Canon R1 vs Fujifilm GFX 100RF
The Canon EOS R1 and the Fujifilm GFX 100RF are two digital cameras that were revealed to the public, respectively, in July 2024 and March 2025. The R1 is a mirrorless interchangeable lens camera, while the GFX 100RF is a fixed lens compact. The cameras are based on a full frame (R1) and a medium format (GFX 100RF) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 101.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check R1 price at
amazon.com

Check GFX 100RF price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R1 and the Fujifilm GFX 100RF? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon R1 and the Fujifilm GFX 100RF are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GFX 100RF can be obtained in two different colors (black, silver), while the R1 is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100RF is considerably smaller (49 percent) than the Canon R1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the GFX 100RF has a lens built in, whereas the R1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the R1 gets 1330 shots out of its Canon LP-E19 battery, while the GFX 100RF can take 820 images on a single charge of its Fujifilm NP-W235 power pack. As can be seen in the images above, the R1 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | 158 mm | 150 mm | 87 mm | 1115 g | 1330 | Y | Jul 2024 | US$ 6 299 | amazon.com | |
| 2. | Fujifilm GFX 100RF | 134 mm | 90 mm | 77 mm | 735 g | 820 | Y | Mar 2025 | US$ 4 899 | amazon.com | |
| 3. | Canon R3 | 150 mm | 143 mm | 87 mm | 1015 g | 760 | Y | Sep 2021 | US$ 5 999 | amazon.com | |
| 4. | Canon R5 Mark II | 138 mm | 98 mm | 88 mm | 746 g | 340 | Y | Jul 2024 | US$ 4 299 | amazon.com | |
| 5. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | US$ 2 499 | amazon.com | |
| 6. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | US$ 2 499 | amazon.com | |
| 7. | Canon R8 | 133 mm | 86 mm | 70 mm | 461 g | 220 | n | Feb 2023 | US$ 1 499 | amazon.com | |
| 8. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | US$ 4 499 | ebay.com | |
| 9. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | US$ 6 499 | ebay.com | |
| 10. | Fujifilm GFX 100S II | 150 mm | 104 mm | 87 mm | 883 g | 530 | Y | May 2024 | US$ 4 999 | amazon.com | |
| 11. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | US$ 5 749 | ebay.com | |
| 12. | Leica Q2 | 130 mm | 80 mm | 92 mm | 718 g | 370 | Y | Mar 2019 | US$ 4 999 | amazon.com | |
| 13. | Leica SL3-S | 141 mm | 108 mm | 85 mm | 852 g | 315 | Y | Jan 2025 | US$ 5 299 | amazon.com | |
| 14. | Nikon Z9 | 149 mm | 150 mm | 91 mm | 1340 g | 740 | Y | Oct 2021 | US$ 5 499 | amazon.com | |
| 15. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | US$ 1 999 | amazon.com | |
| 16. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| 17. | Sony A9 III | 136 mm | 97 mm | 83 mm | 702 g | 530 | Y | Nov 2023 | US$ 5 999 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GFX 100RF was launched at a lower price than the R1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon R1 features a full frame sensor and the Fujifilm GFX 100RF a medium format sensor. The sensor area in the GFX 100RF is 67 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the R1 has a native 3:2 aspect ratio, while the one in the GFX 100RF offers a 4:3 aspect.

