Canon 6D Mark II vs Olympus E-3

The Canon EOS 6D Mark II and the Olympus E-3 are two digital cameras that were officially introduced, respectively, in June 2017 and October 2007. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (6D Mark II) and a Four Thirds (E-3) sensor. The Canon has a resolution of 26 megapixels, whereas the Olympus provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 6D Mark II		Olympus E-3
Digital single lens reflex		Digital single lens reflex
Canon EF mount lenses		Four Thirds lenses
26 MP – Full Frame sensor		10 MP – Four Thirds sensor
1080/60p Video		no Video
ISO 100-40,000 (50 - 102,400)		ISO 100-3,200
Optical viewfinder		Optical viewfinder
3.0" LCD – 1040k dots		2.5" LCD – 230k dots
Swivel touchscreen		Swivel screen (not touch-sensitive)
6.5 shutter flaps per second		5 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
1200 shots per battery charge		750 shots per battery charge
144 x 111 x 75 mm, 765 g		142 x 116 x 75 mm, 876 g

Check 6D Mark II price at
amazon.com
Check E-3 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Olympus E-3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon 6D Mark II and the Olympus E-3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-3 is somewhat larger (3 percent) than the Canon 6D Mark II. Moreover, the E-3 is markedly heavier (15 percent) than the 6D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Four Thirds Lens Catalog (E-3).

Concerning battery life, the 6D Mark II gets 1200 shots out of its Canon LP-E6N battery, while the E-3 can take 750 images on a single charge of its Olympus BLM-1 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	US$ 1 999	amazon.com
2.		Olympus E-3	142 mm	116 mm	75 mm	876 g	750	Y	Oct 2007	US$ 1 699	ebay.com
3.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	US$ 3 499	ebay.com
4.		Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	US$ 3 499	ebay.com
5.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	US$ 3 499	amazon.com
6.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	US$ 2 099	ebay.com
7.		Canon 80D	139 mm	105 mm	79 mm	730 g	960	Y	Feb 2016	US$ 1 199	ebay.com
8.		Canon R	139 mm	98 mm	84 mm	660 g	370	Y	Sep 2018	US$ 2 299	ebay.com
9.		Nikon D600	141 mm	113 mm	82 mm	850 g	900	Y	Sep 2012	US$ 2 099	ebay.com
10.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	US$ 1 999	ebay.com
11.		Nikon D750	141 mm	113 mm	78 mm	750 g	1230	Y	Sep 2014	US$ 2 299	ebay.com
12.		Olympus E-1	141 mm	104 mm	81 mm	738 g	750	Y	Jun 2003	US$ 1 699	ebay.com
13.		Olympus E-5	142 mm	117 mm	75 mm	873 g	750	Y	Sep 2010	US$ 1 699	ebay.com
14.		Olympus E-30	142 mm	108 mm	75 mm	701 g	750	n	Nov 2008	US$ 1 299	ebay.com
15.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	US$ 799	ebay.com
16.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	US$ 699	ebay.com
17.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	US$ 1 999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-3 was launched at a somewhat lower price (by 15 percent) than the 6D Mark II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Olympus E-3 a Four Thirds sensor. The sensor area in the E-3 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 6D Mark II has a native 3:2 aspect ratio, while the one in the E-3 offers a 4:3 aspect.

