Canon R1 vs Panasonic ZS200
The Canon EOS R1 and the Panasonic Lumix DC-ZS200 (labelled Panasonic TZ200 in some countries) are two digital cameras that were revealed to the public, respectively, in July 2024 and February 2018. The R1 is a mirrorless interchangeable lens camera, while the ZS200 is a fixed lens compact. The cameras are based on a full frame (R1) and an one-inch (ZS200) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check R1 price at
amazon.com

Check ZS200 price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R1 and the Panasonic Lumix DC-ZS200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon R1 and the Panasonic ZS200 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The ZS200 can be obtained in two different colors (black, silver), while the R1 is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS200 is considerably smaller (70 percent) than the Canon R1. It is worth mentioning in this context that the R1 is splash and dust resistant, while the ZS200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS200 has a lens built in, whereas the R1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the R1 gets 1330 shots out of its Canon LP-E19 battery, while the ZS200 can take 370 images on a single charge of its Panasonic DMW-BLG10 power pack. As can be seen in the images above, the R1 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | 158 mm | 150 mm | 87 mm | 1115 g | 1330 | Y | Jul 2024 | US$ 6 299 | amazon.com | |
| 2. | Panasonic ZS200 | 111 mm | 65 mm | 45 mm | 340 g | 370 | n | Feb 2018 | US$ 799 | amazon.com | |
| 3. | Canon G5 X Mark II | 111 mm | 61 mm | 46 mm | 340 g | 230 | n | Jul 2019 | US$ 899 | ebay.com | |
| 4. | Canon R3 | 150 mm | 143 mm | 87 mm | 1015 g | 760 | Y | Sep 2021 | US$ 5 999 | amazon.com | |
| 5. | Canon R5 Mark II | 138 mm | 98 mm | 88 mm | 746 g | 340 | Y | Jul 2024 | US$ 4 299 | amazon.com | |
| 6. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | US$ 2 499 | amazon.com | |
| 7. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | US$ 2 499 | amazon.com | |
| 8. | Canon R8 | 133 mm | 86 mm | 70 mm | 461 g | 220 | n | Feb 2023 | US$ 1 499 | amazon.com | |
| 9. | Leica SL3-S | 141 mm | 108 mm | 85 mm | 852 g | 315 | Y | Jan 2025 | US$ 5 299 | amazon.com | |
| 10. | Nikon Z9 | 149 mm | 150 mm | 91 mm | 1340 g | 740 | Y | Oct 2021 | US$ 5 499 | amazon.com | |
| 11. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | US$ 1 999 | amazon.com | |
| 12. | Panasonic FZ1000 II | 136 mm | 97 mm | 131 mm | 810 g | 350 | n | Feb 2019 | US$ 899 | amazon.com | |
| 13. | Panasonic GX9 | 124 mm | 72 mm | 47 mm | 407 g | 260 | n | Feb 2018 | US$ 849 | ebay.com | |
| 14. | Panasonic LX10 | 106 mm | 60 mm | 42 mm | 310 g | 260 | n | Sep 2016 | US$ 699 | amazon.com | |
| 15. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| 16. | Panasonic ZS100 | 111 mm | 65 mm | 44 mm | 312 g | 300 | n | Jan 2016 | US$ 699 | ebay.com | |
| 17. | Sony A9 III | 136 mm | 97 mm | 83 mm | 702 g | 530 | Y | Nov 2023 | US$ 5 999 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The ZS200 was launched at a lower price than the R1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon R1 features a full frame sensor and the Panasonic ZS200 an one-inch sensor. The sensor area in the ZS200 is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the R1 offers a higher resolution than the ZS200 (20MP), but the R1 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 2.41μm for the ZS200) due to its larger sensor. Moreover, the R1 is a much more recent model (by 6 years and 5 months) than the ZS200, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon R1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic ZS200 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The R1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R1 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-409600. The corresponding ISO settings for the Panasonic Lumix DC-ZS200 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the R1 is build around a Stacked BSI-CMOS sensor, while the ZS200 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.4 | 14.8 | 3332 | 97 | |
| 2. | Panasonic ZS200 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.0 | 12.2 | 449 | 64 | |
| 3. | Canon G5 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 583 | 65 | |
| 4. | Canon R3 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.0 | 14.7 | 4086 | 96 | |
| 5. | Canon R5 Mark II | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.8 | 3332 | 97 | |
| 6. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
| 7. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
| 8. | Canon R8 | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 24.5 | 14.7 | 3295 | 93 | |
| 9. | Leica SL3-S | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.8 | 3383 | 97 | |
| 10. | Nikon Z9 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.4 | 2451 | 98 | |
| 11. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
| 12. | Panasonic FZ1000 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.4 | 546 | 65 | |
| 13. | Panasonic GX9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.1 | 12.8 | 1163 | 74 | |
| 14. | Panasonic LX10 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.5 | 581 | 70 | |
| 15. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| 16. | Panasonic ZS100 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.5 | 559 | 70 | |
| 17. | Sony A9 III | Full Frame | 24.0 | 6000 | 4000 | 4K/120p | 25.4 | 14.7 | 3243 | 96 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the R1 provides a higher video resolution than the ZS200. It can shoot video footage at 6K/60p, while the Panasonic is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R1 offers a substantially higher resolution than the one in the ZS200 (9440k vs 2330k dots). The following table reports on some other key feature differences and similarities of the Canon R1, the Panasonic ZS200, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | 9440 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 2. | Panasonic ZS200 | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
| 3. | Canon G5 X Mark II | 2360 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 30/s | Y | Y | |
| 4. | Canon R3 | 5760 | Y | 3.2 / 4150 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 5. | Canon R5 Mark II | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 6. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 7. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 8. | Canon R8 | 2360 | n | 3.0 / 1620 | swivel | Y | 1/4000s | 6.0/s | n | n | |
| 9. | Leica SL3-S | 5760 | Y | 3.2 / 2333 | tilting | Y | 1/8000s | 30.0/s | n | Y | |
| 10. | Nikon Z9 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
| 11. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
| 12. | Panasonic FZ1000 II | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
| 13. | Panasonic GX9 | 2760 | n | 3.0 / 1240 | tilting | Y | 1/4000s | 9.0/s | Y | Y | |
| 14. | Panasonic LX10 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 10.0/s | Y | Y | |
| 15. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| 16. | Panasonic ZS100 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
| 17. | Sony A9 III | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/80000s | 120.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the R1, but is missing on the ZS200 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The R1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the ZS200 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R1 and the Panasonic ZS200 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R1 writes its imaging data to CFexpress (type B) or SDXC cards, while the ZS200 uses SDXC cards. The R1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the ZS200 only has one slot. The R1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the ZS200 can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R1 and Panasonic Lumix DC-ZS200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | Panasonic ZS200 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
| 3. | Canon G5 X Mark II | - | stereo / mono | - | - | micro | 3.1 | Y | - | Y | |
| 4. | Canon R3 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 5. | Canon R5 Mark II | Y | mono / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 6. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 7. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 8. | Canon R8 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 9. | Leica SL3-S | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 10. | Nikon Z9 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 11. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 12. | Panasonic FZ1000 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
| 13. | Panasonic GX9 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
| 14. | Panasonic LX10 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 15. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 16. | Panasonic ZS100 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 17. | Sony A9 III | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
It is notable that the R1 has a hotshoe, while the ZS200 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon R1 (unlike the ZS200) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the R1 and the ZS200 are recent models that are part of the current product line-up. The ZS200 replaced the earlier Panasonic ZS100, while the R1 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Canon R1 or the Panasonic ZS200 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Canon EOS R1:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (6K/60p vs 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 2330k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.53x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1240k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1330 versus 370) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 6 years and 5 months of technical progress since the ZS200 launch.

