Nikon Z6 vs Panasonic FT7

The Nikon Z6 and the Panasonic Lumix DC-FT7 (labelled Panasonic TS7 in some countries) are two digital cameras that were revealed to the public, respectively, in August 2018 and May 2018. The Z6 is a mirrorless interchangeable lens camera, while the FT7 is a fixed lens compact. The cameras are based on a full frame (Z6) and a 1/2.3-inch (FT7) sensor. The Nikon has a resolution of 24.3 megapixels, whereas the Panasonic provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon Z6		Panasonic FT7
Mirrorless system camera		Fixed lens compact camera
Nikon Z mount lenses		28-128mm f/3.3-5.9
24.3 MP – Full Frame sensor		20.2 MP – 1/2.3" sensor
4K/30p Video		4K/30p Video
ISO 100-51,200 (50 - 204,800)		ISO 80-3,200 (80 - 6,400)
Electronic viewfinder (3690k dots)		Electronic viewfinder (1170k dots)
3.2" LCD – 2100k dots		3.0" LCD – 1040k dots
Tilting touchscreen		Fixed screen (not touch-sensitive)
12 shutter flaps per second		10 shutter flaps per second
In-body stabilization		Lens-based stabilization
Weathersealed body		Waterproof body (31m)
310 shots per battery charge		300 shots per battery charge
134 x 101 x 67 mm, 675 g		117 x 76 x 37 mm, 319 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z6 and the Panasonic Lumix DC-FT7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Nikon Z6 and the Panasonic FT7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The FT7 can be obtained in three different colors (black, blue, orange), while the Z6 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FT7 is considerably smaller (34 percent) than the Nikon Z6. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FT7 has a lens built in, whereas the Z6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the Z6 gets 310 shots out of its Nikon EN-EL15b battery, while the FT7 can take 300 images on a single charge of its Panasonic DMW-BCM13 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Nikon Z6	134 mm	101 mm	67 mm	675 g	310	Y	Aug 2018	US$ 1 999	ebay.com
2.		Panasonic FT7	117 mm	76 mm	37 mm	319 g	300	Y	May 2018	US$ 449	ebay.com
3.		Canon SX730	110 mm	64 mm	40 mm	300 g	250	n	Apr 2017	US$ 399	ebay.com
4.		Canon SX740	110 mm	64 mm	40 mm	299 g	265	n	Jul 2018	US$ 399	amazon.com
5.		Fujifilm XF10	113 mm	64 mm	41 mm	279 g	330	n	Jul 2018	US$ 499	ebay.com
6.		Nikon D750	141 mm	113 mm	78 mm	750 g	1230	Y	Sep 2014	US$ 2 299	ebay.com
7.		Nikon Z5	134 mm	101 mm	67 mm	675 g	470	Y	Jul 2020	US$ 1 399	amazon.com
8.		Nikon Z6 II	134 mm	101 mm	70 mm	705 g	410	Y	Oct 2020	US$ 1 999	amazon.com
9.		Nikon Z7	134 mm	101 mm	67 mm	675 g	330	Y	Aug 2018	US$ 3 399	ebay.com
10.		Nikon Zf	144 mm	103 mm	49 mm	710 g	380	Y	Sep 2023	US$ 1 999	amazon.com
11.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	US$ 1 999	amazon.com
12.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	US$ 449	ebay.com
13.		Panasonic TZ95	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	US$ 449	ebay.com
14.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	US$ 1 999	ebay.com
15.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	US$ 1 999	amazon.com
16.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	US$ 4 499	ebay.com
17.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	US$ 4 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FT7 was launched at a lower price than the Z6, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon Z6 features a full frame sensor and the Panasonic FT7 a 1/2.3-inch sensor. The sensor area in the FT7 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the Z6 has a native 3:2 aspect ratio, while the one in the FT7 offers a 4:3 aspect.

