Canon 1D Mark III vs Olympus E-M1 II

The Canon EOS-1D Mark III and the Olympus OM-D E-M1 Mark II are two digital cameras that were officially introduced, respectively, in February 2007 and September 2016. The 1D Mark III is a DSLR, while the E-M1 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark III) and a Four Thirds (E-M1 II) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Olympus provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 1D Mark III		Olympus E-M1 II
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Micro Four Thirds lenses
10.1 MP – APS-H sensor		20.2 MP – Four Thirds sensor
no Video		4K/30p Video
ISO 100-3,200 (50 - 6,400)		ISO 200-25,600
Optical viewfinder		Electronic viewfinder (2360k dots)
3.0" LCD – 230k dots		3.0" LCD – 1037k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
10 shutter flaps per second		18 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
2200 shots per battery charge		440 shots per battery charge
156 x 157 x 80 mm, 1155 g		134 x 91 x 67 mm, 574 g

Check 1D Mark III offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark III and the Olympus OM-D E-M1 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon 1D Mark III and the Olympus E-M1 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 II is considerably smaller (50 percent) than the Canon 1D Mark III. Moreover, the E-M1 II is substantially lighter (50 percent) than the 1D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1D Mark III) and the Micro Four Thirds Lens Catalog (E-M1 II). Mirrorless cameras, such as the E-M1 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 1D Mark III gets 2200 shots out of its Canon LP-E4 battery, while the E-M1 II can take 440 images on a single charge of its Olympus BLH-1 power pack. As can be seen in the images above, the 1D Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the E-M1 II, Olympus provides the HLD-9 vertical grip as an optional accessory (see here on ebay).

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon 1D Mark III	156 mm	157 mm	80 mm	1155 g	2200	Y	Feb 2007	US$ 4 499	ebay.com
2.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	US$ 1 999	ebay.com
3.		Canon 1D Mark II	156 mm	158 mm	80 mm	1535 g	1200	Y	Jan 2004	US$ 4 499	ebay.com
4.		Canon 1D Mark II N	156 mm	158 mm	80 mm	1565 g	1200	Y	Aug 2005	US$ 3 999	ebay.com
5.		Canon 1D Mark IV	156 mm	157 mm	80 mm	1230 g	1500	Y	Oct 2009	US$ 4 999	ebay.com
6.		Canon 1Ds	156 mm	158 mm	80 mm	1265 g	600	Y	Sep 2002	US$ 8 999	ebay.com
7.		Canon 1Ds Mark III	150 mm	160 mm	80 mm	1385 g	1800	Y	Aug 2007	US$ 7 999	ebay.com
8.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	US$ 3 499	ebay.com
9.		Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	US$ 3 499	ebay.com
10.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	US$ 3 699	ebay.com
11.		Nikon D2Xs	158 mm	150 mm	86 mm	1252 g	3800	Y	Jun 2006	US$ 4 699	ebay.com
12.		Nikon D3	160 mm	157 mm	88 mm	1300 g	4300	Y	Aug 2007	US$ 4 999	ebay.com
13.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	US$ 1 399	ebay.com
14.		Olympus E-M1 III	134 mm	91 mm	69 mm	580 g	420	Y	Feb 2020	US$ 1 799	ebay.com
15.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	US$ 1 199	ebay.com
16.		Panasonic G85	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	US$ 899	ebay.com
17.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	US$ 1 999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-M1 II was launched at a markedly lower price (by 56 percent) than the 1D Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 1D Mark III features an APS-H sensor and the Olympus E-M1 II a Four Thirds sensor. The sensor area in the E-M1 II is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.0. The sensor in the 1D Mark III has a native 3:2 aspect ratio, while the one in the E-M1 II offers a 4:3 aspect.

Despite having a smaller sensor, the E-M1 II offers a higher resolution of 20.2 megapixels, compared with 10.1 MP of the 1D Mark III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 7.21μm for the 1D Mark III). However, it should be noted that the E-M1 II is much more recent (by 9 years and 6 months) than the 1D Mark III, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the E-M1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Olympus E-M1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M1 II for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Canon 1D Mark III are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.

