Nikon Z6 III vs Sony A7R V
The Nikon Z6 III and the Sony Alpha A7R V are two enthusiast cameras that were officially introduced, respectively, in June 2024 and October 2022. Both the Z6 III and the A7R V are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Nikon has a resolution of 24.3 megapixels, whereas the Sony provides 60.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z6 III and the Sony Alpha A7R V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Nikon Z6 III and the Sony A7R V are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R V is notably smaller (10 percent) than the Nikon Z6 III. However, the A7R V is markedly heavier (8 percent) than the Z6 III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Z6 III gets 380 shots out of its Nikon EN-EL15c battery, while the A7R V can take 530 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z6 III | 139 mm | 102 mm | 74 mm | 670 g | 380 | Y | Jun 2024 | US$ 2 499 | amazon.com | |
2. | Sony A7R V | 131 mm | 97 mm | 82 mm | 723 g | 530 | Y | Oct 2022 | US$ 3 899 | amazon.com | |
3. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | US$ 2 499 | amazon.com | |
4. | Nikon Z5 | 134 mm | 101 mm | 67 mm | 675 g | 470 | Y | Jul 2020 | US$ 1 399 | amazon.com | |
5. | Nikon Z6 | 134 mm | 101 mm | 67 mm | 675 g | 310 | Y | Aug 2018 | US$ 1 999 | ebay.com | |
6. | Nikon Z6 II | 134 mm | 101 mm | 70 mm | 705 g | 410 | Y | Oct 2020 | US$ 1 999 | amazon.com | |
7. | Nikon Z7 II | 134 mm | 101 mm | 70 mm | 705 g | 420 | Y | Oct 2020 | US$ 2 999 | amazon.com | |
8. | Nikon Z8 | 144 mm | 119 mm | 83 mm | 910 g | 340 | Y | May 2023 | US$ 3 999 | amazon.com | |
9. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | US$ 1 999 | amazon.com | |
10. | OM System OM-1 II | 135 mm | 92 mm | 73 mm | 599 g | 500 | Y | Jan 2024 | US$ 2 399 | amazon.com | |
11. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
12. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | US$ 3 199 | ebay.com | |
13. | Sony A7R IV | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Jul 2019 | US$ 3 499 | ebay.com | |
14. | Sony A7R IVA | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Apr 2021 | US$ 3 499 | amazon.com | |
15. | Sony A7S III | 127 mm | 97 mm | 81 mm | 699 g | 600 | Y | Jul 2020 | US$ 3 499 | amazon.com | |
16. | Sony A9 II | 129 mm | 96 mm | 76 mm | 678 g | 690 | Y | Oct 2019 | US$ 4 499 | amazon.com | |
17. | Sony A9 III | 136 mm | 97 mm | 83 mm | 702 g | 530 | Y | Nov 2023 | US$ 5 999 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Z6 III was launched at a markedly lower price (by 36 percent) than the A7R V, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7R V is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A7R V offers a higher resolution of 60.2 megapixels, compared with 24.3 MP of the Z6 III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 5.94μm for the Z6 III). Moreover, it should be noted that the Z6 III is a somewhat more recent model (by 1 year and 7 months) than the A7R V, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the A7R V has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R V implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R V for good quality output (200 dots per inch) amounts to 47.5 x 31.7 inches or 120.7 x 80.5 cm, for very good quality (250 dpi) 38 x 25.3 inches or 96.6 x 64.4 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inches or 80.5 x 53.6 cm. The corresponding values for the Nikon Z6 III are 30.2 x 20.1 inches or 76.8 x 51.1 cm for good quality, 24.2 x 16.1 inches or 61.4 x 40.9 cm for very good quality, and 20.2 x 13.4 inches or 51.2 x 34.1 cm for excellent quality prints.
