Panasonic TZ100 vs Sony A7R V

The Panasonic Lumix DMC-TZ100 (called Panasonic ZS100 in some regions) and the Sony Alpha A7R V are two digital cameras that were officially introduced, respectively, in January 2016 and October 2022. The TZ100 is a fixed lens compact, while the A7R V is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (TZ100) and a full frame (A7R V) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Sony provides 60.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic TZ100		Sony A7R V
Fixed lens compact camera		Mirrorless system camera
25-250mm f/2.8-5.9		Sony E mount lenses
20 MP – 1" sensor		60.2 MP – Full Frame sensor
4K/30p Video		8k/24p Video
ISO 125-12,800 (80 - 25,600)		ISO 100-32,000 (50 - 102,400)
Electronic viewfinder (1166k dots)		Electronic viewfinder (9440k dots)
3.0" LCD – 1040k dots		3.2" LCD – 2100k dots
Fixed touchscreen		Fully flexible touchscreen
10 shutter flaps per second		10 shutter flaps per second
In-body stabilization		In-body stabilization
not weather sealed		Weathersealed body
300 shots per battery charge		530 shots per battery charge
111 x 65 x 44 mm, 312 g		131 x 97 x 82 mm, 723 g

Check TZ100 offers at
ebay.com
Check A7R V price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-TZ100 and the Sony Alpha A7R V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic TZ100 and the Sony A7R V is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The TZ100 can be obtained in two different colors (black, silver), while the A7R V is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R V is considerably larger (76 percent) than the Panasonic TZ100. It is noteworthy in this context that the A7R V is splash and dust-proof, while the TZ100 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ100 has a lens built in, whereas the A7R V is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7R V and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the TZ100 gets 300 shots out of its Panasonic DMW-BLG10 battery, while the A7R V can take 530 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic TZ100	111 mm	65 mm	44 mm	312 g	300	n	Jan 2016	US$ 699	ebay.com
2.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	US$ 3 899	amazon.com
3.		Canon G5 X	112 mm	76 mm	44 mm	353 g	210	n	Oct 2015	US$ 799	ebay.com
4.		Canon G7 X	103 mm	60 mm	40 mm	304 g	210	n	Sep 2014	US$ 699	ebay.com
5.		Canon G7 X Mark II	106 mm	61 mm	42 mm	319 g	265	n	Feb 2016	US$ 699	ebay.com
6.		Canon M3	111 mm	68 mm	44 mm	366 g	250	n	Feb 2015	US$ 679	ebay.com
7.		Panasonic GX80	122 mm	71 mm	44 mm	426 g	290	n	Apr 2016	US$ 799	amazon.com
8.		Panasonic LX15	106 mm	60 mm	42 mm	310 g	260	n	Sep 2016	US$ 699	amazon.com
9.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	US$ 449	ebay.com
10.		Panasonic TZ200	111 mm	65 mm	45 mm	340 g	370	n	Feb 2018	US$ 799	amazon.com
11.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	US$ 3 199	ebay.com
12.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670	Y	Jul 2019	US$ 3 499	ebay.com
13.		Sony A7R IVA	129 mm	96 mm	78 mm	665 g	670	Y	Apr 2021	US$ 3 499	amazon.com
14.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	US$ 3 499	amazon.com
15.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	US$ 4 499	amazon.com
16.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	US$ 999	ebay.com
17.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	US$ 999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The TZ100 was launched at a lower price than the A7R V, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic TZ100 features an one-inch sensor and the Sony A7R V a full frame sensor. The sensor area in the A7R V is 633 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 60.2MP, the A7R V offers a higher resolution than the TZ100 (20MP), but the A7R V nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 2.41μm for the TZ100) due to its larger sensor. Moreover, the A7R V is a much more recent model (by 6 years and 9 months) than the TZ100, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R V has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7R V implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R V for good quality output (200 dots per inch) amounts to 47.5 x 31.7 inches or 120.7 x 80.5 cm, for very good quality (250 dpi) 38 x 25.3 inches or 96.6 x 64.4 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inches or 80.5 x 53.6 cm. The corresponding values for the Panasonic TZ100 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

