Canon 6D Mark II vs Pentax K-1 II

The Canon EOS 6D Mark II and the Pentax K-1 II are two enthusiast cameras that were officially introduced, respectively, in June 2017 and February 2018. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a full frame sensor. The Canon has a resolution of 26 megapixels, whereas the Pentax provides 36.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 6D Mark II		Pentax K-1 II
Digital single lens reflex		Digital single lens reflex
Canon EF mount lenses		Pentax K mount lenses
26 MP – Full Frame sensor		36.2 MP – Full Frame sensor
1080/60p Video		1080/60i Video
ISO 100-40,000 (50 - 102,400)		ISO 100-819,200
Optical viewfinder		Optical viewfinder
3.0" LCD – 1040k dots		3.2" LCD – 1037k dots
Swivel touchscreen		Fully flexible screen (no touchscreen)
6.5 shutter flaps per second		4.4 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
1200 shots per battery charge		670 shots per battery charge
144 x 111 x 75 mm, 765 g		137 x 110 x 86 mm, 1010 g

Check 6D Mark II price at
amazon.com
Check K-1 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Pentax K-1 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon 6D Mark II and the Pentax K-1 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The K-1 II can be obtained in two different colors (black, silver), while the 6D Mark II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 II is notably smaller (6 percent) than the Canon 6D Mark II. However, the K-1 II is markedly heavier (32 percent) than the 6D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the 6D Mark II gets 1200 shots out of its Canon LP-E6N battery, while the K-1 II can take 670 images on a single charge of its Pentax D-LI90 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	US$ 1 999	amazon.com
2.		Pentax K-1 II	137 mm	110 mm	86 mm	1010 g	670	Y	Feb 2018	US$ 1 999	amazon.com
3.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	US$ 3 499	ebay.com
4.		Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	US$ 3 499	ebay.com
5.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	US$ 3 499	amazon.com
6.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	US$ 2 099	ebay.com
7.		Canon 80D	139 mm	105 mm	79 mm	730 g	960	Y	Feb 2016	US$ 1 199	ebay.com
8.		Canon R	139 mm	98 mm	84 mm	660 g	370	Y	Sep 2018	US$ 2 299	ebay.com
9.		Nikon D600	141 mm	113 mm	82 mm	850 g	900	Y	Sep 2012	US$ 2 099	ebay.com
10.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	US$ 1 999	ebay.com
11.		Nikon D750	141 mm	113 mm	78 mm	750 g	1230	Y	Sep 2014	US$ 2 299	ebay.com
12.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	US$ 3 699	amazon.com
13.		Pentax K-1	137 mm	110 mm	86 mm	1010 g	760	Y	Feb 2016	US$ 1 799	ebay.com
14.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	US$ 1 999	amazon.com
15.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	US$ 3 199	ebay.com
16.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490	Y	Sep 2016	US$ 3 199	ebay.com
17.		Sony A850	156 mm	117 mm	82 mm	895 g	880	Y	Aug 2009	US$ 1 999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

While the two cameras under review share the same sensor size, the K-1 II offers a higher resolution of 36.2 megapixels, compared with 26 MP of the 6D Mark II. This megapixels advantage translates into a 18 percent gain in linear resolution. On the other hand, these sensor specs imply that the K-1 II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.88μm versus 5.76μm for the 6D Mark II). However, it should be noted that the K-1 II is a somewhat more recent model (by 7 months) than the 6D Mark II, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the K-1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Pentax K-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 II for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Canon 6D Mark II are 31.2 x 20.8 inches or 79.2 x 52.8 cm for good quality, 25 x 16.6 inches or 63.4 x 42.3 cm for very good quality, and 20.8 x 13.9 inches or 52.8 x 35.2 cm for excellent quality prints.

