Canon M5 vs Panasonic FZ300
The Canon EOS M5 and the Panasonic Lumix DMC-FZ300 (labelled Panasonic FZ330 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2016 and July 2015. The M5 is a mirrorless interchangeable lens camera, while the FZ300 is a fixed lens compact. The cameras are based on an APS-C (M5) and a 1/2.3-inch (FZ300) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M5 and the Panasonic Lumix DMC-FZ300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon M5 and the Panasonic FZ300 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ300 is notably larger (18 percent) than the Canon M5. It is noteworthy in this context that the FZ300 is splash and dust-proof, while the M5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ300 has a lens built in, whereas the M5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the M5 gets 295 shots out of its Canon LP-E17 battery, while the FZ300 can take 380 images on a single charge of its Panasonic DMW-BLC12 power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M5 | 116 mm | 89 mm | 61 mm | 427 g | 295 | n | Sep 2016 | US$ 979 | ebay.com | |
2. | Panasonic FZ300 | 132 mm | 92 mm | 117 mm | 691 g | 380 | Y | Jul 2015 | US$ 599 | amazon.com | |
3. | Canon 77D | 131 mm | 100 mm | 76 mm | 540 g | 600 | n | Feb 2017 | US$ 899 | ebay.com | |
4. | Canon M3 | 111 mm | 68 mm | 44 mm | 366 g | 250 | n | Feb 2015 | US$ 679 | ebay.com | |
5. | Canon M6 | 112 mm | 68 mm | 45 mm | 390 g | 295 | n | Feb 2017 | US$ 779 | ebay.com | |
6. | Canon M10 | 108 mm | 67 mm | 35 mm | 301 g | 255 | n | Oct 2015 | US$ 499 | ebay.com | |
7. | Canon M50 | 116 mm | 88 mm | 59 mm | 390 g | 235 | n | Feb 2018 | US$ 779 | ebay.com | |
8. | Canon M100 | 108 mm | 67 mm | 35 mm | 302 g | 295 | n | Aug 2017 | US$ 499 | ebay.com | |
9. | Canon SL2 | 122 mm | 93 mm | 70 mm | 453 g | 650 | n | Jun 2017 | US$ 549 | ebay.com | |
10. | Canon SX60 | 128 mm | 93 mm | 114 mm | 650 g | 340 | n | Sep 2014 | US$ 549 | ebay.com | |
11. | Canon T6i | 132 mm | 101 mm | 78 mm | 555 g | 440 | n | Feb 2015 | US$ 749 | ebay.com | |
12. | Canon T6s | 132 mm | 101 mm | 78 mm | 565 g | 440 | n | Feb 2015 | US$ 649 | ebay.com | |
13. | Nikon D5500 | 124 mm | 97 mm | 70 mm | 470 g | 820 | n | Jan 2015 | US$ 899 | ebay.com | |
14. | Panasonic FZ100 | 124 mm | 82 mm | 92 mm | 540 g | 410 | n | Jul 2010 | US$ 499 | ebay.com | |
15. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | US$ 499 | ebay.com | |
16. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | US$ 599 | ebay.com | |
17. | Sony HX400V | 130 mm | 93 mm | 103 mm | 660 g | 300 | n | Feb 2014 | US$ 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ300 was launched at a lower price than the M5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M5 features an APS-C sensor and the Panasonic FZ300 a 1/2.3-inch sensor. The sensor area in the FZ300 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the M5 has a native 3:2 aspect ratio, while the one in the FZ300 offers a 4:3 aspect.
With 24MP, the M5 offers a higher resolution than the FZ300 (12MP), but the M5 nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 1.53μm for the FZ300) due to its larger sensor. Moreover, the M5 is a somewhat more recent model (by 1 year and 2 months) than the FZ300, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon M5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M5 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ300 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The M5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M5 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ300 are ISO 100 to ISO 6400 (no boost).