With 101.8MP, the GFX 100RF offers a higher resolution than the R1 (24MP), but the GFX 100RF has smaller individual pixels (pixel pitch of 3.76μm versus 6.00μm for the R1). Yet, the GFX 100RF is a somewhat more recent model (by 8 months) than the R1, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 100RF has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100RF implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100RF for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon R1 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The Canon EOS R1 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-409600. The corresponding ISO settings for the Fujifilm GFX 100RF are ISO 80 to ISO 12800, with the possibility to increase the ISO range to 40-102400.
In terms of underlying technology, the R1 is build around a Stacked BSI-CMOS sensor, while the GFX 100RF uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.4 | 14.8 | 3332 | 97 | |
| 2. | Fujifilm GFX 100RF | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.9 | 15.1 | 3805 | 101 | |
| 3. | Canon R3 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.0 | 14.7 | 4086 | 96 | |
| 4. | Canon R5 Mark II | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.8 | 3332 | 97 | |
| 5. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
| 6. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
| 7. | Canon R8 | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 24.5 | 14.7 | 3295 | 93 | |
| 8. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
| 9. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
| 10. | Fujifilm GFX 100S II | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.9 | 15.1 | 3720 | 101 | |
| 11. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
| 12. | Leica Q2 | Full Frame | 46.7 | 8368 | 5584 | 4K/30p | 26.4 | 13.5 | 2491 | 96 | |
| 13. | Leica SL3-S | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.8 | 3383 | 97 | |
| 14. | Nikon Z9 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.4 | 2451 | 98 | |
| 15. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
| 16. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| 17. | Sony A9 III | Full Frame | 24.0 | 6000 | 4000 | 4K/120p | 25.4 | 14.7 | 3243 | 96 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the R1 provides a higher video resolution than the GFX 100RF. It can shoot video footage at 6K/60p, while the Fujifilm is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R1 offers a substantially higher resolution than the one in the GFX 100RF (9440k vs 5760k dots). The following table reports on some other key feature differences and similarities of the Canon R1, the Fujifilm GFX 100RF, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | 9440 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 2. | Fujifilm GFX 100RF | 5760 | n | 3.2 / 2100 | tilting | Y | 1/4000s | 6.0/s | n | n | |
| 3. | Canon R3 | 5760 | Y | 3.2 / 4150 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 4. | Canon R5 Mark II | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 5. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 6. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 7. | Canon R8 | 2360 | n | 3.0 / 1620 | swivel | Y | 1/4000s | 6.0/s | n | n | |
| 8. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
| 9. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
| 10. | Fujifilm GFX 100S II | 5760 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 7.0/s | n | Y | |
| 11. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
| 12. | Leica Q2 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
| 13. | Leica SL3-S | 5760 | Y | 3.2 / 2333 | tilting | Y | 1/8000s | 30.0/s | n | Y | |
| 14. | Nikon Z9 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
| 15. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
| 16. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| 17. | Sony A9 III | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/80000s | 120.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the R1, but is missing on the GFX 100RF is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The R1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 100RF does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R1 and the Fujifilm GFX 100RF both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R1 writes its imaging data to CFexpress (type B) or SDXC cards, while the GFX 100RF uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R1 and Fujifilm GFX 100RF and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | Fujifilm GFX 100RF | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 3. | Canon R3 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 4. | Canon R5 Mark II | Y | mono / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 5. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 6. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 7. | Canon R8 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 8. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
| 9. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
| 10. | Fujifilm GFX 100S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 11. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
| 12. | Leica Q2 | Y | stereo / mono | - | - | - | - | Y | - | Y | |
| 13. | Leica SL3-S | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 14. | Nikon Z9 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 15. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 16. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 17. | Sony A9 III | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
Studio photographers will appreciate that the Canon R1 (unlike the GFX 100RF) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the R1 and the GFX 100RF are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Canon and Fujifilm. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Canon R1 and the Fujifilm GFX 100RF? Which camera is better? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Canon EOS R1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (6K/60p vs 4K/30p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 5760k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.84x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 6 flaps/sec) to capture the decisive moment.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1330 versus 820) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been on the market for longer (launched in July 2024).

Arguments in favor of the Fujifilm GFX 100RF:
- More detail: Has more megapixels (101.8 vs 24MP), which boosts linear resolution by 102%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Ready to shoot: Has an integrated lens, whereas the R1 necessitates an extra lens.
- More compact: Is smaller (134x90mm vs 158x150mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the R1).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (8 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the R1 is the clear winner of the match-up (16 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R1 and the Fujifilm GFX 100RF place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R1 or the GFX 100RF. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | .. | .. | .. | .. | .. | .. | Jul 2024 | US$ 6 299 | amazon.com | |
| 2. | Fujifilm GFX 100RF | .. | .. | .. | .. | .. | .. | Mar 2025 | US$ 4 899 | amazon.com | |
| 3. | Canon R3 | 5/5 | o | 4.5/5 | .. | 5/5 | 4.5/5 | Sep 2021 | US$ 5 999 | amazon.com | |
| 4. | Canon R5 Mark II | .. | .. | .. | 93/100 | .. | .. | Jul 2024 | US$ 4 299 | amazon.com | |
| 5. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | US$ 2 499 | amazon.com | |
| 6. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | US$ 2 499 | amazon.com | |
| 7. | Canon R8 | 4.5/5 | + + | 4.5/5 | 87/100 | 4/5 | 4.5/5 | Feb 2023 | US$ 1 499 | amazon.com | |
| 8. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | US$ 4 499 | ebay.com | |
| 9. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | US$ 6 499 | ebay.com | |
| 10. | Fujifilm GFX 100S II | .. | .. | .. | .. | .. | .. | May 2024 | US$ 4 999 | amazon.com | |
| 11. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | US$ 5 749 | ebay.com | |
| 12. | Leica Q2 | .. | .. | 4.5/5 | 84/100 | 4.5/5 | 4/5 | Mar 2019 | US$ 4 999 | amazon.com | |
| 13. | Leica SL3-S | .. | .. | .. | .. | .. | .. | Jan 2025 | US$ 5 299 | amazon.com | |
| 14. | Nikon Z9 | 5/5 | .. | 4.5/5 | 94/100 | 5/5 | 5/5 | Oct 2021 | US$ 5 499 | amazon.com | |
| 15. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | US$ 1 999 | amazon.com | |
| 16. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| 17. | Sony A9 III | 4.5/5 | .. | .. | 91/100 | .. | .. | Nov 2023 | US$ 5 999 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check R1 price at
amazon.com

