Fujifilm GFX 100 II vs Sony RX1R III
The Fujifilm GFX 100 II and the Sony Cyber-shot DSC-RX1R III are two digital cameras that were revealed to the public, respectively, in September 2023 and July 2025. The GFX 100 II is a mirrorless interchangeable lens camera, while the RX1R III is a fixed lens compact. The cameras are based on a medium format (GFX 100 II) and a full frame (RX1R III) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Sony provides 60.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check GFX 100 II price at
amazon.com

Check RX1R III price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 II and the Sony Cyber-shot DSC-RX1R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Fujifilm GFX 100 II and the Sony RX1R III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1R III is considerably smaller (57 percent) than the Fujifilm GFX 100 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX1R III has a lens built in, whereas the GFX 100 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the GFX 100 II gets 540 shots out of its Fujifilm NP-W235 battery, while the RX1R III can take 300 images on a single charge of its Sony NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100 II | 152 mm | 117 mm | 99 mm | 1030 g | 540 | Y | Sep 2023 | EUR 7 999 | amazon.com | |
| 2. | Sony RX1R III | 113 mm | 68 mm | 88 mm | 498 g | 300 | Y | Jul 2025 | EUR 4 899 | amazon.com | |
| 3. | Canon R1 | 158 mm | 150 mm | 87 mm | 1115 g | 1330 | Y | Jul 2024 | EUR 7 499 | amazon.com | |
| 4. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | EUR 6 499 | ebay.com | |
| 5. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | EUR 3 999 | amazon.com | |
| 6. | Fujifilm GFX 100 | 156 mm | 144 mm | 75 mm | 1320 g | 800 | Y | May 2019 | EUR 10 999 | ebay.com | |
| 7. | Fujifilm GFX 100RF | 134 mm | 90 mm | 77 mm | 735 g | 820 | Y | Mar 2025 | EUR 5 499 | amazon.com | |
| 8. | Fujifilm GFX 100S | 150 mm | 104 mm | 87 mm | 900 g | 460 | Y | Jan 2021 | EUR 5 999 | amazon.com | |
| 9. | Fujifilm GFX 100S II | 150 mm | 104 mm | 87 mm | 883 g | 530 | Y | May 2024 | EUR 5 499 | amazon.com | |
| 10. | Fujifilm X-H2 | 136 mm | 93 mm | 85 mm | 660 g | 680 | Y | Sep 2022 | EUR 2 249 | amazon.com | |
| 11. | Fujifilm X-H2S | 136 mm | 93 mm | 85 mm | 660 g | 580 | Y | May 2022 | EUR 2 749 | amazon.com | |
| 12. | Fujifilm X100V | 128 mm | 75 mm | 53 mm | 478 g | 420 | Y | Feb 2020 | EUR 1 499 | ebay.com | |
| 13. | Hasselblad X2D 100C | 149 mm | 106 mm | 75 mm | 895 g | 420 | Y | Sep 2022 | EUR 8 699 | amazon.com | |
| 14. | Leica Q3 | 130 mm | 80 mm | 93 mm | 743 g | 350 | Y | May 2023 | EUR 5 999 | amazon.com | |
| 15. | Leica SL3 | 141 mm | 108 mm | 85 mm | 854 g | 320 | Y | Mar 2024 | EUR 6 799 | amazon.com | |
| 16. | Sigma fp L | 113 mm | 70 mm | 45 mm | 427 g | 240 | Y | Mar 2021 | EUR 2 299 | amazon.com | |
| 17. | Sony RX1R II | 113 mm | 65 mm | 72 mm | 507 g | 220 | n | Oct 2015 | EUR 3 499 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The RX1R III was launched at a lower price than the GFX 100 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm GFX 100 II features a medium format sensor and the Sony RX1R III a full frame sensor. The sensor area in the RX1R III is 41 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 100 II has a native 4:3 aspect ratio, while the one in the RX1R III offers a 3:2 aspect.

With 101.8MP, the GFX 100 II offers a higher resolution than the RX1R III (60.2MP), but the GFX 100 II nevertheless has the same individual pixel size (pixel pitch of 3.76μm) as the RX1R III due to its larger sensor. Moreover, the RX1R III is a somewhat more recent model (by 1 year and 10 months) than the GFX 100 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 100 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Sony RX1R III are 47.5 x 31.7 inches or 120.7 x 80.5 cm for good quality, 38 x 25.3 inches or 96.6 x 64.4 cm for very good quality, and 31.7 x 21.1 inches or 80.5 x 53.6 cm for excellent quality prints.