In terms of underlying technology, the M5 is build around a CMOS sensor, while the FZ300 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the M5 provides substantially higher image quality than the FZ300, with an overall score that is 39 points higher. This advantage is based on 4.1 bits higher color depth, 1.4 EV in additional dynamic range, and 3.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M5 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.4 | 1262 | 77 | |
2. | Panasonic FZ300 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 19.3 | 11.0 | 97 | 38 | |
3. | Canon 77D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.3 | 971 | 78 | |
4. | Canon M3 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.8 | 11.8 | 1169 | 72 | |
5. | Canon M6 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.6 | 1317 | 78 | |
6. | Canon M10 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.2 | 11.4 | 753 | 65 | |
7. | Canon M50 | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 23.8 | 13.3 | 1684 | 81 | |
8. | Canon M100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.5 | 12.9 | 1272 | 78 | |
9. | Canon SL2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.4 | 1041 | 79 | |
10. | Canon SX60 | 1/2.3 | 14.2 | 4608 | 3072 | 1080/60p | 19.2 | 10.8 | 127 | 39 | |
11. | Canon T6i | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.7 | 12.0 | 919 | 71 | |
12. | Canon T6s | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 12.0 | 915 | 70 | |
13. | Nikon D5500 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1438 | 84 | |
14. | Panasonic FZ100 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 306 | 39 | |
15. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
16. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
17. | Sony HX400V | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.1 | 11.4 | 629 | 45 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ300 provides a better video resolution than the M5. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the M5 offers a substantially higher resolution than the one in the FZ300 (2360k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Canon M5, the Panasonic FZ300, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M5 | 2360 | n | 3.2 / 1620 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
2. | Panasonic FZ300 | 1440 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
3. | Canon 77D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
4. | Canon M3 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
5. | Canon M6 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
6. | Canon M10 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.6/s | Y | n | |
7. | Canon M50 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
8. | Canon M100 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
9. | Canon SL2 | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
10. | Canon SX60 | 922 | n | 3.0 / 922 | swivel | n | 1/2000s | 6.4/s | Y | Y | |
11. | Canon T6i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
12. | Canon T6s | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
13. | Nikon D5500 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
14. | Panasonic FZ100 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
15. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
16. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
17. | Sony HX400V | 210 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ300 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M5 and the FZ300 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M5 and Panasonic Lumix DMC-FZ300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M5 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
2. | Panasonic FZ300 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
3. | Canon 77D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
4. | Canon M3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
5. | Canon M6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
6. | Canon M10 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
7. | Canon M50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
8. | Canon M100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
9. | Canon SL2 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
10. | Canon SX60 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
11. | Canon T6i | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
12. | Canon T6s | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
13. | Nikon D5500 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
14. | Panasonic FZ100 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
17. | Sony HX400V | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
The FZ300 is a recent model that features in the current product line-up of Panasonic. In contrast, the M5 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the M5 from Canon. Further information on the features and operation of the M5 and FZ300 can be found, respectively, in the Canon M5 Manual (free pdf) or the online Panasonic FZ300 Manual.
Review summary
So how do things add up? Is the Canon M5 better than the Panasonic FZ300 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS M5:
- More detail: Offers more megapixels (24 vs 12MP) with a 44% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (39 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (4.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.4 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3.7 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (116x89mm vs 132x92mm) and thus needs less room in the bag.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Is somewhat more recent (announced 1 year and 2 months after the FZ300).
Reasons to prefer the Panasonic Lumix DMC-FZ300:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (12 vs 9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the M5 necessitates an extra lens.
