Fujifilm GFX 100S vs Nikon Z50 II

The Fujifilm GFX 100S and the Nikon Z50 II are two digital cameras that were officially introduced, respectively, in January 2021 and November 2024. Both the GFX 100S and the Z50 II are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100S) and an APS-C (Z50 II) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Nikon provides 20.7 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100S		Nikon Z50 II
Mirrorless system camera		Mirrorless system camera
Fujifilm G mount lenses		Nikon Z mount lenses
101.8 MP – Medium Format sensor		20.7 MP – APS-C sensor
4K/30p Video		4K/60p Video
ISO 100-12,800 (50 - 102,400)		ISO 100-51,200 (100 - 204,800)
Electronic viewfinder (3690k dots)		Electronic viewfinder (2360k dots)
3.2" LCD – 2360k dots		3.2" LCD – 1040k dots
Fully flexible touchscreen		Swivel touchscreen
5 shutter flaps per second		11 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
460 shots per battery charge		250 shots per battery charge
150 x 104 x 87 mm, 900 g		127 x 97 x 67 mm, 550 g

Check GFX 100S price at
amazon.com
Check Z50 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100S and the Nikon Z50 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 100S and the Nikon Z50 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z50 II is notably smaller (21 percent) than the Fujifilm GFX 100S. Moreover, the Z50 II is substantially lighter (39 percent) than the GFX 100S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
2.		Nikon Z50 II	127 mm	97 mm	67 mm	550 g	250	Y	Nov 2024	US$ 909	amazon.com
3.		Canon R3	150 mm	143 mm	87 mm	1015 g	760	Y	Sep 2021	US$ 5 999	amazon.com
4.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
5.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
6.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
7.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
8.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
9.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	US$ 4 999	amazon.com
10.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	US$ 5 749	ebay.com
11.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
12.		Nikon D5200	129 mm	98 mm	78 mm	555 g	500	n	Nov 2012	US$ 749	ebay.com
13.		Nikon D5300	125 mm	98 mm	76 mm	480 g	600	n	Oct 2013	US$ 799	ebay.com
14.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	US$ 899	ebay.com
15.		Nikon Z50	127 mm	94 mm	60 mm	450 g	320	Y	Oct 2019	US$ 859	amazon.com
16.		Nikon Z fc	135 mm	94 mm	44 mm	445 g	300	n	Jun 2021	US$ 959	amazon.com
17.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	US$ 6 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Z50 II was launched at a markedly lower price (by 85 percent) than the GFX 100S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100S features a medium format sensor and the Nikon Z50 II an APS-C sensor. The sensor area in the Z50 II is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 100S has a native 4:3 aspect ratio, while the one in the Z50 II offers a 3:2 aspect.

With 101.8MP, the GFX 100S offers a higher resolution than the Z50 II (20.7MP), but the GFX 100S has smaller individual pixels (pixel pitch of 3.76μm versus 4.22μm for the Z50 II). Moreover, the Z50 II is a much more recent model (by 3 years and 9 months) than the GFX 100S, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Nikon Z50 II are 27.8 x 18.6 inches or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inches or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.1 x 31.4 cm for excellent quality prints.

Unlike the Z50 II, the GFX 100S has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon Z50 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 100-204800.

