Fujifilm GFX 100 vs Olympus TG-6

The Fujifilm GFX 100 and the Olympus Tough TG-6 are two digital cameras that were revealed to the public in May 2019. The GFX 100 is a mirrorless interchangeable lens camera, while the TG-6 is a fixed lens compact. The cameras are based on a medium format (GFX 100) and a 1/2.3-inch (TG-6) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Olympus provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100		Olympus TG-6
Mirrorless system camera		Fixed lens compact camera
Fujifilm G mount lenses		25-100mm f/2.0-4.9
101.8 MP – Medium Format sensor		12 MP – 1/2.3" sensor
4K/30p Video		4K/30p Video
ISO 100-12,800 (50 - 102,400)		ISO 100-12,800
Viewfinder optional		No viewfinder, LCD framing
3.2" LCD – 2360k dots		3.0" LCD – 1040k dots
Fully flexible touchscreen		Fixed screen (not touch-sensitive)
5 shutter flaps per second		20 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Waterproof body (15m)
800 shots per battery charge		340 shots per battery charge
156 x 144 x 75 mm, 1320 g		113 x 66 x 32 mm, 253 g

Check GFX 100 offers at
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Check TG-6 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Olympus Tough TG-6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 100 and the Olympus TG-6 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The TG-6 can be obtained in two different colors (black, red), while the GFX 100 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus TG-6 is considerably smaller (67 percent) than the Fujifilm GFX 100. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TG-6 is water-proof up to 15m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TG-6 has a lens built in, whereas the GFX 100 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the GFX 100 gets 800 shots out of its Fujifilm NP-T125 battery, while the TG-6 can take 340 images on a single charge of its Olympus LI-92B power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
2.		Olympus TG-6	113 mm	66 mm	32 mm	253 g	340	Y	May 2019	US$ 449	ebay.com
3.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
4.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
5.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
6.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
7.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
8.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	US$ 4 999	amazon.com
9.		Fujifilm X-H1	140 mm	97 mm	86 mm	673 g	310	Y	Feb 2018	US$ 1 899	ebay.com
10.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
11.		Olympus TG-4	112 mm	66 mm	31 mm	247 g	380	Y	Apr 2015	US$ 379	ebay.com
12.		Olympus TG-5	113 mm	66 mm	32 mm	250 g	340	Y	May 2017	US$ 449	ebay.com
13.		Olympus XZ-1	111 mm	65 mm	42 mm	275 g	320	n	Jan 2011	US$ 499	ebay.com
14.		OM System TG-7	114 mm	66 mm	33 mm	249 g	330	Y	Sep 2023	US$ 549	amazon.com
15.		Pentax 645D	156 mm	117 mm	119 mm	1480 g	800	Y	Mar 2010	US$ 9 995	ebay.com
16.		Pentax 645Z	156 mm	117 mm	123 mm	1550 g	650	Y	Apr 2014	US$ 8 499	ebay.com
17.		Ricoh WG-6	118 mm	66 mm	33 mm	246 g	340	Y	Feb 2019	US$ 399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The TG-6 was launched at a lower price than the GFX 100, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Olympus TG-6 a 1/2.3-inch sensor. The sensor area in the TG-6 is 98 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

With 101.8MP, the GFX 100 offers a higher resolution than the TG-6 (12MP), but the GFX 100 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.53μm for the TG-6) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Olympus TG-6 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus Tough TG-6 are ISO 100 to ISO 12800 (no boost).

