Canon R1 vs Olympus E-P7
The Canon EOS R1 and the Olympus PEN E-P7 are two digital cameras that were officially introduced, respectively, in July 2024 and June 2021. Both the R1 and the E-P7 are mirrorless interchangeable lens cameras that are based on a full frame (R1) and a Four Thirds (E-P7) sensor. The Canon has a resolution of 24 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check R1 price at
amazon.com

Check E-P7 price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R1 and the Olympus PEN E-P7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon R1 and the Olympus E-P7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-P7 can be obtained in three different colors (black, silver, white), while the R1 is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P7 is considerably smaller (66 percent) than the Canon R1. Moreover, the E-P7 is substantially lighter (70 percent) than the R1. It is worth mentioning in this context that the R1 is splash and dust resistant, while the E-P7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the R1 gets 1330 shots out of its Canon LP-E19 battery, while the E-P7 can take 360 images on a single charge of its Olympus BLS-50 power pack. As can be seen in the images above, the R1 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the R1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | 158 mm | 150 mm | 87 mm | 1115 g | 1330 | Y | Jul 2024 | US$ 6 299 | amazon.com | |
| 2. | Olympus E-P7 | 118 mm | 69 mm | 38 mm | 337 g | 360 | n | Jun 2021 | US$ 799 | amazon.com | |
| 3. | Canon R3 | 150 mm | 143 mm | 87 mm | 1015 g | 760 | Y | Sep 2021 | US$ 5 999 | amazon.com | |
| 4. | Canon R5 Mark II | 138 mm | 98 mm | 88 mm | 746 g | 340 | Y | Jul 2024 | US$ 4 299 | amazon.com | |
| 5. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | US$ 2 499 | amazon.com | |
| 6. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | US$ 2 499 | amazon.com | |
| 7. | Fujifilm GFX 100 II | 152 mm | 117 mm | 99 mm | 1030 g | 540 | Y | Sep 2023 | US$ 7 499 | amazon.com | |
| 8. | Leica SL3-S | 141 mm | 108 mm | 85 mm | 852 g | 315 | Y | Jan 2025 | US$ 5 299 | amazon.com | |
| 9. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | US$ 1 999 | amazon.com | |
| 10. | Olympus E-M10 | 119 mm | 82 mm | 46 mm | 396 g | 320 | n | Jan 2014 | US$ 699 | ebay.com | |
| 11. | Olympus E-M10 IV | 122 mm | 84 mm | 49 mm | 383 g | 360 | n | Aug 2020 | US$ 699 | amazon.com | |
| 12. | Olympus E-P2 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Nov 2009 | US$ 799 | ebay.com | |
| 13. | Olympus E-P3 | 122 mm | 69 mm | 34 mm | 369 g | 330 | n | Jun 2011 | US$ 799 | ebay.com | |
| 14. | Olympus E-P5 | 122 mm | 69 mm | 37 mm | 420 g | 330 | n | May 2013 | US$ 999 | ebay.com | |
| 15. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | US$ 1 899 | amazon.com | |
| 16. | Sony A9 III | 136 mm | 97 mm | 83 mm | 702 g | 530 | Y | Nov 2023 | US$ 5 999 | amazon.com | |
| 17. | Sony A6700 | 122 mm | 69 mm | 64 mm | 493 g | 570 | Y | Jul 2023 | US$ 1 399 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-P7 was launched at a markedly lower price (by 87 percent) than the R1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon R1 features a full frame sensor and the Olympus E-P7 a Four Thirds sensor. The sensor area in the E-P7 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the R1 has a native 3:2 aspect ratio, while the one in the E-P7 offers a 4:3 aspect.

