Canon R1 vs Panasonic G7

The Canon EOS R1 and the Panasonic Lumix DMC-G7 are two digital cameras that were officially introduced, respectively, in July 2024 and May 2015. Both the R1 and the G7 are mirrorless interchangeable lens cameras that are based on a full frame (R1) and a Four Thirds (G7) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R1		Panasonic G7
Mirrorless system camera		Mirrorless system camera
Canon RF mount lenses		Micro Four Thirds lenses
24 MP – Full Frame sensor		15.8 MP – Four Thirds sensor
6K/60p Video		4K/30p Video
ISO 100-102,400 (50 - 409,600)		ISO 160-25,600
Electronic viewfinder (9440k dots)		Electronic viewfinder (2360k dots)
3.2" LCD – 2100k dots		3.0" LCD – 1040k dots
Swivel touchscreen		Swivel touchscreen
12 shutter flaps per second		7 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
1330 shots per battery charge		350 shots per battery charge
158 x 150 x 87 mm, 1115 g		125 x 86 x 77 mm, 410 g

Check R1 price at
amazon.com
Check G7 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R1 and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon R1 and the Panasonic G7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The G7 can be obtained in two different colors (black, silver), while the R1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is considerably smaller (55 percent) than the Canon R1. Moreover, the G7 is substantially lighter (63 percent) than the R1. It is worth mentioning in this context that the R1 is splash and dust resistant, while the G7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the R1 gets 1330 shots out of its Canon LP-E19 battery, while the G7 can take 350 images on a single charge of its Panasonic DMW-BLC12 power pack. As can be seen in the images above, the R1 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the R1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon R1	158 mm	150 mm	87 mm	1115 g	1330	Y	Jul 2024	US$ 6 299	amazon.com
2.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	US$ 649	ebay.com
3.		Canon R3	150 mm	143 mm	87 mm	1015 g	760	Y	Sep 2021	US$ 5 999	amazon.com
4.		Canon R5 Mark II	138 mm	98 mm	88 mm	746 g	340	Y	Jul 2024	US$ 4 299	amazon.com
5.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	US$ 2 499	amazon.com
6.		Canon R6 Mark II	138 mm	98 mm	88 mm	670 g	450	Y	Nov 2022	US$ 2 499	amazon.com
7.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
8.		Fujifilm X-E2S	129 mm	75 mm	37 mm	350 g	350	n	Jan 2016	US$ 699	ebay.com
9.		Leica SL3-S	141 mm	108 mm	85 mm	852 g	315	Y	Jan 2025	US$ 5 299	amazon.com
10.		Nikon Zf	144 mm	103 mm	49 mm	710 g	380	Y	Sep 2023	US$ 1 999	amazon.com
11.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	US$ 599	ebay.com
12.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	US$ 599	ebay.com
13.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	US$ 599	ebay.com
14.		Panasonic G9 II	134 mm	102 mm	90 mm	658 g	390	Y	Sep 2023	US$ 1 899	amazon.com
15.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	US$ 749	ebay.com
16.		Sony A9 III	136 mm	97 mm	83 mm	702 g	530	Y	Nov 2023	US$ 5 999	amazon.com
17.		Sony A6700	122 mm	69 mm	64 mm	493 g	570	Y	Jul 2023	US$ 1 399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G7 was launched at a markedly lower price (by 90 percent) than the R1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon R1 features a full frame sensor and the Panasonic G7 a Four Thirds sensor. The sensor area in the G7 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the R1 has a native 3:2 aspect ratio, while the one in the G7 offers a 4:3 aspect.

With 24MP, the R1 offers a higher resolution than the G7 (15.8MP), but the R1 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 3.77μm for the G7) due to its larger sensor. Moreover, the R1 is a much more recent model (by 9 years and 2 months) than the G7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon R1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The R1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS R1 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-409600. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).

