Canon G7 X Mark II vs Epson R-D1
The Canon PowerShot G7 X Mark II and the Epson R-D1 are two digital cameras that were announced, respectively, in February 2016 and March 2004. The G7X Mark II is a fixed lens compact, while the R-D1 is a rangefinder-focusing mirrorless. The cameras are based on an one-inch (G7X Mark II) and an APS-C (R-D1) sensor. The Canon has a resolution of 20 megapixels, whereas the Epson provides 6 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X Mark II and the Epson R-D1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon G7 X Mark II and the Epson R-D1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Epson R-D1 is considerably larger (95 percent) than the Canon G7 X Mark II. In this context, it is worth noting that neither the G7X Mark II nor the R-D1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G7X Mark II has a lens built in, whereas the R-D1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the R-D1 and their specifications in the Leica M Lens Catalog.
The power pack in the G7X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X Mark II | 106 mm | 61 mm | 42 mm | 319 g | 265 | n | Feb 2016 | US$ 699 | ebay.com | |
2. | Epson R-D1 | 142 mm | 89 mm | 40 mm | 620 g | .. | n | Mar 2004 | US$ 2 999 | ebay.com | |
3. | Canon G5 X | 112 mm | 76 mm | 44 mm | 353 g | 210 | n | Oct 2015 | US$ 799 | ebay.com | |
4. | Canon G7 X | 103 mm | 60 mm | 40 mm | 304 g | 210 | n | Sep 2014 | US$ 699 | ebay.com | |
5. | Canon G7 X Mark III | 105 mm | 61 mm | 41 mm | 304 g | 235 | n | Jul 2019 | US$ 749 | amazon.com | |
6. | Canon G9 X | 98 mm | 58 mm | 31 mm | 209 g | 220 | n | Oct 2015 | US$ 529 | ebay.com | |
7. | Canon M3 | 111 mm | 68 mm | 44 mm | 366 g | 250 | n | Feb 2015 | US$ 679 | ebay.com | |
8. | Canon Rebel | 142 mm | 99 mm | 72 mm | 649 g | 400 | n | Aug 2003 | US$ 899 | ebay.com | |
9. | Leica X Vario | 133 mm | 73 mm | 95 mm | 680 g | 450 | n | Jun 2013 | US$ 2 849 | ebay.com | |
10. | Nikon D50 | 133 mm | 102 mm | 76 mm | 620 g | 400 | n | Apr 2005 | US$ 749 | ebay.com | |
11. | Nikon D70 | 140 mm | 111 mm | 78 mm | 679 g | 400 | n | Jan 2004 | US$ 999 | ebay.com | |
12. | Nikon D70s | 140 mm | 111 mm | 78 mm | 679 g | 500 | n | Apr 2005 | US$ 899 | ebay.com | |
13. | Panasonic LX10 | 106 mm | 60 mm | 42 mm | 310 g | 260 | n | Sep 2016 | US$ 699 | amazon.com | |
14. | Sony RX100 II | 102 mm | 58 mm | 38 mm | 281 g | 350 | n | Jun 2013 | US$ 749 | ebay.com | |
15. | Sony RX100 III | 102 mm | 58 mm | 41 mm | 290 g | 320 | n | May 2014 | US$ 799 | ebay.com | |
16. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | US$ 999 | ebay.com | |
17. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | US$ 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G7X Mark II was launched at a lower price than the R-D1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G7 X Mark II features an one-inch sensor and the Epson R-D1 an APS-C sensor. The sensor area in the R-D1 is 219 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon G7 X Mark II offers a higher resolution of 20 megapixels, compared with 6 MP of the Epson R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 7.85μm for the R-D1). However, it should be noted that the G7X Mark II is much more recent (by 11 years and 11 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon G7 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G7X Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The Canon PowerShot G7 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Epson R-D1 are ISO 200 to ISO 1600 (no boost).