Both cameras have the capacity to capture high quality composite images by combining multiple shots after shifting the sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon Z6 III has a native sensitivity range from ISO 100 to ISO 64000, which can be extended to ISO 50-204800. The corresponding ISO settings for the Sony Alpha A7R V are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z6 III | Full Frame | 24.3 | 6048 | 4024 | 6K/60p | 25.4 | 14.8 | 3318 | 97 | |
2. | Sony A7R V | Full Frame | 60.2 | 9504 | 6336 | 8k/24p | 26.5 | 14.8 | 3187 | 100 | |
3. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
4. | Nikon Z5 | Full Frame | 24.2 | 6016 | 4016 | 4K/30p | 25.3 | 14.3 | 2929 | 95 | |
5. | Nikon Z6 | Full Frame | 24.3 | 6048 | 4024 | 4K/30p | 25.3 | 14.3 | 3299 | 95 | |
6. | Nikon Z6 II | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.0 | 14.4 | 3303 | 94 | |
7. | Nikon Z7 II | Full Frame | 45.4 | 8256 | 5504 | 4K/60p | 26.3 | 14.7 | 2841 | 100 | |
8. | Nikon Z8 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.2 | 2548 | 98 | |
9. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
10. | OM System OM-1 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.6 | 1749 | 78 | |
11. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
12. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
13. | Sony A7R IV | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
14. | Sony A7R IVA | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
15. | Sony A7S III | Full Frame | 12.0 | 4240 | 2832 | 4K/120p | 23.7 | 13.9 | 2520 | 86 | |
16. | Sony A9 II | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.0 | 3434 | 93 | |
17. | Sony A9 III | Full Frame | 24.0 | 6000 | 4000 | 4K/120p | 25.4 | 14.7 | 3243 | 96 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7R V provides a better video resolution than the Z6 III. It can shoot movie footage at 8k/24p, while the Nikon is limited to 6K/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R V offers a substantially higher resolution than the one in the Z6 III (9440k vs 5760k dots). The table below summarizes some of the other core capabilities of the Nikon Z6 III and Sony A7R V in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z6 III | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
2. | Sony A7R V | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 10.0/s | n | Y | |
3. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
4. | Nikon Z5 | 3690 | n | 3.2 / 1040 | tilting | Y | 1/8000s | 4.5/s | n | Y | |
5. | Nikon Z6 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 12.0/s | n | Y | |
6. | Nikon Z6 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 14.0/s | n | Y | |
7. | Nikon Z7 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
8. | Nikon Z8 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
9. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
10. | OM System OM-1 II | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
11. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
12. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
13. | Sony A7R IV | 5760 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
14. | Sony A7R IVA | 5760 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony A7S III | 9440 | n | 3.0 / 1440 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A9 II | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
17. | Sony A9 III | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/80000s | 120.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the Z6 III, but is missing on the A7R V is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z6 III and the Sony A7R V both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Z6 III writes its imaging data to CFexpress (type B) or SDXC cards, while the A7R V uses CFexpress (type A) or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z6 III and Sony Alpha A7R V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z6 III | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
2. | Sony A7R V | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
3. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Nikon Z5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
5. | Nikon Z6 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
6. | Nikon Z6 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
7. | Nikon Z7 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
8. | Nikon Z8 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
9. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
10. | OM System OM-1 II | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
11. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
12. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
13. | Sony A7R IV | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
14. | Sony A7R IVA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
15. | Sony A7S III | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
16. | Sony A9 II | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
17. | Sony A9 III | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
Studio photographers will appreciate that the Sony A7R V (unlike the Z6 III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the Z6 III and the A7R V are recent models that are part of the current product line-up. The A7R V replaced the earlier Sony A7R IV, while the Z6 III followed on from the Nikon Z6 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
Review summary
So how do things add up? Is there a clear favorite between the Nikon Z6 III and the Sony A7R V? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon Z6 III:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
- More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 7 months after the A7R V).
Reasons to prefer the Sony Alpha A7R V:
- More detail: Has more megapixels (60.2 vs 24.3MP), which boosts linear resolution by 57%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (8k/24p vs 6K/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 5760k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.80x).
- Longer lasting: Gets more shots (530 versus 380) out of a single battery charge.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been on the market for longer (launched in October 2022).
