Fujifilm GFX 100 II vs Nikon Z5 II

The Fujifilm GFX 100 II and the Nikon Z5 II are two digital cameras that were officially introduced, respectively, in September 2023 and April 2025. Both the GFX 100 II and the Z5 II are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100 II) and a full frame (Z5 II) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Nikon provides 24.4 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100 II		Nikon Z5 II
Mirrorless system camera		Mirrorless system camera
Fujifilm G mount lenses		Nikon Z mount lenses
101.8 MP – Medium Format sensor		24.4 MP – Full Frame sensor
8K/30p Video		4K/60p Video
ISO 100-12,800 (50 - 102,400)		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (9440k dots)		Electronic viewfinder (3690k dots)
3.2" LCD – 2360k dots		3.2" LCD – 2100k dots
Fully flexible touchscreen		Swivel touchscreen
8 shutter flaps per second		14 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
540 shots per battery charge		330 shots per battery charge
152 x 117 x 99 mm, 1030 g		134 x 101 x 72 mm, 700 g

Check GFX 100 II price at
amazon.com
Check Z5 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 II and the Nikon Z5 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 100 II and the Nikon Z5 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z5 II is notably smaller (24 percent) than the Fujifilm GFX 100 II. Moreover, the Z5 II is markedly lighter (32 percent) than the GFX 100 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 100 II gets 540 shots out of its Fujifilm NP-W235 battery, while the Z5 II can take 330 images on a single charge of its Nikon EN-EL15c power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	EUR 7 999	amazon.com
2.		Nikon Z5 II	134 mm	101 mm	72 mm	700 g	330	Y	Apr 2025	EUR 1 899	amazon.com
3.		Canon R1	158 mm	150 mm	87 mm	1115 g	1330	Y	Jul 2024	EUR 7 499	amazon.com
4.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	EUR 6 499	ebay.com
5.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	EUR 3 999	amazon.com
6.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	EUR 10 999	ebay.com
7.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	EUR 5 999	amazon.com
8.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	EUR 5 499	amazon.com
9.		Fujifilm X-H2	136 mm	93 mm	85 mm	660 g	680	Y	Sep 2022	EUR 2 249	amazon.com
10.		Fujifilm X-H2S	136 mm	93 mm	85 mm	660 g	580	Y	May 2022	EUR 2 749	amazon.com
11.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	EUR 8 699	amazon.com
12.		Leica SL3	141 mm	108 mm	85 mm	854 g	320	Y	Mar 2024	EUR 6 799	amazon.com
13.		Nikon Z5	134 mm	101 mm	67 mm	675 g	470	Y	Jul 2020	EUR 1 549	ebay.com
14.		Nikon Z6	134 mm	101 mm	67 mm	675 g	310	Y	Aug 2018	EUR 2 449	ebay.com
15.		Nikon Z6 II	134 mm	101 mm	70 mm	705 g	410	Y	Oct 2020	EUR 2 199	amazon.com
16.		Nikon Z6 III	139 mm	102 mm	74 mm	670 g	380	Y	Jun 2024	EUR 2 999	amazon.com
17.		Nikon Zf	144 mm	103 mm	49 mm	710 g	380	Y	Sep 2023	EUR 2 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Z5 II was launched at a markedly lower price (by 77 percent) than the GFX 100 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 II features a medium format sensor and the Nikon Z5 II a full frame sensor. The sensor area in the Z5 II is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 100 II has a native 4:3 aspect ratio, while the one in the Z5 II offers a 3:2 aspect.

With 101.8MP, the GFX 100 II offers a higher resolution than the Z5 II (24.4MP), but the GFX 100 II has smaller individual pixels (pixel pitch of 3.76μm versus 5.93μm for the Z5 II). Moreover, the Z5 II is a somewhat more recent model (by 1 year and 6 months) than the GFX 100 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Nikon Z5 II are 30.2 x 20.2 inches or 76.8 x 51.2 cm for good quality, 24.2 x 16.1 inches or 61.4 x 41 cm for very good quality, and 20.2 x 13.4 inches or 51.2 x 34.1 cm for excellent quality prints.

