Canon M50 Mark II vs Nikon D4
The Canon EOS M50 Mark II and the Nikon D4 are two digital cameras that were officially introduced, respectively, in October 2020 and January 2012. The M50 Mark II is a mirrorless interchangeable lens camera, while the D4 is a DSLR. The cameras are based on an APS-C (M50 Mark II) and a full frame (D4) sensor. The Canon has a resolution of 24 megapixels, whereas the Nikon provides 16.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 Mark II and the Nikon D4? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon M50 Mark II and the Nikon D4 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The M50 Mark II can be obtained in two different colors (black, white), while the D4 is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D4 is considerably larger (146 percent) than the Canon M50 Mark II. Moreover, the D4 is substantially heavier (246 percent) than the M50 Mark II. It is noteworthy in this context that the D4 is splash and dust-proof, while the M50 Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the M50 Mark II gets 305 shots out of its Canon LP-E12 battery, while the D4 can take 2600 images on a single charge of its Nikon EN-EL18 power pack. As can be seen in the images above, the D4 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon M50 Mark II | 116 mm | 88 mm | 59 mm | 387 g | 305 | n | Oct 2020 | EUR 599 | ebay.com | |
| 2. | Nikon D4 | 160 mm | 157 mm | 91 mm | 1340 g | 2600 | Y | Jan 2012 | EUR 5 999 | ebay.com | |
| 3. | Canon 200D | 122 mm | 93 mm | 70 mm | 453 g | 650 | n | Jun 2017 | EUR 599 | ebay.com | |
| 4. | Canon 250D | 122 mm | 93 mm | 70 mm | 449 g | 1070 | n | Apr 2019 | EUR 549 | amazon.com | |
| 5. | Canon G5 X Mark II | 111 mm | 61 mm | 46 mm | 340 g | 230 | n | Jul 2019 | EUR 929 | ebay.com | |
| 6. | Canon M3 | 111 mm | 68 mm | 44 mm | 366 g | 250 | n | Feb 2015 | EUR 749 | ebay.com | |
| 7. | Canon M6 | 112 mm | 68 mm | 45 mm | 390 g | 295 | n | Feb 2017 | EUR 799 | ebay.com | |
| 8. | Canon M6 Mark II | 120 mm | 70 mm | 49 mm | 408 g | 305 | n | Aug 2019 | EUR 929 | ebay.com | |
| 9. | Canon M50 | 116 mm | 88 mm | 59 mm | 390 g | 235 | n | Feb 2018 | EUR 779 | ebay.com | |
| 10. | Canon M200 | 108 mm | 67 mm | 35 mm | 299 g | 315 | n | Sep 2019 | EUR 539 | ebay.com | |
| 11. | Fujifilm X-A7 | 119 mm | 68 mm | 41 mm | 320 g | 440 | n | Sep 2019 | EUR 549 | ebay.com | |
| 12. | Fujifilm X-T200 | 121 mm | 84 mm | 55 mm | 370 g | 270 | n | Jan 2020 | EUR 749 | ebay.com | |
| 13. | Nikon D3 | 160 mm | 157 mm | 88 mm | 1300 g | 4300 | Y | Aug 2007 | EUR 4 849 | ebay.com | |
| 14. | Nikon D3S | 160 mm | 157 mm | 88 mm | 1240 g | 4200 | Y | Oct 2009 | EUR 4 999 | ebay.com | |
| 15. | Nikon D4S | 160 mm | 157 mm | 91 mm | 1350 g | 3020 | Y | Feb 2014 | EUR 6 149 | ebay.com | |
| 16. | Nikon D5 | 160 mm | 159 mm | 92 mm | 1415 g | 3780 | Y | Jan 2016 | EUR 6 989 | ebay.com | |
| 17. | Nikon Df | 144 mm | 110 mm | 67 mm | 760 g | 1400 | Y | Nov 2013 | EUR 2 999 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The M50 Mark II was launched at a markedly lower price (by 90 percent) than the D4, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon M50 Mark II features an APS-C sensor and the Nikon D4 a full frame sensor. The sensor area in the D4 is 159 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the Canon M50 Mark II offers a higher resolution of 24 megapixels, compared with 16.2 MP of the Nikon D4. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.72μm versus 7.29μm for the D4). However, it should be noted that the M50 Mark II is much more recent (by 8 years and 9 months) than the D4, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon M50 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M50 Mark II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon D4 are 24.6 x 16.4 inches or 62.6 x 41.7 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.3 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.8 cm for excellent quality prints.
