Canon SL1 vs Panasonic FZ1000

The Canon EOS Rebel SL1 (called Canon 100D in some regions) and the Panasonic Lumix DMC-FZ1000 are two digital cameras that were officially introduced, respectively, in March 2013 and June 2014. The SL1 is a DSLR, while the FZ1000 is a fixed lens compact. The cameras are based on an APS-C (SL1) and an one-inch (FZ1000) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon SL1		Panasonic FZ1000
Digital single lens reflex		Fixed lens compact camera
Canon EF mount lenses		25-400mm f/2.8-4.0
17.9 MP – APS-C sensor		20 MP – 1" sensor
1080/30p Video		4K/30p Video
ISO 100-12,800 (100 - 25,600)		ISO 125-12,800 (80 - 25,600)
Optical viewfinder		Electronic viewfinder (2359k dots)
3.0" LCD – 1040k dots		3.0" LCD – 921k dots
Fixed touchscreen		Swivel screen (not touch-sensitive)
4.9 shutter flaps per second		12 shutter flaps per second
380 shots per battery charge		360 shots per battery charge
117 x 91 x 69 mm, 407 g		137 x 99 x 131 mm, 831 g

Check SL1 offers at
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Check FZ1000 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL1 and the Panasonic Lumix DMC-FZ1000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon SL1 and the Panasonic FZ1000 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The SL1 can be obtained in two different colors (black, white), while the FZ1000 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ1000 is notably larger (27 percent) than the Canon SL1. In this context, it is worth noting that neither the SL1 nor the FZ1000 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ1000 has a lens built in, whereas the SL1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the SL1 and their specifications in the Canon EF Lens Catalog.

Concerning battery life, the SL1 gets 380 shots out of its Canon LP-E12 battery, while the FZ1000 can take 360 images on a single charge of its Panasonic DMW-BLC12 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon SL1	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	EUR 499	ebay.com
2.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	EUR 899	ebay.com
3.		Canon G3 X	123 mm	77 mm	105 mm	733 g	300	Y	Jun 2015	EUR 899	ebay.com
4.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	EUR 599	ebay.com
5.		Canon M	109 mm	66 mm	32 mm	298 g	230	n	Jul 2012	EUR 599	ebay.com
6.		Canon M10	108 mm	67 mm	35 mm	301 g	255	n	Oct 2015	EUR 499	ebay.com
7.		Canon SL2	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	EUR 599	ebay.com
8.		Canon T3i	133 mm	100 mm	80 mm	570 g	440	n	Feb 2011	EUR 549	ebay.com
9.		Canon T4i	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	EUR 799	ebay.com
10.		Canon T5	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	EUR 399	ebay.com
11.		Canon T5i	133 mm	100 mm	79 mm	580 g	440	n	Mar 2013	EUR 599	ebay.com
12.		Canon T6	129 mm	101 mm	78 mm	485 g	500	n	Mar 2016	EUR 449	ebay.com
13.		Canon T100	129 mm	102 mm	77 mm	436 g	500	n	Feb 2018	EUR 399	amazon.com
14.		Panasonic LX100	115 mm	66 mm	55 mm	393 g	300	n	Sep 2014	EUR 799	ebay.com
15.		Sony RX100 II	102 mm	58 mm	38 mm	281 g	350	n	Jun 2013	EUR 749	ebay.com
16.		Sony RX100 III	102 mm	58 mm	41 mm	290 g	320	n	May 2014	EUR 849	ebay.com
17.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	EUR 1 149	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon SL1 features an APS-C sensor and the Panasonic FZ1000 an one-inch sensor. The sensor area in the FZ1000 is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the FZ1000 offers a higher resolution of 20 megapixels, compared with 17.9 MP of the SL1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.31μm for the SL1). However, it should be noted that the FZ1000 is a somewhat more recent model (by 1 year and 2 months) than the SL1, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.

The resolution advantage of the Panasonic FZ1000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ1000 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon SL1 are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.