Unlike the RX1R III, the GFX 100 II has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm GFX 100 II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100 II | Medium Format | 101.8 | 11648 | 8736 | 8K/30p | 25.9 | 15.0 | 3651 | 101 | |
| 2. | Sony RX1R III | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 25.4 | 14.9 | 3417 | 97 | |
| 3. | Canon R1 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.4 | 14.8 | 3332 | 97 | |
| 4. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
| 5. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
| 6. | Fujifilm GFX 100 | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.7 | 14.5 | 3227 | 99 | |
| 7. | Fujifilm GFX 100RF | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.9 | 15.1 | 3805 | 101 | |
| 8. | Fujifilm GFX 100S | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.8 | 14.7 | 3391 | 100 | |
| 9. | Fujifilm GFX 100S II | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.9 | 15.1 | 3720 | 101 | |
| 10. | Fujifilm X-H2 | APS-C | 39.8 | 7728 | 5152 | 8k/30p | 24.3 | 13.9 | 2249 | 86 | |
| 11. | Fujifilm X-H2S | APS-C | 26.0 | 6240 | 4160 | 6.2k/30p | 24.3 | 13.9 | 2224 | 86 | |
| 12. | Fujifilm X100V | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.6 | 1996 | 84 | |
| 13. | Hasselblad X2D 100C | Medium Format | 102.1 | 11656 | 8762 | none | 25.9 | 14.9 | 3550 | 101 | |
| 14. | Leica Q3 | Full Frame | 60.3 | 9528 | 6328 | 8K/30p | 25.4 | 14.7 | 3216 | 96 | |
| 15. | Leica SL3 | Full Frame | 60.3 | 9520 | 6336 | 8K/30p | 25.4 | 14.8 | 3295 | 97 | |
| 16. | Sigma fp L | Full Frame | 60.2 | 9520 | 6328 | 4K/30p | 25.3 | 14.4 | 3001 | 96 | |
| 17. | Sony RX1R II | Full Frame | 42.2 | 7952 | 5304 | 1080/60p | 25.8 | 13.9 | 3204 | 97 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GFX 100 II provides a higher video resolution than the RX1R III. It can shoot video footage at 8K/30p, while the Sony is limited to 4K/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 100 II offers a substantially higher resolution than the one in the RX1R III (9440k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100 II, the Sony RX1R III, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100 II | 9440 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 8.0/s | n | Y | |
| 2. | Sony RX1R III | 2360 | n | 3.0 / 2360 | fixed | Y | 1/4000s | 5.0/s | n | n | |
| 3. | Canon R1 | 9440 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 4. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
| 5. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
| 6. | Fujifilm GFX 100 | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
| 7. | Fujifilm GFX 100RF | 5760 | n | 3.2 / 2100 | tilting | Y | 1/4000s | 6.0/s | n | n | |
| 8. | Fujifilm GFX 100S | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
| 9. | Fujifilm GFX 100S II | 5760 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 7.0/s | n | Y | |
| 10. | Fujifilm X-H2 | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
| 11. | Fujifilm X-H2S | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
| 12. | Fujifilm X100V | 3690 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 11.0/s | n | n | |
| 13. | Hasselblad X2D 100C | 5760 | Y | 3.6 / 2360 | tilting | Y | 1/4000s | 3.3/s | n | Y | |
| 14. | Leica Q3 | 5760 | n | 3.0 / 1840 | tilting | Y | 1/2000s | 15.0/s | n | Y | |
| 15. | Leica SL3 | 5760 | Y | 3.2 / 2333 | tilting | Y | 1/8000s | 5.0/s | n | Y | |
| 16. | Sigma fp L | optional | n | 3.2 / 2100 | fixed | Y | 1/8000s | 10.0/s | n | n | |
| 17. | Sony RX1R II | 2360 | n | 3.0 / 1229 | tilting | n | 1/4000s | 5.0/s | n | n | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the GFX 100 II, but is missing on the RX1R III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100 II and the Sony RX1R III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GFX 100 II writes its imaging data to CFexpress (type B) or SDXC cards, while the RX1R III uses SDXC cards. The GFX 100 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX1R III only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 II and Sony Cyber-shot DSC-RX1R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | Sony RX1R III | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 3. | Canon R1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 4. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
