Canon T3 vs Panasonic S1R

The Canon EOS Rebel T3 (called Canon 1100D in some regions) and the Panasonic Lumix DC-S1R are two digital cameras that were announced, respectively, in February 2011 and February 2019. The T3 is a DSLR, while the S1R is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T3) and a full frame (S1R) sensor. The Canon has a resolution of 12.2 megapixels, whereas the Panasonic provides 46.7 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon T3		Panasonic S1R
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Leica L mount lenses
12.2 MP – APS-C sensor		46.7 MP – Full Frame sensor
720/30p Video		4K/60p Video
ISO 100-6,400		ISO 100-25,600 (50 - 51,200)
Optical viewfinder		Electronic viewfinder (5760k dots)
2.7" LCD – 230k dots		3.2" LCD – 2100k dots
Fixed screen (not touch-sensitive)		Fully flexible touchscreen
3 shutter flaps per second		9 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
700 shots per battery charge		380 shots per battery charge
130 x 100 x 78 mm, 495 g		149 x 110 x 97 mm, 1016 g

Check T3 offers at
ebay.com
Check S1R price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T3 and the Panasonic Lumix DC-S1R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon T3 and the Panasonic S1R. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1R is notably larger (26 percent) than the Canon T3. Moreover, the S1R is substantially heavier (105 percent) than the T3. It is noteworthy in this context that the S1R is splash and dust-proof, while the T3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the T3 gets 700 shots out of its Canon LP-E10 battery, while the S1R can take 380 images on a single charge of its Panasonic DMW-BLJ31 power pack. The power pack in the S1R can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon T3	130 mm	100 mm	78 mm	495 g	700	n	Feb 2011	US$ 449	ebay.com
2.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	US$ 3 699	amazon.com
3.		Canon G1 X	117 mm	81 mm	65 mm	534 g	250	n	Jan 2012	US$ 799	ebay.com
4.		Canon T2i	129 mm	98 mm	62 mm	530 g	440	n	Feb 2010	US$ 699	ebay.com
5.		Canon T3i	133 mm	100 mm	80 mm	570 g	440	n	Feb 2011	US$ 599	ebay.com
6.		Canon T4i	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	US$ 849	ebay.com
7.		Canon T5	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	US$ 449	ebay.com
8.		Canon T6	129 mm	101 mm	78 mm	485 g	500	n	Mar 2016	US$ 449	ebay.com
9.		Canon T100	129 mm	102 mm	77 mm	436 g	500	n	Feb 2018	US$ 399	amazon.com
10.		Canon XS	126 mm	98 mm	65 mm	502 g	500	n	Jun 2008	US$ 449	ebay.com
11.		Canon XSi	129 mm	98 mm	62 mm	524 g	500	n	Jan 2008	US$ 799	ebay.com
12.		Canon XTi	127 mm	84 mm	65 mm	556 g	370	n	Aug 2006	US$ 799	ebay.com
13.		Leica SL2	146 mm	107 mm	42 mm	953 g	370	Y	Nov 2019	US$ 5 999	amazon.com
14.		Nikon Z7	134 mm	101 mm	67 mm	675 g	330	Y	Aug 2018	US$ 3 399	ebay.com
15.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	US$ 2 499	amazon.com
16.		Panasonic S1H	151 mm	114 mm	110 mm	1052 g	400	Y	May 2019	US$ 3 999	amazon.com
17.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490	Y	Sep 2016	US$ 3 199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The T3 was launched at a markedly lower price (by 88 percent) than the S1R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon T3 features an APS-C sensor and the Panasonic S1R a full frame sensor. The sensor area in the S1R is 167 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 46.7MP, the S1R offers a higher resolution than the T3 (12.2MP), but the S1R has smaller individual pixels (pixel pitch of 4.30μm versus 5.15μm for the T3). Yet, the S1R is a much more recent model (by 7 years and 11 months) than the T3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S1R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic S1R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1R for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inches or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inches or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inches or 70.8 x 47.3 cm. The corresponding values for the Canon T3 are 21.4 x 14.2 inches or 54.3 x 36.2 cm for good quality, 17.1 x 11.4 inches or 43.4 x 28.9 cm for very good quality, and 14.2 x 9.5 inches or 36.2 x 24.1 cm for excellent quality prints.

