Canon G1 X Mark III vs Fujifilm X-E5

The Canon PowerShot G1 X Mark III and the Fujifilm X-E5 are two digital cameras that were officially introduced, respectively, in October 2017 and June 2025. The G1X Mark III is a fixed lens compact, while the X-E5 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 39.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon G1 X Mark III		Fujifilm X-E5
Fixed lens compact camera		Mirrorless system camera
24-72mm f/2.8-5.6		Fujifilm X mount lenses
24 MP – APS-C sensor		39.8 MP – APS-C sensor
1080/60p Video		6.2k/30p Video
ISO 100-25,600		ISO 125-12,800 (64 - 51,200)
Electronic viewfinder (2360k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1040k dots
Swivel touchscreen		Tilting touchscreen
9 shutter flaps per second		8 shutter flaps per second
Lens-based stabilization		In-body stabilization
Weathersealed body		not weather sealed
200 shots per battery charge		305 shots per battery charge
115 x 78 x 51 mm, 399 g		125 x 73 x 39 mm, 445 g

Check G1X Mark III offers at
ebay.com
Check X-E5 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark III and the Fujifilm X-E5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon G1 X Mark III and the Fujifilm X-E5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The X-E5 can be obtained in two different colors (black, silver), while the G1X Mark III is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E5 is somewhat larger (2 percent) than the Canon G1 X Mark III. It is worth mentioning in this context that the G1X Mark III is splash and dust resistant, while the X-E5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark III has a lens built in, whereas the X-E5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-E5 and their specifications in the Fujinon X Lens Catalog.

Concerning battery life, the G1X Mark III gets 200 shots out of its Canon NB-13L battery, while the X-E5 can take 305 images on a single charge of its Fujifilm NP-W126S power pack. The power pack in the X-E5 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon G1 X Mark III	115 mm	78 mm	51 mm	399 g	200	Y	Oct 2017	US$ 1 299	ebay.com
2.		Fujifilm X-E5	125 mm	73 mm	39 mm	445 g	305	n	Jun 2025	US$ 1 699	amazon.com
3.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	US$ 1 999	amazon.com
4.		Canon 80D	139 mm	105 mm	79 mm	730 g	960	Y	Feb 2016	US$ 1 199	ebay.com
5.		Canon SX540	120 mm	82 mm	92 mm	442 g	205	n	Jan 2016	US$ 399	ebay.com
6.		Fujifilm X-E4	121 mm	73 mm	33 mm	364 g	380	n	Jan 2021	US$ 849	ebay.com
7.		Fujifilm X-Pro1	140 mm	82 mm	43 mm	450 g	300	n	Jan 2012	US$ 1 699	ebay.com
8.		Fujifilm X-S10	126 mm	85 mm	65 mm	465 g	325	n	Oct 2020	US$ 999	amazon.com
9.		Fujifilm X-T3	133 mm	93 mm	59 mm	539 g	390	Y	Sep 2018	US$ 1 499	ebay.com
10.		Fujifilm X-T50	124 mm	84 mm	49 mm	438 g	305	n	May 2024	US$ 1 399	amazon.com
11.		Fujifilm X100F	127 mm	75 mm	52 mm	469 g	390	n	Jan 2017	US$ 1 299	ebay.com
12.		Fujifilm X100V	128 mm	75 mm	53 mm	478 g	420	Y	Feb 2020	US$ 1 399	ebay.com
13.		Fujifilm X100VI	128 mm	75 mm	55 mm	521 g	450	Y	Feb 2024	US$ 1 599	amazon.com
14.		Nikon D7500	136 mm	104 mm	73 mm	720 g	950	Y	Apr 2017	US$ 1 299	amazon.com
15.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	US$ 999	ebay.com
16.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	US$ 1 399	ebay.com
17.		Sony RX10 III	133 mm	94 mm	127 mm	1051 g	420	Y	Mar 2016	US$ 1 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G1X Mark III was launched at a lower price than the X-E5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-E5 is 11 percent bigger. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 39.8MP, the X-E5 offers a higher resolution than the G1X Mark III (24MP), but the X-E5 has smaller individual pixels (pixel pitch of 3.04μm versus 3.72μm for the G1X Mark III). Yet, the X-E5 is a much more recent model (by 7 years and 7 months) than the G1X Mark III, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-E5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm X-E5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E5 for good quality output (200 dots per inch) amounts to 38.6 x 25.8 inches or 98.1 x 65.4 cm, for very good quality (250 dpi) 30.9 x 20.6 inches or 78.5 x 52.3 cm, and for excellent quality (300 dpi) 25.8 x 17.2 inches or 65.4 x 43.6 cm. The corresponding values for the Canon G1 X Mark III are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The Canon PowerShot G1 X Mark III has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Fujifilm X-E5 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 64-51200.

