Pentax K-1 II vs Ricoh WG-60

The Pentax K-1 II and the Ricoh WG-60 are two digital cameras that were officially introduced, respectively, in February 2018 and October 2018. The K-1 II is a DSLR, while the WG-60 is a fixed lens compact. The cameras are based on a full frame (K-1 II) and a 1/2.3-inch (WG-60) sensor. The Pentax has a resolution of 36.2 megapixels, whereas the Ricoh provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Pentax K-1 II		Ricoh WG-60
Digital single lens reflex		Fixed lens compact camera
Pentax K mount lenses		28-140mm f/3.5-5.5
36.2 MP – Full Frame sensor		15.9 MP – 1/2.3" sensor
1080/60i Video		1080/60p Video
ISO 100-819,200		ISO 125-6,400
Optical viewfinder		No viewfinder, LCD framing
3.2" LCD – 1037k dots		2.7" LCD – 230k dots
Fully flexible screen (no touchscreen)		Fixed screen (not touch-sensitive)
4.4 shutter flaps per second		8 shutter flaps per second
In-body stabilization		no shake reduction
Weathersealed body		Waterproof body (14m)
670 shots per battery charge		300 shots per battery charge
137 x 110 x 86 mm, 1010 g		123 x 62 x 30 mm, 193 g

Check K-1 II price at
amazon.com
Check WG-60 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Pentax K-1 II and the Ricoh WG-60? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Pentax K-1 II and the Ricoh WG-60 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The K-1 II can be obtained in two different colors (black, silver), while the WG-60 is also available in two color-versions, but different ones (black, red).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh WG-60 is considerably smaller (49 percent) than the Pentax K-1 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the WG-60 is water-proof up to 14m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the WG-60 has a lens built in, whereas the K-1 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Pentax K-1 II	137 mm	110 mm	86 mm	1010 g	670	Y	Feb 2018	US$ 1 999	amazon.com
2.		Ricoh WG-60	123 mm	62 mm	30 mm	193 g	300	Y	Oct 2018	US$ 279	ebay.com
3.		Canon R	139 mm	98 mm	84 mm	660 g	370	Y	Sep 2018	US$ 2 299	ebay.com
4.		Fujifilm XP120	110 mm	71 mm	28 mm	203 g	210	Y	Jan 2017	US$ 229	ebay.com
5.		Fujifilm XP130	110 mm	71 mm	28 mm	207 g	240	Y	Jan 2018	US$ 229	ebay.com
6.		Nikon W300	112 mm	66 mm	29 mm	231 g	280	Y	May 2017	US$ 389	ebay.com
7.		Nikon Z6	134 mm	101 mm	67 mm	675 g	310	Y	Aug 2018	US$ 1 999	ebay.com
8.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	US$ 2 499	amazon.com
9.		Panasonic S1H	151 mm	114 mm	110 mm	1052 g	400	Y	May 2019	US$ 3 999	amazon.com
10.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	US$ 3 699	amazon.com
11.		Pentax K-1	137 mm	110 mm	86 mm	1010 g	760	Y	Feb 2016	US$ 1 799	ebay.com
12.		Pentax WG-90	123 mm	62 mm	30 mm	194 g	300	Y	Nov 2023	US$ 279	amazon.com
13.		Pentax WG-1000	116 mm	69 mm	51 mm	220 g	300	Y	Jun 2024	US$ 229	amazon.com
14.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	US$ 1 999	amazon.com
15.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	US$ 3 199	ebay.com
16.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490	Y	Sep 2016	US$ 3 199	ebay.com
17.		Sony A850	156 mm	117 mm	82 mm	895 g	880	Y	Aug 2009	US$ 1 999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The WG-60 was launched at a lower price than the K-1 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Pentax K-1 II features a full frame sensor and the Ricoh WG-60 a 1/2.3-inch sensor. The sensor area in the WG-60 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the K-1 II has a native 3:2 aspect ratio, while the one in the WG-60 offers a 4:3 aspect.

With 36.2MP, the K-1 II offers a higher resolution than the WG-60 (15.9MP), but the K-1 II nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 1.33μm for the WG-60) due to its larger sensor. However, the WG-60 is a somewhat more recent model (by 8 months) than the K-1 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Pentax K-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 II for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Ricoh WG-60 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

