Olympus TG-4 vs Panasonic S5 II
The Olympus Tough TG-4 and the Panasonic Lumix DC-S5 II are two digital cameras that were revealed to the public, respectively, in April 2015 and January 2023. The TG-4 is a fixed lens compact, while the S5 II is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (TG-4) and a full frame (S5 II) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Panasonic provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Tough TG-4 and the Panasonic Lumix DC-S5 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Olympus TG-4 and the Panasonic S5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The TG-4 can be obtained in two different colors (black, red), while the S5 II is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 II is considerably larger (85 percent) than the Olympus TG-4. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TG-4 is water-proof up to 15m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TG-4 has a lens built in, whereas the S5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the TG-4 gets 380 shots out of its Olympus LI-92B battery, while the S5 II can take 370 images on a single charge of its Panasonic DMW-BLK22 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Olympus TG-4 | 112 mm | 66 mm | 31 mm | 247 g | 380 | Y | Apr 2015 | US$ 379 | ebay.com | |
| 2. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| 3. | Canon SX700 | 113 mm | 66 mm | 35 mm | 269 g | 250 | n | Feb 2014 | US$ 349 | ebay.com | |
| 4. | Fujifilm XP120 | 110 mm | 71 mm | 28 mm | 203 g | 210 | Y | Jan 2017 | US$ 229 | ebay.com | |
| 5. | Fujifilm XP130 | 110 mm | 71 mm | 28 mm | 207 g | 240 | Y | Jan 2018 | US$ 229 | ebay.com | |
| 6. | Fujifilm XP140 | 110 mm | 71 mm | 28 mm | 207 g | 240 | Y | Feb 2019 | US$ 229 | ebay.com | |
| 7. | Nikon W300 | 112 mm | 66 mm | 29 mm | 231 g | 280 | Y | May 2017 | US$ 389 | ebay.com | |
| 8. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | US$ 1 999 | amazon.com | |
| 9. | Olympus TG-5 | 113 mm | 66 mm | 32 mm | 250 g | 340 | Y | May 2017 | US$ 449 | ebay.com | |
| 10. | Olympus TG-6 | 113 mm | 66 mm | 32 mm | 253 g | 340 | Y | May 2019 | US$ 449 | ebay.com | |
| 11. | OM System TG-7 | 114 mm | 66 mm | 33 mm | 249 g | 330 | Y | Sep 2023 | US$ 549 | amazon.com | |
| 12. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | US$ 1 899 | amazon.com | |
| 13. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | US$ 2 199 | amazon.com | |
| 14. | Panasonic GH7 | 138 mm | 100 mm | 100 mm | 805 g | 380 | Y | Jun 2024 | US$ 2 199 | amazon.com | |
| 15. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | US$ 1 999 | amazon.com | |
| 16. | Sony HX80 | 102 mm | 58 mm | 36 mm | 245 g | 390 | n | Mar 2016 | US$ 349 | ebay.com | |
| 17. | Sony HX90V | 102 mm | 58 mm | 36 mm | 245 g | 360 | n | Apr 2015 | US$ 429 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The TG-4 was launched at a lower price than the S5 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus TG-4 features a 1/2.3-inch sensor and the Panasonic S5 II a full frame sensor. The sensor area in the S5 II is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the TG-4 has a native 4:3 aspect ratio, while the one in the S5 II offers a 3:2 aspect.

With 24MP, the S5 II offers a higher resolution than the TG-4 (15.9MP), but the S5 II nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.33μm for the TG-4) due to its larger sensor. Moreover, the S5 II is a much more recent model (by 7 years and 8 months) than the TG-4, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S5 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic S5 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S5 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus TG-4 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The S5 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the TG-4, the S5 II has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus Tough TG-4 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DC-S5 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Olympus TG-4 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.2 | 11.6 | 737 | 47 | |
| 2. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| 3. | Canon SX700 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.1 | 11.4 | 629 | 45 | |
| 4. | Fujifilm XP120 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.5 | 11.9 | 900 | 49 | |
| 5. | Fujifilm XP130 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.6 | 12.1 | 1000 | 51 | |
| 6. | Fujifilm XP140 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/15p | 20.7 | 12.2 | 1102 | 52 | |
| 7. | Nikon W300 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/30p | 20.5 | 12.0 | 938 | 50 | |
| 8. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
| 9. | Olympus TG-5 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 20.5 | 11.9 | 934 | 50 | |
| 10. | Olympus TG-6 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 20.7 | 12.2 | 1127 | 52 | |
| 11. | OM System TG-7 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 20.9 | 12.7 | 1553 | 54 | |
| 12. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