Reasons to prefer the Panasonic Lumix DC-ZS200:
- Ready to shoot: Has an integrated lens, whereas the R1 necessitates an extra lens.
- More compact: Is smaller (111x65mm vs 158x150mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the R1).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in February 2018).
If the count of relative strengths (bullet points above) is taken as a measure, the R1 is the clear winner of the match-up (29 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R1 and the Panasonic ZS200 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the R1 or the ZS200 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R1 | .. | .. | .. | .. | .. | .. | Jul 2024 | US$ 6 299 | amazon.com | |
| 2. | Panasonic ZS200 | .. | + + | 4.5/5 | 81/100 | 4.5/5 | 4.5/5 | Feb 2018 | US$ 799 | amazon.com | |
| 3. | Canon G5 X Mark II | 4/5 | + | 4/5 | 82/100 | .. | 4/5 | Jul 2019 | US$ 899 | ebay.com | |
| 4. | Canon R3 | 5/5 | o | 4.5/5 | .. | 5/5 | 4.5/5 | Sep 2021 | US$ 5 999 | amazon.com | |
| 5. | Canon R5 Mark II | .. | .. | .. | 93/100 | .. | .. | Jul 2024 | US$ 4 299 | amazon.com | |
| 6. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | US$ 2 499 | amazon.com | |
| 7. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | US$ 2 499 | amazon.com | |
| 8. | Canon R8 | 4.5/5 | + + | 4.5/5 | 87/100 | 4/5 | 4.5/5 | Feb 2023 | US$ 1 499 | amazon.com | |
| 9. | Leica SL3-S | .. | .. | .. | .. | .. | .. | Jan 2025 | US$ 5 299 | amazon.com | |
| 10. | Nikon Z9 | 5/5 | .. | 4.5/5 | 94/100 | 5/5 | 5/5 | Oct 2021 | US$ 5 499 | amazon.com | |
| 11. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | US$ 1 999 | amazon.com | |
| 12. | Panasonic FZ1000 II | .. | .. | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2019 | US$ 899 | amazon.com | |
| 13. | Panasonic GX9 | 4/5 | + | 4/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2018 | US$ 849 | ebay.com | |
| 14. | Panasonic LX10 | .. | + + | 4/5 | 81/100 | 4/5 | 4.5/5 | Sep 2016 | US$ 699 | amazon.com | |
| 15. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| 16. | Panasonic ZS100 | 4.5/5 | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Jan 2016 | US$ 699 | ebay.com | |
| 17. | Sony A9 III | 4.5/5 | .. | .. | 91/100 | .. | .. | Nov 2023 | US$ 5 999 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check R1 price at
amazon.com

