Olympus E-M5 II vs Panasonic FZ2000

The Olympus OM-D E-M5 Mark II and the Panasonic Lumix DMC-FZ2000 (labelled Panasonic FZ2500 in some countries) are two digital cameras that were revealed to the public, respectively, in February 2015 and September 2016. The E-M5 II is a mirrorless interchangeable lens camera, while the FZ2000 is a fixed lens compact. The cameras are based on a Four Thirds (E-M5 II) and an one-inch (FZ2000) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Panasonic provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-M5 II		Panasonic FZ2000
Mirrorless system camera		Fixed lens compact camera
Micro Four Thirds lenses		24-480mm f/2.8-4.5
15.9 MP – Four Thirds sensor		20 MP – 1" sensor
1080/60p Video		4K/30p Video
ISO 200-25,600		ISO 125-12,800 (80 - 25,600)
Electronic viewfinder (2360k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 1037k dots		3.0" LCD – 1040k dots
Swivel touchscreen		Swivel touchscreen
10 shutter flaps per second		12 shutter flaps per second
In-body stabilization		Lens-based stabilization
Weathersealed body		not weather sealed
310 shots per battery charge		350 shots per battery charge
124 x 85 x 45 mm, 469 g		138 x 102 x 135 mm, 915 g

Check E-M5 II offers at
ebay.com
Check FZ2000 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 Mark II and the Panasonic Lumix DMC-FZ2000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Olympus E-M5 II and the Panasonic FZ2000 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The E-M5 II can be obtained in two different colors (black, silver), while the FZ2000 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2000 is notably larger (34 percent) than the Olympus E-M5 II. It is worth mentioning in this context that the E-M5 II is splash and dust resistant, while the FZ2000 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2000 has a lens built in, whereas the E-M5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M5 II and their specifications in the Micro Four Thirds Lens Catalog.

Concerning battery life, the E-M5 II gets 310 shots out of its Olympus BLN-1 battery, while the FZ2000 can take 350 images on a single charge of its Panasonic DMW-BLC12 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	US$ 1 099	ebay.com
2.		Panasonic FZ2000	138 mm	102 mm	135 mm	915 g	350	n	Sep 2016	US$ 1 199	amazon.com
3.		Fujifilm X100F	127 mm	75 mm	52 mm	469 g	390	n	Jan 2017	US$ 1 299	ebay.com
4.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	US$ 1 399	ebay.com
5.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	US$ 1 299	ebay.com
6.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	US$ 1 199	ebay.com
7.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	US$ 699	ebay.com
8.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	US$ 649	ebay.com
9.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	US$ 999	ebay.com
10.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	US$ 1 199	ebay.com
11.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	US$ 899	ebay.com
12.		Panasonic G85	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	US$ 899	ebay.com
13.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	US$ 1 199	ebay.com
14.		Panasonic GX85	122 mm	71 mm	44 mm	426 g	290	n	Apr 2016	US$ 799	amazon.com
15.		Sony RX10 II	129 mm	88 mm	102 mm	813 g	400	Y	Jun 2015	US$ 1 299	ebay.com
16.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	US$ 999	ebay.com
17.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	US$ 999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-M5 II features a Four Thirds sensor and the Panasonic FZ2000 an one-inch sensor. The sensor area in the FZ2000 is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the E-M5 II has a native 4:3 aspect ratio, while the one in the FZ2000 offers a 3:2 aspect.

Despite having a smaller sensor, the FZ2000 offers a higher resolution of 20 megapixels, compared with 15.9 MP of the E-M5 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.76μm for the E-M5 II). However, it should be noted that the FZ2000 is a somewhat more recent model (by 1 year and 7 months) than the E-M5 II, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.