With 26MP, the 6D Mark II offers a higher resolution than the E-3 (10MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 4.74μm for the E-3) due to its larger sensor. Moreover, the 6D Mark II is a much more recent model (by 9 years and 8 months) than the E-3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon 6D Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 6D Mark II for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Olympus E-3 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus E-3 are ISO 100 to ISO 3200 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 6D Mark II provides substantially higher image quality than the E-3, with an overall score that is 29 points higher. This advantage is based on 2.8 bits higher color depth, 1.4 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
2.		Olympus E-3	Four Thirds	10.0	3648	2736	none	21.6	10.5	571	56
3.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
4.		Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
5.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
6.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
7.		Canon 80D	APS-C	24.0	6000	4000	1080/60p	23.6	13.2	1135	79
8.		Canon R	Full Frame	30.1	6720	4480	4K/30p	24.5	13.5	2742	89
9.		Nikon D600	Full Frame	24.2	6016	4016	1080/30p	25.1	14.2	2980	94
10.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
11.		Nikon D750	Full Frame	24.2	6016	4016	1080/60p	24.8	14.5	2956	93
12.		Olympus E-1	Four Thirds	4.9	2560	1920	none	20.0	9.7	-145	44
13.		Olympus E-5	Four Thirds	12.2	4032	3024	720/30p	21.6	10.5	519	56
14.		Olympus E-30	Four Thirds	12.2	4032	3024	none	21.3	10.4	530	55
15.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
16.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
17.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The 6D Mark II indeed provides movie recording capabilities, while the E-3 does not. The highest resolution format that the 6D Mark II can use is 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The 6D Mark II and the E-3 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the E-3 offers a wider field of view (100%) than the one in the 6D Mark II (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 6D Mark II has a higher magnification (0.72x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 6D Mark II and Olympus E-3 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
2.		Olympus E-3	optical	Y	2.5 / 230	swivel	n	1/8000s	5.0/s	Y	Y
3.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
4.		Canon 5D Mark III	optical	Y	3.2 / 1040	fixed	n	1/8000s	6.0/s	n	n
5.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
6.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
7.		Canon 80D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
8.		Canon R	3690	Y	3.2 / 2100	swivel	Y	1/8000s	8.0/s	n	n
9.		Nikon D600	optical	Y	3.0 / 921	fixed	n	1/4000s	5.5/s	Y	n
10.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
11.		Nikon D750	optical	Y	3.2 / 1229	tilting	n	1/4000s	6.0/s	Y	n
12.		Olympus E-1	optical	Y	1.8 / 134	fixed	n	1/4000s	3.0/s	n	n
13.		Olympus E-5	optical	Y	3.0 / 920	swivel	n	1/8000s	5.0/s	Y	Y
14.		Olympus E-30	optical	Y	2.7 / 230	swivel	n	1/8000s	5.0/s	Y	Y
15.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
16.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
17.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The 6D Mark II has a touchscreen, while the E-3 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The Canon 6D Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The 6D Mark II writes its imaging data to SDXC cards, while the E-3 uses Compact Flash or xD Picture cards. The E-3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 6D Mark II only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Olympus E-3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
2.		Olympus E-3	Y	- / -	-	-	-	2.0	-	-	-
3.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
4.		Canon 5D Mark III	Y	mono / mono	Y	Y	mini	2.0	-	-	-
5.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
6.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
7.		Canon 80D	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
8.		Canon R	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
9.		Nikon D600	Y	mono / mono	Y	Y	mini	2.0	-	-	-
10.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
11.		Nikon D750	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
12.		Olympus E-1	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-5	Y	stereo / -	-	-	mini	2.0	-	-	-
14.		Olympus E-30	Y	- / -	-	-	-	2.0	-	-	-
15.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-
16.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
17.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y

It is notable that the 6D Mark II offers wifi support, while the E-3 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Olympus E-3 (unlike the 6D Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the 6D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

The 6D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the E-3 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-3 was succeeded by the Olympus E-5. Further information on the features and operation of the 6D Mark II and E-3 can be found, respectively, in the Canon 6D Mark II Manual (free pdf) or the online Olympus E-3 Manual.

Review summary

So how do things add up? Which of the two cameras – the Canon 6D Mark II or the Olympus E-3 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Canon EOS 6D Mark II:

• More detail: Offers more megapixels (26 vs 10MP) with a 64% higher linear resolution.
• Better image quality: Scores substantially higher (29 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (2.8 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.4 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (2.3 stops ISO advantage).
• Broader imaging potential: Can record not only still images but also 1080/60p movies.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.58x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (6.5 vs 5 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Less heavy: Is lighter (by 111g or 13 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (1200 versus 750) on a single battery charge.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Reflects 9 years and 8 months of technical progress since the E-3 launch.

Arguments in favor of the Olympus E-3:

• More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More affordable: Was released into a lower priced segment (15 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in October 2007).

If the number of relative strengths (bullet points above) is taken as a guide, the 6D Mark II is the clear winner of the match-up (20 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 6D Mark II and the Olympus E-3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 6D Mark II or the E-3 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	US$ 1 999	amazon.com
2.		Olympus E-3	..	88/100	..	+ +	o	4/5	Oct 2007	US$ 1 699	ebay.com
3.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	US$ 3 499	ebay.com
4.		Canon 5D Mark III	..	+ +	..	82/100	4.5/5	4.5/5	Mar 2012	US$ 3 499	ebay.com
5.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	US$ 3 499	amazon.com
6.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	US$ 2 099	ebay.com
7.		Canon 80D	4/5	+ +	4.5/5	84/100	4.5/5	4.5/5	Feb 2016	US$ 1 199	ebay.com
8.		Canon R	4/5	o	4/5	79/100	4.5/5	4/5	Sep 2018	US$ 2 299	ebay.com
9.		Nikon D600	4/5	+ +	..	87/100	5/5	4.5/5	Sep 2012	US$ 2 099	ebay.com
10.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	US$ 1 999	ebay.com
11.		Nikon D750	5/5	+ +	4/5	90/100	4.5/5	4.5/5	Sep 2014	US$ 2 299	ebay.com
12.		Olympus E-1	..	..	..	+	o	..	Jun 2003	US$ 1 699	ebay.com
13.		Olympus E-5	4/5	..	..	75/100	4/5	4.5/5	Sep 2010	US$ 1 699	ebay.com
14.		Olympus E-30	..	..	..	71/100	4.5/5	4/5	Nov 2008	US$ 1 299	ebay.com
15.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	US$ 799	ebay.com
16.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	US$ 699	ebay.com
17.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	US$ 1 999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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