Fujifilm GFX 100 II vs Nikon 1 V2

The Fujifilm GFX 100 II and the Nikon 1 V2 are two digital cameras that were revealed to the public, respectively, in September 2023 and October 2012. Both the GFX 100 II and the V2 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100 II) and an one-inch (V2) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Nikon provides 14.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100 II		Nikon 1 V2
Mirrorless system camera		Mirrorless system camera
Fujifilm G mount lenses		Nikon 1 mount lenses
101.8 MP – Medium Format sensor		14.2 MP – 1" sensor
8K/30p Video		1080/60p Video
ISO 100-12,800 (50 - 102,400)		ISO 160-12,800
Electronic viewfinder (9440k dots)		Electronic viewfinder (1440k dots)
3.2" LCD – 2360k dots		3.0" LCD – 921k dots
Fully flexible touchscreen		Fixed screen (not touch-sensitive)
8 shutter flaps per second		15 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
540 shots per battery charge		310 shots per battery charge
152 x 117 x 99 mm, 1030 g		109 x 82 x 46 mm, 278 g

Check GFX 100 II price at
amazon.com
Check V2 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 II and the Nikon 1 V2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 100 II and the Nikon 1 V2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The V2 can be obtained in two different colors (black, white), while the GFX 100 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon 1 V2 is considerably smaller (50 percent) than the Fujifilm GFX 100 II. Moreover, the V2 is substantially lighter (73 percent) than the GFX 100 II. It is worth mentioning in this context that the GFX 100 II is splash and dust resistant, while the V2 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The power pack in the GFX 100 II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	EUR 7 999	amazon.com
2.		Nikon 1 V2	109 mm	82 mm	46 mm	278 g	310	n	Oct 2012	EUR 749	ebay.com
3.		Canon G1 X	117 mm	81 mm	65 mm	534 g	250	n	Jan 2012	EUR 749	ebay.com
4.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	EUR 6 499	ebay.com
5.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	EUR 3 999	amazon.com
6.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	EUR 10 999	ebay.com
7.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	EUR 5 999	amazon.com
8.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	EUR 5 499	amazon.com
9.		Fujifilm X-H2	136 mm	93 mm	85 mm	660 g	680	Y	Sep 2022	EUR 2 249	amazon.com
10.		Fujifilm X-H2S	136 mm	93 mm	85 mm	660 g	580	Y	May 2022	EUR 2 749	amazon.com
11.		Fujifilm X-M1	117 mm	67 mm	39 mm	330 g	350	n	Jun 2013	EUR 679	ebay.com
12.		Fujifilm X-T5	130 mm	91 mm	64 mm	557 g	580	Y	Nov 2022	EUR 1 999	amazon.com
13.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	EUR 8 699	amazon.com
14.		Nikon 1 V1	113 mm	76 mm	44 mm	383 g	350	n	Sep 2011	EUR 699	ebay.com
15.		Nikon 1 V3	111 mm	65 mm	33 mm	381 g	310	n	Mar 2014	EUR 749	ebay.com
16.		Nikon Z8	144 mm	119 mm	83 mm	910 g	340	Y	May 2023	EUR 4 599	amazon.com
17.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	EUR 599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The V2 was launched at a markedly lower price (by 89 percent) than the GFX 100 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 II features a medium format sensor and the Nikon 1 V2 an one-inch sensor. The sensor area in the V2 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.7. The sensor in the GFX 100 II has a native 4:3 aspect ratio, while the one in the V2 offers a 3:2 aspect.

With 101.8MP, the GFX 100 II offers a higher resolution than the V2 (14.2MP), but the GFX 100 II nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 2.86μm for the V2) due to its larger sensor. Moreover, the GFX 100 II is a much more recent model (by 10 years and 10 months) than the V2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Nikon 1 V2 are 23 x 15.4 inches or 58.5 x 39 cm for good quality, 18.4 x 12.3 inches or 46.8 x 31.2 cm for very good quality, and 15.4 x 10.2 inches or 39 x 26 cm for excellent quality prints.

Unlike the V2, the GFX 100 II has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100 II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon 1 V2 are ISO 160 to ISO 12800 (no boost).