Unlike the WG-60, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Pentax K-1 II has a native sensitivity range from ISO 100 to ISO 819200. The corresponding ISO settings for the Ricoh WG-60 are ISO 125 to ISO 6400 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Pentax K-1 II	Full Frame	36.2	7360	4912	1080/60i	25.1	14.0	2698	93
2.		Ricoh WG-60	1/2.3	15.9	4608	3456	1080/60p	20.6	12.2	1072	51
3.		Canon R	Full Frame	30.1	6720	4480	4K/30p	24.5	13.5	2742	89
4.		Fujifilm XP120	1/2.3	15.9	4608	3456	1080/60p	20.5	11.9	900	49
5.		Fujifilm XP130	1/2.3	15.9	4608	3456	1080/60p	20.6	12.1	1000	51
6.		Nikon W300	1/2.3	15.9	4608	3456	4K/30p	20.5	12.0	938	50
7.		Nikon Z6	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	3299	95
8.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
9.		Panasonic S1H	Full Frame	24.0	6000	4000	6K/30p	25.2	14.2	2805	94
10.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
11.		Pentax K-1	Full Frame	36.2	7360	4912	1080/60i	25.4	14.6	3280	96
12.		Pentax WG-90	1/2.3	15.9	4608	3456	1080/60p	20.9	12.8	1570	54
13.		Pentax WG-1000	1/2.3	15.9	4608	3456	1080/30p	20.9	12.8	1626	54
14.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
15.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
16.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92
17.		Sony A850	Full Frame	24.4	6048	4032	none	23.8	12.2	1415	79
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the K-1 II provides a higher frame rate than the WG-60. It can shoot video footage at 1080/60i, while the Ricoh is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the K-1 II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the WG-60 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Pentax K-1 II and Ricoh WG-60 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Pentax K-1 II	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
2.		Ricoh WG-60	none	n	2.7 / 230	fixed	n	1/4000s	8.0/s	Y	n
3.		Canon R	3690	Y	3.2 / 2100	swivel	Y	1/8000s	8.0/s	n	n
4.		Fujifilm XP120	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
5.		Fujifilm XP130	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
6.		Nikon W300	none	n	3.0 / 921	fixed	n	1/4000s	7.0/s	Y	Y
7.		Nikon Z6	3690	Y	3.2 / 2100	tilting	Y	1/8000s	12.0/s	n	Y
8.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
9.		Panasonic S1H	5760	Y	3.2 / 2330	swivel	Y	1/8000s	9.0/s	n	Y
10.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
11.		Pentax K-1	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
12.		Pentax WG-90	none	n	2.7 / 230	fixed	n	1/4000s	8.0/s	Y	n
13.		Pentax WG-1000	none	n	2.7 / 230	fixed	n	1/2000s	8.0/s	Y	n
14.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A99 II	2400	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	n	Y
17.		Sony A850	optical	Y	3.0 / 922	fixed	n	1/8000s	3.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the K-1 II, but is missing on the WG-60 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The Pentax K-1 II and the Ricoh WG-60 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the K-1 II and the WG-60 write their files to SDXC cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the WG-60 only has one slot. The K-1 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the WG-60 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Pentax K-1 II and Ricoh WG-60 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Pentax K-1 II	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
2.		Ricoh WG-60	-	mono / mono	-	-	micro	2.0	-	-	-
3.		Canon R	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
4.		Fujifilm XP120	-	mono / mono	-	-	micro	2.0	Y	-	-
5.		Fujifilm XP130	-	mono / mono	-	-	micro	2.0	Y	-	Y
6.		Nikon W300	-	stereo / mono	-	-	micro	2.0	Y	-	Y
7.		Nikon Z6	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
8.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
9.		Panasonic S1H	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
10.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
11.		Pentax K-1	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
12.		Pentax WG-90	-	mono / mono	-	-	micro	2.0	-	-	-
13.		Pentax WG-1000	-	mono / mono	-	-	-	2.0	-	-	-
14.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
16.		Sony A99 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
17.		Sony A850	Y	- / -	-	-	mini	2.0	-	-	-

It is notable that the K-1 II has a hotshoe, while the WG-60 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Pentax K-1 II (unlike the WG-60) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the K-1 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

The K-1 II is a recent model that features in the current product line-up of Pentax. In contrast, the WG-60 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the WG-60 from Ricoh. Further information on the features and operation of the K-1 II and WG-60 can be found, respectively, in the Pentax K-1 II Manual (free pdf) or the online Ricoh WG-60 Manual.

Review summary

So what conclusions can be drawn? Is the Pentax K-1 II better than the Ricoh WG-60 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Pentax K-1 II:

• More detail: Offers more megapixels (36.2 vs 15.9MP) with a 54% higher linear resolution.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better video: Provides higher movie framerates (1080/60i versus 1080/60p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• Longer lasting: Can take more shots (670 versus 300) on a single battery charge.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More heavily discounted: Has been on the market for longer (launched in February 2018).

Arguments in favor of the Ricoh WG-60:

• Faster burst: Shoots at higher frequency (8 vs 4.4 flaps/sec) to capture the decisive moment.
• Ready to shoot: Comes with an integrated lens, while the K-1 II requires a separate lens.
• More compact: Is smaller (123x62mm vs 137x110mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the K-1 II).
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 14m).
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Was introduced somewhat (8 months) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the K-1 II is the clear winner of the match-up (25 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Pentax K-1 II and the Ricoh WG-60 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the K-1 II and the WG-60 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Pentax K-1 II	..	..	4.5/5	79/100	4.5/5	4.5/5	Feb 2018	US$ 1 999	amazon.com
2.		Ricoh WG-60	..	..	..	..	..	..	Oct 2018	US$ 279	ebay.com
3.		Canon R	4/5	o	4/5	79/100	4.5/5	4/5	Sep 2018	US$ 2 299	ebay.com
4.		Fujifilm XP120	..	o	..	..	3.5/5	4/5	Jan 2017	US$ 229	ebay.com
5.		Fujifilm XP130	..	o	..	..	3.5/5	4/5	Jan 2018	US$ 229	ebay.com
6.		Nikon W300	..	+	..	..	4/5	4/5	May 2017	US$ 389	ebay.com
7.		Nikon Z6	5/5	..	5/5	89/100	4.5/5	5/5	Aug 2018	US$ 1 999	ebay.com
8.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	US$ 2 499	amazon.com
9.		Panasonic S1H	..	..	4/5	90/100	..	..	May 2019	US$ 3 999	amazon.com
10.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	US$ 3 699	amazon.com
11.		Pentax K-1	5/5	..	..	84/100	5/5	5/5	Feb 2016	US$ 1 799	ebay.com
12.		Pentax WG-90	..	..	..	..	..	..	Nov 2023	US$ 279	amazon.com
13.		Pentax WG-1000	..	..	..	..	..	..	Jun 2024	US$ 229	amazon.com
14.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	US$ 1 999	amazon.com
15.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	US$ 3 199	ebay.com
16.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	US$ 3 199	ebay.com
17.		Sony A850	3/5	..	..	75/100	..	4.5/5	Aug 2009	US$ 1 999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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