Unlike the Z5 II, the GFX 100 II has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100 II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon Z5 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
2.		Nikon Z5 II	Full Frame	24.4	6048	4032	4K/60p	25.4	14.8	3398	97
3.		Canon R1	Full Frame	24.0	6000	4000	6K/60p	25.4	14.8	3332	97
4.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
5.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
6.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
7.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
8.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
9.		Fujifilm X-H2	APS-C	39.8	7728	5152	8k/30p	24.3	13.9	2249	86
10.		Fujifilm X-H2S	APS-C	26.0	6240	4160	6.2k/30p	24.3	13.9	2224	86
11.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
12.		Leica SL3	Full Frame	60.3	9520	6336	8K/30p	25.4	14.8	3295	97
13.		Nikon Z5	Full Frame	24.2	6016	4016	4K/30p	25.3	14.3	2929	95
14.		Nikon Z6	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	3299	95
15.		Nikon Z6 II	Full Frame	24.3	6048	4024	4K/60p	25.0	14.4	3303	94
16.		Nikon Z6 III	Full Frame	24.3	6048	4024	6K/60p	25.4	14.8	3318	97
17.		Nikon Zf	Full Frame	24.3	6048	4024	4K/60p	25.4	14.7	3243	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GFX 100 II provides a higher video resolution than the Z5 II. It can shoot video footage at 8K/30p, while the Nikon is limited to 4K/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 100 II offers a substantially higher resolution than the one in the Z5 II (9440k vs 3690k dots). The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100 II, the Nikon Z5 II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
2.		Nikon Z5 II	3690	n	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
3.		Canon R1	9440	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
4.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
6.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
7.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
9.		Fujifilm X-H2	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
10.		Fujifilm X-H2S	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
11.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
12.		Leica SL3	5760	Y	3.2 / 2333	tilting	Y	1/8000s	5.0/s	n	Y
13.		Nikon Z5	3690	n	3.2 / 1040	tilting	Y	1/8000s	4.5/s	n	Y
14.		Nikon Z6	3690	Y	3.2 / 2100	tilting	Y	1/8000s	12.0/s	n	Y
15.		Nikon Z6 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	14.0/s	n	Y
16.		Nikon Z6 III	5760	Y	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
17.		Nikon Zf	3690	n	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 100 II, but is missing on the Z5 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 II and the Nikon Z5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 100 II writes its imaging data to CFexpress (type B) or SDXC cards, while the Z5 II uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 II and Nikon Z5 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
2.		Nikon Z5 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Canon R1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
4.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
5.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
6.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
7.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
9.		Fujifilm X-H2	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Fujifilm X-H2S	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
11.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
12.		Leica SL3	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
13.		Nikon Z5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
14.		Nikon Z6	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
15.		Nikon Z6 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
16.		Nikon Z6 III	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
17.		Nikon Zf	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y

Studio photographers will appreciate that the Fujifilm GFX 100 II (unlike the Z5 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 100 II and the Z5 II are recent models that are part of the current product line-up. The GFX 100 II replaced the earlier Fujifilm GFX 100, while the Z5 II followed on from the Nikon Z5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.

Review summary

So what is the bottom line? Is the Fujifilm GFX 100 II better than the Nikon Z5 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Fujifilm GFX 100 II:

• More detail: Offers more megapixels (101.8 vs 24.4MP) with a 100% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better video: Provides higher definition movie capture (8K/30p vs 4K/60p).
• More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 3690k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (1.27x vs 0.80x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 2100k dots).
• Longer lasting: Can take more shots (540 versus 330) on a single battery charge.
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been on the market for longer (launched in September 2023).

Arguments in favor of the Nikon Z5 II:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (14 vs 8 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (134x101mm vs 152x117mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 330g or 32 percent) and is thus easier to take along.
• More affordable: Was introduced into a lower priced category (77 percent cheaper at launch).
• More modern: Was introduced somewhat (1 year and 6 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100 II is the clear winner of the match-up (12 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100 II and the Nikon Z5 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GFX 100 II and the Z5 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	EUR 7 999	amazon.com
2.		Nikon Z5 II	..	..	..	..	..	..	Apr 2025	EUR 1 899	amazon.com
3.		Canon R1	..	..	..	..	..	..	Jul 2024	EUR 7 499	amazon.com
4.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	EUR 6 499	ebay.com
5.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	EUR 3 999	amazon.com
6.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	EUR 10 999	ebay.com
7.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	EUR 5 999	amazon.com
8.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	EUR 5 499	amazon.com
9.		Fujifilm X-H2	5/5	+ +	5/5	89/100	5/5	5/5	Sep 2022	EUR 2 249	amazon.com
10.		Fujifilm X-H2S	5/5	+	5/5	90/100	5/5	5/5	May 2022	EUR 2 749	amazon.com
11.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	EUR 8 699	amazon.com
12.		Leica SL3	..	..	4.5/5	..	..	4.5/5	Mar 2024	EUR 6 799	amazon.com
13.		Nikon Z5	4/5	..	4/5	89/100	4.5/5	4/5	Jul 2020	EUR 1 549	ebay.com
14.		Nikon Z6	5/5	..	5/5	89/100	4.5/5	5/5	Aug 2018	EUR 2 449	ebay.com
15.		Nikon Z6 II	4.5/5	..	4/5	89/100	4.5/5	4.5/5	Oct 2020	EUR 2 199	amazon.com
16.		Nikon Z6 III	..	..	..	..	..	..	Jun 2024	EUR 2 999	amazon.com
17.		Nikon Zf	4.5/5	..	4.5/5	90/100	4.5/5	5/5	Sep 2023	EUR 2 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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