In terms of underlying technology, the GFX 100 II is build around a BSI-CMOS sensor, while the V2 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
2.		Nikon 1 V2	1-inch	14.2	4608	3072	1080/60p	20.2	10.8	403	50
3.		Canon G1 X	1.5-inch	14.2	4352	3264	1080/24p	21.7	10.8	644	60
4.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
5.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
6.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
7.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
8.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
9.		Fujifilm X-H2	APS-C	39.8	7728	5152	8k/30p	24.3	13.9	2249	86
10.		Fujifilm X-H2S	APS-C	26.0	6240	4160	6.2k/30p	24.3	13.9	2224	86
11.		Fujifilm X-M1	APS-C	16.0	4896	3264	1080/30p	23.4	12.6	1371	76
12.		Fujifilm X-T5	APS-C	39.8	7728	5152	6.2k/30p	24.3	13.9	2264	86
13.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
14.		Nikon 1 V1	1-inch	10.0	3872	2592	1080/60i	21.3	11.0	346	54
15.		Nikon 1 V3	1-inch	18.2	5232	3488	1080/60p	20.8	10.7	384	52
16.		Nikon Z8	Full Frame	45.4	8256	5504	8K/30p	26.3	14.2	2548	98
17.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GFX 100 II provides a higher video resolution than the V2. It can shoot video footage at 8K/30p, while the Nikon is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 100 II offers a substantially higher resolution than the one in the V2 (9440k vs 1440k dots). The adjacent table lists some of the other core features of the Fujifilm GFX 100 II and Nikon 1 V2 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
2.		Nikon 1 V2	1440	n	3.0 / 921	fixed	n	1/4000s	15.0/s	Y	n
3.		Canon G1 X	optical	n	3.0 / 922	swivel	n	1/4000s	1.9/s	Y	Y
4.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
6.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
7.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
9.		Fujifilm X-H2	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
10.		Fujifilm X-H2S	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
11.		Fujifilm X-M1	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
12.		Fujifilm X-T5	3690	n	3.0 / 1840	full-flex	Y	1/8000s	15.0/s	n	Y
13.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
14.		Nikon 1 V1	1440	n	3.0 / 921	fixed	n	1/4000s	10.0/s	n	n
15.		Nikon 1 V3	optional	n	3.0 / 1037	tilting	Y	1/4000s	60.0/s	Y	n
16.		Nikon Z8	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
17.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 100 II, but is missing on the V2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 II and the Nikon 1 V2 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 100 II writes its imaging data to CFexpress (type B) or SDXC cards, while the V2 uses SDXC cards. The GFX 100 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the V2 only has one slot. The GFX 100 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the V2 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 II and Nikon 1 V2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
2.		Nikon 1 V2	-	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon G1 X	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
5.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
6.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
7.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
9.		Fujifilm X-H2	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Fujifilm X-H2S	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
11.		Fujifilm X-M1	Y	stereo / mono	-	-	mini	2.0	Y	-	-
12.		Fujifilm X-T5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
13.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
14.		Nikon 1 V1	-	stereo / mono	-	-	mini	2.0	-	-	-
15.		Nikon 1 V3	-	stereo / mono	Y	-	mini	2.0	Y	-	-
16.		Nikon Z8	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the GFX 100 II has a hotshoe, while the V2 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Fujifilm GFX 100 II (unlike the V2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 100 II is a recent model that features in the current product line-up of Fujifilm. In contrast, the V2 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the V2 was succeeded by the Nikon 1 V3. Further information on the features and operation of the GFX 100 II and V2 can be found, respectively, in the Fujifilm GFX 100 II Manual (free pdf) or the online Nikon 1 V2 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Fujifilm GFX 100 II and the Nikon 1 V2? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Fujifilm GFX 100 II:

• More detail: Offers more megapixels (101.8 vs 14.2MP) with a 163% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (8K/30p vs 1080/60p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 1440k dots).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 921k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Longer lasting: Can take more shots (540 versus 310) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 10 years and 10 months of technical progress since the V2 launch.

Advantages of the Nikon 1 V2:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Faster burst: Shoots at higher frequency (15 vs 8 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (109x82mm vs 152x117mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 752g or 73 percent) and is thus easier to take along.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (89 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in October 2012).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 100 II is the clear winner of the match-up (29 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100 II and the Nikon 1 V2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GFX 100 II or the V2 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	EUR 7 999	amazon.com
2.		Nikon 1 V2	3/5	..	..	..	4.5/5	4/5	Oct 2012	EUR 749	ebay.com
3.		Canon G1 X	5/5	+	..	76/100	4/5	4.5/5	Jan 2012	EUR 749	ebay.com
4.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	EUR 6 499	ebay.com
5.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	EUR 3 999	amazon.com
6.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	EUR 10 999	ebay.com
7.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	EUR 5 999	amazon.com
8.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	EUR 5 499	amazon.com
9.		Fujifilm X-H2	5/5	+ +	5/5	89/100	5/5	5/5	Sep 2022	EUR 2 249	amazon.com
10.		Fujifilm X-H2S	5/5	+	5/5	90/100	5/5	5/5	May 2022	EUR 2 749	amazon.com
11.		Fujifilm X-M1	3/5	+	..	77/100	4.5/5	4.5/5	Jun 2013	EUR 679	ebay.com
12.		Fujifilm X-T5	5/5	+ +	4.5/5	90/100	4.5/5	..	Nov 2022	EUR 1 999	amazon.com
13.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	EUR 8 699	amazon.com
14.		Nikon 1 V1	..	+	..	69/100	4.5/5	4/5	Sep 2011	EUR 699	ebay.com
15.		Nikon 1 V3	3/5	..	..	76/100	4.5/5	4/5	Mar 2014	EUR 749	ebay.com
16.		Nikon Z8	5/5	..	5/5	94/100	5/5	4.5/5	May 2023	EUR 4 599	amazon.com
17.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	EUR 599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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