Canon R5 Mark II vs YI M1
The Canon EOS R5 Mark II and the YI M1 are two digital cameras that were announced, respectively, in July 2024 and September 2016. Both the R5 Mark II and the M1 are mirrorless interchangeable lens cameras that are based on a full frame (R5 Mark II) and a Four Thirds (M1) sensor. The Canon has a resolution of 44.8 megapixels, whereas the YI provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check R5 Mark II price at
amazon.com

Check M1 offers at
ebay.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 Mark II and the YI M1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon R5 Mark II and the YI M1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The M1 can be obtained in two different colors (black, silver), while the R5 Mark II is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the YI M1 is considerably smaller (46 percent) than the Canon R5 Mark II. Moreover, the M1 is substantially lighter (62 percent) than the R5 Mark II. It is worth mentioning in this context that the R5 Mark II is splash and dust resistant, while the M1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 138 mm | 98 mm | 88 mm | 746 g | 340 | Y | Jul 2024 | US$ 4 299 | amazon.com | |
| 2. | YI M1 | 114 mm | 64 mm | 34 mm | 281 g | 450 | n | Sep 2016 | US$ 349 | ebay.com | |
| 3. | Canon R1 | 158 mm | 150 mm | 87 mm | 1115 g | 1330 | Y | Jul 2024 | US$ 6 299 | amazon.com | |
| 4. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | US$ 3 899 | amazon.com | |
| 5. | Canon R5 C | 142 mm | 101 mm | 111 mm | 770 g | 320 | Y | Jan 2022 | US$ 4 499 | amazon.com | |
| 6. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | US$ 2 499 | amazon.com | |
| 7. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | US$ 2 499 | amazon.com | |
| 8. | Canon SX730 | 110 mm | 64 mm | 40 mm | 300 g | 250 | n | Apr 2017 | US$ 399 | ebay.com | |
| 9. | Fujifilm X-A3 | 117 mm | 67 mm | 40 mm | 339 g | 410 | n | Aug 2016 | US$ 399 | ebay.com | |
| 10. | Nikon 1 J5 | 98 mm | 60 mm | 32 mm | 231 g | 250 | n | Apr 2015 | US$ 399 | ebay.com | |
| 11. | Nikon Z8 | 144 mm | 119 mm | 83 mm | 910 g | 340 | Y | May 2023 | US$ 3 999 | amazon.com | |
| 12. | Panasonic GF7 | 107 mm | 65 mm | 33 mm | 266 g | 230 | n | Jan 2015 | US$ 499 | ebay.com | |
| 13. | Panasonic GX850 | 107 mm | 65 mm | 33 mm | 269 g | 210 | n | Jan 2017 | US$ 549 | ebay.com | |
| 14. | Panasonic S1R II | 134 mm | 102 mm | 92 mm | 795 g | 350 | Y | May 2025 | US$ 3 299 | amazon.com | |
| 15. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| 16. | Sony A1 II | 136 mm | 97 mm | 83 mm | 743 g | 520 | Y | Nov 2024 | US$ 6 499 | amazon.com | |
| 17. | Sony A7R V | 131 mm | 97 mm | 82 mm | 723 g | 530 | Y | Oct 2022 | US$ 3 899 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M1 was launched at a markedly lower price (by 92 percent) than the R5 Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon R5 Mark II features a full frame sensor and the YI M1 a Four Thirds sensor. The sensor area in the M1 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the R5 Mark II has a native 3:2 aspect ratio, while the one in the M1 offers a 4:3 aspect.

