Canon 500D vs Panasonic GH7
The Canon EOS 500D (called Canon T1i in some regions) and the Panasonic Lumix DC-GH7 are two digital cameras that were officially introduced, respectively, in March 2009 and June 2024. The 500D is a DSLR, while the GH7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (500D) and a Four Thirds (GH7) sensor. The Canon has a resolution of 15.1 megapixels, whereas the Panasonic provides 25 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check 500D offers at
ebay.com

Check GH7 price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 500D and the Panasonic Lumix DC-GH7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon 500D and the Panasonic GH7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH7 is notably larger (9 percent) than the Canon 500D. Moreover, the GH7 is substantially heavier (55 percent) than the 500D. It is noteworthy in this context that the GH7 is splash and dust-proof, while the 500D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (500D) and the Micro Four Thirds Lens Catalog (GH7). Mirrorless cameras, such as the GH7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 500D gets 400 shots out of its Canon LP-E5 battery, while the GH7 can take 380 images on a single charge of its Panasonic DMW-BLK22 power pack. The power pack in the GH7 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon 500D | 129 mm | 98 mm | 62 mm | 520 g | 400 | n | Mar 2009 | US$ 799 | ebay.com | |
| 2. | Panasonic GH7 | 138 mm | 100 mm | 100 mm | 805 g | 380 | Y | Jun 2024 | US$ 2 199 | amazon.com | |
| 3. | Canon 450D | 129 mm | 98 mm | 62 mm | 524 g | 500 | n | Jan 2008 | US$ 799 | ebay.com | |
| 4. | Canon 550D | 129 mm | 98 mm | 62 mm | 530 g | 440 | n | Feb 2010 | US$ 699 | ebay.com | |
| 5. | Canon 600D | 133 mm | 100 mm | 80 mm | 570 g | 440 | n | Feb 2011 | US$ 599 | ebay.com | |
| 6. | Canon 650D | 133 mm | 100 mm | 79 mm | 575 g | 440 | n | Jun 2012 | US$ 849 | ebay.com | |
| 7. | Canon 700D | 133 mm | 100 mm | 79 mm | 580 g | 440 | n | Mar 2013 | US$ 649 | ebay.com | |
| 8. | Canon 750D | 132 mm | 101 mm | 78 mm | 555 g | 440 | n | Feb 2015 | US$ 749 | ebay.com | |
| 9. | Canon 760D | 132 mm | 101 mm | 78 mm | 565 g | 440 | n | Feb 2015 | US$ 649 | ebay.com | |
| 10. | Canon 1200D | 130 mm | 100 mm | 78 mm | 480 g | 500 | n | Feb 2014 | US$ 449 | ebay.com | |
| 11. | Canon G1 X | 117 mm | 81 mm | 65 mm | 534 g | 250 | n | Jan 2012 | US$ 799 | ebay.com | |
| 12. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | US$ 799 | ebay.com | |
| 13. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | US$ 1 899 | amazon.com | |
| 14. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | US$ 1 999 | ebay.com | |
| 15. | Panasonic GH5s | 139 mm | 98 mm | 87 mm | 660 g | 440 | Y | Jan 2018 | US$ 2 499 | amazon.com | |
| 16. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | US$ 2 199 | amazon.com | |
| 17. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 500D was launched at a markedly lower price (by 64 percent) than the GH7, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 500D features an APS-C sensor and the Panasonic GH7 a Four Thirds sensor. The sensor area in the GH7 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 500D has a native 3:2 aspect ratio, while the one in the GH7 offers a 4:3 aspect.

