Leica D-LUX 7 vs Pentax K-3 II

The Leica D-LUX 7 and the Pentax K-3 II are two enthusiast cameras that were revealed to the public, respectively, in November 2018 and April 2015. The D-LUX 7 is a fixed lens compact, while the K-3 II is a DSLR. The cameras are based on a Four Thirds (D-LUX 7) and an APS-C (K-3 II) sensor. The Leica has a resolution of 16.8 megapixels, whereas the Pentax provides 24.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica D-LUX 7		Pentax K-3 II
Fixed lens compact camera		Digital single lens reflex
24-75mm f/1.7-2.8		Pentax K mount lenses
16.8 MP – Four Thirds sensor		24.1 MP – APS-C sensor
4K/30p Video		1080/60i Video
ISO 200-25,600		ISO 100-51,200
Electronic viewfinder (2764k dots)		Optical viewfinder
3.0" LCD – 1240k dots		3.2" LCD – 1037k dots
Fixed touchscreen		Fixed screen (not touch-sensitive)
11 shutter flaps per second		8.3 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
300 shots per battery charge		720 shots per battery charge
115 x 66 x 65 mm, 392 g		131 x 100 x 77 mm, 800 g

Check D-LUX 7 offers at
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Check K-3 II offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 7 and the Pentax K-3 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Leica D-LUX 7 and the Pentax K-3 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The K-3 II can be obtained in two different colors (black, silver), while the D-LUX 7 is only available in silver.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 II is considerably larger (73 percent) than the Leica D-LUX 7. It is noteworthy in this context that the K-3 II is splash and dust-proof, while the D-LUX 7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 7 has a lens built in, whereas the K-3 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the D-LUX 7 gets 300 shots out of its Leica BP-DC15 battery, while the K-3 II can take 720 images on a single charge of its Pentax D-LI90 power pack. The power pack in the D-LUX 7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Leica D-LUX 7	115 mm	66 mm	65 mm	392 g	300	n	Nov 2018	US$ 1 195	ebay.com
2.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	US$ 1 099	ebay.com
3.		Fujifilm X100S	127 mm	74 mm	54 mm	445 g	330	n	Jan 2013	US$ 1 299	ebay.com
4.		Fujifilm X100T	127 mm	74 mm	52 mm	440 g	330	n	Sep 2014	US$ 1 299	ebay.com
5.		Fujifilm X100F	127 mm	75 mm	52 mm	469 g	390	n	Jan 2017	US$ 1 299	ebay.com
6.		Leica C-LUX	113 mm	67 mm	46 mm	340 g	370	n	Jun 2018	US$ 1 049	ebay.com
7.		Leica D-LUX Typ 109	118 mm	66 mm	55 mm	405 g	300	n	Sep 2014	US$ 1 195	ebay.com
8.		Leica V-LUX Typ 114	137 mm	99 mm	131 mm	830 g	360	n	Sep 2014	US$ 1 349	ebay.com
9.		Leica V-LUX 5	136 mm	97 mm	131 mm	812 g	350	n	Jul 2019	US$ 1 249	amazon.com
10.		Panasonic LX100 II	115 mm	66 mm	65 mm	392 g	300	n	Aug 2018	US$ 999	ebay.com
11.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	US$ 449	ebay.com
12.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	US$ 1 299	ebay.com
13.		Pentax K-3 III	135 mm	104 mm	74 mm	820 g	800	Y	Mar 2021	US$ 1 999	amazon.com
14.		Pentax K-5	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2010	US$ 1 099	ebay.com
15.		Pentax K-70	126 mm	93 mm	74 mm	688 g	410	Y	Jun 2016	US$ 649	ebay.com
16.		Pentax KP	132 mm	101 mm	76 mm	703 g	390	Y	Jan 2017	US$ 1 099	ebay.com
17.		Sony RX100 VI	102 mm	58 mm	43 mm	301 g	240	n	Jun 2018	US$ 1 199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Leica D-LUX 7 features a Four Thirds sensor and the Pentax K-3 II an APS-C sensor. The sensor area in the K-3 II is 98 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.2 and 1.5. The sensor in the D-LUX 7 has a native 4:3 aspect ratio, while the one in the K-3 II offers a 3:2 aspect. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 24.1MP, the K-3 II offers a higher resolution than the D-LUX 7 (16.8MP), but the K-3 II nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 3.32μm for the D-LUX 7) due to its larger sensor. However, the D-LUX 7 is a much more recent model (by 3 years and 7 months) than the K-3 II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Pentax K-3 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-3 II for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Leica D-LUX 7 are 23.7 x 17.8 inches or 60.1 x 45.1 cm for good quality, 18.9 x 14.2 inches or 48.1 x 36.1 cm for very good quality, and 15.8 x 11.8 inches or 40.1 x 30.1 cm for excellent quality prints.

