Canon 6D vs Fujifilm GFX 100S

The Canon EOS 6D and the Fujifilm GFX 100S are two digital cameras that were announced, respectively, in September 2012 and January 2021. The 6D is a DSLR, while the GFX 100S is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D) and a medium format (GFX 100S) sensor. The Canon has a resolution of 20 megapixels, whereas the Fujifilm provides 101.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 6D		Fujifilm GFX 100S
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Fujifilm G mount lenses
20 MP – Full Frame sensor		101.8 MP – Medium Format sensor
1080/30p Video		4K/30p Video
ISO 100-25,600 (50 - 102,400)		ISO 100-12,800 (50 - 102,400)
Optical viewfinder		Electronic viewfinder (3690k dots)
3.0" LCD – 1040k dots		3.2" LCD – 2360k dots
Fixed screen (not touch-sensitive)		Fully flexible touchscreen
4.5 shutter flaps per second		5 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
1090 shots per battery charge		460 shots per battery charge
145 x 111 x 71 mm, 770 g		150 x 104 x 87 mm, 900 g

Check 6D offers at
ebay.com
Check GFX 100S price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D and the Fujifilm GFX 100S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon 6D and the Fujifilm GFX 100S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100S is somewhat smaller (3 percent) than the Canon 6D. However, the GFX 100S is markedly heavier (17 percent) than the 6D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the 6D gets 1090 shots out of its Canon LP-E6 battery, while the GFX 100S can take 460 images on a single charge of its Fujifilm NP-W235 power pack. The power pack in the GFX 100S can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	US$ 2 099	ebay.com
2.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
3.		Canon 1D X	158 mm	168 mm	83 mm	1551 g	1120	Y	Oct 2011	US$ 6 799	ebay.com
4.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	US$ 3 499	ebay.com
5.		Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	US$ 3 499	ebay.com
6.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	US$ 3 499	amazon.com
7.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	US$ 1 999	amazon.com
8.		Canon 7D II	149 mm	112 mm	78 mm	910 g	670	Y	Sep 2014	US$ 1 799	ebay.com
9.		Canon 70D	139 mm	104 mm	79 mm	755 g	920	Y	Jul 2013	US$ 1 199	ebay.com
10.		Canon 80D	139 mm	105 mm	79 mm	730 g	960	Y	Feb 2016	US$ 1 199	ebay.com
11.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
12.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
13.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
14.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	US$ 4 999	amazon.com
15.		Nikon D600	141 mm	113 mm	82 mm	850 g	900	Y	Sep 2012	US$ 2 099	ebay.com
16.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	US$ 1 999	ebay.com
17.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	US$ 6 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 6D was launched at a markedly lower price (by 65 percent) than the GFX 100S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 6D features a full frame sensor and the Fujifilm GFX 100S a medium format sensor. The sensor area in the GFX 100S is 67 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the 6D has a native 3:2 aspect ratio, while the one in the GFX 100S offers a 4:3 aspect.

With 101.8MP, the GFX 100S offers a higher resolution than the 6D (20MP), but the GFX 100S has smaller individual pixels (pixel pitch of 3.76μm versus 6.57μm for the 6D). Yet, the GFX 100S is a much more recent model (by 8 years and 4 months) than the 6D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 100S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon 6D are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

