Olympus E-P1 vs Panasonic FZ2500

The Olympus PEN E-P1 and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were revealed to the public, respectively, in June 2009 and September 2016. The E-P1 is a mirrorless interchangeable lens camera, while the FZ2500 is a fixed lens compact. The cameras are based on a Four Thirds (E-P1) and an one-inch (FZ2500) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Panasonic provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-P1		Panasonic FZ2500
Mirrorless system camera		Fixed lens compact camera
Micro Four Thirds lenses		24-480mm f/2.8-4.5
12.2 MP – Four Thirds sensor		20 MP – 1" sensor
720/30p Video		4K/30p Video
ISO 100-6,400		ISO 125-12,800 (80 - 25,600)
No viewfinder, LCD framing		Electronic viewfinder (2360k dots)
3.0" LCD – 230k dots		3.0" LCD – 1040k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
3 shutter flaps per second		12 shutter flaps per second
In-body stabilization		Lens-based stabilization
300 shots per battery charge		350 shots per battery charge
121 x 70 x 36 mm, 355 g		138 x 102 x 135 mm, 915 g

Check E-P1 offers at
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Check FZ2500 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-P1 and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Olympus E-P1 and the Panasonic FZ2500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The E-P1 can be obtained in three different colors (black, silver, white), while the FZ2500 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is considerably larger (66 percent) than the Olympus E-P1. In this context, it is worth noting that neither the E-P1 nor the FZ2500 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the E-P1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-P1 and their specifications in the Micro Four Thirds Lens Catalog.

Concerning battery life, the E-P1 gets 300 shots out of its Olympus BLS-1 battery, while the FZ2500 can take 350 images on a single charge of its Panasonic DMW-BLC12 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Olympus E-P1	121 mm	70 mm	36 mm	355 g	300	n	Jun 2009	EUR 699	ebay.com
2.		Panasonic FZ2500	138 mm	102 mm	135 mm	915 g	350	n	Sep 2016	EUR 1 249	amazon.com
3.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	EUR 599	ebay.com
4.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	EUR 599	ebay.com
5.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	EUR 599	ebay.com
6.		Olympus E-P2	121 mm	70 mm	36 mm	355 g	300	n	Nov 2009	EUR 699	ebay.com
7.		Olympus E-P3	122 mm	69 mm	34 mm	369 g	330	n	Jun 2011	EUR 699	ebay.com
8.		Olympus E-PL1	115 mm	72 mm	42 mm	334 g	290	n	Feb 2010	EUR 599	ebay.com
9.		Olympus E-PL2	114 mm	72 mm	42 mm	362 g	280	n	Jan 2011	EUR 599	ebay.com
10.		Olympus E-PL3	110 mm	64 mm	37 mm	313 g	300	n	Jun 2011	EUR 549	ebay.com
11.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	EUR 899	ebay.com
12.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	EUR 649	ebay.com
13.		Panasonic GH1	124 mm	90 mm	45 mm	385 g	300	n	Mar 2009	EUR 799	ebay.com
14.		Panasonic ZS100	111 mm	65 mm	44 mm	312 g	300	n	Jan 2016	EUR 699	ebay.com
15.		Sony RX10 II	129 mm	88 mm	102 mm	813 g	400	Y	Jun 2015	EUR 1 599	ebay.com
16.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	EUR 1 149	ebay.com
17.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	EUR 1 199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-P1 features a Four Thirds sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the E-P1 has a native 4:3 aspect ratio, while the one in the FZ2500 offers a 3:2 aspect.

Despite having a smaller sensor, the FZ2500 offers a higher resolution of 20 megapixels, compared with 12.2 MP of the E-P1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.29μm for the E-P1). However, it should be noted that the FZ2500 is much more recent (by 7 years and 3 months) than the E-P1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.

The resolution advantage of the Panasonic FZ2500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2500 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Olympus E-P1 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.

