Olympus E-PM2 vs Pentax K-3 II
The Olympus PEN E-PM2 and the Pentax K-3 II are two digital cameras that were revealed to the public, respectively, in September 2012 and April 2015. The E-PM2 is a mirrorless interchangeable lens camera, while the K-3 II is a DSLR. The cameras are based on a Four Thirds (E-PM2) and an APS-C (K-3 II) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Pentax provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PM2 and the Pentax K-3 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Olympus E-PM2 and the Pentax K-3 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-PM2 can be obtained in four different colors (black, silver, red, white), while the K-3 II is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 II is considerably larger (86 percent) than the Olympus E-PM2. Moreover, the K-3 II is substantially heavier (197 percent) than the E-PM2. It is noteworthy in this context that the K-3 II is splash and dust-proof, while the E-PM2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the E-PM2 gets 360 shots out of its Olympus BLS-5 battery, while the K-3 II can take 720 images on a single charge of its Pentax D-LI90 power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-PM2 | 110 mm | 64 mm | 34 mm | 269 g | 360 | n | Sep 2012 | US$ 499 | ebay.com | |
2. | Pentax K-3 II | 131 mm | 100 mm | 77 mm | 800 g | 720 | Y | Apr 2015 | US$ 1 099 | ebay.com | |
3. | Nikon D7200 | 136 mm | 107 mm | 76 mm | 765 g | 1110 | Y | Mar 2015 | US$ 1 199 | ebay.com | |
4. | Olympus E-M10 II | 120 mm | 83 mm | 47 mm | 390 g | 320 | n | Aug 2015 | US$ 649 | ebay.com | |
5. | Olympus E-P5 | 122 mm | 69 mm | 37 mm | 420 g | 330 | n | May 2013 | US$ 999 | ebay.com | |
6. | Olympus E-PL3 | 110 mm | 64 mm | 37 mm | 313 g | 300 | n | Jun 2011 | US$ 599 | ebay.com | |
7. | Olympus E-PL5 | 111 mm | 64 mm | 38 mm | 325 g | 360 | n | Sep 2012 | US$ 599 | ebay.com | |
8. | Olympus E-PL6 | 111 mm | 64 mm | 38 mm | 325 g | 360 | n | May 2013 | US$ 599 | ebay.com | |
9. | Olympus E-PL7 | 115 mm | 67 mm | 38 mm | 357 g | 350 | n | Aug 2014 | US$ 599 | ebay.com | |
10. | Olympus E-PL8 | 115 mm | 67 mm | 38 mm | 357 g | 350 | n | Sep 2016 | US$ 549 | ebay.com | |
11. | Olympus E-PL9 | 117 mm | 68 mm | 39 mm | 380 g | 350 | n | Feb 2018 | US$ 599 | ebay.com | |
12. | Olympus E-PM1 | 110 mm | 64 mm | 34 mm | 265 g | 330 | n | Jun 2011 | US$ 499 | ebay.com | |
13. | Panasonic GX850 | 107 mm | 65 mm | 33 mm | 269 g | 210 | n | Jan 2017 | US$ 549 | ebay.com | |
14. | Pentax K-3 | 131 mm | 100 mm | 77 mm | 800 g | 560 | Y | Oct 2013 | US$ 1 299 | ebay.com | |
15. | Pentax K-3 III | 135 mm | 104 mm | 74 mm | 820 g | 800 | Y | Mar 2021 | US$ 1 999 | amazon.com | |
16. | Pentax K-5 II | 131 mm | 97 mm | 73 mm | 760 g | 740 | Y | Sep 2012 | US$ 1 099 | ebay.com | |
17. | Pentax K-S2 | 123 mm | 91 mm | 73 mm | 678 g | 410 | Y | Feb 2015 | US$ 749 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-PM2 was launched at a markedly lower price (by 55 percent) than the K-3 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-PM2 features a Four Thirds sensor and the Pentax K-3 II an APS-C sensor. The sensor area in the K-3 II is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-PM2 has a native 4:3 aspect ratio, while the one in the K-3 II offers a 3:2 aspect.