| 5. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
| 6. | Fujifilm GFX 100 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
| 7. | Fujifilm GFX 100RF | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 8. | Fujifilm GFX 100S | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 9. | Fujifilm GFX 100S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 10. | Fujifilm X-H2 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 11. | Fujifilm X-H2S | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
| 12. | Fujifilm X100V | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
| 13. | Hasselblad X2D 100C | Y | stereo / mono | - | - | - | 3.2 | Y | - | - | |
| 14. | Leica Q3 | Y | stereo / mono | - | - | micro | 3.1 | Y | - | Y | |
| 15. | Leica SL3 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 16. | Sigma fp L | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
| 17. | Sony RX1R II | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - |
Studio photographers will appreciate that the Fujifilm GFX 100 II (unlike the RX1R III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GFX 100 II and the RX1R III are recent models that are part of the current product line-up. The GFX 100 II replaced the earlier Fujifilm GFX 100, while the RX1R III followed on from the Sony RX1R II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
Review summary
So what is the bottom line? Is the Fujifilm GFX 100 II better than the Sony RX1R III or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Fujifilm GFX 100 II:
- More detail: Offers more megapixels (101.8 vs 60.2MP) with a 27% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (8K/30p vs 4K/30p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (1.27x vs 0.7x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (540 versus 300) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in September 2023).

Arguments in favor of the Sony Cyber-shot DSC-RX1R III:
- Ready to shoot: Has an integrated lens, whereas the GFX 100 II necessitates an extra lens.
- More compact: Is smaller (113x68mm vs 152x117mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 100 II).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (1 year and 10 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100 II is the clear winner of the match-up (20 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 100 II and the Sony RX1R III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GFX 100 II and the RX1R III in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100 II | 5/5 | + | 5/5 | .. | .. | 4.5/5 | Sep 2023 | EUR 7 999 | amazon.com | |
| 2. | Sony RX1R III | .. | .. | .. | .. | .. | .. | Jul 2025 | EUR 4 899 | amazon.com | |
| 3. | Canon R1 | .. | .. | .. | .. | .. | .. | Jul 2024 | EUR 7 499 | amazon.com | |
| 4. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | EUR 6 499 | ebay.com | |
| 5. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | EUR 3 999 | amazon.com | |
| 6. | Fujifilm GFX 100 | 4.5/5 | + + | 4.8/5 | 90/100 | 5/5 | 4.5/5 | May 2019 | EUR 10 999 | ebay.com | |
| 7. | Fujifilm GFX 100RF | .. | .. | .. | .. | .. | .. | Mar 2025 | EUR 5 499 | amazon.com | |
| 8. | Fujifilm GFX 100S | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jan 2021 | EUR 5 999 | amazon.com | |
| 9. | Fujifilm GFX 100S II | .. | .. | .. | .. | .. | .. | May 2024 | EUR 5 499 | amazon.com | |
| 10. | Fujifilm X-H2 | 5/5 | + + | 5/5 | 89/100 | 5/5 | 5/5 | Sep 2022 | EUR 2 249 | amazon.com | |
| 11. | Fujifilm X-H2S | 5/5 | + | 5/5 | 90/100 | 5/5 | 5/5 | May 2022 | EUR 2 749 | amazon.com | |