In terms of underlying technology, the GFX 100S is build around a BSI-CMOS sensor, while the Z50 II uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
2.		Nikon Z50 II	APS-C	20.7	5568	3712	4K/60p	24.3	14.1	2467	86
3.		Canon R3	Full Frame	24.0	6000	4000	6K/60p	25.0	14.7	4086	96
4.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
5.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
6.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
7.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
8.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
9.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
10.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
11.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
12.		Nikon D5200	APS-C	24.0	6000	4000	1080/60i	24.2	13.9	1284	84
13.		Nikon D5300	APS-C	24.0	6000	4000	1080/60p	24.0	13.9	1338	83
14.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
15.		Nikon Z50	APS-C	20.7	5568	3712	4K/30p	24.1	13.6	1963	84
16.		Nikon Z fc	APS-C	20.7	5568	3712	4K/30p	24.2	13.8	2131	85
17.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z50 II provides a faster frame rate than the GFX 100S. It can shoot movie footage at 4K/60p, while the Fujifilm is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 100S offers a substantially higher resolution than the one in the Z50 II (3690k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100S, the Nikon Z50 II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
2.		Nikon Z50 II	2360	n	3.2 / 1040	swivel	Y	1/4000s	11.0/s	Y	n
3.		Canon R3	5760	Y	3.2 / 4150	swivel	Y	1/8000s	12.0/s	n	Y
4.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
6.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
7.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
9.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
10.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
11.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
12.		Nikon D5200	optical	n	3.0 / 921	swivel	n	1/4000s	5.0/s	Y	n
13.		Nikon D5300	optical	n	3.2 / 1037	swivel	n	1/4000s	5.0/s	Y	n
14.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
15.		Nikon Z50	2360	n	3.2 / 1040	tilting	Y	1/4000s	11.0/s	Y	n
16.		Nikon Z fc	2360	Y	3.0 / 1040	swivel	Y	1/4000s	11.0/s	n	n
17.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	30.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 100S, but is missing on the Z50 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100S and the Nikon Z50 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 100S and the Z50 II write their files to SDXC cards. The GFX 100S features dual card slots, which can be very useful in case a memory card fails. In contrast, the Z50 II only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100S and Nikon Z50 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Nikon Z50 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
3.		Canon R3	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
5.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
6.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
7.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
8.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
10.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
11.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
12.		Nikon D5200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
13.		Nikon D5300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
14.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
15.		Nikon Z50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
16.		Nikon Z fc	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
17.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

Studio photographers will appreciate that the Fujifilm GFX 100S (unlike the Z50 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 100S and the Z50 II are recent models that are part of the current product line-up. The GFX 100S replaced the earlier Fujifilm GFX 100, while the Z50 II followed on from the Nikon Z50. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 100S and the Nikon Z50 II? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Fujifilm GFX 100S:

• More detail: Offers more megapixels (101.8 vs 20.7MP) with a 118% higher linear resolution.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.68x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
• Longer lasting: Can take more shots (460 versus 250) on a single battery charge.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been available for much longer (launched in January 2021).

Reasons to prefer the Nikon Z50 II:

• Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (127x97mm vs 150x104mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 350g or 39 percent) and is thus easier to take along.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (85 percent cheaper at launch).
• More modern: Reflects 3 years and 9 months of technical progress since the GFX 100S launch.

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100S emerges as the winner of the contest (11 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100S and the Nikon Z50 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 100S and the Z50 II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
2.		Nikon Z50 II	..	..	..	88/100	..	..	Nov 2024	US$ 909	amazon.com
3.		Canon R3	5/5	o	4.5/5	..	5/5	4.5/5	Sep 2021	US$ 5 999	amazon.com
4.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
5.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
6.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
7.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
8.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
9.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	US$ 4 999	amazon.com
10.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	US$ 5 749	ebay.com
11.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
12.		Nikon D5200	4/5	+ +	..	79/100	4.5/5	4.5/5	Nov 2012	US$ 749	ebay.com
13.		Nikon D5300	4/5	+ +	..	79/100	4.5/5	4.5/5	Oct 2013	US$ 799	ebay.com
14.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	US$ 899	ebay.com
15.		Nikon Z50	5/5	..	5/5	85/100	4.5/5	4.5/5	Oct 2019	US$ 859	amazon.com
16.		Nikon Z fc	4/5	..	4.5/5	86/100	5/5	4.5/5	Jun 2021	US$ 959	amazon.com
17.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	US$ 6 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check GFX 100S price at
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Check Z50 II price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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