Fujifilm GFX 100RF vs Sony A1

The Fujifilm GFX 100RF and the Sony A1 are two digital cameras that were revealed to the public, respectively, in March 2025 and January 2021. The GFX 100RF is a fixed lens compact, while the A1 is a mirrorless interchangeable lens camera. The cameras are based on a medium format (GFX 100RF) and a full frame (A1) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Sony provides 49.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100RF		Sony A1
Fixed lens compact camera		Mirrorless system camera
28mm f/4.0		Sony E mount lenses
101.8 MP – Medium Format sensor		49.8 MP – Full Frame sensor
4K/30p Video		8k/30p Video
ISO 80-12,800 (40 - 102,400)		ISO 100-32,000 (50 - 102,400)
Electronic viewfinder (5760k dots)		Electronic viewfinder (9437k dots)
3.2" LCD – 2100k dots		3.0" LCD – 1440k dots
Tilting touchscreen		Tilting touchscreen
6 shutter flaps per second		30 shutter flaps per second
no shake reduction		In-body stabilization
Weathersealed body		Weathersealed body
820 shots per battery charge		530 shots per battery charge
134 x 90 x 77 mm, 735 g		129 x 97 x 81 mm, 737 g

Check GFX 100RF price at
amazon.com
Check A1 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100RF and the Sony A1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 100RF and the Sony A1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The GFX 100RF can be obtained in two different colors (black, silver), while the A1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A1 is somewhat larger (4 percent) than the Fujifilm GFX 100RF. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the GFX 100RF has a lens built in, whereas the A1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A1 and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the GFX 100RF gets 820 shots out of its Fujifilm NP-W235 battery, while the A1 can take 530 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100RF	134 mm	90 mm	77 mm	735 g	820	Y	Mar 2025	US$ 4 899	amazon.com
2.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	US$ 6 499	amazon.com
3.		Canon R5 C	142 mm	101 mm	111 mm	770 g	320	Y	Jan 2022	US$ 4 499	amazon.com
4.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
5.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
6.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
7.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	US$ 4 999	amazon.com
8.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	US$ 5 749	ebay.com
9.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
10.		Leica Q2	130 mm	80 mm	92 mm	718 g	370	Y	Mar 2019	US$ 4 999	amazon.com
11.		Leica Q3	130 mm	80 mm	93 mm	743 g	350	Y	May 2023	US$ 5 999	amazon.com
12.		Sony A1 II	136 mm	97 mm	83 mm	743 g	520	Y	Nov 2024	US$ 6 499	amazon.com
13.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	US$ 2 499	amazon.com
14.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670	Y	Jul 2019	US$ 3 499	ebay.com
15.		Sony A7R IVA	129 mm	96 mm	78 mm	665 g	670	Y	Apr 2021	US$ 3 499	amazon.com
16.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	US$ 3 499	amazon.com
17.		Sony RX1R III	113 mm	68 mm	88 mm	498 g	300	Y	Jul 2025	US$ 5 099	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GFX 100RF was launched at a lower price than the A1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100RF features a medium format sensor and the Sony A1 a full frame sensor. The sensor area in the A1 is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 100RF has a native 4:3 aspect ratio, while the one in the A1 offers a 3:2 aspect.

With 101.8MP, the GFX 100RF offers a higher resolution than the A1 (49.8MP), but the GFX 100RF has smaller individual pixels (pixel pitch of 3.76μm versus 4.16μm for the A1). However, the GFX 100RF is a much more recent model (by 4 years and 1 month) than the A1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 100RF implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100RF for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Sony A1 are 43.2 x 28.8 inches or 109.7 x 73.2 cm for good quality, 34.6 x 23 inches or 87.8 x 58.5 cm for very good quality, and 28.8 x 19.2 inches or 73.2 x 48.8 cm for excellent quality prints.

