Panasonic GF5 vs L10

The Panasonic Lumix DMC-GF5 and the Panasonic Lumix DMC- L10 are two digital cameras that were revealed to the public, respectively, in April 2012 and August 2007. The GF5 is a mirrorless interchangeable lens camera, while the L10 is a DSLR. Both cameras are equipped with a Four Thirds sensor. The GF5 has a resolution of 12 megapixels, whereas the L10 provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GF5		Panasonic L10
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Four Thirds lenses
12 MP – Four Thirds sensor		10 MP – Four Thirds sensor
1080/60i Video		no Video
ISO 160-6,400 (160 - 12,800)		ISO 100-1,600
No viewfinder, LCD framing		Optical viewfinder
3.0" LCD – 920k dots		2.5" LCD – 207k dots
Fixed touchscreen		Swivel screen (not touch-sensitive)
4 shutter flaps per second		3 shutter flaps per second
360 shots per battery charge		450 shots per battery charge
108 x 67 x 37 mm, 267 g		135 x 96 x 78 mm, 556 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF5 and the Panasonic Lumix DMC- L10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic GF5 and the Panasonic L10 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The GF5 can be obtained in three different colors (black, red, white), while the L10 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L10 is considerably larger (79 percent) than the Panasonic GF5. Moreover, the L10 is substantially heavier (108 percent) than the GF5. In this context, it is worth noting that neither the GF5 nor the L10 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GF5) and the Four Thirds Lens Catalog (L10). Mirrorless cameras, such as the Panasonic GF5, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	US$ 499	ebay.com
2.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	US$ 599	ebay.com
3.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	US$ 699	ebay.com
4.		Olympus E-420	130 mm	91 mm	53 mm	440 g	500	n	Mar 2008	US$ 599	ebay.com
5.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	US$ 699	ebay.com
6.		Olympus E-PL3	110 mm	64 mm	37 mm	313 g	300	n	Jun 2011	US$ 599	ebay.com
7.		Olympus E-PM1	110 mm	64 mm	34 mm	265 g	330	n	Jun 2011	US$ 499	ebay.com
8.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	US$ 599	ebay.com
9.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	US$ 599	ebay.com
10.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	US$ 599	ebay.com
11.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	US$ 499	ebay.com
12.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	US$ 549	ebay.com
13.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	US$ 549	ebay.com
14.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	US$ 499	ebay.com
15.		Panasonic L1	146 mm	87 mm	64 mm	606 g	750	n	Feb 2006	US$ 999	ebay.com
16.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	US$ 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GF5 was launched at a somewhat lower price (by 17 percent) than the L10, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

While the two cameras under review share the same sensor size, the GF5 offers a higher resolution of 12 megapixels, compared with 10 MP of the L10. This megapixels advantage translates into a 10 percent gain in linear resolution. On the other hand, these sensor specs imply that the GF5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.33μm versus 4.74μm for the L10). In this context, it should be noted, however, that the GF5 is much more recent (by 4 years and 7 months) than the L10, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.