The M50 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M50 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Nikon D4 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon M50 Mark II | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.6 | 1939 | 83 | |
| 2. | Nikon D4 | Full Frame | 16.2 | 4928 | 3280 | 1080/30p | 24.7 | 13.1 | 2965 | 89 | |
| 3. | Canon 200D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.4 | 1041 | 79 | |
| 4. | Canon 250D | APS-C | 24.0 | 6000 | 4000 | 4K/25p | 23.9 | 13.4 | 1791 | 82 | |
| 5. | Canon G5 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 583 | 65 | |
| 6. | Canon M3 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.8 | 11.8 | 1169 | 72 | |
| 7. | Canon M6 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.6 | 1317 | 78 | |
| 8. | Canon M6 Mark II | APS-C | 32.3 | 6960 | 4640 | 4K/30p | 24.0 | 13.5 | 1848 | 83 | |
| 9. | Canon M50 | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 23.8 | 13.3 | 1684 | 81 | |
| 10. | Canon M200 | APS-C | 24.0 | 6000 | 4000 | 4k/25p | 24.0 | 13.5 | 1836 | 82 | |
| 11. | Fujifilm X-A7 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.1 | 13.6 | 1955 | 84 | |
| 12. | Fujifilm X-T200 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.1 | 13.6 | 1991 | 84 | |
| 13. | Nikon D3 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2290 | 81 | |
| 14. | Nikon D3S | Full Frame | 12.1 | 4256 | 2832 | 720/24p | 23.5 | 12.0 | 3253 | 82 | |
| 15. | Nikon D4S | Full Frame | 16.2 | 4928 | 3280 | 1080/60p | 24.4 | 13.3 | 3074 | 89 | |
| 16. | Nikon D5 | Full Frame | 20.7 | 5588 | 3712 | 4K/30p | 25.1 | 12.3 | 2343 | 88 | |
| 17. | Nikon Df | Full Frame | 16.2 | 4928 | 3280 | none | 24.6 | 13.1 | 3279 | 89 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the M50 Mark II provides a higher video resolution than the D4. It can shoot video footage at 4K/24p, while the Nikon is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the M50 Mark II has an electronic viewfinder (2360k dots), while the D4 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon M50 Mark II and Nikon D4 along with similar information for a selection of comparators.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon M50 Mark II | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
| 2. | Nikon D4 | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
| 3. | Canon 200D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
| 4. | Canon 250D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
| 5. | Canon G5 X Mark II | 2360 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 30/s | Y | Y | |
| 6. | Canon M3 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
| 7. | Canon M6 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
| 8. | Canon M6 Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 14.0/s | Y | n | |
| 9. | Canon M50 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
| 10. | Canon M200 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
| 11. | Fujifilm X-A7 | none | n | 3.5 / 2760 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
| 12. | Fujifilm X-T200 | 2360 | n | 3.5 / 2780 | swivel | Y | 1/4000s | 8.0/s | Y | n | |
| 13. | Nikon D3 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 11.0/s | n | n | |
| 14. | Nikon D3S | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
| 15. | Nikon D4S | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
| 16. | Nikon D5 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
| 17. | Nikon Df | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 5.5/s | n | n | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One difference between the cameras concerns the presence of an on-board flash. The M50 Mark II has one, while the D4 does not. While the built-in flash of the M50 Mark II is not very powerful, it can at times be useful as a fill-in light.