The GFX 100S has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the 6D, the GFX 100S has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS 6D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm GFX 100S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the 6D is build around a CMOS sensor, while the GFX 100S uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
2.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
3.		Canon 1D X	Full Frame	17.9	5184	3456	1080/30p	23.8	11.8	2786	82
4.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
5.		Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
6.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
7.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
8.		Canon 7D II	APS-C	20.0	5472	3648	1080/60p	22.4	11.8	1082	70
9.		Canon 70D	APS-C	20.0	5472	3648	1080/30p	22.5	11.6	926	68
10.		Canon 80D	APS-C	24.0	6000	4000	1080/60p	23.6	13.2	1135	79
11.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
12.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
13.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
14.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
15.		Nikon D600	Full Frame	24.2	6016	4016	1080/30p	25.1	14.2	2980	94
16.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
17.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GFX 100S provides a better video resolution than the 6D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GFX 100S has an electronic viewfinder (3690k dots), while the 6D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GFX 100S offers a wider field of view (100%) than the one in the 6D (97%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GFX 100S has a higher magnification (0.77x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 6D and Fujifilm GFX 100S along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
2.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
3.		Canon 1D X	optical	Y	3.2 / 1040	fixed	n	1/8000s	14.0/s	n	n
4.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
5.		Canon 5D Mark III	optical	Y	3.2 / 1040	fixed	n	1/8000s	6.0/s	n	n
6.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
7.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
8.		Canon 7D II	optical	Y	3.0 / 1040	fixed	n	1/8000s	10.0/s	Y	n
9.		Canon 70D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
10.		Canon 80D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
11.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
12.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
13.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
14.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
15.		Nikon D600	optical	Y	3.0 / 921	fixed	n	1/4000s	5.5/s	Y	n
16.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
17.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 100S has a touchscreen, while the 6D has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the 6D and the GFX 100S write their files to SDXC cards. The GFX 100S features dual card slots, which can be very useful in case a memory card fails. In contrast, the 6D only has one slot. The GFX 100S supports UHS-II cards (on both slots), while the 6D can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D and Fujifilm GFX 100S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
2.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Canon 1D X	Y	mono / -	Y	-	mini	2.0	-	-	-
4.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
5.		Canon 5D Mark III	Y	mono / mono	Y	Y	mini	2.0	-	-	-
6.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
7.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
8.		Canon 7D II	Y	stereo / mono	Y	Y	mini	3.0	-	-	-
9.		Canon 70D	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
10.		Canon 80D	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
11.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
12.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
13.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Nikon D600	Y	mono / mono	Y	Y	mini	2.0	-	-	-
16.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
17.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the GFX 100S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 6D lacks such a headphone port.

Studio photographers will appreciate that the Fujifilm GFX 100S (unlike the 6D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the 6D has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

The GFX 100S is a recent model that features in the current product line-up of Fujifilm. In contrast, the 6D has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 6D was succeeded by the Canon 6D Mark II. Further information on the features and operation of the 6D and GFX 100S can be found, respectively, in the Canon 6D Manual (free pdf) or the online Fujifilm GFX 100S Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Canon 6D and the Fujifilm GFX 100S? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Canon EOS 6D:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Less heavy: Is lighter (by 130g or 14 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (1090 versus 460) on a single battery charge.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• More affordable: Was introduced into a lower priced category (65 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in September 2012).

Advantages of the Fujifilm GFX 100S:

• More detail: Has more megapixels (101.8 vs 20MP), which boosts linear resolution by 121%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 97%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.71x).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 8 years and 4 months of technical progress since the 6D launch.

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 100S is the clear winner of the contest (28 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 6D and the Fujifilm GFX 100S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 6D and the GFX 100S in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	US$ 2 099	ebay.com
2.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
3.		Canon 1D X	5/5	..	..	..	4.5/5	4.5/5	Oct 2011	US$ 6 799	ebay.com
4.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	US$ 3 499	ebay.com
5.		Canon 5D Mark III	..	+ +	..	82/100	4.5/5	4.5/5	Mar 2012	US$ 3 499	ebay.com
6.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	US$ 3 499	amazon.com
7.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	US$ 1 999	amazon.com
8.		Canon 7D II	4.5/5	+	3.5/5	84/100	4/5	4.5/5	Sep 2014	US$ 1 799	ebay.com
9.		Canon 70D	5/5	+ +	..	83/100	4.5/5	5/5	Jul 2013	US$ 1 199	ebay.com
10.		Canon 80D	4/5	+ +	4.5/5	84/100	4.5/5	4.5/5	Feb 2016	US$ 1 199	ebay.com
11.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
12.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
13.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
14.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	US$ 4 999	amazon.com
15.		Nikon D600	4/5	+ +	..	87/100	5/5	4.5/5	Sep 2012	US$ 2 099	ebay.com
16.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	US$ 1 999	ebay.com
17.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	US$ 6 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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