Canon T2i vs Fujifilm GFX 50S
The Canon EOS Rebel T2i (called Canon 550D in some regions) and the Fujifilm GFX 50S are two digital cameras that were announced, respectively, in February 2010 and September 2016. The T2i is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T2i) and a medium format (GFX 50S) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T2i and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon T2i and the Fujifilm GFX 50S. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (10 percent) than the Canon T2i. Moreover, the GFX 50S is substantially heavier (40 percent) than the T2i. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the T2i does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the T2i gets 440 shots out of its Canon LP-E8 battery, while the GFX 50S can take 400 images on a single charge of its Fujifilm NP-T125 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon T2i | 129 mm | 98 mm | 62 mm | 530 g | 440 | n | Feb 2010 | US$ 699 | ebay.com | |
2. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | US$ 6 499 | ebay.com | |
3. | Canon T1i | 129 mm | 98 mm | 62 mm | 520 g | 400 | n | Mar 2009 | US$ 799 | ebay.com | |
4. | Canon T3 | 130 mm | 100 mm | 78 mm | 495 g | 700 | n | Feb 2011 | US$ 449 | ebay.com | |
5. | Canon T3i | 133 mm | 100 mm | 80 mm | 570 g | 440 | n | Feb 2011 | US$ 599 | ebay.com | |
6. | Canon T4i | 133 mm | 100 mm | 79 mm | 575 g | 440 | n | Jun 2012 | US$ 849 | ebay.com | |
7. | Canon T5 | 130 mm | 100 mm | 78 mm | 480 g | 500 | n | Feb 2014 | US$ 449 | ebay.com | |
8. | Canon T5i | 133 mm | 100 mm | 79 mm | 580 g | 440 | n | Mar 2013 | US$ 649 | ebay.com | |
9. | Canon T6s | 132 mm | 101 mm | 78 mm | 565 g | 440 | n | Feb 2015 | US$ 649 | ebay.com | |
10. | Canon T100 | 129 mm | 102 mm | 77 mm | 436 g | 500 | n | Feb 2018 | US$ 399 | amazon.com | |
11. | Canon XSi | 129 mm | 98 mm | 62 mm | 524 g | 500 | n | Jan 2008 | US$ 799 | ebay.com | |
12. | Canon XTi | 127 mm | 84 mm | 65 mm | 556 g | 370 | n | Aug 2006 | US$ 799 | ebay.com | |
13. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | US$ 4 499 | ebay.com | |
14. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | US$ 3 999 | amazon.com | |
15. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | US$ 5 749 | ebay.com | |
16. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | US$ 6 599 | ebay.com | |
17. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | US$ 7 449 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The T2i was launched at a markedly lower price (by 89 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon T2i features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the T2i has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the T2i (17.9MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.31μm for the T2i) due to its larger sensor. Moreover, the GFX 50S is a much more recent model (by 6 years and 7 months) than the T2i, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon T2i are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
The Canon EOS Rebel T2i has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon T2i | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.1 | 11.5 | 784 | 66 | |
2. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
3. | Canon T1i | APS-C | 15.1 | 4752 | 3168 | 1080/20p | 21.7 | 11.5 | 663 | 63 | |
4. | Canon T3 | APS-C | 12.2 | 4272 | 2848 | 720/30p | 21.9 | 11.0 | 755 | 62 | |
5. | Canon T3i | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.1 | 11.5 | 793 | 65 | |
6. | Canon T4i | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.7 | 11.2 | 722 | 62 | |
7. | Canon T5 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.9 | 11.3 | 724 | 63 | |
8. | Canon T5i | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.7 | 11.2 | 681 | 61 | |
9. | Canon T6s | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 12.0 | 915 | 70 | |
10. | Canon T100 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.9 | 11.4 | 695 | 63 | |
11. | Canon XSi | APS-C | 12.2 | 4272 | 2848 | none | 21.9 | 10.8 | 692 | 61 | |
12. | Canon XTi | APS-C | 10.1 | 3888 | 2592 | none | 22.1 | 11.0 | 664 | 62 | |
13. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
14. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
15. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
16. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
17. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/30p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the T2i has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Canon T2i, the Fujifilm GFX 50S, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon T2i | optical | n | 3.0 / 1040 | fixed | n | 1/4000s | 3.7/s | Y | n | |
2. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
3. | Canon T1i | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.4/s | Y | n | |
4. | Canon T3 | optical | n | 2.7 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
5. | Canon T3i | optical | n | 3.0 / 1040 | swivel | n | 1/4000s | 3.7/s | Y | n | |
6. | Canon T4i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
7. | Canon T5 | optical | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
8. | Canon T5i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
9. | Canon T6s | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
10. | Canon T100 | optical | n | 2.7 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
11. | Canon XSi | optical | n | 3.0 / 230 | fixed | n | 1/4000s | 3.5/s | Y | n | |
12. | Canon XTi | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
13. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
14. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
15. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
16. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
17. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The T2i has one, while the GFX 50S does not. While the built-in flash of the T2i is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the T2i and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the T2i only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the T2i cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T2i and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon T2i | Y | stereo / - | Y | - | mini | 2.0 | - | - | - | |
2. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
3. | Canon T1i | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
4. | Canon T3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Canon T3i | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
6. | Canon T4i | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
7. | Canon T5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
8. | Canon T5i | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
9. | Canon T6s | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
10. | Canon T100 | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
11. | Canon XSi | Y | - / - | - | - | mini | 2.0 | - | - | - | |
12. | Canon XTi | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
14. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
15. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
16. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
17. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - |
It is notable that the GFX 50S offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the T2i does not provide wifi capability.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the T2i) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the T2i and the GFX 50S have been discontinued, but can regularly be found used on ebay. The T2i was replaced by the Canon T3i, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the features and operation of the T2i and GFX 50S can be found, respectively, in the Canon T2i Manual (free pdf) or the online Fujifilm GFX 50S Manual.
