm	383 g	380	n	Feb 2019	US$ 899	ebay.com
10.		Fujifilm X-T100	121 mm	83 mm	47 mm	448 g	430	n	May 2018	US$ 599	ebay.com
11.		Fujifilm X-T200	121 mm	84 mm	55 mm	370 g	270	n	Jan 2020	US$ 699	ebay.com
12.		Fujifilm XF10	113 mm	64 mm	41 mm	279 g	330	n	Jul 2018	US$ 499	ebay.com
13.		Leica Digilux 3	146 mm	87 mm	77 mm	606 g	750	n	Sep 2006	US$ 1 499	ebay.com
14.		Nikon D3500	124 mm	97 mm	70 mm	415 g	1550	n	Aug 2018	US$ 429	ebay.com
15.		Olympus E-300	147 mm	85 mm	64 mm	624 g	750	n	Sep 2004	US$ 799	ebay.com
16.		Olympus E-330	140 mm	87 mm	72 mm	637 g	750	n	Jan 2006	US$ 999	ebay.com
17.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	US$ 599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-A7 was launched at a markedly lower price (by 50 percent) than the L1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm X-A7 features an APS-C sensor and the Panasonic L1 a Four Thirds sensor. The sensor area in the L1 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-A7 has a native 3:2 aspect ratio, while the one in the L1 offers a 4:3 aspect.

With 24MP, the X-A7 offers a higher resolution than the L1 (7.4MP), but the X-A7 has smaller individual pixels (pixel pitch of 3.92μm versus 5.51μm for the L1). However, the X-A7 is a much more recent model (by 13 years and 6 months) than the L1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Fujifilm X-A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-A7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.

The X-A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm X-A7 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 200-51200. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X-A7	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1955	84
2.		Panasonic L1	Four Thirds	7.4	3136	2352	none	20.8	10.4	80	52
3.		Canon XT	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
4.		Fujifilm X-A3	APS-C	24.0	6000	4000	1080/60p	23.8	13.1	1664	81
5.		Fujifilm X-A5	APS-C	24.0	6000	4000	4K/15p	24.0	13.3	1800	82
6.		Fujifilm X-E3	APS-C	24.0	6000	4000	4K/30p	23.9	13.3	1764	82
7.		Fujifilm X-E4	APS-C	26.0	6240	4160	4K/30p	24.2	13.7	2085	85
8.		Fujifilm X-T20	APS-C	24.0	6000	4000	4K/30p	23.9	13.2	1704	81
9.		Fujifilm X-T30	APS-C	26.0	6240	4160	4K/30p	24.1	13.5	1895	83
10.		Fujifilm X-T100	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1829	83
11.		Fujifilm X-T200	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1991	84
12.		Fujifilm XF10	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1844	83
13.		Leica Digilux 3	Four Thirds	7.4	3136	2352	none	21.0	10.6	127	53
14.		Nikon D3500	APS-C	24.0	6000	4000	1080/60p	24.0	13.4	1851	83
15.		Olympus E-300	Four Thirds	8.0	3264	2448	none	20.4	10.1	-40	48
16.		Olympus E-330	Four Thirds	7.4	3136	2352	none	20.8	10.4	73	52
17.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The X-A7 indeed provides movie recording capabilities, while the L1 does not. The highest resolution format that the X-A7 can use is 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the L1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the X-A7 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm X-A7 and Panasonic L1 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X-A7	none	n	3.5 / 2760	swivel	Y	1/4000s	6.0/s	Y	n
2.		Panasonic L1	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
3.		Canon XT	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
4.		Fujifilm X-A3	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
5.		Fujifilm X-A5	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
6.		Fujifilm X-E3	2360	n	3.0 / 1040	fixed	Y	1/4000s	8.0/s	n	n
7.		Fujifilm X-E4	2360	n	3.0 / 1620	tilting	Y	1/4000s	8.0/s	n	n
8.		Fujifilm X-T20	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
9.		Fujifilm X-T30	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
10.		Fujifilm X-T100	2360	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
11.		Fujifilm X-T200	2360	n	3.5 / 2780	swivel	Y	1/4000s	8.0/s	Y	n
12.		Fujifilm XF10	none	n	3.0 / 1040	fixed	Y	1/4000s	6.0/s	Y	n
13.		Leica Digilux 3	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
14.		Nikon D3500	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
15.		Olympus E-300	optical	n	1.8 / 134	fixed	n	1/4000s	2.5/s	Y	n
16.		Olympus E-330	optical	n	2.5 / 215	tilting	n	1/4000s	3.0/s	Y	n
17.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-A7 has a touchscreen, while the L1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-A7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-A7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The X-A7 writes its imaging data to SDXC cards, while the L1 uses SDHC cards. The X-A7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-A7 and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X-A7	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
2.		Panasonic L1	Y	- / -	-	-	-	2.0	-	-	-
3.		Canon XT	Y	- / -	-	-	-	2.0	-	-	-
4.		Fujifilm X-A3	Y	stereo / mono	-	-	micro	2.0	Y	-	-
5.		Fujifilm X-A5	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
6.		Fujifilm X-E3	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
7.		Fujifilm X-E4	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
8.		Fujifilm X-T20	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
9.		Fujifilm X-T30	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
10.		Fujifilm X-T100	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
11.		Fujifilm X-T200	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
12.		Fujifilm XF10	-	stereo / mono	Y	-	micro	2.0	Y	-	Y
13.		Leica Digilux 3	Y	stereo / mono	-	-	-	2.0	-	-	-
14.		Nikon D3500	Y	mono / mono	-	-	mini	2.0	-	-	Y
15.		Olympus E-300	Y	- / -	-	-	-	2.0	-	-	-
16.		Olympus E-330	Y	- / -	-	-	-	2.0	-	-	-
17.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-