With 44.8MP, the R5 Mark II offers a higher resolution than the M1 (20.2MP), but the R5 Mark II nevertheless has larger individual pixels (pixel pitch of 4.39μm versus 3.34μm for the M1) due to its larger sensor. Moreover, the R5 Mark II is a much more recent model (by 7 years and 9 months) than the M1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon R5 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 Mark II for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the YI M1 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The R5 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R5 Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the YI M1 are ISO 100 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.8 | 3332 | 97 | |
| 2. | YI M1 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.0 | 12.6 | 1030 | 73 | |
| 3. | Canon R1 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.4 | 14.8 | 3332 | 97 | |
| 4. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
| 5. | Canon R5 C | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.5 | 3082 | 96 | |
| 6. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
| 7. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
| 8. | Canon SX730 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.5 | 11.9 | 924 | 50 | |
| 9. | Fujifilm X-A3 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 13.1 | 1663 | 81 | |
| 10. | Nikon 1 J5 | 1-inch | 20.7 | 5568 | 3712 | 4K/15p | 21.1 | 12.0 | 479 | 65 | |
| 11. | Nikon Z8 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.2 | 2548 | 98 | |
| 12. | Panasonic GF7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.7 | 12.3 | 874 | 70 | |
| 13. | Panasonic GX850 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 23.2 | 13.3 | 586 | 73 | |
| 14. | Panasonic S1R II | Full Frame | 44.2 | 8144 | 5424 | 8K/30p | 25.4 | 14.8 | 3406 | 97 | |
| 15. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| 16. | Sony A1 II | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.4 | 14.8 | 3363 | 97 | |
| 17. | Sony A7R V | Full Frame | 60.2 | 9504 | 6336 | 8k/24p | 26.5 | 14.8 | 3187 | 100 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the R5 Mark II provides a higher video resolution than the M1. It can shoot video footage at 8k/60p, while the YI is limited to 4K/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the R5 Mark II has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon R5 Mark II and YI M1 along with similar information for a selection of comparators.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 2. | YI M1 | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 5.0/s | n | n | |
| 3. | Canon R1 | 9440 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 4. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 5. | Canon R5 C | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | n | |
| 6. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 7. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 8. | Canon SX730 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 5.9/s | Y | Y | |
| 9. | Fujifilm X-A3 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
| 10. | Nikon 1 J5 | none | n | 3.0 / 1037 | tilting | Y | 1/4000s | 60.0/s | Y | n | |
| 11. | Nikon Z8 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
| 12. | Panasonic GF7 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 5.8/s | Y | n | |
| 13. | Panasonic GX850 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 10.0/s | Y | n | |
| 14. | Panasonic S1R II | 5760 | n | 3.2 / 1840 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
| 15. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| 16. | Sony A1 II | 9437 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 30.0/s | n | Y | |
| 17. | Sony A7R V | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 10.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the R5 Mark II, but is missing on the M1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The R5 Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the M1 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R5 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 Mark II and the YI M1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R5 Mark II writes its imaging data to CFexpress (type B) or SDXC cards, while the M1 uses SDXC cards. The R5 Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the M1 only has one slot. The R5 Mark II supports UHS-II cards (on both slots), while the M1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 Mark II and YI M1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Y | mono / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | YI M1 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
| 3. | Canon R1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 4. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 5. | Canon R5 C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 6. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 7. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 8. | Canon SX730 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
| 9. | Fujifilm X-A3 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 10. | Nikon 1 J5 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 11. | Nikon Z8 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 12. | Panasonic GF7 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 13. | Panasonic GX850 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 14. | Panasonic S1R II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 15. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 16. | Sony A1 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 17. | Sony A7R V | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
It is notable that the R5 Mark II has a microphone port, which is missing on the M1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon R5 Mark II (unlike the M1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The R5 Mark II is a recent model that features in the current product line-up of Canon. In contrast, the M1 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the M1 from YI. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and YI websites.
Review summary
So how do things add up? Is there a clear favorite between the Canon R5 Mark II and the YI M1? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Canon EOS R5 Mark II:
- More detail: Offers more megapixels (44.8 vs 20.2MP) with a 52% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (8k/60p vs 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 7 years and 9 months of technical progress since the M1 launch.

Arguments in favor of the YI M1:
- More compact: Is smaller (114x64mm vs 138x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 465g or 62 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (450 versus 340) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the R5 Mark II is the clear winner of the match-up (26 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R5 Mark II and the YI M1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the R5 Mark II and the M1 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | .. | .. | .. | 93/100 | .. | .. | Jul 2024 | US$ 4 299 | amazon.com | |
| 2. | YI M1 | .. | .. | .. | 69/100 | .. | .. | Sep 2016 | US$ 349 | ebay.com | |
| 3. | Canon R1 | .. | .. | .. | .. | .. | .. | Jul 2024 | US$ 6 299 | amazon.com | |
| 4. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | US$ 3 899 | amazon.com | |
| 5. | Canon R5 C | .. | + + | .. | .. | .. | .. | Jan 2022 | US$ 4 499 | amazon.com | |
| 6. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | US$ 2 499 | amazon.com | |
| 7. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | US$ 2 499 | amazon.com | |
| 8. | Canon SX730 | .. | + | .. | .. | 4/5 | 4/5 | Apr 2017 | US$ 399 | ebay.com | |
| 9. | Fujifilm X-A3 | .. | .. | .. | 74/100 | 4.5/5 | 4/5 | Aug 2016 | US$ 399 | ebay.com | |
| 10. | Nikon 1 J5 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2015 | US$ 399 | ebay.com | |
| 11. | Nikon Z8 | 5/5 | .. | 5/5 | 94/100 | 5/5 | 4.5/5 | May 2023 | US$ 3 999 | amazon.com | |
| 12. | Panasonic GF7 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2015 | US$ 499 | ebay.com | |
| 13. | Panasonic GX850 | .. | + | .. | 76/100 | 4.5/5 | 4.5/5 | Jan 2017 | US$ 549 | ebay.com | |
| 14. | Panasonic S1R II | .. | .. | .. | .. | .. | .. | May 2025 | US$ 3 299 | amazon.com | |
| 15. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| 16. | Sony A1 II | .. | .. | .. | .. | .. | .. | Nov 2024 | US$ 6 499 | amazon.com | |
| 17. | Sony A7R V | 5/5 | + + | 4.5/5 | 92/100 | .. | .. | Oct 2022 | US$ 3 899 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check R5 Mark II price at
amazon.com