In terms of underlying technology, the G7X Mark II is build around a BSI-CMOS sensor, while the R-D1 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.8 | 11.9 | 260 | 62 | |
2. | Epson R-D1 | APS-C | 6.0 | 3008 | 2000 | none | 21.1 | 10.4 | 564 | 55 | |
3. | Canon G5 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.4 | 12.3 | 471 | 62 | |
4. | Canon G7 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 23.0 | 12.7 | 556 | 71 | |
5. | Canon G7 X Mark III | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 583 | 65 | |
6. | Canon G9 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.5 | 12.3 | 495 | 63 | |
7. | Canon M3 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.8 | 11.8 | 1169 | 72 | |
8. | Canon Rebel | APS-C | 6.3 | 3072 | 2048 | none | 21.0 | 10.8 | 544 | 55 | |
9. | Leica X Vario | APS-C | 16.1 | 4928 | 3272 | 1080/30p | 23.4 | 12.7 | 1320 | 78 | |
10. | Nikon D50 | APS-C | 6.0 | 3008 | 2000 | none | 20.9 | 10.8 | 560 | 55 | |
11. | Nikon D70 | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
12. | Nikon D70s | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
13. | Panasonic LX10 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.5 | 581 | 70 | |
14. | Sony RX100 II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.5 | 12.4 | 483 | 67 | |
15. | Sony RX100 III | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 12.3 | 495 | 67 | |
16. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
17. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The G7X Mark II indeed provides movie recording capabilities, while the R-D1 does not. The highest resolution format that the G7X Mark II can use is 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the R-D1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the G7X Mark II relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon G7 X Mark II and Epson R-D1 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X Mark II | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 8.0/s | Y | Y | |
2. | Epson R-D1 | optical | n | 2.0 / 235 | fixed | n | 1/2000s | 1.0/s | n | n | |
3. | Canon G5 X | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 5.9/s | Y | Y | |
4. | Canon G7 X | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 6.5/s | Y | Y | |
5. | Canon G7 X Mark III | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 30/s | Y | Y | |
6. | Canon G9 X | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 6.0/s | Y | Y | |
7. | Canon M3 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
8. | Canon Rebel | optical | n | 1.8 / 118 | fixed | n | 1/4000s | 2.5/s | Y | n | |
9. | Leica X Vario | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
10. | Nikon D50 | optical | n | 2.0 / 130 | fixed | n | 1/4000s | 2.5/s | Y | n | |
11. | Nikon D70 | optical | n | 1.8 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
12. | Nikon D70s | optical | n | 2.0 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
13. | Panasonic LX10 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 10.0/s | Y | Y | |
14. | Sony RX100 II | optional | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
15. | Sony RX100 III | 1440 | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
16. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
17. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The G7X Mark II has one, while the R-D1 does not. While the built-in flash of the G7X Mark II is not very powerful, it can at times be useful as a fill-in light.
The G7X Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the R-D1 does not have a selfie-screen.The Canon G7 X Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G7X Mark II writes its imaging data to SDXC cards, while the R-D1 uses SDHC cards. The G7X Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the R-D1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X Mark II and Epson R-D1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
2. | Epson R-D1 | Y | - / - | - | - | - | - | - | - | - | |
3. | Canon G5 X | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
4. | Canon G7 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
5. | Canon G7 X Mark III | - | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
6. | Canon G9 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
7. | Canon M3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
8. | Canon Rebel | Y | - / - | - | - | - | 1.1 | - | - | - | |
9. | Leica X Vario | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Nikon D50 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Nikon D70 | Y | - / - | - | - | - | 1.0 | - | - | - | |
12. | Nikon D70s | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Panasonic LX10 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
14. | Sony RX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony RX100 III | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the G7X Mark II offers wifi support, while the R-D1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Epson R-D1 (unlike the G7X Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the G7X Mark II and the R-D1 have been discontinued, but can regularly be found used on ebay. The G7X Mark II was replaced by the Canon G7 X Mark III, while the R-D1 does not have a direct successor. Further information on the features and operation of the G7X Mark II and R-D1 can be found, respectively, in the Canon G7 X Mark II Manual (free pdf) or the online Epson R-D1 Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Canon G7 X Mark II or the Epson R-D1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon PowerShot G7 X Mark II:
- More detail: Offers more megapixels (20 vs 6MP) with a 82% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 235k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (8 vs 1 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the R-D1 requires a separate lens.
- More compact: Is smaller (106x61mm vs 142x89mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the R-D1).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 11 years and 11 months of technical progress since the R-D1 launch.
Reasons to prefer the Epson R-D1:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible: Takes interchangeable lenses and can thus be used with different optics.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in March 2004).