- Longer lasting: Gets more shots (380 versus 295) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in July 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the M5 emerges as the winner of the contest (15 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M5 and the Panasonic FZ300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the M5 and the FZ300 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M5 | 4/5 | + | 4/5 | 82/100 | 4/5 | 4/5 | Sep 2016 | US$ 979 | ebay.com | |
2. | Panasonic FZ300 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2015 | US$ 599 | amazon.com | |
3. | Canon 77D | 4.5/5 | .. | 4/5 | 82/100 | 4.5/5 | 4/5 | Feb 2017 | US$ 899 | ebay.com | |
4. | Canon M3 | 4/5 | o | .. | 75/100 | 4.5/5 | 4/5 | Feb 2015 | US$ 679 | ebay.com | |
5. | Canon M6 | .. | .. | .. | 80/100 | 4/5 | 4/5 | Feb 2017 | US$ 779 | ebay.com | |
6. | Canon M10 | .. | .. | .. | .. | .. | 4/5 | Oct 2015 | US$ 499 | ebay.com | |
7. | Canon M50 | .. | + | 4/5 | 79/100 | .. | 3.5/5 | Feb 2018 | US$ 779 | ebay.com | |
8. | Canon M100 | 3/5 | + | .. | .. | 4/5 | 3.5/5 | Aug 2017 | US$ 499 | ebay.com | |
9. | Canon SL2 | 4/5 | + + | 4/5 | 78/100 | 4.5/5 | 4.5/5 | Jun 2017 | US$ 549 | ebay.com | |
10. | Canon SX60 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Sep 2014 | US$ 549 | ebay.com | |
11. | Canon T6i | 5/5 | .. | .. | 75/100 | 4.5/5 | 4.5/5 | Feb 2015 | US$ 749 | ebay.com | |
12. | Canon T6s | 5/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2015 | US$ 649 | ebay.com | |
13. | Nikon D5500 | 5/5 | + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2015 | US$ 899 | ebay.com | |
14. | Panasonic FZ100 | .. | + | .. | .. | 4.5/5 | 4.5/5 | Jul 2010 | US$ 499 | ebay.com | |
15. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | US$ 499 | ebay.com | |
16. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | US$ 599 | ebay.com | |
17. | Sony HX400V | 4/5 | + + | .. | .. | 4/5 | 4/5 | Feb 2014 | US$ 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon M5 vs Fujifilm X100F
- Canon M5 vs Nikon D1H
- Canon M5 vs Nikon D2H
- Canon M5 vs Nikon D3300
- Canon M5 vs Olympus TG-6
- Canon M5 vs Sony A7R III
- Canon SX1 vs Panasonic FZ300
- Leica Digilux 3 vs Panasonic FZ300
- Nikon D50 vs Panasonic FZ300
- Nikon D600 vs Panasonic FZ300
- Panasonic FZ300 vs Panasonic S5 II
- Panasonic FZ300 vs Sony RX1
Specifications: Canon M5 vs Panasonic FZ300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon M5 | Panasonic FZ300 |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Canon EF-M mount lenses | 25-600mm f/2.8 |
Launch Date | September 2016 | July 2015 |
Launch Price | USD 979 | USD 599 |
Sensor Specs | Canon M5 | Panasonic FZ300 |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | APS-C Sensor | 1/2.3" Sensor |
Sensor Size | 22.3 x 14.9 mm | 6.17 x 4.55 mm |
Sensor Area | 332.27 mm2 | 28.0735 mm2 |
Sensor Diagonal | 26.8 mm | 7.7 mm |
Crop Factor | 1.6x | 5.6x |
Sensor Resolution | 24 Megapixels | 12 Megapixels |
Image Resolution | 6000 x 4000 pixels | 4000 x 3000 pixels |
Pixel Pitch | 3.72 μm | 1.53 μm |
Pixel Density | 7.22 MP/cm2 | 42.74 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/60p Video | 4K/30p Video |
ISO Setting | 100 - 25,600 ISO | 100 - 6,400 ISO |
Image Processor | DIGIC 7 | Venus |
DXO Sensor Quality (score) | 77 | 38 |
DXO Color Depth (bits) | 23.4 | 19.3 |
DXO Dynamic Range (EV) | 12.4 | 11.0 |
DXO Low Light (ISO) | 1262 | 97 |
Screen Specs | Canon M5 | Panasonic FZ300 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | .. x | 0.70x |
Viewfinder Resolution | 2360k dots | 1440k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 1620k dots | 1040k dots |
LCD Attachment | Tilting screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon M5 | Panasonic FZ300 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 9 shutter flaps/s | 12 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Canon M5 | Panasonic FZ300 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Microphone Port | External MIC port | External MIC port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | no NFC |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Canon M5 | Panasonic FZ300 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon LP-E17 | Panasonic DMW-BLC12 |
Battery Life (CIPA) | 295 shots per charge | 380 shots per charge |
Body Dimensions |
116 x 89 x 61 mm (4.6 x 3.5 x 2.4 in) |
132 x 92 x 117 mm (5.2 x 3.6 x 4.6 in) |
Camera Weight | 427 g (15.1 oz) | 691 g (24.4 oz) |
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