With 24MP, the R1 offers a higher resolution than the E-P7 (20.2MP), but the R1 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 3.34μm for the E-P7) due to its larger sensor. Moreover, the R1 is a much more recent model (by 3 years and 1 month) than the E-P7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon R1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-P7 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The R1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R1 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-409600. The corresponding ISO settings for the Olympus PEN E-P7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the R1 is build around a Stacked BSI-CMOS sensor, while the E-P7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.4 | 14.8 | 3332 | 97 | |
| 2. | Olympus E-P7 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.4 | 13.3 | 1494 | 77 | |
| 3. | Canon R3 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.0 | 14.7 | 4086 | 96 | |
| 4. | Canon R5 Mark II | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.8 | 3332 | 97 | |
| 5. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
| 6. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
| 7. | Fujifilm GFX 100 II | Medium Format | 101.8 | 11648 | 8736 | 8K/30p | 25.9 | 15.0 | 3651 | 101 | |
| 8. | Leica SL3-S | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.8 | 3383 | 97 | |
| 9. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
| 10. | Olympus E-M10 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 884 | 72 | |
| 11. | Olympus E-M10 IV | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.2 | 1402 | 76 | |
| 12. | Olympus E-P2 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.5 | 10.4 | 505 | 56 | |
| 13. | Olympus E-P3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.8 | 10.1 | 536 | 51 | |
| 14. | Olympus E-P5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.4 | 895 | 72 | |
| 15. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
| 16. | Sony A9 III | Full Frame | 24.0 | 6000 | 4000 | 4K/120p | 25.4 | 14.7 | 3243 | 96 | |
| 17. | Sony A6700 | APS-C | 25.6 | 6192 | 4128 | 4K/120p | 24.3 | 14.0 | 2329 | 86 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the R1 provides a higher video resolution than the E-P7. It can shoot video footage at 6K/60p, while the Olympus is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the R1 has an electronic viewfinder (9440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P7 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon R1, the Olympus E-P7, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | 9440 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 2. | Olympus E-P7 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.7/s | Y | Y | |
| 3. | Canon R3 | 5760 | Y | 3.2 / 4150 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 4. | Canon R5 Mark II | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 5. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 6. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 7. | Fujifilm GFX 100 II | 9440 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 8.0/s | n | Y | |
| 8. | Leica SL3-S | 5760 | Y | 3.2 / 2333 | tilting | Y | 1/8000s | 30.0/s | n | Y | |
| 9. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
| 10. | Olympus E-M10 | 1440 | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
| 11. | Olympus E-M10 IV | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 15.0/s | Y | Y | |
| 12. | Olympus E-P2 | optional | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
| 13. | Olympus E-P3 | optional | n | 3.0 / 614 | fixed | Y | 1/4000s | 3.0/s | Y | Y | |
| 14. | Olympus E-P5 | optional | n | 3.0 / 1037 | tilting | Y | 1/8000s | 9.0/s | Y | Y | |
| 15. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
| 16. | Sony A9 III | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/80000s | 120.0/s | n | Y | |
| 17. | Sony A6700 | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 11.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the R1, but is missing on the E-P7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R1 and the Olympus E-P7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R1 writes its imaging data to CFexpress (type B) or SDXC cards, while the E-P7 uses SDXC cards. The R1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P7 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R1 and Olympus PEN E-P7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | Olympus E-P7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
| 3. | Canon R3 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 4. | Canon R5 Mark II | Y | mono / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 5. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 6. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 7. | Fujifilm GFX 100 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 8. | Leica SL3-S | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 9. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 10. | Olympus E-M10 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 11. | Olympus E-M10 IV | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
| 12. | Olympus E-P2 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
| 13. | Olympus E-P3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
| 14. | Olympus E-P5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 15. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 16. | Sony A9 III | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 17. | Sony A6700 | Y | stereo / mono | Y | Y | YES | 3.2 | Y | Y | Y |
It is notable that the R1 has a microphone port, which is missing on the E-P7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon R1 (unlike the E-P7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the R1 and the E-P7 are recent models that are part of the current product line-up. The E-P7 replaced the earlier Olympus E-P5, while the R1 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
Review summary
So how do things add up? Is the Canon R1 better than the Olympus E-P7 or vice versa? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Canon EOS R1:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (6K/60p vs 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 8.7 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1330 versus 360) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 3 years and 1 month of technical progress since the E-P7 launch.

Reasons to prefer the Olympus PEN E-P7:
- More compact: Is smaller (118x69mm vs 158x150mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 778g or 70 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (87 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in June 2021).
If the count of individual advantages (bullet points above) is taken as a guide, the R1 is the clear winner of the match-up (25 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R1 and the Olympus E-P7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the R1 and the E-P7 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | .. | .. | .. | .. | .. | .. | Jul 2024 | US$ 6 299 | amazon.com | |
| 2. | Olympus E-P7 | 4/5 | .. | 4.5/5 | .. | .. | 4.5/5 | Jun 2021 | US$ 799 | amazon.com | |
| 3. | Canon R3 | 5/5 | o | 4.5/5 | .. | 5/5 | 4.5/5 | Sep 2021 | US$ 5 999 | amazon.com | |
| 4. | Canon R5 Mark II | .. | .. | .. | 93/100 | .. | .. | Jul 2024 | US$ 4 299 | amazon.com | |
| 5. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | US$ 2 499 | amazon.com | |
| 6. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | US$ 2 499 | amazon.com | |
| 7. | Fujifilm GFX 100 II | 5/5 | + | 5/5 | .. | .. | 4.5/5 | Sep 2023 | US$ 7 499 | amazon.com | |
| 8. | Leica SL3-S | .. | .. | .. | .. | .. | .. | Jan 2025 | US$ 5 299 | amazon.com | |
| 9. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | US$ 1 999 | amazon.com | |
| 10. | Olympus E-M10 | 4/5 | .. | .. | 80/100 | 5/5 | 5/5 | Jan 2014 | US$ 699 | ebay.com | |
| 11. | Olympus E-M10 IV | 4.5/5 | .. | 5/5 | 81/100 | 4.5/5 | 4.5/5 | Aug 2020 | US$ 699 | amazon.com | |
| 12. | Olympus E-P2 | 3/5 | + | .. | 69/100 | 4/5 | 4.5/5 | Nov 2009 | US$ 799 | ebay.com | |
| 13. | Olympus E-P3 | .. | 83/100 | .. | 74/100 | 4.5/5 | 4.5/5 | Jun 2011 | US$ 799 | ebay.com | |
| 14. | Olympus E-P5 | 5/5 | + + | .. | 78/100 | 4.5/5 | 5/5 | May 2013 | US$ 999 | ebay.com | |
| 15. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | US$ 1 899 | amazon.com | |
| 16. | Sony A9 III | 4.5/5 | .. | .. | 91/100 | .. | .. | Nov 2023 | US$ 5 999 | amazon.com | |
| 17. | Sony A6700 | 4.5/5 | + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Jul 2023 | US$ 1 399 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Check R1 price at
amazon.com

