Olympus E-M10 III vs Panasonic LX7

The Olympus OM-D E-M10 Mark III and the Panasonic Lumix DMC-LX7 are two digital cameras that were revealed to the public, respectively, in August 2017 and July 2012. The E-M10 III is a mirrorless interchangeable lens camera, while the LX7 is a fixed lens compact. The cameras are based on a Four Thirds (E-M10 III) and a 1/1.7-inch (LX7) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Panasonic provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-M10 III		Panasonic LX7
Mirrorless system camera		Fixed lens compact camera
Micro Four Thirds lenses		24-90mm f/1.4-2.3
15.9 MP – Four Thirds sensor		10 MP – 1/1.7" sensor
4K/30p Video		1080/60p Video
ISO 200-25,600		ISO 80-6,400 (80 - 12,800)
Electronic viewfinder (2360k dots)		Viewfinder optional
3.0" LCD – 1040k dots		3.0" LCD – 920k dots
Tilting touchscreen		Fixed screen (not touch-sensitive)
8.6 shutter flaps per second		11 shutter flaps per second
In-body stabilization		Lens-based stabilization
330 shots per battery charge		330 shots per battery charge
122 x 84 x 50 mm, 410 g		111 x 68 x 46 mm, 298 g

Check E-M10 III offers at
ebay.com
Check LX7 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M10 Mark III and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Olympus E-M10 III and the Panasonic LX7. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The E-M10 III can be obtained in two different colors (black, silver), while the LX7 is also available in two color-versions, but different ones (black, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is notably smaller (26 percent) than the Olympus E-M10 III. In this context, it is worth noting that neither the E-M10 III nor the LX7 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the E-M10 III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M10 III and their specifications in the Micro Four Thirds Lens Catalog.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Olympus E-M10 III	122 mm	84 mm	50 mm	410 g	330	n	Aug 2017	EUR 649	ebay.com
2.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	EUR 529	ebay.com
3.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	EUR 599	ebay.com
4.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	EUR 529	ebay.com
5.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	EUR 599	ebay.com
6.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	EUR 599	ebay.com
7.		Olympus E-M10 IV	122 mm	84 mm	49 mm	383 g	360	n	Aug 2020	EUR 699	amazon.com
8.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	EUR 999	ebay.com
9.		Olympus E-PL7	115 mm	67 mm	38 mm	357 g	350	n	Aug 2014	EUR 599	ebay.com
10.		Olympus E-PL8	115 mm	67 mm	38 mm	357 g	350	n	Sep 2016	EUR 549	ebay.com
11.		Olympus E-PL9	117 mm	68 mm	39 mm	380 g	350	n	Feb 2018	EUR 599	ebay.com
12.		Olympus E-PL10	117 mm	68 mm	39 mm	380 g	350	n	Oct 2019	EUR 599	ebay.com
13.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	EUR 1 199	ebay.com
14.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	EUR 469	ebay.com
15.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	EUR 449	ebay.com
16.		Panasonic GX80	122 mm	71 mm	44 mm	426 g	290	n	Apr 2016	EUR 799	amazon.com
17.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	EUR 529	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX7 was launched at a lower price than the E-M10 III, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-M10 III features a Four Thirds sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 81 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 4.65. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 15.9MP, the E-M10 III offers a higher resolution than the LX7 (10MP), but the E-M10 III nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the E-M10 III is a much more recent model (by 5 years and 1 month) than the LX7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the E-M10 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Olympus E-M10 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M10 III for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Olympus OM-D E-M10 Mark III has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-M10 III	Four Thirds	15.9	4608	3456	4K/30p	23.1	12.8	1120	74
2.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
3.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
4.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
5.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
6.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
7.		Olympus E-M10 IV	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.2	1402	76
8.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
9.		Olympus E-PL7	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.4	873	72
10.		Olympus E-PL8	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.6	1030	73
11.		Olympus E-PL9	Four Thirds	15.9	4608	3456	4K/30p	23.1	12.8	1162	74
12.		Olympus E-PL10	Four Thirds	15.9	4608	3456	4K/30p	23.3	13.1	1324	76
13.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
14.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
15.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
16.		Panasonic GX80	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
17.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the E-M10 III provides a higher video resolution than the LX7. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M10 III has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The table below summarizes some of the other core capabilities of the Olympus E-M10 III and Panasonic LX7 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-M10 III	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.6/s	Y	Y
2.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
3.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
4.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
5.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
6.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
7.		Olympus E-M10 IV	2360	n	3.0 / 1040	tilting	Y	1/4000s	15.0/s	Y	Y
8.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
9.		Olympus E-PL7	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
10.		Olympus E-PL8	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
11.		Olympus E-PL9	none	n	3.0 / 1040	tilting	Y	1/4000s	8.6/s	Y	Y
12.		Olympus E-PL10	none	n	3.0 / 1040	tilting	Y	1/4000s	8.6/s	Y	Y
13.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
14.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
15.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
16.		Panasonic GX80	2765	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
17.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-M10 III has a touchscreen, while the LX7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M10 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M10 III and the Panasonic LX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the E-M10 III and the LX7 write their files to SDXC cards. The E-M10 III supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M10 Mark III and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-M10 III	Y	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
4.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Olympus E-M10 IV	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
8.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Olympus E-PL7	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Olympus E-PL8	Y	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Olympus E-PL9	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
12.		Olympus E-PL10	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
13.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
16.		Panasonic GX80	Y	stereo / mono	-	-	micro	2.0	Y	-	-
17.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-