Check GFX 100RF price at
amazon.com
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 6D Mark II vs Canon R1
- Canon 70D vs Canon R1
- Canon M50 Mark II vs Canon R1
- Canon R1 vs Nikon D3000
- Canon R1 vs Panasonic GH5 II
- Canon R1 vs Sony A6700
- Canon V1 vs Fujifilm GFX 100RF
- Fujifilm GFX 100RF vs Fujifilm X-H2S
- Fujifilm GFX 100RF vs Nikon Z6 III
- Fujifilm GFX 100RF vs Nikon Zf
- Fujifilm GFX 100RF vs Panasonic S9
- Fujifilm GFX 100RF vs Sony ZV-E10 II
Specifications: Canon R1 vs Fujifilm GFX 100RF
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon R1 | Fujifilm GFX 100RF |
|---|---|---|
| Camera Type | Mirrorless system camera | Fixed lens compact camera |
| Camera Lens | Canon RF mount lenses | 28mm f/4.0 |
| Launch Date | July 2024 | March 2025 |
| Launch Price | USD 6,299 | USD 4,899 |
| Sensor Specs | Canon R1 | Fujifilm GFX 100RF |
| Sensor Technology | Stacked BSI-CMOS | BSI-CMOS |
| Sensor Format | Full Frame Sensor | Medium Format Sensor |
| Sensor Size | 36.0 x 24.0 mm | 43.8 x 32.9 mm |
| Sensor Area | 864 mm2 | 1441.02 mm2 |
| Sensor Diagonal | 43.3 mm | 54.8 mm |
| Crop Factor | 1.0x | 0.79x |
| Sensor Resolution | 24 Megapixels | 101.8 Megapixels |
| Image Resolution | 6000 x 4000 pixels | 11648 x 8736 pixels |
| Pixel Pitch | 6.00 μm | 3.76 μm |
| Pixel Density | 2.78 MP/cm2 | 7.06 MP/cm2 |
| Moiré control | Anti-Alias filter | no AA filter |
| Movie Capability | 6K/60p Video | 4K/30p Video |
| ISO Setting | 100 - 102,400 ISO | 80 - 12,800 ISO |
| ISO Boost | 50 - 409,600 ISO | 40 - 102,400 ISO |
| Image Processor | DIGIC X | X-Processor 5 |
| Screen Specs | Canon R1 | Fujifilm GFX 100RF |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.9x | 0.84x |
| Viewfinder Resolution | 9440k dots | 5760k dots |
| Top-Level Screen | Control Panel | no Top Display |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.2inch |
| LCD Resolution | 2100k dots | 2100k dots |
| LCD Attachment | Swivel screen | Tilting screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Canon R1 | Fujifilm GFX 100RF |
| Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/4000s |
| Continuous Shooting | 12 shutter flaps/s | 6 shutter flaps/s |
| Electronic Shutter | up to 1/64000s | up to 1/16000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | no handshake reduction |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | CFexB or SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Dual card slots |
| UHS card support | UHS-II | Dual UHS-II |
| Connectivity Specs | Canon R1 | Fujifilm GFX 100RF |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 3.2 |
| HDMI Port | full HDMI | micro HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | Headphone port | Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Body Specs | Canon R1 | Fujifilm GFX 100RF |
| Environmental Sealing | Weathersealed body | Weathersealed body |
| Battery Type | Canon LP-E19 | Fujifilm NP-W235 |
| Battery Life (CIPA) | 1330 shots per charge | 820 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
158 x 150 x 87 mm (6.2 x 5.9 x 3.4 in) |
134 x 90 x 77 mm (5.3 x 3.5 x 3.0 in) |
| Camera Weight | 1115 g (39.3 oz) | 735 g (25.9 oz) |

Check R1 price at
amazon.com

Check GFX 100RF price at
amazon.com
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