In terms of underlying technology, the R1 is build around a Stacked BSI-CMOS sensor, while the G7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R1	Full Frame	24.0	6000	4000	6K/60p	25.4	14.8	3332	97
2.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
3.		Canon R3	Full Frame	24.0	6000	4000	6K/60p	25.0	14.7	4086	96
4.		Canon R5 Mark II	Full Frame	44.8	8192	5464	8k/60p	25.4	14.8	3332	97
5.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
6.		Canon R6 Mark II	Full Frame	24.0	6000	4000	4k/60p	25.4	14.6	3154	96
7.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
8.		Fujifilm X-E2S	APS-C	16.0	4896	3264	1080/60p	23.7	13.0	1608	80
9.		Leica SL3-S	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3383	97
10.		Nikon Zf	Full Frame	24.3	6048	4024	4K/60p	25.4	14.7	3243	96
11.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
12.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
13.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
14.		Panasonic G9 II	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.5	1710	78
15.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
16.		Sony A9 III	Full Frame	24.0	6000	4000	4K/120p	25.4	14.7	3243	96
17.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the R1 provides a higher video resolution than the G7. It can shoot video footage at 6K/60p, while the Panasonic is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R1 offers a substantially higher resolution than the one in the G7 (9440k vs 2360k dots). The adjacent table lists some of the other core features of the Canon R1 and Panasonic G7 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R1	9440	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
2.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
3.		Canon R3	5760	Y	3.2 / 4150	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon R5 Mark II	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
5.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
6.		Canon R6 Mark II	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
7.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
8.		Fujifilm X-E2S	2360	n	3.0 / 1040	fixed	n	1/4000s	7.0/s	Y	n
9.		Leica SL3-S	5760	Y	3.2 / 2333	tilting	Y	1/8000s	30.0/s	n	Y
10.		Nikon Zf	3690	n	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
11.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
12.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
13.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
14.		Panasonic G9 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	10.0/s	n	Y
15.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
16.		Sony A9 III	9440	n	3.2 / 2100	full-flex	Y	1/80000s	120.0/s	n	Y
17.		Sony A6700	2360	n	3.0 / 1037	swivel	Y	1/4000s	11.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the R1, but is missing on the G7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R1 and the Panasonic G7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The R1 writes its imaging data to CFexpress (type B) or SDXC cards, while the G7 uses SDXC cards. The R1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G7 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R1 and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
2.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
3.		Canon R3	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon R5 Mark II	Y	mono / mono	Y	Y	full	3.2	Y	-	Y
5.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
6.		Canon R6 Mark II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
7.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
8.		Fujifilm X-E2S	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
9.		Leica SL3-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Nikon Zf	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
14.		Panasonic G9 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Sony A9 III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A6700	Y	stereo / mono	Y	Y	YES	3.2	Y	Y	Y

It is notable that the R1 has a headphone jack, which is not present on the G7 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Canon R1 (unlike the G7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The R1 is a recent model that features in the current product line-up of Canon. In contrast, the G7 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G7 was succeeded by the Panasonic G85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.

Review summary

So what is the bottom line? Is the Canon R1 better than the Panasonic G7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Canon EOS R1:

• More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (6K/60p vs 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.70x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (12 vs 7 flaps/sec) to capture the decisive moment.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (1330 versus 350) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 9 years and 2 months of technical progress since the G7 launch.

Advantages of the Panasonic Lumix DMC-G7:

• More compact: Is smaller (125x86mm vs 158x150mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 705g or 63 percent) and is thus easier to take along.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in May 2015).

If the number of relative strengths (bullet points above) is taken as a guide, the R1 is the clear winner of the match-up (26 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R1 and the Panasonic G7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the R1 or the G7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon R1	..	..	..	..	..	..	Jul 2024	US$ 6 299	amazon.com
2.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	US$ 649	ebay.com
3.		Canon R3	5/5	o	4.5/5	..	5/5	4.5/5	Sep 2021	US$ 5 999	amazon.com
4.		Canon R5 Mark II	..	..	..	93/100	..	..	Jul 2024	US$ 4 299	amazon.com
5.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	US$ 2 499	amazon.com
6.		Canon R6 Mark II	5/5	+ +	4.5/5	91/100	4.5/5	5/5	Nov 2022	US$ 2 499	amazon.com
7.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
8.		Fujifilm X-E2S	4.5/5	..	..	77/100	4.5/5	4.5/5	Jan 2016	US$ 699	ebay.com
9.		Leica SL3-S	..	..	..	..	..	..	Jan 2025	US$ 5 299	amazon.com
10.		Nikon Zf	4.5/5	..	4.5/5	90/100	4.5/5	5/5	Sep 2023	US$ 1 999	amazon.com
11.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	US$ 599	ebay.com
12.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	US$ 599	ebay.com
13.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	US$ 599	ebay.com
14.		Panasonic G9 II	5/5	..	4.5/5	87/100	..	4.5/5	Sep 2023	US$ 1 899	amazon.com
15.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	US$ 749	ebay.com
16.		Sony A9 III	4.5/5	..	..	91/100	..	..	Nov 2023	US$ 5 999	amazon.com
17.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	US$ 1 399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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