Canon 250D vs Panasonic FZ82D

The Canon EOS 250D (called Canon SL3 in some regions) and the Panasonic Lumix DC-FZ82D are two digital cameras that were officially introduced, respectively, in April 2019 and July 2024. The 250D is a DSLR, while the FZ82D is a fixed lens compact. The cameras are based on an APS-C (250D) and a 1/2.3-inch (FZ82D) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 18 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 250D		Panasonic FZ82D
Digital single lens reflex		Fixed lens compact camera
Canon EF mount lenses		20-1200mm f/2.8-5.9
24 MP – APS-C sensor		18 MP – 1/2.3" sensor
4K/25p Video		4K/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 80-3,200 (80 - 6,400)
Optical viewfinder		Electronic viewfinder (2360k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1840k dots
Swivel touchscreen		Fixed touchscreen
5 shutter flaps per second		10 shutter flaps per second
1070 shots per battery charge		330 shots per battery charge
122 x 93 x 70 mm, 449 g		130 x 94 x 119 mm, 616 g

Check 250D price at
amazon.com
Check FZ82D price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 250D and the Panasonic Lumix DC-FZ82D? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon 250D and the Panasonic FZ82D is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The 250D can be obtained in two different colors (black, white), while the FZ82D is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ82D is notably larger (8 percent) than the Canon 250D. In this context, it is worth noting that neither the 250D nor the FZ82D are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ82D has a lens built in, whereas the 250D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 250D and their specifications in the Canon EF Lens Catalog.

Concerning battery life, the 250D gets 1070 shots out of its Canon LP-E17 battery, while the FZ82D can take 330 images on a single charge of its Panasonic DMW-BMB9 power pack. The power pack in the FZ82D can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon 250D	122 mm	93 mm	70 mm	449 g	1070	n	Apr 2019	US$ 599	amazon.com
2.		Panasonic FZ82D	130 mm	94 mm	119 mm	616 g	330	n	Jul 2024	US$ 479	amazon.com
3.		Canon 77D	131 mm	100 mm	76 mm	540 g	600	n	Feb 2017	US$ 899	ebay.com
4.		Canon 200D	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	US$ 549	ebay.com
5.		Canon 760D	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	US$ 649	ebay.com
6.		Canon 800D	131 mm	100 mm	76 mm	532 g	600	n	Feb 2017	US$ 749	ebay.com
7.		Canon 850D	131 mm	103 mm	76 mm	515 g	800	n	Feb 2020	US$ 749	ebay.com
8.		Canon 2000D	129 mm	101 mm	78 mm	475 g	500	n	Feb 2018	US$ 449	amazon.com
9.		Canon 4000D	129 mm	102 mm	77 mm	436 g	500	n	Feb 2018	US$ 399	amazon.com
10.		Canon M50	116 mm	88 mm	59 mm	390 g	235	n	Feb 2018	US$ 779	ebay.com
11.		Canon M50 Mark II	116 mm	88 mm	59 mm	387 g	305	n	Oct 2020	US$ 599	ebay.com
12.		Fujifilm X-T100	121 mm	83 mm	47 mm	448 g	430	n	May 2018	US$ 599	ebay.com
13.		Panasonic FZ82	130 mm	94 mm	119 mm	616 g	330	n	Jan 2017	US$ 399	amazon.com
14.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	US$ 499	ebay.com
15.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	US$ 499	ebay.com
16.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	US$ 449	ebay.com
17.		Sony HX400V	130 mm	93 mm	103 mm	660 g	300	n	Feb 2014	US$ 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ82D was launched at a lower price than the 250D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 250D features an APS-C sensor and the Panasonic FZ82D a 1/2.3-inch sensor. The sensor area in the FZ82D is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the 250D has a native 3:2 aspect ratio, while the one in the FZ82D offers a 4:3 aspect.

With 24MP, the 250D offers a higher resolution than the FZ82D (18MP), but the 250D nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 1.25μm for the FZ82D) due to its larger sensor. However, the FZ82D is a much more recent model (by 5 years and 2 months) than the 250D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ82D has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Canon 250D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 250D for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ82D are 24.5 x 18.4 inches or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inches or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inches or 41.5 x 31.1 cm for excellent quality prints.

The 250D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS 250D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DC-FZ82D are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.