The SL1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS Rebel SL1 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ1000 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon SL1	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
2.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
3.		Canon G3 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	521	63
4.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
5.		Canon M	APS-C	17.9	5184	3456	1080/30p	22.1	11.2	827	65
6.		Canon M10	APS-C	17.9	5184	3456	1080/30p	22.2	11.4	753	65
7.		Canon SL2	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
8.		Canon T3i	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	793	65
9.		Canon T4i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
10.		Canon T5	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
11.		Canon T5i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	681	61
12.		Canon T6	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	781	66
13.		Canon T100	APS-C	17.9	5184	3456	1080/30p	21.9	11.4	695	63
14.		Panasonic LX100	Four Thirds	12.7	4112	3088	4K/30p	22.3	12.5	553	67
15.		Sony RX100 II	1-inch	20.0	5472	3648	1080/60p	22.5	12.4	483	67
16.		Sony RX100 III	1-inch	20.0	5472	3648	1080/60p	22.4	12.3	495	67
17.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ1000 provides a better video resolution than the SL1. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ1000 has an electronic viewfinder (2359k dots), while the SL1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ1000 offers a wider field of view (100%) than the one in the SL1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ1000 has a higher magnification (0.70x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon SL1 and Panasonic FZ1000 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon SL1	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
2.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
3.		Canon G3 X	optional	n	3.2 / 1620	tilting	Y	1/2000s	5.9/s	Y	Y
4.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
5.		Canon M	none	n	3.0 / 1040	fixed	Y	1/4000s	4.3/s	n	n
6.		Canon M10	none	n	3.0 / 1040	tilting	Y	1/4000s	4.6/s	Y	n
7.		Canon SL2	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
8.		Canon T3i	optical	n	3.0 / 1040	swivel	n	1/4000s	3.7/s	Y	n
9.		Canon T4i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
10.		Canon T5	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
11.		Canon T5i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
12.		Canon T6	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
13.		Canon T100	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
14.		Panasonic LX100	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
15.		Sony RX100 II	optional	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
16.		Sony RX100 III	1440	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
17.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The SL1 has a touchscreen, while the FZ1000 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ1000 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic FZ1000 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the SL1 and the FZ1000 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL1 and Panasonic Lumix DMC-FZ1000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon SL1	Y	mono / mono	Y	-	mini	2.0	-	-	-
2.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
3.		Canon G3 X	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
4.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
5.		Canon M	Y	stereo / mono	Y	-	mini	2.0	-	-	-
6.		Canon M10	-	stereo / mono	-	-	mini	2.0	Y	Y	-
7.		Canon SL2	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
8.		Canon T3i	Y	mono / mono	Y	-	mini	2.0	-	-	-
9.		Canon T4i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
10.		Canon T5	Y	mono / mono	-	-	mini	2.0	-	-	-
11.		Canon T5i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Canon T6	Y	mono / mono	-	-	mini	2.0	Y	Y	-
13.		Canon T100	Y	mono / mono	-	-	mini	2.0	Y	Y	-
14.		Panasonic LX100	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony RX100 II	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony RX100 III	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the FZ1000 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the SL1 does not provide wifi capability.

Both the SL1 and the FZ1000 have been discontinued, but can regularly be found used on ebay. The SL1 was replaced by the Canon SL2, while the FZ1000 was followed by the Panasonic FZ2500. Further information on the features and operation of the SL1 and FZ1000 can be found, respectively, in the Canon SL1 Manual (free pdf) or the online Panasonic FZ1000 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Canon SL1 and the Panasonic FZ1000? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Canon EOS Rebel SL1:

• Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• More compact: Is smaller (117x91mm vs 137x99mm) and thus needs less room in the bag.
• More heavily discounted: Has been on the market for longer (launched in March 2013).

Arguments in favor of the Panasonic Lumix DMC-FZ1000:

• More detail: Has more megapixels (20 vs 17.9MP), which boosts linear resolution by 6%.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.54x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 4.9 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Comes with an integrated lens, while the SL1 requires a separate lens.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More modern: Was introduced somewhat (1 year and 2 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the FZ1000 is the clear winner of the contest (15 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon SL1 and the Panasonic FZ1000 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SL1 or the FZ1000. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon SL1	4/5	+	..	78/100	4/5	4/5	Mar 2013	EUR 499	ebay.com
2.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	EUR 899	ebay.com
3.		Canon G3 X	3.5/5	+	..	..	4.5/5	4/5	Jun 2015	EUR 899	ebay.com
4.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	EUR 599	ebay.com
5.		Canon M	3/5	+	..	..	4/5	4/5	Jul 2012	EUR 599	ebay.com
6.		Canon M10	..	..	..	..	..	4/5	Oct 2015	EUR 499	ebay.com
7.		Canon SL2	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	EUR 599	ebay.com
8.		Canon T3i	3/5	o	..	77/100	4.5/5	4.5/5	Feb 2011	EUR 549	ebay.com
9.		Canon T4i	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	EUR 799	ebay.com
10.		Canon T5	3/5	+	..	..	4/5	4.5/5	Feb 2014	EUR 399	ebay.com
11.		Canon T5i	..	..	..	76/100	4.5/5	4.5/5	Mar 2013	EUR 599	ebay.com
12.		Canon T6	4/5	o	4/5	73/100	4/5	4/5	Mar 2016	EUR 449	ebay.com
13.		Canon T100	..	o	3/5	..	3.5/5	3.5/5	Feb 2018	EUR 399	amazon.com
14.		Panasonic LX100	5/5	+ +	..	85/100	5/5	5/5	Sep 2014	EUR 799	ebay.com
15.		Sony RX100 II	5/5	+ +	..	79/100	4.5/5	4.5/5	Jun 2013	EUR 749	ebay.com
16.		Sony RX100 III	5/5	+ +	..	82/100	4.5/5	5/5	May 2014	EUR 849	ebay.com
17.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	EUR 1 149	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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