Canon R5 Mark II vs Sigma fp L
The Canon EOS R5 Mark II and the Sigma fp L are two digital cameras that were revealed to the public, respectively, in July 2024 and March 2021. Both the R5 Mark II and the fp L are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Canon has a resolution of 44.8 megapixels, whereas the Sigma provides 60.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check R5 Mark II price at
amazon.com

Check fp L price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 Mark II and the Sigma fp L? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon R5 Mark II and the Sigma fp L is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sigma fp L is considerably smaller (42 percent) than the Canon R5 Mark II. Moreover, the fp L is substantially lighter (43 percent) than the R5 Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 138 mm | 98 mm | 88 mm | 746 g | 340 | Y | Jul 2024 | US$ 4 299 | amazon.com | |
| 2. | Sigma fp L | 113 mm | 70 mm | 45 mm | 427 g | 240 | Y | Mar 2021 | US$ 2 499 | amazon.com | |
| 3. | Canon R1 | 158 mm | 150 mm | 87 mm | 1115 g | 1330 | Y | Jul 2024 | US$ 6 299 | amazon.com | |
| 4. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | US$ 3 899 | amazon.com | |
| 5. | Canon R5 C | 142 mm | 101 mm | 111 mm | 770 g | 320 | Y | Jan 2022 | US$ 4 499 | amazon.com | |
| 6. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | US$ 2 499 | amazon.com | |
| 7. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | US$ 2 499 | amazon.com | |
| 8. | Leica M11 | 139 mm | 80 mm | 39 mm | 640 g | 700 | Y | Jan 2022 | US$ 8 999 | amazon.com | |
| 9. | Nikon D780 | 144 mm | 116 mm | 76 mm | 840 g | 2260 | Y | Jan 2020 | US$ 2 299 | amazon.com | |
| 10. | Nikon Z8 | 144 mm | 119 mm | 83 mm | 910 g | 340 | Y | May 2023 | US$ 3 999 | amazon.com | |
| 11. | Panasonic S1R II | 134 mm | 102 mm | 92 mm | 795 g | 350 | Y | May 2025 | US$ 3 299 | amazon.com | |
| 12. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| 13. | Sigma fp | 113 mm | 70 mm | 45 mm | 422 g | 280 | Y | Jul 2019 | US$ 1 899 | amazon.com | |
| 14. | Sony A1 II | 136 mm | 97 mm | 83 mm | 743 g | 520 | Y | Nov 2024 | US$ 6 499 | amazon.com | |
| 15. | Sony A7R | 127 mm | 94 mm | 48 mm | 465 g | 340 | Y | Oct 2013 | US$ 2 299 | ebay.com | |
| 16. | Sony A7R V | 131 mm | 97 mm | 82 mm | 723 g | 530 | Y | Oct 2022 | US$ 3 899 | amazon.com | |
| 17. | Sony A7S | 127 mm | 94 mm | 48 mm | 489 g | 380 | Y | Apr 2014 | US$ 2 499 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The fp L was launched at a markedly lower price (by 42 percent) than the R5 Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