In terms of underlying technology, the 250D is build around a CMOS sensor, while the FZ82D uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 250D	APS-C	24.0	6000	4000	4K/25p	23.9	13.4	1791	82
2.		Panasonic FZ82D	1/2.3	18.0	4896	3672	4K/30p	20.9	12.8	1634	54
3.		Canon 77D	APS-C	24.0	6000	4000	1080/60p	23.6	13.3	971	78
4.		Canon 200D	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
5.		Canon 760D	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
6.		Canon 800D	APS-C	24.0	6000	4000	1080/60p	23.7	13.1	1586	80
7.		Canon 850D	APS-C	24.0	6000	4000	4K/24p	24.0	13.5	1873	83
8.		Canon 2000D	APS-C	24.0	6000	4000	1080/30p	22.6	11.9	1009	71
9.		Canon 4000D	APS-C	17.9	5184	3456	1080/30p	21.9	11.4	695	63
10.		Canon M50	APS-C	24.0	6000	4000	4K/24p	23.8	13.3	1684	81
11.		Canon M50 Mark II	APS-C	24.0	6000	4000	4K/24p	24.0	13.6	1939	83
12.		Fujifilm X-T100	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1829	83
13.		Panasonic FZ82	1/2.3	18.0	4896	3672	4K/30p	20.5	11.9	900	49
14.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
15.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
16.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
17.		Sony HX400V	1/2.3	20.2	5184	3888	1080/60p	20.1	11.4	629	45
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ82D provides a faster frame rate than the 250D. It can shoot movie footage at 4K/30p, while the Canon is limited to 4K/25p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ82D has an electronic viewfinder (2360k dots), while the 250D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ82D offers a wider field of view (100%) than the one in the 250D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ82D has a higher magnification (0.74x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 250D and Panasonic FZ82D in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 250D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
2.		Panasonic FZ82D	2360	n	3.0 / 1840	fixed	Y	1/2000s	10.0/s	Y	Y
3.		Canon 77D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
4.		Canon 200D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
5.		Canon 760D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
6.		Canon 800D	optical	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
7.		Canon 850D	optical	n	3.0 / 1040	swivel	Y	1/4000s	7.5/s	Y	n
8.		Canon 2000D	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
9.		Canon 4000D	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
10.		Canon M50	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
11.		Canon M50 Mark II	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
12.		Fujifilm X-T100	2360	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
13.		Panasonic FZ82	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
14.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
15.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
16.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
17.		Sony HX400V	210	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ82D is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon 250D has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the 250D and the FZ82D write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 250D and Panasonic Lumix DC-FZ82D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 250D	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
2.		Panasonic FZ82D	Y	stereo / mono	-	-	micro	3.0	-	-	-
3.		Canon 77D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon 200D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
5.		Canon 760D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
6.		Canon 800D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
7.		Canon 850D	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
8.		Canon 2000D	Y	mono / mono	-	-	mini	2.0	Y	Y	-
9.		Canon 4000D	Y	mono / mono	-	-	mini	2.0	Y	Y	-
10.		Canon M50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
11.		Canon M50 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
12.		Fujifilm X-T100	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
13.		Panasonic FZ82	Y	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
16.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
17.		Sony HX400V	Y	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the 250D has a microphone port, which is missing on the FZ82D. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Both the 250D and the FZ82D are recent models that are part of the current product line-up. The 250D replaced the earlier Canon 200D, while the FZ82D followed on from the Panasonic FZ82. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.

Review summary

So what conclusions can be drawn? Is the Canon 250D better than the Panasonic FZ82D or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Canon EOS 250D:

• More detail: Offers more megapixels (24 vs 18MP) with a 18% higher linear resolution.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• Longer lasting: Can take more shots (1070 versus 330) on a single battery charge.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More heavily discounted: Has been available for much longer (launched in April 2019).

Reasons to prefer the Panasonic Lumix DC-FZ82D:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher movie framerates (4K/30p versus 4K/25p).
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.54x).
• More detailed LCD: Has a higher resolution rear screen (1840k vs 1040k dots).
• Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Ready to shoot: Comes with an integrated lens, while the 250D requires a separate lens.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 5 years and 2 months of technical progress since the 250D launch.

If the number of relative strengths (bullet points above) is taken as a guide, the 250D is the clear winner of the match-up (18 : 14 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 250D and the Panasonic FZ82D place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 250D or the FZ82D perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon 250D	4/5	o	4.5/5	79/100	4/5	4/5	Apr 2019	US$ 599	amazon.com
2.		Panasonic FZ82D	..	..	..	..	..	..	Jul 2024	US$ 479	amazon.com
3.		Canon 77D	4.5/5	..	4/5	82/100	4.5/5	4/5	Feb 2017	US$ 899	ebay.com
4.		Canon 200D	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	US$ 549	ebay.com
5.		Canon 760D	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	US$ 649	ebay.com
6.		Canon 800D	4.5/5	..	3.5/5	80/100	4.5/5	4/5	Feb 2017	US$ 749	ebay.com
7.		Canon 850D	4/5	+	3/5	80/100	4/5	3.5/5	Feb 2020	US$ 749	ebay.com
8.		Canon 2000D	3/5	o	3.5/5	..	3.5/5	3.5/5	Feb 2018	US$ 449	amazon.com
9.		Canon 4000D	2.5/5	o	3/5	..	3.5/5	3.5/5	Feb 2018	US$ 399	amazon.com
10.		Canon M50	..	+	4/5	79/100	..	3.5/5	Feb 2018	US$ 779	ebay.com
11.		Canon M50 Mark II	4/5	..	4/5	..	4.5/5	3.5/5	Oct 2020	US$ 599	ebay.com
12.		Fujifilm X-T100	4/5	+	4.5/5	79/100	4/5	4.5/5	May 2018	US$ 599	ebay.com
13.		Panasonic FZ82	..	+ +	..	..	4.5/5	4.5/5	Jan 2017	US$ 399	amazon.com
14.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
15.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	US$ 499	ebay.com
16.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
17.		Sony HX400V	4/5	+ +	..	..	4/5	4/5	Feb 2014	US$ 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check 250D price at
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Check FZ82D price at
amazon.com

Other camera comparisons

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