Unlike the T3, the S1R has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS Rebel T3 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DC-S1R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the S1R offers substantially better image quality than the T3 (overall score 38 points higher). The advantage is based on 4.5 bits higher color depth, 3.1 EV in additional dynamic range, and 2.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon T3	APS-C	12.2	4272	2848	720/30p	21.9	11.0	755	62
2.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
3.		Canon G1 X	1.5-inch	14.2	4352	3264	1080/24p	21.7	10.8	644	60
4.		Canon T2i	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	784	66
5.		Canon T3i	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	793	65
6.		Canon T4i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
7.		Canon T5	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
8.		Canon T6	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	781	66
9.		Canon T100	APS-C	17.9	5184	3456	1080/30p	21.9	11.4	695	63
10.		Canon XS	APS-C	10.1	3888	2592	none	22.0	10.9	719	62
11.		Canon XSi	APS-C	12.2	4272	2848	none	21.9	10.8	692	61
12.		Canon XTi	APS-C	10.1	3888	2592	none	22.1	11.0	664	62
13.		Leica SL2	Full Frame	46.7	8368	5584	4K/60p	25.3	14.3	2866	95
14.		Nikon Z7	Full Frame	45.4	8256	5504	4K/30p	26.3	14.6	2668	99
15.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
16.		Panasonic S1H	Full Frame	24.0	6000	4000	6K/30p	25.2	14.2	2805	94
17.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S1R provides a better video resolution than the T3. It can shoot movie footage at 4K/60p, while the Canon is limited to 720/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the S1R has an electronic viewfinder (5760k dots), while the T3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the S1R offers a wider field of view (100%) than the one in the T3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the S1R has a higher magnification (0.78x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon T3 and Panasonic S1R along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon T3	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
2.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
3.		Canon G1 X	optical	n	3.0 / 922	swivel	n	1/4000s	1.9/s	Y	Y
4.		Canon T2i	optical	n	3.0 / 1040	fixed	n	1/4000s	3.7/s	Y	n
5.		Canon T3i	optical	n	3.0 / 1040	swivel	n	1/4000s	3.7/s	Y	n
6.		Canon T4i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
7.		Canon T5	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
8.		Canon T6	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
9.		Canon T100	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
10.		Canon XS	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
11.		Canon XSi	optical	n	3.0 / 230	fixed	n	1/4000s	3.5/s	Y	n
12.		Canon XTi	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
13.		Leica SL2	5760	Y	3.2 / 2100	fixed	Y	1/8000s	10.0/s	n	Y
14.		Nikon Z7	3690	Y	3.2 / 2100	tilting	Y	1/8000s	9.0/s	n	Y
15.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
16.		Panasonic S1H	5760	Y	3.2 / 2330	swivel	Y	1/8000s	9.0/s	n	Y
17.		Sony A99 II	2400	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The T3 has one, while the S1R does not. While the built-in flash of the T3 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic S1R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The T3 writes its imaging data to SDXC cards, while the S1R uses SDXC or XQD cards. The S1R features dual card slots, which can be very useful in case a memory card fails. In contrast, the T3 only has one slot. The S1R supports UHS-II cards (on both slots), while the T3 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T3 and Panasonic Lumix DC-S1R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon T3	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
3.		Canon G1 X	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Canon T2i	Y	stereo / -	Y	-	mini	2.0	-	-	-
5.		Canon T3i	Y	mono / mono	Y	-	mini	2.0	-	-	-
6.		Canon T4i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
7.		Canon T5	Y	mono / mono	-	-	mini	2.0	-	-	-
8.		Canon T6	Y	mono / mono	-	-	mini	2.0	Y	Y	-
9.		Canon T100	Y	mono / mono	-	-	mini	2.0	Y	Y	-
10.		Canon XS	Y	- / -	-	-	-	2.0	-	-	-
11.		Canon XSi	Y	- / -	-	-	mini	2.0	-	-	-
12.		Canon XTi	Y	- / -	-	-	-	2.0	-	-	-
13.		Leica SL2	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
14.		Nikon Z7	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
15.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Panasonic S1H	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
17.		Sony A99 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y

It is notable that the S1R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the T3 does not provide wifi capability.

Studio photographers will appreciate that the Panasonic S1R (unlike the T3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The S1R is a recent model that features in the current product line-up of Panasonic. In contrast, the T3 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the T3 was succeeded by the Canon T5. Further information on the features and operation of the T3 and S1R can be found, respectively, in the Canon T3 Manual (free pdf) or the online Panasonic S1R Manual.

Review summary

So how do things add up? Is there a clear favorite between the Canon T3 and the Panasonic S1R? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Canon EOS Rebel T3:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More compact: Is smaller (130x100mm vs 149x110mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 521g or 51 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (700 versus 380) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (88 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in February 2011).

Arguments in favor of the Panasonic Lumix DC-S1R:

• More detail: Has more megapixels (46.7 vs 12.2MP), which boosts linear resolution by 96%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (38 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (4.5 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (3.1 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.2 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/60p vs 720/30p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.50x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 230k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 7 years and 11 months of technical progress since the T3 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the S1R is the clear winner of the contest (34 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon T3 and the Panasonic S1R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the T3 and the S1R in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon T3	..	80/100	..	69/100	4/5	4.5/5	Feb 2011	US$ 449	ebay.com
2.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	US$ 3 699	amazon.com
3.		Canon G1 X	5/5	+	..	76/100	4/5	4.5/5	Jan 2012	US$ 799	ebay.com
4.		Canon T2i	..	+ +	..	77/100	4/5	4.5/5	Feb 2010	US$ 699	ebay.com
5.		Canon T3i	3/5	o	..	77/100	4.5/5	4.5/5	Feb 2011	US$ 599	ebay.com
6.		Canon T4i	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	US$ 849	ebay.com
7.		Canon T5	3/5	+	..	..	4/5	4.5/5	Feb 2014	US$ 449	ebay.com
8.		Canon T6	4/5	o	4/5	73/100	4/5	4/5	Mar 2016	US$ 449	ebay.com
9.		Canon T100	..	o	3/5	..	3.5/5	3.5/5	Feb 2018	US$ 399	amazon.com
10.		Canon XS	..	82/100	..	+ +	3.5/5	4.5/5	Jun 2008	US$ 449	ebay.com
11.		Canon XSi	..	+ +	..	+ +	4/5	4.5/5	Jan 2008	US$ 799	ebay.com
12.		Canon XTi	..	+ +	..	+ +	o	4/5	Aug 2006	US$ 799	ebay.com
13.		Leica SL2	4/5	..	4.5/5	..	4.5/5	4/5	Nov 2019	US$ 5 999	amazon.com
14.		Nikon Z7	5/5	+	4.8/5	89/100	4.5/5	5/5	Aug 2018	US$ 3 399	ebay.com
15.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	US$ 2 499	amazon.com
16.		Panasonic S1H	..	..	4/5	90/100	..	..	May 2019	US$ 3 999	amazon.com
17.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	US$ 3 199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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