In terms of underlying technology, the G1X Mark III is build around a CMOS sensor, while the X-E5 uses a BSI-CMOS imager. Like most digital cameras, the G1X Mark III uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-E5 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon G1 X Mark III	APS-C	24.0	6000	4000	1080/60p	23.8	13.2	1649	81
2.		Fujifilm X-E5	APS-C	39.8	7728	5152	6.2k/30p	24.3	14.2	2523	86
3.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
4.		Canon 80D	APS-C	24.0	6000	4000	1080/60p	23.6	13.2	1135	79
5.		Canon SX540	1/2.3	20.2	5184	3888	1080/60p	20.3	11.7	806	48
6.		Fujifilm X-E4	APS-C	26.0	6240	4160	4K/30p	24.2	13.7	2085	85
7.		Fujifilm X-Pro1	APS-C	16.0	4896	3264	1080/24p	23.1	12.3	1238	74
8.		Fujifilm X-S10	APS-C	26.0	6240	4160	4K/30p	24.2	13.7	2057	85
9.		Fujifilm X-T3	APS-C	26.0	6240	4160	4K/60p	24.0	13.4	1853	83
10.		Fujifilm X-T50	APS-C	39.8	7728	5152	6.2k/30p	24.3	14.1	2418	86
11.		Fujifilm X100F	APS-C	24.0	6000	4000	1080/60p	23.9	13.2	1704	81
12.		Fujifilm X100V	APS-C	26.0	6240	4160	4K/30p	24.2	13.6	1996	84
13.		Fujifilm X100VI	APS-C	39.8	7728	5152	6.2K/30p	24.3	14.1	2397	86
14.		Nikon D7500	APS-C	20.7	5568	3712	4K/30p	24.3	14.0	1483	86
15.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
16.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
17.		Sony RX10 III	1-inch	20.0	5472	3648	4K/30p	23.1	12.6	472	70
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the X-E5 provides a better video resolution than the G1X Mark III. It can shoot movie footage at 6.2k/30p, while the Canon is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The G1X Mark III and the X-E5 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Canon G1 X Mark III and Fujifilm X-E5 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon G1 X Mark III	2360	n	3.0 / 1040	swivel	Y	1/2000s	9.0/s	Y	Y
2.		Fujifilm X-E5	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	n	Y
3.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
4.		Canon 80D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
5.		Canon SX540	none	n	3.0 / 461	fixed	n	1/2000s	5.9/s	Y	Y
6.		Fujifilm X-E4	2360	n	3.0 / 1620	tilting	Y	1/4000s	8.0/s	n	n
7.		Fujifilm X-Pro1	1440	n	3.0 / 1230	fixed	n	1/4000s	6.0/s	n	n
8.		Fujifilm X-S10	2360	n	3.0 / 1040	swivel	Y	1/4000s	8.0/s	Y	Y
9.		Fujifilm X-T3	3690	n	3.0 / 1040	full-flex	Y	1/8000s	11.0/s	n	n
10.		Fujifilm X-T50	2360	n	3.0 / 1840	tilting	Y	1/4000s	8.0/s	Y	Y
11.		Fujifilm X100F	2360	n	3.0 / 1040	fixed	n	1/4000s	8.0/s	Y	n
12.		Fujifilm X100V	3690	n	3.0 / 1620	tilting	Y	1/4000s	11.0/s	n	n
13.		Fujifilm X100VI	3690	n	3.0 / 1620	tilting	Y	1/4000s	11.0/s	n	Y
14.		Nikon D7500	optical	Y	3.2 / 922	tilting	Y	1/8000s	8.0/s	Y	n
15.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
16.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
17.		Sony RX10 III	2359	Y	3.0 / 1229	tilting	n	1/2000s	14.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G1X Mark III has one, while the X-E5 does not. While the built-in flash of the G1X Mark III is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-E5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon G1 X Mark III and the Fujifilm X-E5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the G1X Mark III and the X-E5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark III and Fujifilm X-E5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon G1 X Mark III	Y	stereo / mono	-	-	micro	2.0	Y	Y	Y
2.		Fujifilm X-E5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
3.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon 80D	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
5.		Canon SX540	-	stereo / mono	-	-	mini	2.0	Y	Y	-
6.		Fujifilm X-E4	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
7.		Fujifilm X-Pro1	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Fujifilm X-S10	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
9.		Fujifilm X-T3	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
10.		Fujifilm X-T50	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
11.		Fujifilm X100F	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Fujifilm X100V	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
13.		Fujifilm X100VI	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
14.		Nikon D7500	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y
15.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
16.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
17.		Sony RX10 III	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-