The resolution advantage of the Panasonic FZ2000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2000 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

Unlike the FZ2000, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Olympus OM-D E-M5 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2000 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

In terms of underlying technology, the E-M5 II is build around a CMOS sensor, while the FZ2000 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
2.		Panasonic FZ2000	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	538	70
3.		Fujifilm X100F	APS-C	24.0	6000	4000	1080/60p	23.9	13.2	1704	81
4.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
5.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
6.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
7.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
8.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
9.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
10.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
11.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
12.		Panasonic G85	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
13.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
14.		Panasonic GX85	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
15.		Sony RX10 II	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	531	70
16.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
17.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ2000 provides a better video resolution than the E-M5 II. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The E-M5 II and the FZ2000 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The adjacent table lists some of the other core features of the Olympus E-M5 II and Panasonic FZ2000 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
2.		Panasonic FZ2000	2360	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
3.		Fujifilm X100F	2360	n	3.0 / 1040	fixed	n	1/4000s	8.0/s	Y	n
4.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
5.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
6.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
7.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
8.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
9.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
10.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
11.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
12.		Panasonic G85	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
13.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
14.		Panasonic GX85	2765	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
15.		Sony RX10 II	2359	Y	3.0 / 1229	tilting	n	1/3200s	14.0/s	Y	Y
16.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
17.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The FZ2000 has one, while the E-M5 II does not. While the built-in flash of the FZ2000 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M5 II and the Panasonic FZ2000 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the E-M5 II and the FZ2000 write their files to SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the FZ2000 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 Mark II and Panasonic Lumix DMC-FZ2000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
2.		Panasonic FZ2000	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
3.		Fujifilm X100F	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
4.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
5.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
7.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
12.		Panasonic G85	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
13.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
14.		Panasonic GX85	Y	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Sony RX10 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-

Studio photographers will appreciate that the Olympus E-M5 II (unlike the FZ2000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The FZ2000 is a recent model that features in the current product line-up of Panasonic. In contrast, the E-M5 II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-M5 II was succeeded by the Olympus E-M5 III. Further information on the features and operation of the E-M5 II and FZ2000 can be found, respectively, in the Olympus E-M5 II Manual (free pdf) or the online Panasonic FZ2000 Manual.

Review summary

So what conclusions can be drawn? Is the Olympus E-M5 II better than the Panasonic FZ2000 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Olympus OM-D E-M5 Mark II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• More compact: Is smaller (124x85mm vs 138x102mm) and thus needs less room in the bag.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More heavily discounted: Has been on the market for longer (launched in February 2015).

Arguments in favor of the Panasonic Lumix DMC-FZ2000:

• More detail: Has more megapixels (20 vs 15.9MP), which boosts linear resolution by 14%.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has an integrated lens, whereas the E-M5 II necessitates an extra lens.
• Longer lasting: Gets more shots (350 versus 310) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More modern: Was introduced somewhat (1 year and 7 months) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the E-M5 II comes out slightly ahead of the FZ2000 (9 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-M5 II and the Panasonic FZ2000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-M5 II or the FZ2000 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	US$ 1 099	ebay.com
2.		Panasonic FZ2000	..	+	..	82/100	4.5/5	5/5	Sep 2016	US$ 1 199	amazon.com
3.		Fujifilm X100F	5/5	+	3.9/5	83/100	4.5/5	4.5/5	Jan 2017	US$ 1 299	ebay.com
4.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	US$ 1 399	ebay.com
5.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	US$ 1 299	ebay.com
6.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	US$ 1 199	ebay.com
7.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	US$ 699	ebay.com
8.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	US$ 649	ebay.com
9.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	US$ 999	ebay.com
10.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	US$ 1 199	ebay.com
11.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	US$ 899	ebay.com
12.		Panasonic G85	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	US$ 899	ebay.com
13.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	US$ 1 199	ebay.com
14.		Panasonic GX85	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	US$ 799	amazon.com
15.		Sony RX10 II	5/5	+ +	..	82/100	4.5/5	4/5	Jun 2015	US$ 1 299	ebay.com
16.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	US$ 999	ebay.com
17.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	US$ 999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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