Check E-P7 price at
amazon.com
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon R1 vs Olympus E-P7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon R1 | Olympus E-P7 |
|---|---|---|
| Camera Type | Mirrorless system camera | Mirrorless system camera |
| Camera Lens | Canon RF mount lenses | Micro Four Thirds lenses |
| Launch Date | July 2024 | June 2021 |
| Launch Price | USD 6,299 | USD 799 |
| Sensor Specs | Canon R1 | Olympus E-P7 |
| Sensor Technology | Stacked BSI-CMOS | CMOS |
| Sensor Format | Full Frame Sensor | Four Thirds Sensor |
| Sensor Size | 36.0 x 24.0 mm | 17.4 x 13.0 mm |
| Sensor Area | 864 mm2 | 226.2 mm2 |
| Sensor Diagonal | 43.3 mm | 21.7 mm |
| Crop Factor | 1.0x | 2.0x |
| Sensor Resolution | 24 Megapixels | 20.2 Megapixels |
| Image Resolution | 6000 x 4000 pixels | 5184 x 3888 pixels |
| Pixel Pitch | 6.00 μm | 3.34 μm |
| Pixel Density | 2.78 MP/cm2 | 8.91 MP/cm2 |
| Moiré control | Anti-Alias filter | Anti-Alias filter |
| Movie Capability | 6K/60p Video | 4K/30p Video |
| ISO Setting | 100 - 102,400 ISO | 200 - 25,600 ISO |
| ISO Boost | 50 - 409,600 ISO | 100 - 25,600 ISO |
| Image Processor | DIGIC X | TruePic VIII |
| Screen Specs | Canon R1 | Olympus E-P7 |
| Viewfinder Type | Electronic viewfinder | no viewfinder |
| Viewfinder Field of View | 100% | |
| Viewfinder Magnification | 0.9x | |
| Viewfinder Resolution | 9440k dots | |
| Top-Level Screen | Control Panel | no Top Display |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.0inch |
| LCD Resolution | 2100k dots | 1040k dots |
| LCD Attachment | Swivel screen | Tilting screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Canon R1 | Olympus E-P7 |
| Focus System | On-Sensor Phase-detect | Contrast-detect AF |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/4000s |
| Continuous Shooting | 12 shutter flaps/s | 8.7 shutter flaps/s |
| Electronic Shutter | up to 1/64000s | up to 1/16000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | In-body stabilization |
| Fill Flash | no On-Board Flash | Built-in Flash |
| Storage Medium | CFexB or SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Single card slot |
| UHS card support | UHS-II | UHS-II |
| Connectivity Specs | Canon R1 | Olympus E-P7 |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 2.0 |
| HDMI Port | full HDMI | micro HDMI |
| Microphone Port | External MIC port | no MIC socket |
| Headphone Socket | Headphone port | no Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Body Specs | Canon R1 | Olympus E-P7 |
| Environmental Sealing | Weathersealed body | not weather sealed |
| Battery Type | Canon LP-E19 | Olympus BLS-50 |
| Battery Life (CIPA) | 1330 shots per charge | 360 shots per charge |
| In-Camera Charging | USB charging | no USB charging |
| Body Dimensions |
158 x 150 x 87 mm (6.2 x 5.9 x 3.4 in) |
118 x 69 x 38 mm (4.6 x 2.7 x 1.5 in) |
| Camera Weight | 1115 g (39.3 oz) | 337 g (11.9 oz) |

Check R1 price at
amazon.com

Check E-P7 price at
amazon.com
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