The resolution advantage of the Panasonic GF5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GF5 for good quality output (200 dots per inch) amounts to 20 x 15 inches or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inches or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inches or 33.9 x 25.4 cm. The corresponding values for the Panasonic L10 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Panasonic Lumix DMC-GF5 has a native sensitivity range from ISO 160 to ISO 6400, which can be extended to ISO 160-12800. The corresponding ISO settings for the Panasonic Lumix DMC- L10 are ISO 100 to ISO 1600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the L10 has a markedly higher DXO score than the GF5 (overall score 5 points higher), which will translate into better image quality. The advantage is based on 0.8 bits higher color depth, 0.8 EV in additional dynamic range, and 0.4 stops of reduced low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
2.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
3.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
4.		Olympus E-420	Four Thirds	10.0	3648	2736	none	21.5	10.4	527	56
5.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
6.		Olympus E-PL3	Four Thirds	12.2	4032	3024	1080/60i	20.9	10.3	499	52
7.		Olympus E-PM1	Four Thirds	12.2	4032	3024	1080/60i	21.0	10.3	499	52
8.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
9.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
10.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
11.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
12.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
13.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
14.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
15.		Panasonic L1	Four Thirds	7.4	3136	2352	none	20.8	10.4	80	52
16.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The GF5 indeed provides movie recording capabilities, while the L10 does not. The highest resolution format that the GF5 can use is 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the L10 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF5 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic GF5, the Panasonic L10, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
2.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
3.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
4.		Olympus E-420	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
5.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
6.		Olympus E-PL3	optional	n	3.0 / 460	tilting	n	1/4000s	5.5/s	n	Y
7.		Olympus E-PM1	optional	n	3.0 / 460	fixed	n	1/4000s	5.5/s	n	Y
8.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
9.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
10.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
11.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
12.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
13.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
14.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
15.		Panasonic L1	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
16.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF5 has a touchscreen, while the L10 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The GF5 writes its imaging data to SDXC cards, while the L10 uses SDHC cards. The GF5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L10 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF5 and Panasonic Lumix DMC- L10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
2.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
3.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
4.		Olympus E-420	Y	- / -	-	-	-	2.0	-	-	-
5.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
6.		Olympus E-PL3	Y	stereo / -	-	-	mini	2.0	-	-	-
7.		Olympus E-PM1	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
9.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
11.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
12.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
15.		Panasonic L1	Y	- / -	-	-	-	2.0	-	-	-
16.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the L10 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The GF5 does not feature such an accessory-socket.

Both the GF5 and the L10 have been discontinued, but can regularly be found used on ebay. The GF5 was replaced by the Panasonic GF6, while the L10 does not have a direct successor. Further information on the features and operation of the GF5 and L10 can be found, respectively, in the Panasonic GF5 Manual (free pdf) or the online Panasonic L10 Manual.

Review summary

So what is the bottom line? Is the Panasonic GF5 better than the Panasonic L10 or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Panasonic Lumix DMC-GF5:

• More detail: Offers more megapixels (12 vs 10MP) with a 10% higher linear resolution.
• Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
• Broader imaging potential: Can record not only still images but also 1080/60i movies.
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (920k vs 207k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (4 vs 3 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (108x67mm vs 135x96mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 289g or 52 percent) and hence easier to carry around.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced into a lower priced segment (17 percent cheaper at launch).
• More modern: Reflects 4 years and 7 months of technical progress since the L10 launch.

Arguments in favor of the Panasonic Lumix DMC- L10:

• Better image quality: Scores markedly higher (5 points) in the DXO overall evaluation.
• More dynamic range: Captures a broader range of light and dark details (0.8 EV of extra DR).
• Easier framing: Has an optical viewfinder for image composition and settings control.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Longer lasting: Gets more shots (450 versus 360) out of a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More heavily discounted: Has been around for much longer (launched in August 2007).

If the count of relative strengths (bullet points above) is taken as a measure, the GF5 is the clear winner of the match-up (13 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GF5 and the Panasonic L10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GF5 and the L10 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	US$ 499	ebay.com
2.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	US$ 599	ebay.com
3.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	US$ 699	ebay.com
4.		Olympus E-420	..	85/100	..	+ +	4/5	4.5/5	Mar 2008	US$ 599	ebay.com
5.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	US$ 699	ebay.com
6.		Olympus E-PL3	3/5	+ +	..	72/100	4.5/5	4/5	Jun 2011	US$ 599	ebay.com
7.		Olympus E-PM1	..	86/100	..	71/100	4.5/5	4.5/5	Jun 2011	US$ 499	ebay.com
8.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	US$ 599	ebay.com
9.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	US$ 599	ebay.com
10.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	US$ 599	ebay.com
11.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	US$ 499	ebay.com
12.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	US$ 549	ebay.com
13.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	US$ 549	ebay.com
14.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	US$ 499	ebay.com
15.		Panasonic L1	..	85/100	..	+	..	3.5/5	Feb 2006	US$ 999	ebay.com
16.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	US$ 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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