Check M1 offers at
ebay.com
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark II vs Canon R5 Mark II
- Canon R5 Mark II vs Leica TL2
- Canon R5 Mark II vs Nikon P1100
- Canon R5 Mark II vs Panasonic S1R II
- Canon R5 Mark II vs Sony A7R IVA
- Canon R5 Mark II vs Sony ZV-1
- Canon SX50 vs YI M1
- Kodak S-1 vs YI M1
- Leica X Typ 113 vs YI M1
- Nikon Df vs YI M1
- Olympus E-3 vs YI M1
- Olympus E-M5 II vs YI M1
Specifications: Canon R5 Mark II vs YI M1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon R5 Mark II | YI M1 |
|---|---|---|
| Camera Type | Mirrorless system camera | Mirrorless system camera |
| Camera Lens | Canon RF mount lenses | Micro Four Thirds lenses |
| Launch Date | July 2024 | September 2016 |
| Launch Price | USD 4,299 | USD 349 |
| Sensor Specs | Canon R5 Mark II | YI M1 |
| Sensor Technology | CMOS | CMOS |
| Sensor Format | Full Frame Sensor | Four Thirds Sensor |
| Sensor Size | 36.0 x 24.0 mm | 17.3 x 13.0 mm |
| Sensor Area | 864 mm2 | 224.9 mm2 |
| Sensor Diagonal | 43.3 mm | 21.6 mm |
| Crop Factor | 1.0x | 2.0x |
| Sensor Resolution | 44.8 Megapixels | 20.2 Megapixels |
| Image Resolution | 8192 x 5464 pixels | 5184 x 3888 pixels |
| Pixel Pitch | 4.39 μm | 3.34 μm |
| Pixel Density | 5.18 MP/cm2 | 8.96 MP/cm2 |
| Moiré control | Anti-Alias filter | Anti-Alias filter |
| Movie Capability | 8k/60p Video | 4K/30p Video |
| ISO Setting | 100 - 51,200 ISO | 100 - 25,600 ISO |
| ISO Boost | 50 - 102,400 ISO | no Enhancement |
| Screen Specs | Canon R5 Mark II | YI M1 |
| Viewfinder Type | Electronic viewfinder | no viewfinder |
| Viewfinder Field of View | 100% | |
| Viewfinder Magnification | 0.76x | |
| Viewfinder Resolution | 5760k dots | |
| Top-Level Screen | Control Panel | no Top Display |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.0inch |
| LCD Resolution | 2100k dots | 1040k dots |
| LCD Attachment | Swivel screen | Fixed screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Canon R5 Mark II | YI M1 |
| Focus System | On-Sensor Phase-detect | Contrast-detect AF |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/4000s |
| Continuous Shooting | 12 shutter flaps/s | 5 shutter flaps/s |
| Electronic Shutter | up to 1/32000s | no E-Shutter |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | Lens stabilization only |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | CFexB or SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Single card slot |
| UHS card support | Dual UHS-II | no |
| Connectivity Specs | Canon R5 Mark II | YI M1 |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 2.0 |
| HDMI Port | full HDMI | micro HDMI |
| Microphone Port | External MIC port | no MIC socket |
| Headphone Socket | Headphone port | no Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Body Specs | Canon R5 Mark II | YI M1 |
| Environmental Sealing | Weathersealed body | not weather sealed |
| Battery Type | Canon LP-E6P | YI BXM-10 |
| Battery Life (CIPA) | 340 shots per charge | 450 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
114 x 64 x 34 mm (4.5 x 2.5 x 1.3 in) |
| Camera Weight | 746 g (26.3 oz) | 281 g (9.9 oz) |

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