Despite having a smaller sensor, the GH7 offers a higher resolution of 25 megapixels, compared with 15.1 MP of the 500D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.00μm versus 4.69μm for the 500D). However, it should be noted that the GH7 is much more recent (by 15 years and 2 months) than the 500D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the GH7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic GH7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GH7 for good quality output (200 dots per inch) amounts to 28.9 x 21.7 inches or 73.4 x 55.1 cm, for very good quality (250 dpi) 23.1 x 17.3 inches or 58.7 x 44.1 cm, and for excellent quality (300 dpi) 19.3 x 14.5 inches or 48.9 x 36.7 cm. The corresponding values for the Canon 500D are 23.8 x 15.8 inches or 60.4 x 40.2 cm for good quality, 19 x 12.7 inches or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inches or 40.2 x 26.8 cm for excellent quality prints.
The GH7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the 500D, the GH7 has the capacity to capture high quality composite images (100MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 500D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DC-GH7 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon 500D | APS-C | 15.1 | 4752 | 3168 | 1080/20p | 21.7 | 11.5 | 663 | 63 | |
| 2. | Panasonic GH7 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.6 | 1784 | 78 | |
| 3. | Canon 450D | APS-C | 12.2 | 4272 | 2848 | none | 21.9 | 10.8 | 692 | 61 | |
| 4. | Canon 550D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.1 | 11.5 | 784 | 66 | |
| 5. | Canon 600D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.1 | 11.5 | 793 | 65 | |
| 6. | Canon 650D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.7 | 11.2 | 722 | 62 | |
| 7. | Canon 700D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.7 | 11.2 | 681 | 61 | |
| 8. | Canon 750D | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.7 | 12.0 | 919 | 71 | |
| 9. | Canon 760D | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 12.0 | 915 | 70 | |
| 10. | Canon 1200D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.9 | 11.3 | 724 | 63 | |
| 11. | Canon G1 X | 1.5-inch | 14.2 | 4352 | 3264 | 1080/24p | 21.7 | 10.8 | 644 | 60 | |
| 12. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
| 13. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
| 14. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
| 15. | Panasonic GH5s | Four Thirds | 9.9 | 3680 | 2700 | 4K/60p | 23.1 | 12.8 | 1154 | 74 | |
| 16. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
| 17. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GH7 provides a better video resolution than the 500D. It can shoot movie footage at 5.7K/60p, while the Canon is limited to 1080/20p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GH7 has an electronic viewfinder (3680k dots), while the 500D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GH7 offers a wider field of view (100%) than the one in the 500D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GH7 has a higher magnification (0.8x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 500D and Panasonic GH7 in connection with corresponding information for a sample of similar cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon 500D | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.4/s | Y | n | |
| 2. | Panasonic GH7 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 3. | Canon 450D | optical | n | 3.0 / 230 | fixed | n | 1/4000s | 3.5/s | Y | n | |
| 4. | Canon 550D | optical | n | 3.0 / 1040 | fixed | n | 1/4000s | 3.7/s | Y | n | |
| 5. | Canon 600D | optical | n | 3.0 / 1040 | swivel | n | 1/4000s | 3.7/s | Y | n | |
| 6. | Canon 650D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
| 7. | Canon 700D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
| 8. | Canon 750D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
| 9. | Canon 760D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
| 10. | Canon 1200D | optical | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
| 11. | Canon G1 X | optical | n | 3.0 / 922 | swivel | n | 1/4000s | 1.9/s | Y | Y | |
| 12. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
| 13. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
| 14. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 15. | Panasonic GH5s | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | n | |
| 16. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 17. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One difference between the cameras concerns the presence of an on-board flash. The 500D has one, while the GH7 does not. While the built-in flash of the 500D is not very powerful, it can at times be useful as a fill-in light.
The GH7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 500D does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 500D writes its imaging data to SDHC cards, while the GH7 uses CFexpress (type B) or SDXC cards. The GH7 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 500D only has one slot. The GH7 supports UHS-II cards (on both slots), while the 500D cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 500D and Panasonic Lumix DC-GH7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon 500D | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
| 2. | Panasonic GH7 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 3. | Canon 450D | Y | - / - | - | - | mini | 2.0 | - | - | - | |
| 4. | Canon 550D | Y | stereo / - | Y | - | mini | 2.0 | - | - | - | |
| 5. | Canon 600D | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
| 6. | Canon 650D | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
| 7. | Canon 700D | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
| 8. | Canon 750D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
| 9. | Canon 760D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
| 10. | Canon 1200D | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
| 11. | Canon G1 X | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 12. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
| 13. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 14. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 15. | Panasonic GH5s | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 16. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 17. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
It is notable that the GH7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 500D does not provide wifi capability.
Studio photographers will appreciate that the Panasonic GH7 (unlike the 500D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GH7 is a recent model that features in the current product line-up of Panasonic. In contrast, the 500D has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 500D was succeeded by the Canon 550D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
Review summary
So what is the bottom line? Is there a clear favorite between the Canon 500D and the Panasonic GH7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Canon EOS 500D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 285g or 35 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (64 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2009).

Reasons to prefer the Panasonic Lumix DC-GH7:
- More detail: Has more megapixels (25 vs 15.1MP), which boosts linear resolution by 26%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (5.7K/60p vs 1080/20p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.8x vs 0.54x).
- More detailed LCD: Has a higher resolution rear screen (1840k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 3.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 15 years and 2 months of technical progress since the 500D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GH7 is the clear winner of the contest (30 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 500D and the Panasonic GH7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 500D or the GH7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon 500D | .. | + + | .. | 74/100 | 4.5/5 | 4.5/5 | Mar 2009 | US$ 799 | ebay.com | |
| 2. | Panasonic GH7 | .. | .. | .. | .. | .. | .. | Jun 2024 | US$ 2 199 | amazon.com | |
| 3. | Canon 450D | .. | + + | .. | + + | 4/5 | 4.5/5 | Jan 2008 | US$ 799 | ebay.com | |
| 4. | Canon 550D | .. | + + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2010 | US$ 699 | ebay.com | |
| 5. | Canon 600D | 3/5 | o | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2011 | US$ 599 | ebay.com | |
| 6. | Canon 650D | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2012 | US$ 849 | ebay.com | |
| 7. | Canon 700D | .. | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Mar 2013 | US$ 649 | ebay.com | |
| 8. | Canon 750D | 5/5 | .. | .. | 75/100 | 4.5/5 | 4.5/5 | Feb 2015 | US$ 749 | ebay.com | |
| 9. | Canon 760D | 5/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2015 | US$ 649 | ebay.com | |
| 10. | Canon 1200D | 3/5 | + | .. | .. | 4/5 | 4.5/5 | Feb 2014 | US$ 449 | ebay.com | |
| 11. | Canon G1 X | 5/5 | + | .. | 76/100 | 4/5 | 4.5/5 | Jan 2012 | US$ 799 | ebay.com | |
| 12. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | US$ 799 | ebay.com | |
| 13. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | US$ 1 899 | amazon.com | |
| 14. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | US$ 1 999 | ebay.com | |
| 15. | Panasonic GH5s | .. | .. | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Jan 2018 | US$ 2 499 | amazon.com | |
| 16. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | US$ 2 199 | amazon.com | |
| 17. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check 500D offers at
ebay.com