Unlike the D-LUX 7, the K-3 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Leica D-LUX 7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Pentax K-3 II are ISO 100 to ISO 51200 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica D-LUX 7	Four Thirds	16.8	4736	3552	4K/30p	22.9	12.8	1002	72
2.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
3.		Fujifilm X100S	APS-C	16.0	4896	3264	1080/60p	23.3	12.5	1329	75
4.		Fujifilm X100T	APS-C	16.0	4896	3264	1080/60p	23.6	12.8	1483	78
5.		Fujifilm X100F	APS-C	24.0	6000	4000	1080/60p	23.9	13.2	1704	81
6.		Leica C-LUX	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	481	64
7.		Leica D-LUX Typ 109	Four Thirds	12.7	4112	3088	4K/30p	22.4	12.1	607	67
8.		Leica V-LUX Typ 114	1-inch	20.0	5472	3648	4K/30p	21.6	11.7	127	60
9.		Leica V-LUX 5	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	584	65
10.		Panasonic LX100 II	Four Thirds	16.8	4736	3552	4K/30p	22.8	12.7	979	72
11.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
12.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
13.		Pentax K-3 III	APS-C	25.6	6192	4128	4K/30p	24.2	13.7	2083	85
14.		Pentax K-5	APS-C	16.1	4928	3264	1080/25p	23.7	14.1	1162	82
15.		Pentax K-70	APS-C	24.0	6000	4000	1080/60i	23.8	13.1	1639	80
16.		Pentax KP	APS-C	24.1	6016	4000	1080/60i	23.9	13.2	1699	81
17.		Sony RX100 VI	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	478	64
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the D-LUX 7 provides a higher video resolution than the K-3 II. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the D-LUX 7 has an electronic viewfinder (2764k dots), while the K-3 II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D-LUX 7 has a higher magnification than the one of the K-3 II (0.70x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Leica D-LUX 7, the Pentax K-3 II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica D-LUX 7	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
2.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
3.		Fujifilm X100S	2360	n	2.8 / 460	fixed	n	1/4000s	6.0/s	Y	n
4.		Fujifilm X100T	2360	n	3.0 / 1040	fixed	n	1/4000s	6.0/s	Y	n
5.		Fujifilm X100F	2360	n	3.0 / 1040	fixed	n	1/4000s	8.0/s	Y	n
6.		Leica C-LUX	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
7.		Leica D-LUX Typ 109	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
8.		Leica V-LUX Typ 114	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
9.		Leica V-LUX 5	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
10.		Panasonic LX100 II	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
11.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
12.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
13.		Pentax K-3 III	optical	Y	3.2 / 1620	fixed	Y	1/8000s	12.0/s	n	Y
14.		Pentax K-5	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
15.		Pentax K-70	optical	n	3.0 / 921	swivel	n	1/6000s	6.0/s	Y	Y
16.		Pentax KP	optical	n	3.0 / 921	tilting	n	1/6000s	7.0/s	Y	Y
17.		Sony RX100 VI	2359	n	3.0 / 1229	tilting	Y	1/2000s	24.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D-LUX 7 has a touchscreen, while the K-3 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the D-LUX 7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Leica D-LUX 7 and the Pentax K-3 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the D-LUX 7 and the K-3 II write their files to SDXC cards. The K-3 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX 7 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 7 and Pentax K-3 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica D-LUX 7	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
2.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
3.		Fujifilm X100S	Y	stereo / mono	-	-	micro	2.0	-	-	-
4.		Fujifilm X100T	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
5.		Fujifilm X100F	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Leica C-LUX	-	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Leica D-LUX Typ 109	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
8.		Leica V-LUX Typ 114	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
9.		Leica V-LUX 5	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
10.		Panasonic LX100 II	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
11.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
13.		Pentax K-3 III	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
14.		Pentax K-5	Y	stereo / mono	Y	-	mini	2.0	-	-	-
15.		Pentax K-70	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
16.		Pentax KP	Y	stereo / mono	Y	-	-	2.0	Y	-	-
17.		Sony RX100 VI	-	stereo / mono	-	-	micro	2.0	Y	Y	Y