While the two cameras under review share the same sensor size, the fp L offers a higher resolution of 60.2 megapixels, compared with 44.8 MP of the R5 Mark II. This megapixels advantage translates into a 16 percent gain in linear resolution. On the other hand, these sensor specs imply that the fp L has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.79μm versus 4.39μm for the R5 Mark II). Moreover, it should be noted, that the R5 Mark II is much more recent (by 3 years and 3 months) than the fp L, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels.
The resolution advantage of the Sigma fp L implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the fp L for good quality output (200 dots per inch) amounts to 47.6 x 31.6 inches or 120.9 x 80.4 cm, for very good quality (250 dpi) 38.1 x 25.3 inches or 96.7 x 64.3 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inches or 80.6 x 53.6 cm. The corresponding values for the Canon R5 Mark II are 41 x 27.3 inches or 104 x 69.4 cm for good quality, 32.8 x 21.9 inches or 83.2 x 55.5 cm for very good quality, and 27.3 x 18.2 inches or 69.4 x 46.3 cm for excellent quality prints.
The R5 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R5 Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sigma fp L are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 6-102400.
In terms of underlying technology, the R5 Mark II is build around a CMOS sensor, while the fp L uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.8 | 3332 | 97 | |
| 2. | Sigma fp L | Full Frame | 60.2 | 9520 | 6328 | 4K/30p | 25.3 | 14.4 | 3001 | 96 | |
| 3. | Canon R1 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.4 | 14.8 | 3332 | 97 | |
| 4. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
| 5. | Canon R5 C | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.5 | 3082 | 96 | |
| 6. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
| 7. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
| 8. | Leica M11 | Full Frame | 60.3 | 9528 | 6328 | none | 26.3 | 14.8 | 3376 | 100 | |
| 9. | Nikon D780 | Full Frame | 24.3 | 6048 | 4024 | 4K/30p | 25.3 | 14.3 | 2877 | 95 | |
| 10. | Nikon Z8 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.2 | 2548 | 98 | |
| 11. | Panasonic S1R II | Full Frame | 44.2 | 8144 | 5424 | 8K/30p | 25.4 | 14.8 | 3406 | 97 | |
| 12. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| 13. | Sigma fp | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.2 | 14.2 | 2829 | 94 | |
| 14. | Sony A1 II | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.4 | 14.8 | 3363 | 97 | |
| 15. | Sony A7R | Full Frame | 36.2 | 7360 | 4912 | 1080/60p | 25.6 | 14.1 | 2746 | 95 | |
| 16. | Sony A7R V | Full Frame | 60.2 | 9504 | 6336 | 8k/24p | 26.5 | 14.8 | 3187 | 100 | |
| 17. | Sony A7S | Full Frame | 12.0 | 4240 | 2832 | 1080/60p | 23.9 | 13.2 | 3702 | 87 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R5 Mark II provides a higher video resolution than the fp L. It can shoot video footage at 8k/60p, while the Sigma is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the R5 Mark II has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the fp L relies on live view and the rear LCD for framing. That said, the fp L can be equipped with an optional viewfinder – the EVF-11. The table below summarizes some of the other core capabilities of the Canon R5 Mark II and Sigma fp L in connection with corresponding information for a sample of similar cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 2. | Sigma fp L | optional | n | 3.2 / 2100 | fixed | Y | 1/8000s | 10.0/s | n | n | |
| 3. | Canon R1 | 9440 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 4. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 5. | Canon R5 C | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | n | |
| 6. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 7. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 8. | Leica M11 | optical | n | 3.0 / 2333 | fixed | Y | 1/4000s | 4.5/s | n | n | |
| 9. | Nikon D780 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 12.0/s | n | n | |
| 10. | Nikon Z8 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
| 11. | Panasonic S1R II | 5760 | n | 3.2 / 1840 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
| 12. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| 13. | Sigma fp | optional | n | 3.2 / 2100 | fixed | Y | 1/8000s | 12.0/s | n | n | |
| 14. | Sony A1 II | 9437 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 30.0/s | n | Y | |
| 15. | Sony A7R | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 4.0/s | n | n | |
| 16. | Sony A7R V | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 10.0/s | n | Y | |
| 17. | Sony A7S | 2400 | n | 3.0 / 921 | tilting | n | 1/8000s | 5.0/s | n | n | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the R5 Mark II, but is missing on the fp L is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The R5 Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the fp L does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 Mark II and the Sigma fp L both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R5 Mark II writes its imaging data to CFexpress (type B) or SDXC cards, while the fp L uses SDXC cards. The R5 Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the fp L only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 Mark II and Sigma fp L and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Y | mono / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | Sigma fp L | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
| 3. | Canon R1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 4. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 5. | Canon R5 C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 6. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 7. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 8. | Leica M11 | Y | - / - | - | - | - | 3.2 | Y | - | Y | |
| 9. | Nikon D780 | Y | stereo / mono | Y | Y | mini | 3.1 | Y | - | Y | |
| 10. | Nikon Z8 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 11. | Panasonic S1R II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 12. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 13. | Sigma fp | Y | stereo / mono | Y | - | micro | 3.1 | - | - | - | |
| 14. | Sony A1 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 15. | Sony A7R | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
| 16. | Sony A7R V | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 17. | Sony A7S | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
Studio photographers will appreciate that the Canon R5 Mark II (unlike the fp L) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the R5 Mark II and the fp L are recent models that are part of the current product line-up. The R5 Mark II replaced the earlier Canon R5, while the fp L does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sigma websites.
Review summary
So how do things add up? Is there a clear favorite between the Canon R5 Mark II and the Sigma fp L? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Canon EOS R5 Mark II:
- Better video: Provides higher definition movie capture (8k/60p vs 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (340 versus 240) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 3 years and 3 months of technical progress since the fp L launch.

