Canon G7 X Mark III vs Panasonic GF1

The Canon PowerShot G7 X Mark III and the Panasonic Lumix DMC-GF1 are two digital cameras that were announced, respectively, in July 2019 and September 2009. The G7X Mark III is a fixed lens compact, while the GF1 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G7X Mark III) and a Four Thirds (GF1) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon G7 X Mark III		Panasonic GF1
Fixed lens compact camera		Mirrorless system camera
24-100mm f/1.8-2.8		Micro Four Thirds lenses
20 MP – 1" sensor		12 MP – Four Thirds sensor
4K/30p Video		720/30p Video
ISO 125-12,800 (125 - 25,600)		ISO 100-3,200
No viewfinder, LCD framing		Viewfinder optional
3.0" LCD – 1040k dots		3.0" LCD – 460k dots
Tilting touchscreen		Fixed screen (not touch-sensitive)
30 shutter flaps per second		3 shutter flaps per second
235 shots per battery charge		380 shots per battery charge
105 x 61 x 41 mm, 304 g		119 x 71 x 36 mm, 385 g

Check G7X Mark III price at
amazon.com
Check GF1 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X Mark III and the Panasonic Lumix DMC-GF1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon G7 X Mark III and the Panasonic GF1. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

The G7X Mark III can be obtained in two different colors (black, silver), while the GF1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF1 is notably larger (32 percent) than the Canon G7 X Mark III. In this context, it is worth noting that neither the G7X Mark III nor the GF1 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G7X Mark III has a lens built in, whereas the GF1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF1 and their specifications in the Micro Four Thirds Lens Catalog.

Concerning battery life, the G7X Mark III gets 235 shots out of its Canon NB-13L battery, while the GF1 can take 380 images on a single charge of its Panasonic DMW-BLB13 power pack. The power pack in the G7X Mark III can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon G7 X Mark III	105 mm	61 mm	41 mm	304 g	235	n	Jul 2019	US$ 749	amazon.com
2.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	US$ 749	ebay.com
3.		Canon G5 X	112 mm	76 mm	44 mm	353 g	210	n	Oct 2015	US$ 799	ebay.com
4.		Canon G5 X Mark II	111 mm	61 mm	46 mm	340 g	230	n	Jul 2019	US$ 899	ebay.com
5.		Canon G7 X	103 mm	60 mm	40 mm	304 g	210	n	Sep 2014	US$ 699	ebay.com
6.		Canon G7 X Mark II	106 mm	61 mm	42 mm	319 g	265	n	Feb 2016	US$ 699	ebay.com
7.		Canon SX740	110 mm	64 mm	40 mm	299 g	265	n	Jul 2018	US$ 399	amazon.com
8.		Leica C-LUX	113 mm	67 mm	46 mm	340 g	370	n	Jun 2018	US$ 1 049	ebay.com
9.		Panasonic FZ1000 II	136 mm	97 mm	131 mm	810 g	350	n	Feb 2019	US$ 899	amazon.com
10.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	US$ 599	ebay.com
11.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	US$ 599	ebay.com
12.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	US$ 499	ebay.com
13.		Panasonic GH1	124 mm	90 mm	45 mm	385 g	300	n	Mar 2009	US$ 899	ebay.com
14.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	US$ 699	ebay.com
15.		Panasonic ZS200	111 mm	65 mm	45 mm	340 g	370	n	Feb 2018	US$ 799	amazon.com
16.		Sony RX100 VI	102 mm	58 mm	43 mm	301 g	240	n	Jun 2018	US$ 1 199	ebay.com
17.		Sony ZV-1	105 mm	60 mm	44 mm	294 g	260	n	May 2020	US$ 799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon G7 X Mark III features an one-inch sensor and the Panasonic GF1 a Four Thirds sensor. The sensor area in the GF1 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the G7X Mark III has a native 3:2 aspect ratio, while the one in the GF1 offers a 4:3 aspect.

Despite having a smaller sensor, the Canon G7 X Mark III offers a higher resolution of 20 megapixels, compared with 12 MP of the Panasonic GF1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.33μm for the GF1). However, it should be noted that the G7X Mark III is much more recent (by 9 years and 10 months) than the GF1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.

The resolution advantage of the Canon G7 X Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G7X Mark III for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic GF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Canon PowerShot G7 X Mark III has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GF1 are ISO 100 to ISO 3200 (no boost).