It is notable that the D-LUX 7 offers wifi support, while the K-3 II does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Pentax K-3 II (unlike the D-LUX 7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the K-3 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

Both the D-LUX 7 and the K-3 II have been discontinued, but can regularly be found used on ebay. The K-3 II was replaced by the Pentax K-3 III, while the D-LUX 7 does not have a direct successor. Further information on the features and operation of the D-LUX 7 and K-3 II can be found, respectively, in the Leica D-LUX 7 Manual (free pdf) or the online Pentax K-3 II Manual.

Review summary

So what is the bottom line? Is the Leica D-LUX 7 better than the Pentax K-3 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Leica D-LUX 7:

• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.63x).
• More detailed LCD: Has a higher resolution rear screen (1240k vs 1037k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (11 vs 8.3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Ready to shoot: Comes with a built-in lens, while the K-3 II requires a separate lens.
• More compact: Is smaller (115x66mm vs 131x100mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-3 II).
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
• More modern: Reflects 3 years and 7 months of technical progress since the K-3 II launch.

Arguments in favor of the Pentax K-3 II:

• More detail: Has more megapixels (24.1 vs 16.8MP), which boosts linear resolution by 22%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• Longer lasting: Gets more shots (720 versus 300) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been around for much longer (launched in April 2015).

If the number of relative strengths (bullet points above) is taken as a guide, the K-3 II is the clear winner of the contest (20 : 16 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Leica D-LUX 7 and the Pentax K-3 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D-LUX 7 or the K-3 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Leica D-LUX 7	..	..	..	..	..	4.5/5	Nov 2018	US$ 1 195	ebay.com
2.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	US$ 1 099	ebay.com
3.		Fujifilm X100S	5/5	+ +	..	81/100	4.5/5	5/5	Jan 2013	US$ 1 299	ebay.com
4.		Fujifilm X100T	5/5	+	..	81/100	4.5/5	5/5	Sep 2014	US$ 1 299	ebay.com
5.		Fujifilm X100F	5/5	+	3.9/5	83/100	4.5/5	4.5/5	Jan 2017	US$ 1 299	ebay.com
6.		Leica C-LUX	..	..	3.5/5	..	4.5/5	4/5	Jun 2018	US$ 1 049	ebay.com
7.		Leica D-LUX Typ 109	..	..	..	..	4.5/5	4.5/5	Sep 2014	US$ 1 195	ebay.com
8.		Leica V-LUX Typ 114	..	..	..	..	..	5/5	Sep 2014	US$ 1 349	ebay.com
9.		Leica V-LUX 5	..	..	..	..	4/5	4/5	Jul 2019	US$ 1 249	amazon.com
10.		Panasonic LX100 II	4.5/5	+	4.2/5	82/100	4.5/5	4.5/5	Aug 2018	US$ 999	ebay.com
11.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
12.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	US$ 1 299	ebay.com
13.		Pentax K-3 III	4/5	..	3/5	..	4.5/5	..	Mar 2021	US$ 1 999	amazon.com
14.		Pentax K-5	4/5	..	..	83/100	5/5	4.5/5	Sep 2010	US$ 1 099	ebay.com
15.		Pentax K-70	4.5/5	..	4/5	79/100	4.5/5	4.5/5	Jun 2016	US$ 649	ebay.com
16.		Pentax KP	4/5	..	3/5	82/100	5/5	4.5/5	Jan 2017	US$ 1 099	ebay.com
17.		Sony RX100 VI	4.5/5	+ +	..	83/100	4/5	4.5/5	Jun 2018	US$ 1 199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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