It is notable that the X-E5 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G1X Mark III does not feature such a mic input.

The X-E5 is a recent model that features in the current product line-up of Fujifilm. In contrast, the G1X Mark III has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the G1X Mark III from Canon. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.

Review summary

So how do things add up? Is the Canon G1 X Mark III better than the Fujifilm X-E5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Canon PowerShot G1 X Mark III:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (9 vs 8 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has a lens built-in, whereas the X-E5 requires a separate lens.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the X-E5).
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in October 2017).

Advantages of the Fujifilm X-E5:

• More detail: Has more megapixels (39.8 vs 24MP), which boosts linear resolution by 29%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher definition movie capture (6.2k/30p vs 1080/60p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (305 versus 200) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More modern: Reflects 7 years and 7 months of technical progress since the G1X Mark III launch.

If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (11 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon G1 X Mark III and the Fujifilm X-E5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the G1X Mark III and the X-E5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon G1 X Mark III	5/5	+	4/5	79/100	4.5/5	4.5/5	Oct 2017	US$ 1 299	ebay.com
2.		Fujifilm X-E5	..	..	..	..	..	..	Jun 2025	US$ 1 699	amazon.com
3.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	US$ 1 999	amazon.com
4.		Canon 80D	4/5	+ +	4.5/5	84/100	4.5/5	4.5/5	Feb 2016	US$ 1 199	ebay.com
5.		Canon SX540	..	..	..	..	..	..	Jan 2016	US$ 399	ebay.com
6.		Fujifilm X-E4	4/5	..	4/5	..	4.5/5	4/5	Jan 2021	US$ 849	ebay.com
7.		Fujifilm X-Pro1	5/5	+ +	..	79/100	4.5/5	4.5/5	Jan 2012	US$ 1 699	ebay.com
8.		Fujifilm X-S10	5/5	..	4.5/5	86/100	4.5/5	4.5/5	Oct 2020	US$ 999	amazon.com
9.		Fujifilm X-T3	5/5	+ +	4.5/5	88/100	5/5	5/5	Sep 2018	US$ 1 499	ebay.com
10.		Fujifilm X-T50	..	..	..	85/100	..	..	May 2024	US$ 1 399	amazon.com
11.		Fujifilm X100F	5/5	+	3.9/5	83/100	4.5/5	4.5/5	Jan 2017	US$ 1 299	ebay.com
12.		Fujifilm X100V	5/5	+ +	4.5/5	86/100	5/5	4.5/5	Feb 2020	US$ 1 399	ebay.com
13.		Fujifilm X100VI	5/5	+ +	4.5/5	87/100	..	4.5/5	Feb 2024	US$ 1 599	amazon.com
14.		Nikon D7500	4.5/5	+ +	4.5/5	86/100	5/5	4.5/5	Apr 2017	US$ 1 299	amazon.com
15.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	US$ 999	ebay.com
16.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	US$ 1 399	ebay.com
17.		Sony RX10 III	5/5	+	..	84/100	4.5/5	4.5/5	Mar 2016	US$ 1 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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