The M50 Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D4 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the M50 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M50 Mark II and the Nikon D4 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The M50 Mark II writes its imaging data to SDXC cards, while the D4 uses Compact Flash or XQD cards. The D4 features dual card slots, which can be very useful in case a memory card fails. In contrast, the M50 Mark II only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 Mark II and Nikon D4 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon M50 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
| 2. | Nikon D4 | Y | mono / mono | Y | Y | micro | 2.0 | - | - | - | |
| 3. | Canon 200D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
| 4. | Canon 250D | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
| 5. | Canon G5 X Mark II | - | stereo / mono | - | - | micro | 3.1 | Y | - | Y | |
| 6. | Canon M3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
| 7. | Canon M6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
| 8. | Canon M6 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
| 9. | Canon M50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
| 10. | Canon M200 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
| 11. | Fujifilm X-A7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
| 12. | Fujifilm X-T200 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
| 13. | Nikon D3 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
| 14. | Nikon D3S | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
| 15. | Nikon D4S | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
| 16. | Nikon D5 | Y | stereo / mono | Y | Y | mini | 3.0 | - | - | - | |
| 17. | Nikon Df | Y | - / - | - | - | mini | 2.0 | - | - | - |
It is notable that the M50 Mark II offers wifi support, while the D4 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Nikon D4 (unlike the M50 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M50 Mark II and the D4 have been discontinued, but can regularly be found used on ebay. The D4 was replaced by the Nikon D4S, while the M50 Mark II does not have a direct successor. Further information on the features and operation of the M50 Mark II and D4 can be found, respectively, in the Canon M50 Mark II Manual (free pdf) or the online Nikon D4 Manual.
Review summary
So what is the bottom line? Is the Canon M50 Mark II better than the Nikon D4 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Canon EOS M50 Mark II:
- More detail: Offers more megapixels (24 vs 16.2MP) with a 22% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/24p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (116x88mm vs 160x157mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 953g or 71 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
- More modern: Reflects 8 years and 9 months of technical progress since the D4 launch.

Advantages of the Nikon D4:
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (2600 versus 305) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in January 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the M50 Mark II is the clear winner of the match-up (17 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M50 Mark II and the Nikon D4 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the M50 Mark II or the D4 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon M50 Mark II | 4/5 | .. | 4/5 | .. | 4.5/5 | 3.5/5 | Oct 2020 | EUR 599 | ebay.com | |
| 2. | Nikon D4 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jan 2012 | EUR 5 999 | ebay.com | |
| 3. | Canon 200D | 4/5 | + + | 4/5 | 78/100 | 4.5/5 | 4.5/5 | Jun 2017 | EUR 599 | ebay.com | |
| 4. | Canon 250D | 4/5 | o | 4.5/5 | 79/100 | 4/5 | 4/5 | Apr 2019 | EUR 549 | amazon.com | |
| 5. | Canon G5 X Mark II | 4/5 | + | 4/5 | 82/100 | .. | 4/5 | Jul 2019 | EUR 929 | ebay.com | |
| 6. | Canon M3 | 4/5 | o | .. | 75/100 | 4.5/5 | 4/5 | Feb 2015 | EUR 749 | ebay.com | |
| 7. | Canon M6 | .. | .. | .. | 80/100 | 4/5 | 4/5 | Feb 2017 | EUR 799 | ebay.com | |
| 8. | Canon M6 Mark II | .. | + | 4.5/5 | 85/100 | 4/5 | 4/5 | Aug 2019 | EUR 929 | ebay.com | |
| 9. | Canon M50 | .. | + | 4/5 | 79/100 | .. | 3.5/5 | Feb 2018 | EUR 779 | ebay.com | |
