Canon 5D Mark III vs Sony A6500

The Canon EOS 5D Mark III and the Sony Alpha A6500 are two digital cameras that were announced, respectively, in March 2012 and October 2016. The 5D Mark III is a DSLR, while the A6500 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D Mark III) and an APS-C (A6500) sensor. The Canon has a resolution of 22.1 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 5D Mark III		Sony A6500
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Sony E mount lenses
22.1 MP – Full Frame sensor		24 MP – APS-C sensor
1080/30p Video		4K/30p Video
ISO 100-25,600 (50 - 102,400)		ISO 100-25,600 (100 - 51,200)
Optical viewfinder		Electronic viewfinder (2359k dots)
3.2" LCD – 1040k dots		3.0" LCD – 922k dots
Fixed screen (not touch-sensitive)		Tilting touchscreen
6 shutter flaps per second		11 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
950 shots per battery charge		350 shots per battery charge
152 x 116 x 76 mm, 950 g		120 x 67 x 53 mm, 453 g

Check 5D Mark III offers at
ebay.com
Check A6500 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon 5D Mark III and the Sony A6500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is considerably smaller (54 percent) than the Canon 5D Mark III. Moreover, the A6500 is substantially lighter (52 percent) than the 5D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark III) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the A6500, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 5D Mark III gets 950 shots out of its Canon LP-E6 battery, while the A6500 can take 350 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	US$ 3 499	ebay.com
2.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	US$ 1 399	ebay.com
3.		Canon 5D	152 mm	113 mm	75 mm	895 g	400	Y	Aug 2005	US$ 3 299	ebay.com
4.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	US$ 3 499	ebay.com
5.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	US$ 3 499	amazon.com
6.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	US$ 3 699	ebay.com
7.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	US$ 3 699	ebay.com
8.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	US$ 2 099	ebay.com
9.		Nikon D600	141 mm	113 mm	82 mm	850 g	900	Y	Sep 2012	US$ 2 099	ebay.com
10.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	US$ 1 999	ebay.com
11.		Nikon D800	146 mm	123 mm	82 mm	1000 g	900	Y	Feb 2012	US$ 2 999	ebay.com
12.		Nikon D800E	146 mm	123 mm	82 mm	1000 g	900	Y	Feb 2012	US$ 3 299	ebay.com
13.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	US$ 1 199	ebay.com
14.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	US$ 1 399	ebay.com
15.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	US$ 999	ebay.com
16.		Sony A6600	120 mm	67 mm	69 mm	503 g	810	Y	Aug 2019	US$ 1 399	amazon.com
17.		Sony A6700	122 mm	69 mm	64 mm	493 g	570	Y	Jul 2023	US$ 1 399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A6500 was launched at a markedly lower price (by 60 percent) than the 5D Mark III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 5D Mark III features a full frame sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the A6500 offers a slightly higher resolution of 24 megapixels, compared with 22.1 MP of the 5D Mark III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 6.25μm for the 5D Mark III). However, it should be noted that the A6500 is much more recent (by 4 years and 7 months) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.