It is notable that the X-A7 offers wifi support, while the L1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both the X-A7 and the L1 have been discontinued, but can regularly be found used on ebay. The L1 was replaced by the Panasonic L10, while the X-A7 does not have a direct successor. Further information on the features and operation of the X-A7 and L1 can be found, respectively, in the Fujifilm X-A7 Manual (free pdf) or the online Panasonic L1 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Fujifilm X-A7 and the Panasonic L1? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Fujifilm X-A7:

• More detail: Offers more megapixels (24 vs 7.4MP) with a 84% higher linear resolution.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can record not only still images but also 4K/30p movies.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Larger screen: Has a bigger rear LCD (3.5" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2760k vs 207k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (119x68mm vs 146x87mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 286g or 47 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
• More modern: Reflects 13 years and 6 months of technical progress since the L1 launch.

Reasons to prefer the Panasonic Lumix DMC-L1:

• Easier framing: Has an optical viewfinder for image composition and settings control.
• Longer lasting: Gets more shots (750 versus 440) out of a single battery charge.
• More heavily discounted: Has been around for much longer (launched in February 2006).

If the count of individual advantages (bullet points above) is taken as a guide, the X-A7 is the clear winner of the match-up (24 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X-A7 and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the X-A7 or the L1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm X-A7	3/5	..	3.5/5	81/100	4/5	3.5/5	Sep 2019	US$ 499	ebay.com
2.		Panasonic L1	..	85/100	..	+	..	3.5/5	Feb 2006	US$ 999	ebay.com
3.		Canon XT	..	80/100	..	+ +	o	..	Feb 2005	US$ 899	ebay.com
4.		Fujifilm X-A3	..	..	..	74/100	4.5/5	4/5	Aug 2016	US$ 399	ebay.com
5.		Fujifilm X-A5	..	+	4.1/5	..	4/5	3.5/5	Jan 2018	US$ 399	ebay.com
6.		Fujifilm X-E3	4.5/5	+	4.5/5	84/100	4.5/5	4.5/5	Sep 2017	US$ 899	ebay.com
7.		Fujifilm X-E4	4/5	..	4/5	..	4.5/5	4/5	Jan 2021	US$ 849	amazon.com
8.		Fujifilm X-T20	5/5	+ +	5/5	82/100	5/5	4.5/5	Jan 2017	US$ 899	ebay.com
9.		Fujifilm X-T30	5/5	+ +	5/5	84/100	4.5/5	4.5/5	Feb 2019	US$ 899	ebay.com
10.		Fujifilm X-T100	4/5	+	4.5/5	79/100	4/5	4.5/5	May 2018	US$ 599	ebay.com
11.		Fujifilm X-T200	3.5/5	..	4/5	82/100	4/5	4.5/5	Jan 2020	US$ 699	ebay.com
12.		Fujifilm XF10	..	..	4/5	75/100	4/5	4.5/5	Jul 2018	US$ 499	ebay.com
13.		Leica Digilux 3	..	..	..	..	..	..	Sep 2006	US$ 1 499	ebay.com
14.		Nikon D3500	4/5	..	4/5	75/100	4/5	4.5/5	Aug 2018	US$ 429	ebay.com
15.		Olympus E-300	..	..	..	+	o	4.5/5	Sep 2004	US$ 799	ebay.com
16.		Olympus E-330	..	..	..	+	o	..	Jan 2006	US$ 999	ebay.com
17.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	US$ 599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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