With 24.3MP, the Z6 offers a higher resolution than the FT7 (20.2MP), but the Z6 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.18μm for the FT7) due to its larger sensor. Moreover, the Z6 is a somewhat more recent model (by 3 months) than the FT7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Nikon Z6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z6 for good quality output (200 dots per inch) amounts to 30.2 x 20.1 inches or 76.8 x 51.1 cm, for very good quality (250 dpi) 24.2 x 16.1 inches or 61.4 x 40.9 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inches or 51.2 x 34.1 cm. The corresponding values for the Panasonic FT7 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The Z6 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Nikon Z6 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Panasonic Lumix DC-FT7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon Z6	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	3299	95
2.		Panasonic FT7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
3.		Canon SX730	1/2.3	20.2	5184	3888	1080/60p	20.5	11.9	924	50
4.		Canon SX740	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1050	51
5.		Fujifilm XF10	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1844	83
6.		Nikon D750	Full Frame	24.2	6016	4016	1080/60p	24.8	14.5	2956	93
7.		Nikon Z5	Full Frame	24.2	6016	4016	4K/30p	25.3	14.3	2929	95
8.		Nikon Z6 II	Full Frame	24.3	6048	4024	4K/60p	25.0	14.4	3303	94
9.		Nikon Z7	Full Frame	45.4	8256	5504	4K/30p	26.3	14.6	2668	99
10.		Nikon Zf	Full Frame	24.3	6048	4024	4K/60p	25.4	14.7	3243	96
11.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
12.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
13.		Panasonic TZ95	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
14.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
15.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
16.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92
17.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Z6 offers a substantially higher resolution than the one in the FT7 (3690k vs 1170k dots). The table below summarizes some of the other core capabilities of the Nikon Z6 and Panasonic FT7 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon Z6	3690	Y	3.2 / 2100	tilting	Y	1/8000s	12.0/s	n	Y
2.		Panasonic FT7	1170	n	3.0 / 1040	fixed	n	1/1300s	10.0/s	Y	Y
3.		Canon SX730	none	n	3.0 / 922	tilting	n	1/3200s	5.9/s	Y	Y
4.		Canon SX740	none	n	3.0 / 922	tilting	n	1/3200s	10.0/s	Y	Y
5.		Fujifilm XF10	none	n	3.0 / 1040	fixed	Y	1/4000s	6.0/s	Y	n
6.		Nikon D750	optical	Y	3.2 / 1229	tilting	n	1/4000s	6.0/s	Y	n
7.		Nikon Z5	3690	n	3.2 / 1040	tilting	Y	1/8000s	4.5/s	n	Y
8.		Nikon Z6 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	14.0/s	n	Y
9.		Nikon Z7	3690	Y	3.2 / 2100	tilting	Y	1/8000s	9.0/s	n	Y
10.		Nikon Zf	3690	n	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
11.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
12.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
13.		Panasonic TZ95	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
14.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
15.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
17.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the Z6, but is missing on the FT7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon Z6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The Z6 writes its imaging data to XQD cards, while the FT7 uses SDXC cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z6 and Panasonic Lumix DC-FT7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon Z6	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
2.		Panasonic FT7	-	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Canon SX730	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
4.		Canon SX740	-	stereo / mono	-	-	micro	2.0	Y	-	Y
5.		Fujifilm XF10	-	stereo / mono	Y	-	micro	2.0	Y	-	Y
6.		Nikon D750	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
7.		Nikon Z5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Nikon Z6 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
9.		Nikon Z7	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
10.		Nikon Zf	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
12.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Panasonic TZ95	-	stereo / mono	-	-	micro	2.0	Y	-	Y
14.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
16.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
17.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y

It is notable that the Z6 has a hotshoe, while the FT7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Both the Z6 and the FT7 have been discontinued, but can regularly be found used on ebay. The Z6 was replaced by the Nikon Z6 II, while the FT7 does not have a direct successor. Further information on the features and operation of the Z6 and FT7 can be found, respectively, in the Nikon Z6 Manual (free pdf) or the online Panasonic FT7 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Nikon Z6 and the Panasonic FT7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Nikon Z6:

• More detail: Offers more megapixels (24.3 vs 20.2MP) with a 12% higher linear resolution.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 1170k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.45x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1300s) to freeze action.
• Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Is somewhat more recent (announced 3 months after the FT7).

Reasons to prefer the Panasonic Lumix DC-FT7:

• Ready to shoot: Has an integrated lens, whereas the Z6 necessitates an extra lens.
• More compact: Is smaller (117x76mm vs 134x101mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the Z6).
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been on the market for longer (launched in May 2018).

If the count of relative strengths (bullet points above) is taken as a measure, the Z6 is the clear winner of the match-up (23 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon Z6 and the Panasonic FT7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the Z6 and the FT7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Nikon Z6	5/5	..	5/5	89/100	4.5/5	5/5	Aug 2018	US$ 1 999	ebay.com
2.		Panasonic FT7	..	+	..	..	3.5/5	3.5/5	May 2018	US$ 449	ebay.com
3.		Canon SX730	..	+	..	..	4/5	4/5	Apr 2017	US$ 399	ebay.com
4.		Canon SX740	..	+	3.5/5	..	4/5	4/5	Jul 2018	US$ 399	amazon.com
5.		Fujifilm XF10	..	..	4/5	75/100	4/5	4.5/5	Jul 2018	US$ 499	ebay.com
6.		Nikon D750	5/5	+ +	4/5	90/100	4.5/5	4.5/5	Sep 2014	US$ 2 299	ebay.com
7.		Nikon Z5	4/5	..	4/5	89/100	4.5/5	4/5	Jul 2020	US$ 1 399	amazon.com
8.		Nikon Z6 II	4.5/5	..	4/5	89/100	4.5/5	4.5/5	Oct 2020	US$ 1 999	amazon.com
9.		Nikon Z7	5/5	+	4.8/5	89/100	4.5/5	5/5	Aug 2018	US$ 3 399	ebay.com
10.		Nikon Zf	4.5/5	..	4.5/5	90/100	4.5/5	5/5	Sep 2023	US$ 1 999	amazon.com
11.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	US$ 1 999	amazon.com
12.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
13.		Panasonic TZ95	..	+ +	..	..	4.5/5	..	Feb 2019	US$ 449	ebay.com
14.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	US$ 1 999	ebay.com
15.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	US$ 1 999	amazon.com
16.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	US$ 4 499	ebay.com
17.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	US$ 4 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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