It is notable that the E-M10 III offers wifi support, while the LX7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both the E-M10 III and the LX7 have been discontinued, but can regularly be found used on ebay. The LX7 was replaced by the Panasonic LX10, while the E-M10 III was followed by the Olympus E-M10 IV. Further information on the features and operation of the E-M10 III and LX7 can be found, respectively, in the Olympus E-M10 III Manual (free pdf) or the online Panasonic LX7 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Olympus E-M10 III or the Panasonic LX7 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Olympus OM-D E-M10 Mark III:

• More detail: Offers more megapixels (15.9 vs 10MP) with a 26% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
• More modern: Reflects 5 years and 1 month of technical progress since the LX7 launch.

Reasons to prefer the Panasonic Lumix DMC-LX7:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Faster burst: Shoots at higher frequency (11 vs 8.6 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has an integrated lens, whereas the E-M10 III necessitates an extra lens.
• More compact: Is smaller (111x68mm vs 122x84mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the E-M10 III).
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been around for much longer (launched in July 2012).

If the number of relative strengths (bullet points above) is taken as a guide, the E-M10 III is the clear winner of the match-up (16 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-M10 III and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the E-M10 III and the LX7 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Olympus E-M10 III	..	+	5/5	80/100	4.5/5	4.5/5	Aug 2017	EUR 649	ebay.com
2.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	EUR 529	ebay.com
3.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	EUR 599	ebay.com
4.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	EUR 529	ebay.com
5.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	EUR 599	ebay.com
6.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	EUR 599	ebay.com
7.		Olympus E-M10 IV	4.5/5	..	5/5	81/100	4.5/5	4.5/5	Aug 2020	EUR 699	amazon.com
8.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	EUR 999	ebay.com
9.		Olympus E-PL7	4/5	+	..	..	5/5	4/5	Aug 2014	EUR 599	ebay.com
10.		Olympus E-PL8	..	..	..	..	4.5/5	4/5	Sep 2016	EUR 549	ebay.com
11.		Olympus E-PL9	..	+	..	..	4.5/5	4/5	Feb 2018	EUR 599	ebay.com
12.		Olympus E-PL10	..	..	4/5	77/100	..	4/5	Oct 2019	EUR 599	ebay.com
13.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	EUR 1 199	ebay.com
14.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	EUR 469	ebay.com
15.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	EUR 449	ebay.com
16.		Panasonic GX80	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	EUR 799	amazon.com
17.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	EUR 529	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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