| 10. | Canon M200 | .. | + | 3/5 | 79/100 | 4/5 | 4/5 | Sep 2019 | EUR 539 | ebay.com | |
| 11. | Fujifilm X-A7 | 3/5 | .. | 3.5/5 | 81/100 | 4/5 | 3.5/5 | Sep 2019 | EUR 549 | ebay.com | |
| 12. | Fujifilm X-T200 | 3.5/5 | .. | 4/5 | 82/100 | 4/5 | 4.5/5 | Jan 2020 | EUR 749 | ebay.com | |
| 13. | Nikon D3 | .. | .. | .. | + + | 5/5 | 4.5/5 | Aug 2007 | EUR 4 849 | ebay.com | |
| 14. | Nikon D3S | 5/5 | .. | .. | 89/100 | 4.5/5 | 5/5 | Oct 2009 | EUR 4 999 | ebay.com | |
| 15. | Nikon D4S | 5/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2014 | EUR 6 149 | ebay.com | |
| 16. | Nikon D5 | .. | .. | 4/5 | 89/100 | 4.5/5 | 5/5 | Jan 2016 | EUR 6 989 | ebay.com | |
| 17. | Nikon Df | 4/5 | .. | .. | 81/100 | 4/5 | 4/5 | Nov 2013 | EUR 2 999 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark II vs Nikon D4
- Canon 300D vs Canon M50 Mark II
- Canon G9 X Mark II vs Nikon D4
- Canon M50 Mark II vs Canon R10
- Canon M50 Mark II vs Nikon B500
- Canon M50 Mark II vs Panasonic G95
- Canon M50 Mark II vs Pentax K-S2
- Canon M50 Mark II vs Sony RX100
- Nikon D4 vs Panasonic FZ100
- Nikon D4 vs Panasonic GF2
- Nikon D4 vs Pentax K-1 II
- Nikon D4 vs Sony A6500
Specifications: Canon M50 Mark II vs Nikon D4
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon M50 Mark II | Nikon D4 |
|---|---|---|
| Camera Type | Mirrorless system camera | Digital single lens reflex |
| Camera Lens | Canon EF-M mount lenses | Nikon F mount lenses |
| Launch Date | October 2020 | January 2012 |
| Launch Price | USD 599 | USD 5,999 |
| Sensor Specs | Canon M50 Mark II | Nikon D4 |
| Sensor Technology | CMOS | CMOS |
| Sensor Format | APS-C Sensor | Full Frame Sensor |
| Sensor Size | 22.3 x 14.9 mm | 36.0 x 23.9 mm |
| Sensor Area | 332.27 mm2 | 860.4 mm2 |
| Sensor Diagonal | 26.8 mm | 43.2 mm |
| Crop Factor | 1.6x | 1.0x |
| Sensor Resolution | 24 Megapixels | 16.2 Megapixels |
| Image Resolution | 6000 x 4000 pixels | 4928 x 3280 pixels |
| Pixel Pitch | 3.72 μm | 7.29 μm |
| Pixel Density | 7.22 MP/cm2 | 1.88 MP/cm2 |
| Moiré control | Anti-Alias filter | Anti-Alias filter |
| Movie Capability | 4K/24p Video | 1080/30p Video |
| ISO Setting | 100 - 25,600 ISO | 100 - 12,800 ISO |
| ISO Boost | 100 - 51,200 ISO | 50 - 204,800 ISO |
| Image Processor | DIGIC 8 | EXPEED 3 |
| DXO Sensor Quality (score) | .. | 89 |
| DXO Color Depth (bits) | .. | 24.7 |
| DXO Dynamic Range (EV) | .. | 13.1 |
| DXO Low Light (ISO) | .. | 2965 |
| Screen Specs | Canon M50 Mark II | Nikon D4 |
| Viewfinder Type | Electronic viewfinder | Optical viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.70x | |
| Viewfinder Resolution | 2360k dots | |
| Top-Level Screen | no Top Display | Control Panel |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.2inch |
| LCD Resolution | 1040k dots | 921k dots |
| LCD Attachment | Swivel screen | Fixed screen |
| Touch Input | Touchscreen | no Touchscreen |
| Shooting Specs | Canon M50 Mark II | Nikon D4 |
| Focus System | On-Sensor Phase-detect | Phase-detect AF |
| Manual Focusing Aid | Focus Peaking | no Peaking Feature |
| Continuous Shooting | 10 shutter flaps/s | 11 shutter flaps/s |
| Shutter Life Expectancy | 100 000 actuations | 400 000 actuations |
| Electronic Shutter | YES | no E-Shutter |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Fill Flash | Built-in Flash | no On-Board Flash |
| Storage Medium | SDXC cards | CF or XQD cards |
| Single or Dual Card Slots | Single card slot | Dual card slots |
| Connectivity Specs | Canon M50 Mark II | Nikon D4 |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | no PC Sync | PC Sync socket |
| USB Connector | USB 2.0 | USB 2.0 |
| HDMI Port | micro HDMI | micro HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | no Headphone port | Headphone port |
| Wifi Support | Wifi built-in | no Wifi |
| Bluetooth Support | Bluetooth built-in | no Bluetooth |
| Body Specs | Canon M50 Mark II | Nikon D4 |
| Environmental Sealing | not weather sealed | Weathersealed body |
| Battery Type | Canon LP-E12 | Nikon EN-EL18 |
| Battery Life (CIPA) | 305 shots per charge | 2600 shots per charge |
| Body Dimensions |
116 x 88 x 59 mm (4.6 x 3.5 x 2.3 in) |
160 x 157 x 91 mm (6.3 x 6.2 x 3.6 in) |
| Camera Weight | 387 g (13.7 oz) | 1340 g (47.3 oz) |

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