Unlike the GFX 100RF, the A1 has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100RF has a native sensitivity range from ISO 80 to ISO 12800, which can be extended to ISO 40-102400. The corresponding ISO settings for the Sony A1 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the GFX 100RF is build around a BSI-CMOS sensor, while the A1 uses a Stacked BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100RF	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3805	101
2.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
3.		Canon R5 C	Full Frame	44.8	8192	5464	8k/60p	25.4	14.5	3082	96
4.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
5.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
6.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
7.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
8.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
9.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
10.		Leica Q2	Full Frame	46.7	8368	5584	4K/30p	26.4	13.5	2491	96
11.		Leica Q3	Full Frame	60.3	9528	6328	8K/30p	25.4	14.7	3216	96
12.		Sony A1 II	Full Frame	49.8	8640	5760	8k/30p	25.4	14.8	3363	97
13.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
14.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
15.		Sony A7R IVA	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
16.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
17.		Sony RX1R III	Full Frame	60.2	9504	6336	4K/30p	25.4	14.9	3417	97
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A1 provides a better video resolution than the GFX 100RF. It can shoot movie footage at 8k/30p, while the Fujifilm is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A1 offers a substantially higher resolution than the one in the GFX 100RF (9437k vs 5760k dots). The adjacent table lists some of the other core features of the Fujifilm GFX 100RF and Sony A1 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100RF	5760	n	3.2 / 2100	tilting	Y	1/4000s	6.0/s	n	n
2.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	30.0/s	n	Y
3.		Canon R5 C	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	n
4.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
6.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
7.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
8.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
9.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
10.		Leica Q2	3680	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	n	Y
11.		Leica Q3	5760	n	3.0 / 1840	tilting	Y	1/2000s	15.0/s	n	Y
12.		Sony A1 II	9437	n	3.2 / 2100	full-flex	Y	1/8000s	30.0/s	n	Y
13.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R IV	5760	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7R IVA	5760	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
17.		Sony RX1R III	2360	n	3.0 / 2360	fixed	Y	1/4000s	5.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100RF and the Sony A1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 100RF writes its imaging data to SDXC cards, while the A1 uses CFexpress (type A) or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100RF and Sony A1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100RF	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Canon R5 C	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
5.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
6.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
7.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
9.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
10.		Leica Q2	Y	stereo / mono	-	-	-	-	Y	-	Y
11.		Leica Q3	Y	stereo / mono	-	-	micro	3.1	Y	-	Y
12.		Sony A1 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
13.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7R IV	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7R IVA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
16.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony RX1R III	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y

Studio photographers will appreciate that the Sony A1 (unlike the GFX 100RF) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 100RF and the A1 are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Fujifilm and Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.

Review summary

So what is the bottom line? Is the Fujifilm GFX 100RF better than the Sony A1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Fujifilm GFX 100RF:

• More detail: Offers more megapixels (101.8 vs 49.8MP) with a 40% higher linear resolution.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1440k dots).
• Ready to shoot: Has a lens built-in, whereas the A1 requires a separate lens.
• Longer lasting: Can take more shots (820 versus 530) on a single battery charge.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 4 years and 1 month of technical progress since the A1 launch.

Advantages of the Sony A1:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better video: Provides higher definition movie capture (8k/30p vs 4K/30p).
• More detailed viewfinder: Has higher resolution electronic viewfinder (9437k vs 5760k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.84x).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (30 vs 6 flaps/sec) to capture the decisive moment.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been around for much longer (launched in January 2021).

If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (11 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100RF and the Sony A1 place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 100RF or the A1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100RF	..	..	..	..	..	..	Mar 2025	US$ 4 899	amazon.com
2.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	US$ 6 499	amazon.com
3.		Canon R5 C	..	+ +	..	..	..	..	Jan 2022	US$ 4 499	amazon.com
4.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
5.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
6.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
7.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	US$ 4 999	amazon.com
8.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	US$ 5 749	ebay.com
9.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
10.		Leica Q2	..	..	4.5/5	84/100	4.5/5	4/5	Mar 2019	US$ 4 999	amazon.com
11.		Leica Q3	5/5	..	4.5/5	..	..	4.5/5	May 2023	US$ 5 999	amazon.com
12.		Sony A1 II	..	..	..	..	..	..	Nov 2024	US$ 6 499	amazon.com
13.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	US$ 2 499	amazon.com
14.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	US$ 3 499	ebay.com
15.		Sony A7R IVA	5/5	+	4.5/5	91/100	4.5/5	5/5	Apr 2021	US$ 3 499	amazon.com
16.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	US$ 3 499	amazon.com
17.		Sony RX1R III	..	..	..	..	..	..	Jul 2025	US$ 5 099	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check GFX 100RF price at
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Check A1 price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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