| 12. | Fujifilm X100V | 5/5 | + + | 4.5/5 | 86/100 | 5/5 | 4.5/5 | Feb 2020 | EUR 1 499 | ebay.com | |
| 13. | Hasselblad X2D 100C | 4/5 | .. | 5/5 | .. | .. | .. | Sep 2022 | EUR 8 699 | amazon.com | |
| 14. | Leica Q3 | 5/5 | .. | 4.5/5 | .. | .. | 4.5/5 | May 2023 | EUR 5 999 | amazon.com | |
| 15. | Leica SL3 | .. | .. | 4.5/5 | .. | .. | 4.5/5 | Mar 2024 | EUR 6 799 | amazon.com | |
| 16. | Sigma fp L | 4/5 | .. | 4/5 | .. | 4/5 | 4/5 | Mar 2021 | EUR 2 299 | amazon.com | |
| 17. | Sony RX1R II | 5/5 | .. | .. | 82/100 | .. | 4.5/5 | Oct 2015 | EUR 3 499 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check GFX 100 II price at
amazon.com

Check RX1R III price at
amazon.com
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Fujifilm GFX 100 II vs Olympus E-M1X
- Fujifilm GFX 100 II vs Olympus E-M5 III
- Fujifilm GFX 100 II vs Olympus E-P7
- Fujifilm GFX 100 II vs Panasonic FZ82D
- Fujifilm GFX 100 II vs Sony RX100 VII
- Fujifilm GFX 100 II vs Sony RX1R II
- Fujifilm X-E4 vs Sony RX1R III
- Fujifilm XF10 vs Sony RX1R III
- Olympus E-PL6 vs Sony RX1R III
- Olympus PEN-F vs Sony RX1R III
- Sony A7C R vs Sony RX1R III
- Sony RX1R vs Sony RX1R III
Specifications: Fujifilm GFX 100 II vs Sony RX1R III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Fujifilm GFX 100 II | Sony RX1R III |
|---|---|---|
| Camera Type | Mirrorless system camera | Fixed lens compact camera |
| Camera Lens | Fujifilm G mount lenses | 35mm f/2.0 |
| Launch Date | September 2023 | July 2025 |
| Launch Price | USD 7,499 | USD 5,099 |
| Sensor Specs | Fujifilm GFX 100 II | Sony RX1R III |
| Sensor Technology | BSI-CMOS | BSI-CMOS |
| Sensor Format | Medium Format Sensor | Full Frame Sensor |
| Sensor Size | 43.8 x 32.9 mm | 35.7 x 23.8 mm |
| Sensor Area | 1441.02 mm2 | 849.66 mm2 |
| Sensor Diagonal | 54.8 mm | 42.9 mm |
| Crop Factor | 0.79x | 1.0x |
| Sensor Resolution | 101.8 Megapixels | 60.2 Megapixels |
| Image Resolution | 11648 x 8736 pixels | 9504 x 6336 pixels |
| Pixel Pitch | 3.76 μm | 3.76 μm |
| Pixel Density | 7.06 MP/cm2 | 7.09 MP/cm2 |
| Moiré control | no AA filter | no AA filter |
| Movie Capability | 8K/30p Video | 4K/30p Video |
| ISO Setting | 100 - 12,800 ISO | 100 - 32,000 ISO |
| ISO Boost | 50 - 102,400 ISO | 50 - 102,400 ISO |
| Image Processor | X-Processor 5 | BIONZ XR |
| Screen Specs | Fujifilm GFX 100 II | Sony RX1R III |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 1.27x | 0.7x |
| Viewfinder Resolution | 9440k dots | 2360k dots |
| Top-Level Screen | Control Panel | no Top Display |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.0inch |
| LCD Resolution | 2360k dots | 2360k dots |
| LCD Attachment | Fully flexible screen | Fixed screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Fujifilm GFX 100 II | Sony RX1R III |
| Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
| Continuous Shooting | 8 shutter flaps/s | 5 shutter flaps/s |
| Electronic Shutter | up to 1/32000s | up to 1/8000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | no handshake reduction |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | CFexB or SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Single card slot |
| UHS card support | UHS-II | UHS-II |
| Connectivity Specs | Fujifilm GFX 100 II | Sony RX1R III |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 3.2 |
| HDMI Port | full HDMI | micro HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | Headphone port | Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Body Specs | Fujifilm GFX 100 II | Sony RX1R III |
| Environmental Sealing | Weathersealed body | Weathersealed body |
| Battery Type | Fujifilm NP-W235 | Sony NP-FW50 |
| Battery Life (CIPA) | 540 shots per charge | 300 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
152 x 117 x 99 mm (6.0 x 4.6 x 3.9 in) |
113 x 68 x 88 mm (4.4 x 2.7 x 3.5 in) |
| Camera Weight | 1030 g (36.3 oz) | 498 g (17.6 oz) |

Check GFX 100 II price at
amazon.com

Check RX1R III price at
amazon.com
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