With 24.1MP, the K-3 II offers a higher resolution than the E-PM2 (15.9MP), but the K-3 II nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 3.76μm for the E-PM2) due to its larger sensor. Moreover, the K-3 II is a much more recent model (by 2 years and 7 months) than the E-PM2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-3 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-3 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-3 II for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Olympus E-PM2 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
Unlike the E-PM2, the K-3 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus PEN E-PM2 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Pentax K-3 II are ISO 100 to ISO 51200 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the K-3 II has a markedly higher DXO score than the E-PM2 (overall score 8 points higher), which will translate into better image quality. The advantage is based on 0.9 bits higher color depth, 1.4 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-PM2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.7 | 12.2 | 932 | 72 | |
2. | Pentax K-3 II | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.6 | 13.6 | 1106 | 80 | |
3. | Nikon D7200 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.5 | 14.6 | 1333 | 87 | |
4. | Olympus E-M10 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.1 | 12.5 | 842 | 73 | |
5. | Olympus E-P5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.4 | 895 | 72 | |
6. | Olympus E-PL3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.9 | 10.3 | 499 | 52 | |
7. | Olympus E-PL5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 889 | 72 | |
8. | Olympus E-PL6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.5 | 12.0 | 717 | 68 | |
9. | Olympus E-PL7 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.7 | 12.4 | 873 | 72 | |
10. | Olympus E-PL8 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 23.0 | 12.6 | 1030 | 73 | |
11. | Olympus E-PL9 | Four Thirds | 15.9 | 4608 | 3456 | 4K/30p | 23.1 | 12.8 | 1162 | 74 | |
12. | Olympus E-PM1 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 21.0 | 10.3 | 499 | 52 | |
13. | Panasonic GX850 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 23.2 | 13.3 | 586 | 73 | |
14. | Pentax K-3 | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.7 | 13.4 | 1216 | 80 | |
15. | Pentax K-3 III | APS-C | 25.6 | 6192 | 4128 | 4K/30p | 24.2 | 13.7 | 2083 | 85 | |
16. | Pentax K-5 II | APS-C | 16.1 | 4928 | 3264 | 1080/25p | 23.8 | 14.1 | 1235 | 82 | |
17. | Pentax K-S2 | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 23.6 | 12.9 | 1514 | 79 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the K-3 II provides a faster frame rate than the E-PM2. It can shoot movie footage at 1080/60i, while the Olympus is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the K-3 II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-PM2 relies on live view and the rear LCD for framing. That said, the E-PM2 can be equipped with an optional viewfinder – the VF-4. The table below summarizes some of the other core capabilities of the Olympus E-PM2 and Pentax K-3 II in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-PM2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 8.0/s | n | Y | |
2. | Pentax K-3 II | optical | Y | 3.2 / 1037 | fixed | n | 1/8000s | 8.3/s | n | Y | |
3. | Nikon D7200 | optical | Y | 3.2 / 1229 | fixed | n | 1/8000s | 6.0/s | Y | n | |
4. | Olympus E-M10 II | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
5. | Olympus E-P5 | optional | n | 3.0 / 1037 | tilting | Y | 1/8000s | 9.0/s | Y | Y | |
6. | Olympus E-PL3 | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 5.5/s | n | Y | |
7. | Olympus E-PL5 | optional | n | 3.0 / 460 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
8. | Olympus E-PL6 | optional | n | 3.0 / 460 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
9. | Olympus E-PL7 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
10. | Olympus E-PL8 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
11. | Olympus E-PL9 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.6/s | Y | Y | |