Review summary
So how do things add up? Is the Canon T2i better than the Fujifilm GFX 50S or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS Rebel T2i:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (3.7 vs 3 flaps/sec) to capture the decisive moment.
- Less heavy: Is lighter (by 210g or 28 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (89 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2010).
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 17.9MP), which boosts linear resolution by 66%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 6 years and 7 months of technical progress since the T2i launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the contest (22 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T2i and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the T2i or the GFX 50S perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon T2i | .. | + + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2010 | US$ 699 | ebay.com | |
2. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | US$ 6 499 | ebay.com | |
3. | Canon T1i | .. | + + | .. | 74/100 | 4.5/5 | 4.5/5 | Mar 2009 | US$ 799 | ebay.com | |
4. | Canon T3 | .. | 80/100 | .. | 69/100 | 4/5 | 4.5/5 | Feb 2011 | US$ 449 | ebay.com | |
5. | Canon T3i | 3/5 | o | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2011 | US$ 599 | ebay.com | |
6. | Canon T4i | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2012 | US$ 849 | ebay.com | |
7. | Canon T5 | 3/5 | + | .. | .. | 4/5 | 4.5/5 | Feb 2014 | US$ 449 | ebay.com | |
8. | Canon T5i | .. | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Mar 2013 | US$ 649 | ebay.com | |
9. | Canon T6s | 5/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2015 | US$ 649 | ebay.com | |
10. | Canon T100 | .. | o | 3/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | US$ 399 | amazon.com | |
11. | Canon XSi | .. | + + | .. | + + | 4/5 | 4.5/5 | Jan 2008 | US$ 799 | ebay.com | |
12. | Canon XTi | .. | + + | .. | + + | o | 4/5 | Aug 2006 | US$ 799 | ebay.com | |
13. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | US$ 4 499 | ebay.com | |
14. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | US$ 3 999 | amazon.com | |
15. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | US$ 5 749 | ebay.com | |
16. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | US$ 6 599 | ebay.com | |
17. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | US$ 7 449 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds vs Fujifilm GFX 50S
- Canon SX50 vs Canon T2i
- Canon T1i vs Canon T2i
- Canon T2i vs Fujifilm X100S
- Canon T2i vs Leica X1
- Canon T2i vs Pentax 645Z
- Canon T2i vs Sony RX100 II
- Fujifilm GFX 50S vs Fujifilm X-E2S
- Fujifilm GFX 50S vs Nikon D500
- Fujifilm GFX 50S vs Nikon D5000
- Fujifilm GFX 50S vs Panasonic LF1
- Fujifilm GFX 50S vs Sony A77
Specifications: Canon T2i vs Fujifilm GFX 50S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon T2i | Fujifilm GFX 50S |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Canon EF mount lenses | Fujifilm G mount lenses |
Launch Date | February 2010 | September 2016 |
Launch Price | USD 699 | USD 6,499 |
Sensor Specs | Canon T2i | Fujifilm GFX 50S |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Medium Format Sensor |
Sensor Size | 22.3 x 14.9 mm | 44.0 x 33.0 mm |
Sensor Area | 332.27 mm2 | 1452 mm2 |
Sensor Diagonal | 26.8 mm | 55 mm |
Crop Factor | 1.6x | 0.79x |
Sensor Resolution | 17.9 Megapixels | 51.1 Megapixels |
Image Resolution | 5184 x 3456 pixels | 8256 x 6192 pixels |
Pixel Pitch | 4.31 μm | 5.33 μm |
Pixel Density | 5.39 MP/cm2 | 3.52 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/30p Video | 1080/30p Video |
ISO Setting | 100 - 6,400 ISO | 100 - 12,800 ISO |
ISO Boost | 100 - 12,800 ISO | 50 - 102,400 ISO |
Image Processor | DIGIC 4 | X Processor Pro |
DXO Sensor Quality (score) | 66 | .. |
DXO Color Depth (bits) | 22.1 | .. |
DXO Dynamic Range (EV) | 11.5 | .. |
DXO Low Light (ISO) | 784 | .. |
Screen Specs | Canon T2i | Fujifilm GFX 50S |
Viewfinder Type | Optical viewfinder | Viewfinder optional |
Viewfinder Field of View | 95% | |
Viewfinder Magnification | 0.54x | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 1040k dots | 2360k dots |
LCD Attachment | Fixed screen | Fully flexible screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Canon T2i | Fujifilm GFX 50S |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 3.7 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | no | Dual UHS-II |
Connectivity Specs | Canon T2i | Fujifilm GFX 50S |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Canon T2i | Fujifilm GFX 50S |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon LP-E8 | Fujifilm NP-T125 |
Battery Life (CIPA) | 440 shots per charge | 400 shots per charge |
Body Dimensions |
129 x 98 x 62 mm (5.1 x 3.9 x 2.4 in) |
148 x 94 x 91 mm (5.8 x 3.7 x 3.6 in) |
Camera Weight | 530 g (18.7 oz) | 740 g (26.1 oz) |
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