Check GH7 price at
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Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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Specifications: Canon 500D vs Panasonic GH7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon 500D | Panasonic GH7 |
|---|---|---|
| Camera Type | Digital single lens reflex | Mirrorless system camera |
| Camera Lens | Canon EF mount lenses | Micro Four Thirds lenses |
| Launch Date | March 2009 | June 2024 |
| Launch Price | USD 799 | USD 2,199 |
| Sensor Specs | Canon 500D | Panasonic GH7 |
| Sensor Technology | CMOS | CMOS |
| Sensor Format | APS-C Sensor | Four Thirds Sensor |
| Sensor Size | 22.3 x 14.9 mm | 17.3 x 13.0 mm |
| Sensor Area | 332.27 mm2 | 224.9 mm2 |
| Sensor Diagonal | 26.8 mm | 21.6 mm |
| Crop Factor | 1.6x | 2.0x |
| Sensor Resolution | 15.1 Megapixels | 25 Megapixels |
| Image Resolution | 4752 x 3168 pixels | 5776 x 4336 pixels |
| Pixel Pitch | 4.69 μm | 3.00 μm |
| Pixel Density | 4.53 MP/cm2 | 11.14 MP/cm2 |
| Moiré control | Anti-Alias filter | no AA filter |
| Movie Capability | 1080/20p Video | 5.7K/60p Video |
| ISO Setting | 100 - 6,400 ISO | 100 - 25,600 ISO |
| ISO Boost | 100 - 12,800 ISO | 50 - 25,600 ISO |
| Image Processor | DIGIC 4 | Venus |
| DXO Sensor Quality (score) | 63 | .. |
| DXO Color Depth (bits) | 21.7 | .. |
| DXO Dynamic Range (EV) | 11.5 | .. |
| DXO Low Light (ISO) | 663 | .. |
| Screen Specs | Canon 500D | Panasonic GH7 |
| Viewfinder Type | Optical viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 95% | 100% |
| Viewfinder Magnification | 0.54x | 0.8x |
| Viewfinder Resolution | 3680k dots | |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.0inch |
| LCD Resolution | 920k dots | 1840k dots |
| LCD Attachment | Fixed screen | Fully flexible screen |
| Touch Input | no Touchscreen | Touchscreen |
| Shooting Specs | Canon 500D | Panasonic GH7 |
| Focus System | Phase-detect AF | On-Sensor Phase-detect |
| Manual Focusing Aid | no Peaking Feature | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
| Continuous Shooting | 3.4 shutter flaps/s | 14 shutter flaps/s |
| Shutter Life Expectancy | 100 000 actuations | 200 000 actuations |
| Electronic Shutter | no E-Shutter | up to 1/32000s |
| Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
| Image Stabilization | Lens stabilization only | In-body stabilization |
| Fill Flash | Built-in Flash | no On-Board Flash |
| Storage Medium | SDHC cards | CFexB or SDXC cards |
| Single or Dual Card Slots | Single card slot | Dual card slots |
| UHS card support | no | Dual UHS-II |
| Connectivity Specs | Canon 500D | Panasonic GH7 |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | no PC Sync | PC Sync socket |
| USB Connector | USB 2.0 | USB 3.2 |
| HDMI Port | mini HDMI | full HDMI |
| Microphone Port | no MIC socket | External MIC port |
| Headphone Socket | no Headphone port | Headphone port |
| Wifi Support | no Wifi | Wifi built-in |
| Bluetooth Support | no Bluetooth | Bluetooth built-in |
| Body Specs | Canon 500D | Panasonic GH7 |
| Environmental Sealing | not weather sealed | Weathersealed body |
| Battery Type | Canon LP-E5 | Panasonic DMW-BLK22 |
| Battery Life (CIPA) | 400 shots per charge | 380 shots per charge |
| In-Camera Charging | no USB charging | USB charging |
| Body Dimensions |
129 x 98 x 62 mm (5.1 x 3.9 x 2.4 in) |
138 x 100 x 100 mm (5.4 x 3.9 x 3.9 in) |
| Camera Weight | 520 g (18.3 oz) | 805 g (28.4 oz) |

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