12. | Olympus E-PM1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 5.5/s | n | Y | |
13. | Panasonic GX850 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 10.0/s | Y | n | |
14. | Pentax K-3 | optical | Y | 3.2 / 1037 | fixed | n | 1/8000s | 8.3/s | Y | Y | |
15. | Pentax K-3 III | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 12.0/s | n | Y | |
16. | Pentax K-5 II | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 7.0/s | Y | Y | |
17. | Pentax K-S2 | optical | n | 3.0 / 921 | swivel | n | 1/6000s | 5.4/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-PM2 has a touchscreen, while the K-3 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Pentax K-3 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the E-PM2 and the K-3 II write their files to SDXC cards. The K-3 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-PM2 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PM2 and Pentax K-3 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-PM2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
2. | Pentax K-3 II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
3. | Nikon D7200 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
4. | Olympus E-M10 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
5. | Olympus E-P5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
6. | Olympus E-PL3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
7. | Olympus E-PL5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
8. | Olympus E-PL6 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Olympus E-PL7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Olympus E-PL8 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
11. | Olympus E-PL9 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
12. | Olympus E-PM1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic GX850 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
14. | Pentax K-3 | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
15. | Pentax K-3 III | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
16. | Pentax K-5 II | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
17. | Pentax K-S2 | Y | mono / mono | Y | - | micro | 2.0 | Y | Y | - |
It is notable that the K-3 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The E-PM2 lacks such a headphone port.
Studio photographers will appreciate that the Pentax K-3 II (unlike the E-PM2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the K-3 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the E-PM2 and the K-3 II have been discontinued, but can regularly be found used on ebay. The K-3 II was replaced by the Pentax K-3 III, while the E-PM2 does not have a direct successor. Further information on the features and operation of the E-PM2 and K-3 II can be found, respectively, in the Olympus E-PM2 Manual (free pdf) or the online Pentax K-3 II Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Olympus E-PM2 or the Pentax K-3 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Olympus PEN E-PM2:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More compact: Is smaller (110x64mm vs 131x100mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 531g or 66 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (55 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2012).
Advantages of the Pentax K-3 II:
- More detail: Has more megapixels (24.1 vs 15.9MP), which boosts linear resolution by 25%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores markedly higher (8 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.4 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (720 versus 360) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 2 years and 7 months of technical progress since the E-PM2 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the K-3 II is the clear winner of the contest (21 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PM2 and the Pentax K-3 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the E-PM2 and the K-3 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-PM2 | 3/5 | .. | .. | 77/100 | 5/5 | 4.5/5 | Sep 2012 | US$ 499 | ebay.com | |