The Olympus PEN E-P1 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

In terms of underlying technology, the E-P1 is build around a CMOS sensor, while the FZ2500 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the FZ2500 offers substantially better image quality than the E-P1 (overall score 15 points higher). The advantage is based on 1.6 bits higher color depth, 2.2 EV in additional dynamic range, and -0 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-P1	Four Thirds	12.2	4032	3024	720/30p	21.4	10.4	536	55
2.		Panasonic FZ2500	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	538	70
3.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
4.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
5.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
6.		Olympus E-P2	Four Thirds	12.2	4032	3024	720/30p	21.5	10.4	505	56
7.		Olympus E-P3	Four Thirds	12.2	4032	3024	1080/60i	20.8	10.1	536	51
8.		Olympus E-PL1	Four Thirds	12.2	4032	3024	720/30p	21.5	10.1	487	54
9.		Olympus E-PL2	Four Thirds	12.2	4032	3024	720/30p	21.4	10.2	573	55
10.		Olympus E-PL3	Four Thirds	12.2	4032	3024	1080/60i	20.9	10.3	499	52
11.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
12.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
13.		Panasonic GH1	Four Thirds	12.0	4000	3000	1080/24p	21.6	11.6	772	64
14.		Panasonic ZS100	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	559	70
15.		Sony RX10 II	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	531	70
16.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
17.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ2500 provides a better video resolution than the E-P1. It can shoot movie footage at 4K/30p, while the Olympus is limited to 720/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Olympus E-P1 and Panasonic FZ2500 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-P1	none	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
2.		Panasonic FZ2500	2360	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
3.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
4.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
5.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
6.		Olympus E-P2	optional	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
7.		Olympus E-P3	optional	n	3.0 / 614	fixed	Y	1/4000s	3.0/s	Y	Y
8.		Olympus E-PL1	optional	n	2.7 / 230	fixed	n	1/2000s	3.0/s	Y	Y
9.		Olympus E-PL2	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	Y
10.		Olympus E-PL3	optional	n	3.0 / 460	tilting	n	1/4000s	5.5/s	n	Y
11.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
12.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
13.		Panasonic GH1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
14.		Panasonic ZS100	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
15.		Sony RX10 II	2359	Y	3.0 / 1229	tilting	n	1/3200s	14.0/s	Y	Y
16.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
17.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ2500 has a touchscreen, while the E-P1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-P1 writes its imaging data to SDHC cards, while the FZ2500 uses SDXC cards. The FZ2500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the E-P1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-P1 and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-P1	Y	stereo / -	-	-	mini	2.0	-	-	-
2.		Panasonic FZ2500	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
3.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
4.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
5.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Olympus E-P2	Y	stereo / -	-	-	mini	2.0	-	-	-
7.		Olympus E-P3	Y	stereo / -	-	-	mini	2.0	-	-	-
8.		Olympus E-PL1	Y	stereo / -	-	-	mini	2.0	-	-	-
9.		Olympus E-PL2	Y	stereo / -	-	-	mini	2.0	-	-	-
10.		Olympus E-PL3	Y	stereo / -	-	-	mini	2.0	-	-	-
11.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
12.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
13.		Panasonic GH1	Y	stereo / -	Y	-	mini	2.0	-	-	-
14.		Panasonic ZS100	-	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Sony RX10 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the FZ2500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-P1 does not provide wifi capability.

The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the E-P1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-P1 was succeeded by the Olympus E-P2. Further information on the features and operation of the E-P1 and FZ2500 can be found, respectively, in the Olympus E-P1 Manual (free pdf) or the online Panasonic FZ2500 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Olympus E-P1 and the Panasonic FZ2500? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Olympus PEN E-P1:

• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• More compact: Is smaller (121x70mm vs 138x102mm) and thus needs less room in the bag.
• More heavily discounted: Has been available for much longer (launched in June 2009).

Reasons to prefer the Panasonic Lumix DMC-FZ2500:

• More detail: Has more megapixels (20 vs 12.2MP), which boosts linear resolution by 30%.
• Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.6 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.2 EV of extra DR).
• Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has an integrated lens, whereas the E-P1 necessitates an extra lens.
• Longer lasting: Gets more shots (350 versus 300) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 7 years and 3 months of technical progress since the E-P1 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the FZ2500 is the clear winner of the contest (21 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-P1 and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the E-P1 and the FZ2500 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Olympus E-P1	..	+	..	66/100	4/5	4.5/5	Jun 2009	EUR 699	ebay.com
2.		Panasonic FZ2500	..	+	..	82/100	4.5/5	5/5	Sep 2016	EUR 1 249	amazon.com
3.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	EUR 599	ebay.com
4.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	EUR 599	ebay.com
5.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	EUR 599	ebay.com
6.		Olympus E-P2	3/5	+	..	69/100	4/5	4.5/5	Nov 2009	EUR 699	ebay.com
7.		Olympus E-P3	..	83/100	..	74/100	4.5/5	4.5/5	Jun 2011	EUR 699	ebay.com
8.		Olympus E-PL1	..	86/100	..	69/100	4/5	4.5/5	Feb 2010	EUR 599	ebay.com
9.		Olympus E-PL2	3/5	83/100	..	71/100	4.5/5	4.5/5	Jan 2011	EUR 599	ebay.com
10.		Olympus E-PL3	3/5	+ +	..	72/100	4.5/5	4/5	Jun 2011	EUR 549	ebay.com
11.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	EUR 899	ebay.com
12.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	EUR 649	ebay.com
13.		Panasonic GH1	..	+ +	..	72/100	4.5/5	4.5/5	Mar 2009	EUR 799	ebay.com
14.		Panasonic ZS100	4.5/5	+ +	..	82/100	4.5/5	4.5/5	Jan 2016	EUR 699	ebay.com
15.		Sony RX10 II	5/5	+ +	..	82/100	4.5/5	4/5	Jun 2015	EUR 1 599	ebay.com
16.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	EUR 1 149	ebay.com
17.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	EUR 1 199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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