| 13. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
| 14. | Panasonic GH7 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.6 | 1784 | 78 | |
| 15. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
| 16. | Sony HX80 | 1/2.3 | 18.0 | 4896 | 3672 | 1080/60p | 20.4 | 11.8 | 822 | 48 | |
| 17. | Sony HX90V | 1/2.3 | 18.0 | 4896 | 3672 | 1080/60p | 20.2 | 11.6 | 738 | 47 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S5 II provides a better video resolution than the TG-4. It can shoot movie footage at 6K/30p, while the Olympus is limited to 1080/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the S5 II has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the TG-4 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Olympus TG-4, the Panasonic S5 II, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Olympus TG-4 | none | n | 3.0 / 460 | fixed | n | 1/2000s | 5.0/s | Y | Y | |
| 2. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| 3. | Canon SX700 | none | n | 3.0 / 922 | fixed | n | 1/3200s | 8.5/s | Y | Y | |
| 4. | Fujifilm XP120 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
| 5. | Fujifilm XP130 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
| 6. | Fujifilm XP140 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
| 7. | Nikon W300 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.0/s | Y | Y | |
| 8. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
| 9. | Olympus TG-5 | none | n | 3.0 / 460 | fixed | n | 1/2000s | 20.0/s | Y | Y | |
| 10. | Olympus TG-6 | none | n | 3.0 / 1040 | fixed | n | 1/2000s | 20.0/s | Y | Y | |
| 11. | OM System TG-7 | none | n | 3.0 / 1040 | fixed | n | 1/2000s | 20.0/s | Y | Y | |
| 12. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
| 13. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 14. | Panasonic GH7 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 15. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
| 16. | Sony HX80 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
| 17. | Sony HX90V | 638 | n | 3.0 / 921 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One difference between the cameras concerns the presence of an on-board flash. The TG-4 has one, while the S5 II does not. While the built-in flash of the TG-4 is not very powerful, it can at times be useful as a fill-in light.
The S5 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the TG-4 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus TG-4 and the Panasonic S5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the TG-4 and the S5 II write their files to SDXC cards. The S5 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the TG-4 only has one slot. The S5 II supports UHS-II cards (on both slots), while the TG-4 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Tough TG-4 and Panasonic Lumix DC-S5 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Olympus TG-4 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 2. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 3. | Canon SX700 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 4. | Fujifilm XP120 | - | mono / mono | - | - | micro | 2.0 | Y | - | - | |
| 5. | Fujifilm XP130 | - | mono / mono | - | - | micro | 2.0 | Y | - | Y | |
| 6. | Fujifilm XP140 | - | mono / mono | - | - | micro | 2.0 | Y | - | Y | |
| 7. | Nikon W300 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
| 8. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 9. | Olympus TG-5 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 10. | Olympus TG-6 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 11. | OM System TG-7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 12. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 13. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 14. | Panasonic GH7 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 15. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 16. | Sony HX80 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 17. | Sony HX90V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the S5 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TG-4 does not feature such a mic input.
Travel and landscape photographers will find it useful that the TG-4 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The S5 II is a recent model that features in the current product line-up of Panasonic. In contrast, the TG-4 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the TG-4 was succeeded by the Olympus TG-5. Further information on the features and operation of the TG-4 and S5 II can be found, respectively, in the Olympus TG-4 Manual (free pdf) or the online Panasonic S5 II Manual.
Review summary
So how do things add up? Which of the two cameras – the Olympus TG-4 or the Panasonic S5 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Olympus Tough TG-4:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Ready to shoot: Has a lens built-in, whereas the S5 II requires a separate lens.
- More compact: Is smaller (112x66mm vs 134x102mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the S5 II).
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 15m).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in April 2015).