If the count of relative strengths (bullet points above) is taken as a measure, the A7R V is the clear winner of the contest (9 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z6 III and the Sony A7R V place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the Z6 III and the A7R V in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z6 III | .. | .. | .. | .. | .. | .. | Jun 2024 | US$ 2 499 | amazon.com | |
2. | Sony A7R V | 5/5 | + + | 4.5/5 | 92/100 | .. | .. | Oct 2022 | US$ 3 899 | amazon.com | |
3. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | US$ 2 499 | amazon.com | |
4. | Nikon Z5 | 4/5 | .. | 4/5 | 89/100 | 4.5/5 | 4/5 | Jul 2020 | US$ 1 399 | amazon.com | |
5. | Nikon Z6 | 5/5 | .. | 5/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | US$ 1 999 | ebay.com | |
6. | Nikon Z6 II | 4.5/5 | .. | 4/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2020 | US$ 1 999 | amazon.com | |
7. | Nikon Z7 II | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Oct 2020 | US$ 2 999 | amazon.com | |
8. | Nikon Z8 | 5/5 | .. | 5/5 | 94/100 | 5/5 | 4.5/5 | May 2023 | US$ 3 999 | amazon.com | |
9. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | US$ 1 999 | amazon.com | |
10. | OM System OM-1 II | .. | .. | .. | .. | .. | .. | Jan 2024 | US$ 2 399 | amazon.com | |
11. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
12. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | US$ 3 199 | ebay.com | |
13. | Sony A7R IV | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2019 | US$ 3 499 | ebay.com | |
14. | Sony A7R IVA | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Apr 2021 | US$ 3 499 | amazon.com | |
15. | Sony A7S III | 4.5/5 | + + | 5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2020 | US$ 3 499 | amazon.com | |
16. | Sony A9 II | .. | .. | 5/5 | 90/100 | 5/5 | 5/5 | Oct 2019 | US$ 4 499 | amazon.com | |
17. | Sony A9 III | 4.5/5 | .. | .. | 91/100 | .. | .. | Nov 2023 | US$ 5 999 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark II vs Sony A7R V
- Canon 60D vs Sony A7R V
- Canon 6D Mark II vs Sony A7R V
- Fujifilm GFX 50S II vs Nikon Z6 III
- Fujifilm X-S10 vs Nikon Z6 III
- Fujifilm X-T5 vs Sony A7R V
- Fujifilm X100VI vs Sony A7R V
- Nikon D6 vs Nikon Z6 III
- Nikon D780 vs Nikon Z6 III
- Nikon Z6 III vs Sony A7R IVA
- Nikon Z6 III vs Sony A7S III
- Sony A7R V vs Sony A7S II
Specifications: Nikon Z6 III vs Sony A7R V
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon Z6 III | Sony A7R V |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Nikon Z mount lenses | Sony E mount lenses |
Launch Date | June 2024 | October 2022 |
Launch Price | USD 2,499 | USD 3,899 |
Sensor Specs | Nikon Z6 III | Sony A7R V |
Sensor Technology | BSI-CMOS | BSI-CMOS |
Sensor Format | Full Frame Sensor | Full Frame Sensor |
Sensor Size | 35.9 x 23.9 mm | 35.7 x 23.8 mm |
Sensor Area | 858.01 mm2 | 849.66 mm2 |
Sensor Diagonal | 43.1 mm | 42.9 mm |
Crop Factor | 1.0x | 1.0x |
Sensor Resolution | 24.3 Megapixels | 60.2 Megapixels |
Image Resolution | 6048 x 4024 pixels | 9504 x 6336 pixels |
Pixel Pitch | 5.94 μm | 3.76 μm |
Pixel Density | 2.84 MP/cm2 | 7.09 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 6K/60p Video | 8k/24p Video |
ISO Setting | 100 - 64,000 ISO | 100 - 32,000 ISO |
ISO Boost | 50 - 204,800 ISO | 50 - 102,400 ISO |
Image Processor | EXPEED 7 | Dual BIONZ XR |
DXO Sensor Quality (score) | .. | 100 |
DXO Color Depth (bits) | .. | 26.5 |
DXO Dynamic Range (EV) | .. | 14.8 |
DXO Low Light (ISO) | .. | 3187 |
Screen Specs | Nikon Z6 III | Sony A7R V |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.80x | 0.9x |
Viewfinder Resolution | 5760k dots | 9440k dots |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.2inch |
LCD Resolution | 2100k dots | 2100k dots |
LCD Attachment | Swivel screen | Fully flexible screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Nikon Z6 III | Sony A7R V |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
Continuous Shooting | 14 shutter flaps/s | 10 shutter flaps/s |
Shutter Life Expectancy | 200 000 actuations | 500 000 actuations |
Electronic Shutter | up to 1/16000s | up to 1/8000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | CFexB or SDXC cards | CFexA or SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
UHS card support | UHS-II | UHS-II |
Connectivity Specs | Nikon Z6 III | Sony A7R V |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 3.2 | USB 3.2 |
HDMI Port | micro HDMI | full HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Nikon Z6 III | Sony A7R V |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Nikon EN-EL15c | Sony NP-FZ100 |
Battery Life (CIPA) | 380 shots per charge | 530 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
139 x 102 x 74 mm (5.5 x 4.0 x 2.9 in) |
131 x 97 x 82 mm (5.2 x 3.8 x 3.2 in) |
Camera Weight | 670 g (23.6 oz) | 723 g (25.5 oz) |
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