The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the 6D Mark II, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Pentax K-1 II are ISO 100 to ISO 819200 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
2.		Pentax K-1 II	Full Frame	36.2	7360	4912	1080/60i	25.1	14.0	2698	93
3.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
4.		Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
5.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
6.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
7.		Canon 80D	APS-C	24.0	6000	4000	1080/60p	23.6	13.2	1135	79
8.		Canon R	Full Frame	30.1	6720	4480	4K/30p	24.5	13.5	2742	89
9.		Nikon D600	Full Frame	24.2	6016	4016	1080/30p	25.1	14.2	2980	94
10.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
11.		Nikon D750	Full Frame	24.2	6016	4016	1080/60p	24.8	14.5	2956	93
12.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
13.		Pentax K-1	Full Frame	36.2	7360	4912	1080/60i	25.4	14.6	3280	96
14.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
15.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
16.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92
17.		Sony A850	Full Frame	24.4	6048	4032	none	23.8	12.2	1415	79
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 6D Mark II provides a higher frame rate than the K-1 II. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The 6D Mark II and the K-1 II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the K-1 II offers a wider field of view (100%) than the one in the 6D Mark II (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 6D Mark II has a higher magnification (0.72x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 6D Mark II, the Pentax K-1 II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
2.		Pentax K-1 II	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
3.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
4.		Canon 5D Mark III	optical	Y	3.2 / 1040	fixed	n	1/8000s	6.0/s	n	n
5.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
6.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
7.		Canon 80D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
8.		Canon R	3690	Y	3.2 / 2100	swivel	Y	1/8000s	8.0/s	n	n
9.		Nikon D600	optical	Y	3.0 / 921	fixed	n	1/4000s	5.5/s	Y	n
10.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
11.		Nikon D750	optical	Y	3.2 / 1229	tilting	n	1/4000s	6.0/s	Y	n
12.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
13.		Pentax K-1	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
14.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A99 II	2400	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	n	Y
17.		Sony A850	optical	Y	3.0 / 922	fixed	n	1/8000s	3.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The 6D Mark II has a touchscreen, while the K-1 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The Canon 6D Mark II and the Pentax K-1 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the 6D Mark II and the K-1 II write their files to SDXC cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the 6D Mark II only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Pentax K-1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
2.		Pentax K-1 II	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
3.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
4.		Canon 5D Mark III	Y	mono / mono	Y	Y	mini	2.0	-	-	-
5.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
6.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
7.		Canon 80D	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
8.		Canon R	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
9.		Nikon D600	Y	mono / mono	Y	Y	mini	2.0	-	-	-
10.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
11.		Nikon D750	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
12.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
13.		Pentax K-1	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
14.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
16.		Sony A99 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
17.		Sony A850	Y	- / -	-	-	mini	2.0	-	-	-

It is notable that the K-1 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 6D Mark II lacks such a headphone port.

Studio photographers will appreciate that the Pentax K-1 II (unlike the 6D Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that both cameras feature internal geolocalization sensors and can record GPS coordinates in their EXIF data.

Both the 6D Mark II and the K-1 II are recent models that are part of the current product line-up. The 6D Mark II replaced the earlier Canon 6D, while the K-1 II followed on from the Pentax K-1. Further information on the features and operation of the 6D Mark II and K-1 II can be found, respectively, in the Canon 6D Mark II Manual (free pdf) or the online Pentax K-1 II Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Canon 6D Mark II and the Pentax K-1 II? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Canon EOS 6D Mark II:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.70x).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (6.5 vs 4.4 flaps/sec) to capture the decisive moment.
• Less heavy: Is lighter (by 245g or 24 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (1200 versus 670) on a single battery charge.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More heavily discounted: Has been on the market for longer (launched in June 2017).

Reasons to prefer the Pentax K-1 II:

• More detail: Has more megapixels (36.2 vs 26MP), which boosts linear resolution by 18%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Was introduced somewhat (7 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the 6D Mark II comes out slightly ahead of the K-1 II (12 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 6D Mark II and the Pentax K-1 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 6D Mark II and the K-1 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	US$ 1 999	amazon.com
2.		Pentax K-1 II	..	..	4.5/5	79/100	4.5/5	4.5/5	Feb 2018	US$ 1 999	amazon.com
3.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	US$ 3 499	ebay.com
4.		Canon 5D Mark III	..	+ +	..	82/100	4.5/5	4.5/5	Mar 2012	US$ 3 499	ebay.com
5.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	US$ 3 499	amazon.com
6.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	US$ 2 099	ebay.com
7.		Canon 80D	4/5	+ +	4.5/5	84/100	4.5/5	4.5/5	Feb 2016	US$ 1 199	ebay.com
8.		Canon R	4/5	o	4/5	79/100	4.5/5	4/5	Sep 2018	US$ 2 299	ebay.com
9.		Nikon D600	4/5	+ +	..	87/100	5/5	4.5/5	Sep 2012	US$ 2 099	ebay.com
10.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	US$ 1 999	ebay.com
11.		Nikon D750	5/5	+ +	4/5	90/100	4.5/5	4.5/5	Sep 2014	US$ 2 299	ebay.com
12.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	US$ 3 699	amazon.com
13.		Pentax K-1	5/5	..	..	84/100	5/5	5/5	Feb 2016	US$ 1 799	ebay.com
14.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	US$ 1 999	amazon.com
15.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	US$ 3 199	ebay.com
16.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	US$ 3 199	ebay.com
17.		Sony A850	3/5	..	..	75/100	..	4.5/5	Aug 2009	US$ 1 999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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