Check ZS200 price at
amazon.com
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 90D vs Canon R1
- Canon G1 X Mark III vs Panasonic ZS200
- Canon R1 vs Fujifilm X-E3
- Canon R1 vs Fujifilm X-M5
- Canon R1 vs Fujifilm X30
- Canon R1 vs Leica Q Typ 116
- Canon R1 vs Sony A6300
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Specifications: Canon R1 vs Panasonic ZS200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon R1 | Panasonic ZS200 |
|---|---|---|
| Camera Type | Mirrorless system camera | Fixed lens compact camera |
| Camera Lens | Canon RF mount lenses | 24-360mm f/3.3-6.4 |
| Launch Date | July 2024 | February 2018 |
| Launch Price | USD 6,299 | USD 799 |
| Sensor Specs | Canon R1 | Panasonic ZS200 |
| Sensor Technology | Stacked BSI-CMOS | CMOS |
| Sensor Format | Full Frame Sensor | 1" Sensor |
| Sensor Size | 36.0 x 24.0 mm | 13.2 x 8.8 mm |
| Sensor Area | 864 mm2 | 116.16 mm2 |
| Sensor Diagonal | 43.3 mm | 15.9 mm |
| Crop Factor | 1.0x | 2.7x |
| Sensor Resolution | 24 Megapixels | 20 Megapixels |
| Image Resolution | 6000 x 4000 pixels | 5472 x 3648 pixels |
| Pixel Pitch | 6.00 μm | 2.41 μm |
| Pixel Density | 2.78 MP/cm2 | 17.18 MP/cm2 |
| Moiré control | Anti-Alias filter | Anti-Alias filter |
| Movie Capability | 6K/60p Video | 4K/30p Video |
| ISO Setting | 100 - 102,400 ISO | 125 - 12,800 ISO |
| ISO Boost | 50 - 409,600 ISO | 80 - 25,600 ISO |
| Image Processor | DIGIC X | Venus |
| Screen Specs | Canon R1 | Panasonic ZS200 |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.9x | 0.53x |
| Viewfinder Resolution | 9440k dots | 2330k dots |
| Top-Level Screen | Control Panel | no Top Display |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.0inch |
| LCD Resolution | 2100k dots | 1240k dots |
| LCD Attachment | Swivel screen | Fixed screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Canon R1 | Panasonic ZS200 |
| Focus System | On-Sensor Phase-detect | Contrast-detect AF |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/2000s |
| Continuous Shooting | 12 shutter flaps/s | 10 shutter flaps/s |
| Electronic Shutter | up to 1/64000s | up to 1/16000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | In-body stabilization |
| Fill Flash | no On-Board Flash | Built-in Flash |
| Storage Medium | CFexB or SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Single card slot |
| UHS card support | UHS-II | UHS-I |
| Connectivity Specs | Canon R1 | Panasonic ZS200 |
| External Flash | Hotshoe | no Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 2.0 |
| HDMI Port | full HDMI | micro HDMI |
| Microphone Port | External MIC port | no MIC socket |
| Headphone Socket | Headphone port | no Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Body Specs | Canon R1 | Panasonic ZS200 |
| Environmental Sealing | Weathersealed body | not weather sealed |
| Battery Type | Canon LP-E19 | Panasonic DMW-BLG10 |
| Battery Life (CIPA) | 1330 shots per charge | 370 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
158 x 150 x 87 mm (6.2 x 5.9 x 3.4 in) |
111 x 65 x 45 mm (4.4 x 2.6 x 1.8 in) |
| Camera Weight | 1115 g (39.3 oz) | 340 g (12.0 oz) |

Check R1 price at
amazon.com

Check ZS200 price at
amazon.com
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