Reasons to prefer the Panasonic Lumix DC-S5 II:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (6K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1840k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 7 years and 8 months of technical progress since the TG-4 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the S5 II is the clear winner of the contest (27 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus TG-4 and the Panasonic S5 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the TG-4 or the S5 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Olympus TG-4 | .. | + | .. | 79/100 | 4/5 | 4/5 | Apr 2015 | US$ 379 | ebay.com | |
| 2. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| 3. | Canon SX700 | .. | + + | .. | .. | 4/5 | 4/5 | Feb 2014 | US$ 349 | ebay.com | |
| 4. | Fujifilm XP120 | .. | o | .. | .. | 3.5/5 | 4/5 | Jan 2017 | US$ 229 | ebay.com | |
| 5. | Fujifilm XP130 | .. | o | .. | .. | 3.5/5 | 4/5 | Jan 2018 | US$ 229 | ebay.com | |
| 6. | Fujifilm XP140 | .. | + | .. | .. | 3.5/5 | 4/5 | Feb 2019 | US$ 229 | ebay.com | |
| 7. | Nikon W300 | .. | + | .. | .. | 4/5 | 4/5 | May 2017 | US$ 389 | ebay.com | |
| 8. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | US$ 1 999 | amazon.com | |
| 9. | Olympus TG-5 | .. | + + | 4.5/5 | .. | 4/5 | 4/5 | May 2017 | US$ 449 | ebay.com | |
| 10. | Olympus TG-6 | 4/5 | + + | 4.5/5 | 76/100 | 4/5 | 4/5 | May 2019 | US$ 449 | ebay.com | |
| 11. | OM System TG-7 | 4/5 | .. | 4.5/5 | .. | 4/5 | 4/5 | Sep 2023 | US$ 549 | amazon.com | |
| 12. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | US$ 1 899 | amazon.com | |
| 13. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | US$ 2 199 | amazon.com | |
| 14. | Panasonic GH7 | .. | .. | .. | .. | .. | .. | Jun 2024 | US$ 2 199 | amazon.com | |
| 15. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | US$ 1 999 | amazon.com | |
| 16. | Sony HX80 | .. | .. | .. | .. | .. | .. | Mar 2016 | US$ 349 | ebay.com | |
| 17. | Sony HX90V | 4/5 | + + | .. | .. | 4/5 | 4.5/5 | Apr 2015 | US$ 429 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Check TG-4 offers at
ebay.com

Check S5 II price at
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Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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Specifications: Olympus TG-4 vs Panasonic S5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Olympus TG-4 | Panasonic S5 II |
|---|---|---|
| Camera Type | Fixed lens compact camera | Mirrorless system camera |
| Camera Lens | 25-100mm f/2.0-4.9 | Leica L mount lenses |
| Launch Date | April 2015 | January 2023 |
| Launch Price | USD 379 | USD 1,999 |
| Sensor Specs | Olympus TG-4 | Panasonic S5 II |
| Sensor Technology | BSI-CMOS | BSI-CMOS |
| Sensor Format | 1/2.3" Sensor | Full Frame Sensor |
| Sensor Size | 6.17 x 4.55 mm | 35.6 x 23.8 mm |
| Sensor Area | 28.0735 mm2 | 847.28 mm2 |
| Sensor Diagonal | 7.7 mm | 42.8 mm |
| Crop Factor | 5.6x | 1.0x |
| Sensor Resolution | 15.9 Megapixels | 24 Megapixels |
| Image Resolution | 4608 x 3456 pixels | 6000 x 4000 pixels |
| Pixel Pitch | 1.33 μm | 5.94 μm |
| Pixel Density | 56.73 MP/cm2 | 2.83 MP/cm2 |
| Moiré control | Anti-Alias filter | no AA filter |
| Movie Capability | 1080/30p Video | 6K/30p Video |
| ISO Setting | 100 - 6,400 ISO | 100 - 51,200 ISO |
| ISO Boost | no Enhancement | 50 - 204,800 ISO |
| Image Processor | TruePic VII | Venus |
| Screen Specs | Olympus TG-4 | Panasonic S5 II |
| Viewfinder Type | no viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | |
| Viewfinder Magnification | 0.78x | |
| Viewfinder Resolution | 3680k dots | |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.0inch |
| LCD Resolution | 460k dots | 1840k dots |
| LCD Attachment | Fixed screen | Swivel screen |
| Touch Input | no Touchscreen | Touchscreen |
| Shooting Specs | Olympus TG-4 | Panasonic S5 II |
| Focus System | Contrast-detect AF | On-Sensor Phase-detect |
| Manual Focusing Aid | no Peaking Feature | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/2000s | 1/8000s |
| Continuous Shooting | 5 shutter flaps/s | 9 shutter flaps/s |
| Electronic Shutter | no E-Shutter | up to 1/8000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | In-body stabilization |
| Fill Flash | Built-in Flash | no On-Board Flash |
| Storage Medium | SDXC cards | SDXC cards |
| Single or Dual Card Slots | Single card slot | Dual card slots |
| UHS card support | UHS-I | Dual UHS-II |
| Connectivity Specs | Olympus TG-4 | Panasonic S5 II |
| External Flash | no Hotshoe | Hotshoe |
| USB Connector | USB 2.0 | USB 3.2 |
| HDMI Port | micro HDMI | full HDMI |
| Microphone Port | no MIC socket | External MIC port |
| Headphone Socket | no Headphone port | Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | no Bluetooth | Bluetooth built-in |
| Geotagging | GPS built-in | no internal GPS |
| Body Specs | Olympus TG-4 | Panasonic S5 II |
| Environmental Sealing | Waterproof body (15m) | Weathersealed body |
| Battery Type | Olympus LI-92B | Panasonic DMW-BLK22 |
| Battery Life (CIPA) | 380 shots per charge | 370 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
112 x 66 x 31 mm (4.4 x 2.6 x 1.2 in) |
134 x 102 x 90 mm (5.3 x 4.0 x 3.5 in) |
| Camera Weight | 247 g (8.7 oz) | 740 g (26.1 oz) |

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