2. | Pentax K-3 II | 4.5/5 | .. | .. | .. | 5/5 | 5/5 | Apr 2015 | US$ 1 099 | ebay.com | |
3. | Nikon D7200 | 4/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Mar 2015 | US$ 1 199 | ebay.com | |
4. | Olympus E-M10 II | 4.5/5 | + + | .. | 80/100 | 5/5 | 5/5 | Aug 2015 | US$ 649 | ebay.com | |
5. | Olympus E-P5 | 5/5 | + + | .. | 78/100 | 4.5/5 | 5/5 | May 2013 | US$ 999 | ebay.com | |
6. | Olympus E-PL3 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4/5 | Jun 2011 | US$ 599 | ebay.com | |
7. | Olympus E-PL5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Sep 2012 | US$ 599 | ebay.com | |
8. | Olympus E-PL6 | .. | .. | .. | .. | .. | .. | May 2013 | US$ 599 | ebay.com | |
9. | Olympus E-PL7 | 4/5 | + | .. | .. | 5/5 | 4/5 | Aug 2014 | US$ 599 | ebay.com | |
10. | Olympus E-PL8 | .. | .. | .. | .. | 4.5/5 | 4/5 | Sep 2016 | US$ 549 | ebay.com | |
11. | Olympus E-PL9 | .. | + | .. | .. | 4.5/5 | 4/5 | Feb 2018 | US$ 599 | ebay.com | |
12. | Olympus E-PM1 | .. | 86/100 | .. | 71/100 | 4.5/5 | 4.5/5 | Jun 2011 | US$ 499 | ebay.com | |
13. | Panasonic GX850 | .. | + | .. | 76/100 | 4.5/5 | 4.5/5 | Jan 2017 | US$ 549 | ebay.com | |
14. | Pentax K-3 | 4/5 | .. | .. | 83/100 | 5/5 | 5/5 | Oct 2013 | US$ 1 299 | ebay.com | |
15. | Pentax K-3 III | 4/5 | .. | 3/5 | .. | 4.5/5 | .. | Mar 2021 | US$ 1 999 | amazon.com | |
16. | Pentax K-5 II | 5/5 | .. | .. | 80/100 | 5/5 | 4.5/5 | Sep 2012 | US$ 1 099 | ebay.com | |
17. | Pentax K-S2 | 4.5/5 | .. | .. | .. | 5/5 | 4.5/5 | Feb 2015 | US$ 749 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon SX740 vs Olympus E-PM2
- Hasselblad X1D vs Olympus E-PM2
- Nikon B500 vs Olympus E-PM2
- Nikon D90 vs Olympus E-PM2
- Olympus E-PM2 vs Panasonic GX8
- Olympus E-PM2 vs Sony A7S II
- Panasonic GF6 vs Pentax K-3 II
- Panasonic TZ100 vs Pentax K-3 II
- Pentax K-3 II vs Pentax KP
- Pentax K-3 II vs Sony A7 II
- Pentax K-3 II vs Sony H200
- Pentax K-3 II vs Sony HX80
Specifications: Olympus E-PM2 vs Pentax K-3 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus E-PM2 | Pentax K-3 II |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Micro Four Thirds lenses | Pentax K mount lenses |
Launch Date | September 2012 | April 2015 |
Launch Price | USD 499 | USD 1,099 |
Sensor Specs | Olympus E-PM2 | Pentax K-3 II |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | APS-C Sensor |
Sensor Size | 17.3 x 13.0 mm | 23.5 x 15.6 mm |
Sensor Area | 224.9 mm2 | 366.6 mm2 |
Sensor Diagonal | 21.6 mm | 28.2 mm |
Crop Factor | 2.0x | 1.5x |
Sensor Resolution | 15.9 Megapixels | 24.1 Megapixels |
Image Resolution | 4608 x 3456 pixels | 6016 x 4000 pixels |
Pixel Pitch | 3.76 μm | 3.90 μm |
Pixel Density | 7.08 MP/cm2 | 6.56 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/30p Video | 1080/60i Video |
ISO Setting | 100 - 25,600 ISO | 100 - 51,200 ISO |
Image Processor | TruePic VI | PRIME III |
DXO Sensor Quality (score) | 72 | 80 |
DXO Color Depth (bits) | 22.7 | 23.6 |
DXO Dynamic Range (EV) | 12.2 | 13.6 |
DXO Low Light (ISO) | 932 | 1106 |
Screen Specs | Olympus E-PM2 | Pentax K-3 II |
Viewfinder Type | Viewfinder optional | Optical viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.63x | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 460k dots | 1037k dots |
LCD Attachment | Fixed screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Olympus E-PM2 | Pentax K-3 II |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 8 shutter flaps/s | 8.3 shutter flaps/s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Olympus E-PM2 | Pentax K-3 II |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.0 |
HDMI Port | mini HDMI | mini HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | no Wifi |
Geotagging | no internal GPS | GPS built-in |
Body Specs | Olympus E-PM2 | Pentax K-3 II |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Olympus BLS-5 | Pentax D-LI90 |
Battery Life (CIPA) | 360 shots per charge | 720 shots per charge |
Body Dimensions |
110 x 64 x 34 mm (4.3 x 2.5 x 1.3 in) |
131 x 100 x 77 mm (5.2 x 3.9 x 3.0 in) |
Camera Weight | 269 g (9.5 oz) | 800 g (28.2 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.