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
2.		Olympus TG-6	1/2.3	12.0	4000	3000	4K/30p	20.7	12.2	1127	52
3.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
4.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
5.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
6.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
7.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
8.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
9.		Fujifilm X-H1	APS-C	24.0	6000	4000	4K/30p	24.0	13.3	1806	82
10.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
11.		Olympus TG-4	1/2.3	15.9	4608	3456	1080/30p	20.2	11.6	737	47
12.		Olympus TG-5	1/2.3	12.0	4000	3000	4K/30p	20.5	11.9	934	50
13.		Olympus XZ-1	1/1.7	10.1	3664	2752	720/30p	18.8	10.4	117	34
14.		OM System TG-7	1/2.3	12.0	4000	3000	4K/30p	20.9	12.7	1553	54
15.		Pentax 645D	Medium Format	39.5	7264	5440	none	24.6	12.6	1262	82
16.		Pentax 645Z	Medium Format	51.1	8256	6192	1080/60i	26.0	14.7	4505	101
17.		Ricoh WG-6	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1104	52
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The GFX 100 and the TG-6 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100, the Olympus TG-6, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
2.		Olympus TG-6	none	n	3.0 / 1040	fixed	n	1/2000s	20.0/s	Y	Y
3.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
4.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
6.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
7.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
9.		Fujifilm X-H1	3690	Y	3.0 / 1040	full-flex	Y	1/8000s	14.0/s	n	Y
10.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
11.		Olympus TG-4	none	n	3.0 / 460	fixed	n	1/2000s	5.0/s	Y	Y
12.		Olympus TG-5	none	n	3.0 / 460	fixed	n	1/2000s	20.0/s	Y	Y
13.		Olympus XZ-1	optional	n	3.0 / 614	fixed	n	1/2000s	2.0/s	Y	Y
14.		OM System TG-7	none	n	3.0 / 1040	fixed	n	1/2000s	20.0/s	Y	Y
15.		Pentax 645D	optical	Y	3.0 / 921	fixed	n	1/4000s	1.1/s	n	n
16.		Pentax 645Z	optical	Y	3.2 / 1037	tilting	n	1/4000s	3.0/s	n	n
17.		Ricoh WG-6	none	n	3.0 / 1040	fixed	n	1/4000s	1.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 100, but is missing on the TG-6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 and the Olympus TG-6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 100 and the TG-6 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the TG-6 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the TG-6 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Olympus Tough TG-6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
2.		Olympus TG-6	-	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
4.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
5.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
6.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
7.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
9.		Fujifilm X-H1	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
10.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
11.		Olympus TG-4	-	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Olympus TG-5	-	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Olympus XZ-1	Y	mono / -	-	-	mini	2.0	-	-	-
14.		OM System TG-7	-	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Pentax 645D	Y	stereo / -	-	-	-	2.0	-	-	-
16.		Pentax 645Z	Y	stereo / mono	Y	-	mini	3.0	-	-	-
17.		Ricoh WG-6	-	mono / mono	-	-	micro	3.0	-	-	-

It is notable that the GFX 100 has a hotshoe, while the TG-6 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the TG-6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the TG-6 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

Both the GFX 100 and the TG-6 have been discontinued, but can regularly be found used on ebay. The TG-6 was replaced by the OM System TG-7, while the GFX 100 was followed by the Fujifilm GFX 100 II. Further information on the features and operation of the GFX 100 and TG-6 can be found, respectively, in the Fujifilm GFX 100 Manual (free pdf) or the online Olympus TG-6 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 100 and the Olympus TG-6? Which camera is better? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Fujifilm GFX 100:

• More detail: Offers more megapixels (101.8 vs 12MP) with a 191% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (800 versus 340) on a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).

Arguments in favor of the Olympus Tough TG-6:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Faster burst: Shoots at higher frequency (20 vs 5 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has an integrated lens, whereas the GFX 100 necessitates an extra lens.
• More compact: Is smaller (113x66mm vs 156x144mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 100).
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 15m).
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the match-up (26 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Olympus TG-6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 100 or the TG-6. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
2.		Olympus TG-6	4/5	+ +	4.5/5	76/100	4/5	4/5	May 2019	US$ 449	ebay.com
3.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
4.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
5.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
6.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
7.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
8.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	US$ 4 999	amazon.com
9.		Fujifilm X-H1	..	+	5/5	86/100	4.5/5	4.5/5	Feb 2018	US$ 1 899	ebay.com
10.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
11.		Olympus TG-4	..	+	..	79/100	4/5	4/5	Apr 2015	US$ 379	ebay.com
12.		Olympus TG-5	..	+ +	4.5/5	..	4/5	4/5	May 2017	US$ 449	ebay.com
13.		Olympus XZ-1	4/5	..	..	74/100	4.5/5	4.5/5	Jan 2011	US$ 499	ebay.com
14.		OM System TG-7	4/5	..	4.5/5	..	4/5	4/5	Sep 2023	US$ 549	amazon.com
15.		Pentax 645D	5/5	..	..	..	..	..	Mar 2010	US$ 9 995	ebay.com
16.		Pentax 645Z	5/5	..	3.5/5	..	4.5/5	5/5	Apr 2014	US$ 8 499	ebay.com
17.		Ricoh WG-6	..	..	..	..	3.5/5	3.5/5	Feb 2019	US$ 399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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