If the count of individual advantages (bullet points above) is taken as a guide, the G7X Mark II is the clear winner of the match-up (20 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G7X Mark II or the R-D1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G7 X Mark II | 4.5/5 | + + | .. | 81/100 | 4.5/5 | 4.5/5 | Feb 2016 | US$ 699 | ebay.com | |
2. | Epson R-D1 | .. | .. | .. | .. | .. | .. | Mar 2004 | US$ 2 999 | ebay.com | |
3. | Canon G5 X | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Oct 2015 | US$ 799 | ebay.com | |
4. | Canon G7 X | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Sep 2014 | US$ 699 | ebay.com | |
5. | Canon G7 X Mark III | .. | + + | 4/5 | 81/100 | 4/5 | .. | Jul 2019 | US$ 749 | amazon.com | |
6. | Canon G9 X | 3.5/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2015 | US$ 529 | ebay.com | |
7. | Canon M3 | 4/5 | o | .. | 75/100 | 4.5/5 | 4/5 | Feb 2015 | US$ 679 | ebay.com | |
8. | Canon Rebel | .. | .. | .. | + + | .. | .. | Aug 2003 | US$ 899 | ebay.com | |
9. | Leica X Vario | 3/5 | .. | .. | .. | 4/5 | 4/5 | Jun 2013 | US$ 2 849 | ebay.com | |
10. | Nikon D50 | .. | 78/100 | .. | + + | 4/5 | 4.5/5 | Apr 2005 | US$ 749 | ebay.com | |
11. | Nikon D70 | .. | .. | .. | + + | .. | .. | Jan 2004 | US$ 999 | ebay.com | |
12. | Nikon D70s | .. | .. | .. | .. | .. | 5/5 | Apr 2005 | US$ 899 | ebay.com | |
13. | Panasonic LX10 | .. | + + | 4/5 | 81/100 | 4/5 | 4.5/5 | Sep 2016 | US$ 699 | amazon.com | |
14. | Sony RX100 II | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jun 2013 | US$ 749 | ebay.com | |
15. | Sony RX100 III | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | May 2014 | US$ 799 | ebay.com | |
16. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | US$ 999 | ebay.com | |
17. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | US$ 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X Mark II vs Canon G7 X Mark II
- Canon 650D vs Canon G7 X Mark II
- Canon G7 X Mark II vs Canon SX700
- Canon G7 X Mark II vs Nikon L840
- Canon G7 X Mark II vs Olympus XZ-1
- Canon G7 X Mark II vs Sony A6300
- Epson R-D1 vs Fujifilm X-E2S
- Epson R-D1 vs Fujifilm X10
- Epson R-D1 vs Nikon D5500
- Epson R-D1 vs Nikon D850
- Epson R-D1 vs Nikon Z7
- Epson R-D1 vs Olympus E-600
Specifications: Canon G7 X Mark II vs Epson R-D1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon G7 X Mark II | Epson R-D1 |
---|---|---|
Camera Type | Fixed lens compact camera | Rangefinder camera |
Camera Lens | 24-100mm f/1.8-2.8 | Leica M mount lenses |
Launch Date | February 2016 | March 2004 |
Launch Price | USD 699 | USD 2,999 |
Sensor Specs | Canon G7 X Mark II | Epson R-D1 |
Sensor Technology | BSI-CMOS | CCD |
Sensor Format | 1" Sensor | APS-C Sensor |
Sensor Size | 13.2 x 8.8 mm | 23.7 x 15.6 mm |
Sensor Area | 116.16 mm2 | 369.72 mm2 |
Sensor Diagonal | 15.9 mm | 28.4 mm |
Crop Factor | 2.7x | 1.5x |
Sensor Resolution | 20 Megapixels | 6 Megapixels |
Image Resolution | 5472 x 3648 pixels | 3008 x 2000 pixels |
Pixel Pitch | 2.41 μm | 7.85 μm |
Pixel Density | 17.18 MP/cm2 | 1.63 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | no Video |
ISO Setting | 125 - 12,800 ISO | 200 - 1,600 ISO |
ISO Boost | 125 - 25,600 ISO | no Enhancement |
Screen Specs | Canon G7 X Mark II | Epson R-D1 |
Viewfinder Type | no viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | |
LCD Framing | Live View | |
Rear LCD Size | 3.0inch | 2.0inch |
LCD Resolution | 1040k dots | 235k dots |
LCD Attachment | Tilting screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Canon G7 X Mark II | Epson R-D1 |
Focus System | Contrast-detect AF | Manual Focus |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 8 shutter flaps/s | 1 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDHC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Canon G7 X Mark II | Epson R-D1 |
External Flash | no Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | no USB |
HDMI Port | micro HDMI | no HDMI |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Body Specs | Canon G7 X Mark II | Epson R-D1 |
Battery Type | Canon NB-13L | Epson EU-85 |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
106 x 61 x 42 mm (4.2 x 2.4 x 1.7 in) |
142 x 89 x 40 mm (5.6 x 3.5 x 1.6 in) |
Camera Weight | 319 g (11.3 oz) | 620 g (21.9 oz) |
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