In terms of underlying technology, the G7X Mark III is build around a BSI-CMOS sensor, while the GF1 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon G7 X Mark III	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
2.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
3.		Canon G5 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	471	62
4.		Canon G5 X Mark II	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
5.		Canon G7 X	1-inch	20.0	5472	3648	1080/60p	23.0	12.7	556	71
6.		Canon G7 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.8	11.9	260	62
7.		Canon SX740	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1050	51
8.		Leica C-LUX	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	481	64
9.		Panasonic FZ1000 II	1-inch	20.0	5472	3648	4K/30p	22.1	12.4	546	65
10.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
11.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
12.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
13.		Panasonic GH1	Four Thirds	12.0	4000	3000	1080/24p	21.6	11.6	772	64
14.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
15.		Panasonic ZS200	1-inch	20.0	5472	3648	4K/30p	22.0	12.2	449	64
16.		Sony RX100 VI	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	478	64
17.		Sony ZV-1	1-inch	20.0	5472	3648	4K/30p	22.2	12.6	669	66
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G7X Mark III provides a higher video resolution than the GF1. It can shoot video footage at 4K/30p, while the Panasonic is limited to 720/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The G7X Mark III and the GF1 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GF1 can be equipped with an optional viewfinder – the DMW-LVF1. The adjacent table lists some of the other core features of the Canon G7 X Mark III and Panasonic GF1 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon G7 X Mark III	none	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
2.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
3.		Canon G5 X	2360	n	3.0 / 1040	swivel	Y	1/2000s	5.9/s	Y	Y
4.		Canon G5 X Mark II	2360	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
5.		Canon G7 X	none	n	3.0 / 1040	tilting	Y	1/2000s	6.5/s	Y	Y
6.		Canon G7 X Mark II	none	n	3.0 / 1040	tilting	Y	1/2000s	8.0/s	Y	Y
7.		Canon SX740	none	n	3.0 / 922	tilting	n	1/3200s	10.0/s	Y	Y
8.		Leica C-LUX	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
9.		Panasonic FZ1000 II	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
10.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
11.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
12.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
13.		Panasonic GH1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
14.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
15.		Panasonic ZS200	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
16.		Sony RX100 VI	2359	n	3.0 / 1229	tilting	Y	1/2000s	24.0/s	Y	Y
17.		Sony ZV-1	none	n	3.0 / 922	swivel	Y	1/2000s	24.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7X Mark III has a touchscreen, while the GF1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7X Mark III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon G7 X Mark III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G7X Mark III writes its imaging data to SDXC cards, while the GF1 uses SDHC cards. The G7X Mark III supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X Mark III and Panasonic Lumix DMC-GF1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon G7 X Mark III	-	stereo / mono	Y	-	micro	3.1	Y	-	Y
2.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
3.		Canon G5 X	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
4.		Canon G5 X Mark II	-	stereo / mono	-	-	micro	3.1	Y	-	Y
5.		Canon G7 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
6.		Canon G7 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	-
7.		Canon SX740	-	stereo / mono	-	-	micro	2.0	Y	-	Y
8.		Leica C-LUX	-	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Panasonic FZ1000 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
10.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
11.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
13.		Panasonic GH1	Y	stereo / -	Y	-	mini	2.0	-	-	-
14.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic ZS200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
16.		Sony RX100 VI	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
17.		Sony ZV-1	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y

It is notable that the G7X Mark III has a microphone port, which is missing on the GF1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

The G7X Mark III is a recent model that features in the current product line-up of Canon. In contrast, the GF1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GF1 was succeeded by the Panasonic DMC-GF2. Further information on the features and operation of the G7X Mark III and GF1 can be found, respectively, in the Canon G7 X Mark III Manual (free pdf) or the online Panasonic GF1 Manual.

Review summary

So how do things add up? Which of the two cameras – the Canon G7 X Mark III or the Panasonic GF1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Canon PowerShot G7 X Mark III:

• More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
• Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (30 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has a lens built-in, whereas the GF1 requires a separate lens.
• More compact: Is smaller (105x61mm vs 119x71mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the GF1).
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 9 years and 10 months of technical progress since the GF1 launch.

Advantages of the Panasonic Lumix DMC-GF1:

• More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (380 versus 235) out of a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More heavily discounted: Has been around for much longer (launched in September 2009).

If the count of individual advantages (bullet points above) is taken as a guide, the G7X Mark III is the clear winner of the match-up (20 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon G7 X Mark III and the Panasonic GF1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G7X Mark III and the GF1 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon G7 X Mark III	..	+ +	4/5	81/100	4/5	..	Jul 2019	US$ 749	amazon.com
2.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	US$ 749	ebay.com
3.		Canon G5 X	5/5	+ +	..	78/100	4.5/5	4.5/5	Oct 2015	US$ 799	ebay.com
4.		Canon G5 X Mark II	4/5	+	4/5	82/100	..	4/5	Jul 2019	US$ 899	ebay.com
5.		Canon G7 X	4/5	+ +	..	77/100	4.5/5	4.5/5	Sep 2014	US$ 699	ebay.com
6.		Canon G7 X Mark II	4.5/5	+ +	..	81/100	4.5/5	4.5/5	Feb 2016	US$ 699	ebay.com
7.		Canon SX740	..	+	3.5/5	..	4/5	4/5	Jul 2018	US$ 399	amazon.com
8.		Leica C-LUX	..	..	3.5/5	..	4.5/5	4/5	Jun 2018	US$ 1 049	ebay.com
9.		Panasonic FZ1000 II	..	..	..	83/100	4.5/5	4.5/5	Feb 2019	US$ 899	amazon.com
10.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	US$ 599	ebay.com
11.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	US$ 599	ebay.com
12.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	US$ 499	ebay.com
13.		Panasonic GH1	..	+ +	..	72/100	4.5/5	4.5/5	Mar 2009	US$ 899	ebay.com
14.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	US$ 699	ebay.com
15.		Panasonic ZS200	..	+ +	4.5/5	81/100	4.5/5	4.5/5	Feb 2018	US$ 799	amazon.com
16.		Sony RX100 VI	4.5/5	+ +	..	83/100	4/5	4.5/5	Jun 2018	US$ 1 199	ebay.com
17.		Sony ZV-1	4/5	+	4/5	85/100	4/5	4.5/5	May 2020	US$ 799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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