The A7R V has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the TZ100, the A7R V has the capacity to capture high quality composite images (240MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-TZ100 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A7R V are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the TZ100 is build around a CMOS sensor, while the A7R V uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7R V offers substantially better image quality than the TZ100 (overall score 30 points higher). The advantage is based on 3.7 bits higher color depth, 2.3 EV in additional dynamic range, and 2.5 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic TZ100	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	559	70
2.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
3.		Canon G5 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	471	62
4.		Canon G7 X	1-inch	20.0	5472	3648	1080/60p	23.0	12.7	556	71
5.		Canon G7 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.8	11.9	260	62
6.		Canon M3	APS-C	24.0	6000	4000	1080/30p	22.8	11.8	1169	72
7.		Panasonic GX80	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
8.		Panasonic LX15	1-inch	20.0	5472	3648	4K/30p	21.9	12.0	315	62
9.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
10.		Panasonic TZ200	1-inch	20.0	5472	3648	4K/30p	22.0	12.2	449	64
11.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
12.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
13.		Sony A7R IVA	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
14.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
15.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
16.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
17.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7R V provides a better video resolution than the TZ100. It can shoot movie footage at 8k/24p, while the Panasonic is limited to 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R V offers a substantially higher resolution than the one in the TZ100 (9440k vs 1166k dots). The following table reports on some other key feature differences and similarities of the Panasonic TZ100, the Sony A7R V, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic TZ100	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
2.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
3.		Canon G5 X	2360	n	3.0 / 1040	swivel	Y	1/2000s	5.9/s	Y	Y
4.		Canon G7 X	none	n	3.0 / 1040	tilting	Y	1/2000s	6.5/s	Y	Y
5.		Canon G7 X Mark II	none	n	3.0 / 1040	tilting	Y	1/2000s	8.0/s	Y	Y
6.		Canon M3	optional	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
7.		Panasonic GX80	2765	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
8.		Panasonic LX15	none	n	3.0 / 1040	tilting	Y	1/4000s	10.0/s	Y	Y
9.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
10.		Panasonic TZ200	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
11.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
12.		Sony A7R IV	5760	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
13.		Sony A7R IVA	5760	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
14.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
15.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
16.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
17.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The TZ100 has one, while the A7R V does not. While the built-in flash of the TZ100 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic TZ100 and the Sony A7R V both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The TZ100 writes its imaging data to SDXC cards, while the A7R V uses CFexpress (type A) or SDXC cards. The A7R V features dual card slots, which can be very useful in case a memory card fails. In contrast, the TZ100 only has one slot. The A7R V supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the TZ100 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-TZ100 and Sony Alpha A7R V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic TZ100	-	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Canon G5 X	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
4.		Canon G7 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
5.		Canon G7 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	-
6.		Canon M3	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
7.		Panasonic GX80	Y	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Panasonic LX15	-	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Panasonic TZ200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
11.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
12.		Sony A7R IV	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
13.		Sony A7R IVA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
14.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
16.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the A7R V has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TZ100 does not feature such a mic input.

Studio photographers will appreciate that the Sony A7R V (unlike the TZ100) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The A7R V is a recent model that features in the current product line-up of Sony. In contrast, the TZ100 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the TZ100 was succeeded by the Panasonic TZ200. Further information on the features and operation of the TZ100 and A7R V can be found, respectively, in the Panasonic TZ100 Manual (free pdf) or the online Sony A7R V Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Panasonic TZ100 and the Sony A7R V? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Panasonic Lumix DMC-TZ100:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Ready to shoot: Has a lens built-in, whereas the A7R V requires a separate lens.
• More compact: Is smaller (111x65mm vs 131x97mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7R V).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in January 2016).

Reasons to prefer the Sony Alpha A7R V:

• More detail: Has more megapixels (60.2 vs 20MP), which boosts linear resolution by 74%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (30 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (3.7 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.3 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.5 stops ISO advantage).
• Better video: Provides higher definition movie capture (8k/24p vs 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 1166k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.46x).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (530 versus 300) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 6 years and 9 months of technical progress since the TZ100 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the A7R V is the clear winner of the contest (29 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic TZ100 and the Sony A7R V place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the TZ100 or the A7R V. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic TZ100	4.5/5	+ +	..	82/100	4.5/5	4.5/5	Jan 2016	US$ 699	ebay.com
2.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	US$ 3 899	amazon.com
3.		Canon G5 X	5/5	+ +	..	78/100	4.5/5	4.5/5	Oct 2015	US$ 799	ebay.com
4.		Canon G7 X	4/5	+ +	..	77/100	4.5/5	4.5/5	Sep 2014	US$ 699	ebay.com
5.		Canon G7 X Mark II	4.5/5	+ +	..	81/100	4.5/5	4.5/5	Feb 2016	US$ 699	ebay.com
6.		Canon M3	4/5	o	..	75/100	4.5/5	4/5	Feb 2015	US$ 679	ebay.com
7.		Panasonic GX80	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	US$ 799	amazon.com
8.		Panasonic LX15	..	+ +	4/5	81/100	4/5	4.5/5	Sep 2016	US$ 699	amazon.com
9.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
10.		Panasonic TZ200	..	+ +	4.5/5	81/100	4.5/5	4.5/5	Feb 2018	US$ 799	amazon.com
11.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	US$ 3 199	ebay.com
12.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	US$ 3 499	ebay.com
13.		Sony A7R IVA	5/5	+	4.5/5	91/100	4.5/5	5/5	Apr 2021	US$ 3 499	amazon.com
14.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	US$ 3 499	amazon.com
15.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	US$ 4 499	amazon.com
16.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	US$ 999	ebay.com
17.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	US$ 999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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