The E-M1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the 1D Mark III, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS-1D Mark III has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 50-6400. The corresponding ISO settings for the Olympus OM-D E-M1 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the E-M1 II has a markedly higher DXO score than the 1D Mark III (overall score 9 points higher), which will translate into better image quality. The advantage is based on 1 bits higher color depth, 1.1 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 1D Mark III	APS-H	10.1	3888	2592	none	22.7	11.7	1078	71
2.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
3.		Canon 1D Mark II	APS-H	8.2	3504	2336	none	22.3	11.1	1003	66
4.		Canon 1D Mark II N	APS-H	8.2	3504	2336	none	22.3	11.2	975	66
5.		Canon 1D Mark IV	APS-H	16.0	4896	3264	1080/30p	22.8	12.0	1320	74
6.		Canon 1Ds	Full Frame	11.0	4064	2704	none	21.8	11.0	954	63
7.		Canon 1Ds Mark III	Full Frame	21.0	5616	3744	none	24.0	12.0	1663	80
8.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
9.		Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
10.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
11.		Nikon D2Xs	APS-C	12.2	4288	2848	none	22.2	10.9	489	59
12.		Nikon D3	Full Frame	12.1	4256	2832	none	23.5	12.2	2290	81
13.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
14.		Olympus E-M1 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1356	76
15.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
16.		Panasonic G85	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
17.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The E-M1 II indeed provides for movie recording, while the 1D Mark III does not. The highest resolution format that the E-M1 II can use is 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M1 II has an electronic viewfinder (2360k dots), while the 1D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the E-M1 II has a higher magnification than the one of the 1D Mark III (0.74x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 1D Mark III, the Olympus E-M1 II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 1D Mark III	optical	Y	3.0 / 230	fixed	n	1/8000s	10.0/s	n	n
2.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
3.		Canon 1D Mark II	optical	Y	2.0 / 230	fixed	n	1/8000s	8.3/s	n	n
4.		Canon 1D Mark II N	optical	Y	2.5 / 230	fixed	n	1/8000s	8.5/s	n	n
5.		Canon 1D Mark IV	optical	Y	3.0 / 920	fixed	n	1/8000s	10.0/s	n	n
6.		Canon 1Ds	optical	Y	2.0 / 120	fixed	n	1/8000s	3.0/s	n	n
7.		Canon 1Ds Mark III	optical	Y	3.0 / 230	fixed	n	1/8000s	5.0/s	n	n
8.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
9.		Canon 5D Mark III	optical	Y	3.2 / 1040	fixed	n	1/8000s	6.0/s	n	n
10.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
11.		Nikon D2Xs	optical	Y	2.5 / 230	fixed	n	1/8000s	5.0/s	n	n
12.		Nikon D3	optical	Y	3.0 / 922	fixed	n	1/8000s	11.0/s	n	n
13.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
14.		Olympus E-M1 III	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
15.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
16.		Panasonic G85	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
17.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the 1D Mark III, but is missing on the E-M1 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The 1D Mark III writes its imaging data to Compact Flash or SDHC cards, while the E-M1 II uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The E-M1 II supports UHS-II cards on its first slot and UHS-I on its second one, while the 1D Mark III cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark III and Olympus OM-D E-M1 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 1D Mark III	Y	- / -	-	-	-	2.0	-	-	-
2.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
3.		Canon 1D Mark II	Y	- / -	-	-	-	1.1	-	-	-
4.		Canon 1D Mark II N	Y	- / -	-	-	-	1.1	-	-	-
5.		Canon 1D Mark IV	Y	stereo / -	Y	-	mini	2.0	-	-	-
6.		Canon 1Ds	Y	- / -	-	-	-	FW	-	-	-
7.		Canon 1Ds Mark III	Y	mono / -	-	-	-	2.0	-	-	-
8.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
9.		Canon 5D Mark III	Y	mono / mono	Y	Y	mini	2.0	-	-	-
10.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
11.		Nikon D2Xs	Y	- / -	-	-	-	2.0	-	-	-
12.		Nikon D3	Y	- / -	-	-	mini	2.0	-	-	-
13.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
14.		Olympus E-M1 III	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
15.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Panasonic G85	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
17.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y

It is notable that the E-M1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1D Mark III does not provide wifi capability.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the 1D Mark III and the E-M1 II have been discontinued, but can regularly be found used on ebay. The 1D Mark III was replaced by the Canon 1D Mark IV, while the E-M1 II was followed by the Olympus E-M1 III. Further information on the features and operation of the 1D Mark III and E-M1 II can be found, respectively, in the Canon 1D Mark III Manual (free pdf) or the online Olympus E-M1 II Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Canon 1D Mark III or the Olympus E-M1 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Canon EOS-1D Mark III:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (2200 versus 440) on a single battery charge.
• More heavily discounted: Has been available for much longer (launched in February 2007).

Reasons to prefer the Olympus OM-D E-M1 Mark II:

• More detail: Has more megapixels (20.2 vs 10.1MP), which boosts linear resolution by 39%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores markedly higher (9 points) in the DXO overall evaluation.
• More dynamic range: Captures a broader range of light and dark details (1.1 EV of extra DR).
• Broader imaging potential: Can capture not only stills but also 4K/30p video.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.58x).
• More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (18 vs 10 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (134x91mm vs 156x157mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 581g or 50 percent) and is thus easier to take along.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
• More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
• More modern: Reflects 9 years and 6 months of technical progress since the 1D Mark III launch.

If the number of relative strengths (bullet points above) is taken as a guide, the E-M1 II is the clear winner of the contest (25 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 1D Mark III and the Olympus E-M1 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 1D Mark III or the E-M1 II perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon 1D Mark III	..	..	..	..	..	..	Feb 2007	US$ 4 499	ebay.com
2.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	US$ 1 999	ebay.com
3.		Canon 1D Mark II	..	..	..	+ +	..	..	Jan 2004	US$ 4 499	ebay.com
4.		Canon 1D Mark II N	..	..	..	..	..	..	Aug 2005	US$ 3 999	ebay.com
5.		Canon 1D Mark IV	5/5	..	..	89/100	..	..	Oct 2009	US$ 4 999	ebay.com
6.		Canon 1Ds	..	..	..	+ +	..	..	Sep 2002	US$ 8 999	ebay.com
7.		Canon 1Ds Mark III	..	..	..	+ +	4.5/5	..	Aug 2007	US$ 7 999	ebay.com
8.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	US$ 3 499	ebay.com
9.		Canon 5D Mark III	..	+ +	..	82/100	4.5/5	4.5/5	Mar 2012	US$ 3 499	ebay.com
10.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	US$ 3 699	ebay.com
11.		Nikon D2Xs	..	..	..	..	..	..	Jun 2006	US$ 4 699	ebay.com
12.		Nikon D3	..	..	..	+ +	5/5	4.5/5	Aug 2007	US$ 4 999	ebay.com
13.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	US$ 1 399	ebay.com
14.		Olympus E-M1 III	5/5	..	5/5	83/100	4.5/5	4/5	Feb 2020	US$ 1 799	ebay.com
15.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	US$ 1 199	ebay.com
16.		Panasonic G85	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	US$ 899	ebay.com
17.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	US$ 1 999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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