Advantages of the Sigma fp L:
- More detail: Has more megapixels (60.2 vs 44.8MP), which boosts linear resolution by 16%.
- More compact: Is smaller (113x70mm vs 138x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 319g or 43 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in March 2021).
If the count of individual advantages (bullet points above) is taken as a guide, the R5 Mark II is the clear winner of the match-up (14 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R5 Mark II and the Sigma fp L place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R5 Mark II or the fp L. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | .. | .. | .. | 93/100 | .. | .. | Jul 2024 | US$ 4 299 | amazon.com | |
| 2. | Sigma fp L | 4/5 | .. | 4/5 | .. | 4/5 | 4/5 | Mar 2021 | US$ 2 499 | amazon.com | |
| 3. | Canon R1 | .. | .. | .. | .. | .. | .. | Jul 2024 | US$ 6 299 | amazon.com | |
| 4. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | US$ 3 899 | amazon.com | |
| 5. | Canon R5 C | .. | + + | .. | .. | .. | .. | Jan 2022 | US$ 4 499 | amazon.com | |
| 6. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | US$ 2 499 | amazon.com | |
| 7. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | US$ 2 499 | amazon.com | |
| 8. | Leica M11 | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Jan 2022 | US$ 8 999 | amazon.com | |
| 9. | Nikon D780 | 5/5 | .. | 5/5 | 87/100 | 4.5/5 | 4.5/5 | Jan 2020 | US$ 2 299 | amazon.com | |
| 10. | Nikon Z8 | 5/5 | .. | 5/5 | 94/100 | 5/5 | 4.5/5 | May 2023 | US$ 3 999 | amazon.com | |
| 11. | Panasonic S1R II | .. | .. | .. | .. | .. | .. | May 2025 | US$ 3 299 | amazon.com | |
| 12. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| 13. | Sigma fp | 4/5 | .. | 4/5 | .. | 4/5 | 4.5/5 | Jul 2019 | US$ 1 899 | amazon.com | |
| 14. | Sony A1 II | .. | .. | .. | .. | .. | .. | Nov 2024 | US$ 6 499 | amazon.com | |
| 15. | Sony A7R | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | Oct 2013 | US$ 2 299 | ebay.com | |
| 16. | Sony A7R V | 5/5 | + + | 4.5/5 | 92/100 | .. | .. | Oct 2022 | US$ 3 899 | amazon.com | |
| 17. | Sony A7S | 4/5 | .. | .. | 86/100 | 4.5/5 | 5/5 | Apr 2014 | US$ 2 499 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check R5 Mark II price at
amazon.com

Check fp L price at
amazon.com
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 50D vs Canon R5 Mark II
- Canon R5 Mark II vs Canon T3i
- Canon R5 Mark II vs Fujifilm X-T5
- Canon R5 Mark II vs Nikon D750
- Canon R5 Mark II vs Pentax K-1 II
- Canon R5 Mark II vs Sony RX100 VII
- Nikon 1 J4 vs Sigma fp L
- Olympus E-M5 II vs Sigma fp L
- Panasonic GH4 vs Sigma fp L
- Panasonic TZ200 vs Sigma fp L
- Sigma fp L vs Sony A7C
- Sigma fp L vs Sony A7C R
Specifications: Canon R5 Mark II vs Sigma fp L
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon R5 Mark II | Sigma fp L |
|---|---|---|
| Camera Type | Mirrorless system camera | Mirrorless system camera |
| Camera Lens | Canon RF mount lenses | Leica L mount lenses |
| Launch Date | July 2024 | March 2021 |
| Launch Price | USD 4,299 | USD 2,499 |
| Sensor Specs | Canon R5 Mark II | Sigma fp L |
| Sensor Technology | CMOS | BSI-CMOS |
| Sensor Format | Full Frame Sensor | Full Frame Sensor |
| Sensor Size | 36.0 x 24.0 mm | 36.0 x 24.0 mm |
| Sensor Area | 864 mm2 | 864 mm2 |
| Sensor Diagonal | 43.3 mm | 43.3 mm |
| Crop Factor | 1.0x | 1.0x |
| Sensor Resolution | 44.8 Megapixels | 60.2 Megapixels |
| Image Resolution | 8192 x 5464 pixels | 9520 x 6328 pixels |
| Pixel Pitch | 4.39 μm | 3.79 μm |
| Pixel Density | 5.18 MP/cm2 | 6.97 MP/cm2 |
| Moiré control | Anti-Alias filter | Anti-Alias filter |
| Movie Capability | 8k/60p Video | 4K/30p Video |
| ISO Setting | 100 - 51,200 ISO | 100 - 25,600 ISO |
| ISO Boost | 50 - 102,400 ISO | 6 - 102,400 ISO |
| Screen Specs | Canon R5 Mark II | Sigma fp L |
| Viewfinder Type | Electronic viewfinder | Viewfinder optional |
| Viewfinder Field of View | 100% | |
| Viewfinder Magnification | 0.76x | |
| Viewfinder Resolution | 5760k dots | |
| Top-Level Screen | Control Panel | no Top Display |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.2inch |
| LCD Resolution | 2100k dots | 2100k dots |
| LCD Attachment | Swivel screen | Fixed screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Canon R5 Mark II | Sigma fp L |
| Focus System | On-Sensor Phase-detect | Contrast-detect AF |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
| Continuous Shooting | 12 shutter flaps/s | 10 shutter flaps/s |
| Electronic Shutter | up to 1/32000s | up to 1/8000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | Lens stabilization only |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | CFexB or SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Single card slot |
| UHS card support | Dual UHS-II | UHS-II |
| Connectivity Specs | Canon R5 Mark II | Sigma fp L |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 3.2 |
| HDMI Port | full HDMI | micro HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | Headphone port | Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | no Bluetooth |
| Body Specs | Canon R5 Mark II | Sigma fp L |
| Environmental Sealing | Weathersealed body | Weathersealed body |
| Battery Type | Canon LP-E6P | Sigma BP-51 |
| Battery Life (CIPA) | 340 shots per charge | 240 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
113 x 70 x 45 mm (4.4 x 2.8 x 1.8 in) |
| Camera Weight | 746 g (26.3 oz) | 427 g (15.1 oz) |

Check R5 Mark II price at
amazon.com

Check fp L price at
amazon.com
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