The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A6500 has a markedly higher DXO score than the 5D Mark III (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.5 bits higher color depth, 2 EV in additional dynamic range, and 0.7 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
2.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
3.		Canon 5D	Full Frame	12.7	4368	2912	none	22.9	11.1	1368	71
4.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
5.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
6.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
7.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
8.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
9.		Nikon D600	Full Frame	24.2	6016	4016	1080/30p	25.1	14.2	2980	94
10.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
11.		Nikon D800	Full Frame	36.2	7360	4912	1080/30p	25.3	14.4	2853	95
12.		Nikon D800E	Full Frame	36.2	7360	4912	1080/30p	25.6	14.3	2979	96
13.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
14.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
15.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
16.		Sony A6600	APS-C	24.0	6000	4000	4K/30p	23.8	13.4	1497	82
17.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a better video resolution than the 5D Mark III. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2359k dots), while the 5D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 5D Mark III has a higher magnification than the one of the A6500 (0.71x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 5D Mark III, the Sony A6500, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 5D Mark III	optical	Y	3.2 / 1040	fixed	n	1/8000s	6.0/s	n	n
2.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
3.		Canon 5D	optical	Y	2.5 / 230	fixed	n	1/8000s	3.0/s	n	n
4.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
5.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
6.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
7.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
8.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
9.		Nikon D600	optical	Y	3.0 / 921	fixed	n	1/4000s	5.5/s	Y	n
10.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
11.		Nikon D800	optical	Y	3.2 / 921	fixed	n	1/8000s	4.0/s	Y	n
12.		Nikon D800E	optical	Y	3.2 / 921	fixed	n	1/8000s	4.0/s	Y	n
13.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
14.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
15.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
16.		Sony A6600	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	n	Y
17.		Sony A6700	2360	n	3.0 / 1037	swivel	Y	1/4000s	11.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the 5D Mark III, but is missing on the A6500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. The 5D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6500 only has one slot. The A6500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 5D Mark III cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 5D Mark III	Y	mono / mono	Y	Y	mini	2.0	-	-	-
2.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
3.		Canon 5D	Y	- / -	-	-	-	2.0	-	-	-
4.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
5.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
6.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
7.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
8.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
9.		Nikon D600	Y	mono / mono	Y	Y	mini	2.0	-	-	-
10.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
11.		Nikon D800	Y	mono / mono	Y	Y	mini	3.0	-	-	-
12.		Nikon D800E	Y	mono / mono	Y	Y	mini	3.0	-	-	-
13.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
14.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-
15.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
16.		Sony A6600	Y	stereo / mono	Y	Y	YES	2.0	Y	Y	Y
17.		Sony A6700	Y	stereo / mono	Y	Y	YES	3.2	Y	Y	Y

It is notable that the 5D Mark III has a headphone jack, which is not present on the A6500 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Canon 5D Mark III (unlike the A6500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the 5D Mark III and the A6500 have been discontinued, but can regularly be found used on ebay. The 5D Mark III was replaced by the Canon 5D Mark IV, while the A6500 was followed by the Sony A6600. Further information on the features and operation of the 5D Mark III and A6500 can be found, respectively, in the Canon 5D Mark III Manual (free pdf) or the online Sony A6500 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Canon 5D Mark III or the Sony A6500 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Canon EOS 5D Mark III:

• Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Longer lasting: Can take more shots (950 versus 350) on a single battery charge.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been available for much longer (launched in March 2012).

Reasons to prefer the Sony Alpha A6500:

• Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
• More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
• Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster burst: Shoots at higher frequency (11 vs 6 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (120x67mm vs 152x116mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 497g or 52 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
• More modern: Reflects 4 years and 7 months of technical progress since the 5D Mark III launch.

If the number of relative strengths (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (20 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 5D Mark III and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 5D Mark III and the A6500 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon 5D Mark III	..	+ +	..	82/100	4.5/5	4.5/5	Mar 2012	US$ 3 499	ebay.com
2.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	US$ 1 399	ebay.com
3.		Canon 5D	..	88/100	..	+ +	o	..	Aug 2005	US$ 3 299	ebay.com
4.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	US$ 3 499	ebay.com
5.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	US$ 3 499	amazon.com
6.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	US$ 3 699	ebay.com
7.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	US$ 3 699	ebay.com
8.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	US$ 2 099	ebay.com
9.		Nikon D600	4/5	+ +	..	87/100	5/5	4.5/5	Sep 2012	US$ 2 099	ebay.com
10.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	US$ 1 999	ebay.com
11.		Nikon D800	5/5	+ +	..	82/100	5/5	5/5	Feb 2012	US$ 2 999	ebay.com
12.		Nikon D800E	..	..	..	84/100	5/5	5/5	Feb 2012	US$ 3 299	ebay.com
13.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	US$ 1 199	ebay.com
14.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	US$ 1 399	ebay.com
15.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	US$ 999	ebay.com
16.		Sony A6600	4/5	+	4/5	83/100	4.5/5	4/5	Aug 2019	US$ 1 399	amazon.com
17.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	US$ 1 399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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