Fujifilm GFX 50S II vs Sony RX1R III

The Fujifilm GFX 50S II and the Sony Cyber-shot DSC-RX1R III are two digital cameras that were announced, respectively, in September 2021 and July 2025. The GFX 50S II is a mirrorless interchangeable lens camera, while the RX1R III is a fixed lens compact. The cameras are based on a medium format (GFX 50S II) and a full frame (RX1R III) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Sony provides 60.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 50S II		Sony RX1R III
Mirrorless system camera		Fixed lens compact camera
Fujifilm G mount lenses		35mm f/2.0
51.1 MP – Medium Format sensor		60.2 MP – Full Frame sensor
1080/30p Video		4K/30p Video
ISO 100-12,800 (50 - 102,400)		ISO 100-32,000 (50 - 102,400)
Electronic viewfinder (3690k dots)		Electronic viewfinder (2360k dots)
3.2" LCD – 2360k dots		3.0" LCD – 2360k dots
Fully flexible touchscreen		Fixed touchscreen
3 shutter flaps per second		5 shutter flaps per second
In-body stabilization		no shake reduction
Weathersealed body		Weathersealed body
440 shots per battery charge		300 shots per battery charge
150 x 104 x 87 mm, 900 g		113 x 68 x 88 mm, 498 g

Check GFX 50S II price at
amazon.com
Check RX1R III price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S II and the Sony Cyber-shot DSC-RX1R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S II and the Sony RX1R III. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1R III is considerably smaller (51 percent) than the Fujifilm GFX 50S II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX1R III has a lens built in, whereas the GFX 50S II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the GFX 50S II gets 440 shots out of its Fujifilm NP-W235 battery, while the RX1R III can take 300 images on a single charge of its Sony NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
2.		Sony RX1R III	113 mm	68 mm	88 mm	498 g	300	Y	Jul 2025	US$ 5 099	amazon.com
3.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	US$ 3 899	amazon.com
4.		Canon R5 C	142 mm	101 mm	111 mm	770 g	320	Y	Jan 2022	US$ 4 499	amazon.com
5.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
6.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
7.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
8.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
9.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
10.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	US$ 4 999	amazon.com
11.		Leica Q3	130 mm	80 mm	93 mm	743 g	350	Y	May 2023	US$ 5 999	amazon.com
12.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	US$ 3 699	ebay.com
13.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	US$ 6 499	amazon.com
14.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	US$ 1 699	ebay.com
15.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	US$ 2 299	ebay.com
16.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	US$ 2 499	ebay.com
17.		Sony RX1R II	113 mm	65 mm	72 mm	507 g	220	n	Oct 2015	US$ 3 299	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S II features a medium format sensor and the Sony RX1R III a full frame sensor. The sensor area in the RX1R III is 41 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 50S II has a native 4:3 aspect ratio, while the one in the RX1R III offers a 3:2 aspect.

Despite having a smaller sensor, the RX1R III offers a higher resolution of 60.2 megapixels, compared with 51.1 MP of the GFX 50S II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 5.33μm for the GFX 50S II). However, it should be noted that the RX1R III is much more recent (by 3 years and 10 months) than the GFX 50S II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Sony RX1R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX1R III for good quality output (200 dots per inch) amounts to 47.5 x 31.7 inches or 120.7 x 80.5 cm, for very good quality (250 dpi) 38 x 25.3 inches or 96.6 x 64.4 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inches or 80.5 x 53.6 cm. The corresponding values for the Fujifilm GFX 50S II are 41.3 x 31 inches or 104.9 x 78.6 cm for good quality, 33 x 24.8 inches or 83.9 x 62.9 cm for very good quality, and 27.5 x 20.6 inches or 69.9 x 52.4 cm for excellent quality prints.

The RX1R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the RX1R III, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 50S II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the GFX 50S II is build around a CMOS sensor, while the RX1R III uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
2.		Sony RX1R III	Full Frame	60.2	9504	6336	4K/30p	25.4	14.9	3417	97
3.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
4.		Canon R5 C	Full Frame	44.8	8192	5464	8k/60p	25.4	14.5	3082	96
5.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
6.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
7.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
8.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
9.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
10.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
11.		Leica Q3	Full Frame	60.3	9528	6328	8K/30p	25.4	14.7	3216	96
12.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
13.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
14.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
15.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
16.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
17.		Sony RX1R II	Full Frame	42.2	7952	5304	1080/60p	25.8	13.9	3204	97
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RX1R III provides a better video resolution than the GFX 50S II. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 50S II offers a substantially higher resolution than the one in the RX1R III (3690k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S II, the Sony RX1R III, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
2.		Sony RX1R III	2360	n	3.0 / 2360	fixed	Y	1/4000s	5.0/s	n	n
3.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon R5 C	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	n
5.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
6.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
7.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
9.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
10.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
11.		Leica Q3	5760	n	3.0 / 1840	tilting	Y	1/2000s	15.0/s	n	Y
12.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
13.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	30.0/s	n	Y
14.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
15.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
16.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
17.		Sony RX1R II	2360	n	3.0 / 1229	tilting	n	1/4000s	5.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 50S II, but is missing on the RX1R III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S II and the Sony RX1R III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 50S II and the RX1R III write their files to SDXC cards. The GFX 50S II features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX1R III only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S II and Sony Cyber-shot DSC-RX1R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
2.		Sony RX1R III	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon R5 C	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
5.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
6.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
7.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
8.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
10.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Leica Q3	Y	stereo / mono	-	-	micro	3.1	Y	-	Y
12.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
13.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony RX1R II	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-

Studio photographers will appreciate that the Fujifilm GFX 50S II (unlike the RX1R III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 50S II and the RX1R III are recent models that are part of the current product line-up. The GFX 50S II replaced the earlier Fujifilm GFX 50S, while the RX1R III followed on from the Sony RX1R II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.

Review summary

So how do things add up? Is the Fujifilm GFX 50S II better than the Sony RX1R III or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Fujifilm GFX 50S II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.7x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Longer lasting: Can take more shots (440 versus 300) on a single battery charge.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been available for much longer (launched in September 2021).

Arguments in favor of the Sony Cyber-shot DSC-RX1R III:

• More detail: Has more megapixels (60.2 vs 51.1MP), which boosts linear resolution by 11%.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has an integrated lens, whereas the GFX 50S II necessitates an extra lens.
• More compact: Is smaller (113x68mm vs 150x104mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 50S II).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Reflects 3 years and 10 months of technical progress since the GFX 50S II launch.

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S II is the clear winner of the match-up (16 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 50S II and the Sony RX1R III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the GFX 50S II or the RX1R III perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
2.		Sony RX1R III	..	..	..	..	..	..	Jul 2025	US$ 5 099	amazon.com
3.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	US$ 3 899	amazon.com
4.		Canon R5 C	..	+ +	..	..	..	..	Jan 2022	US$ 4 499	amazon.com
5.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
6.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
7.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
8.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
9.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
10.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	US$ 4 999	amazon.com
11.		Leica Q3	5/5	..	4.5/5	..	..	4.5/5	May 2023	US$ 5 999	amazon.com
12.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	US$ 3 699	ebay.com
13.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	US$ 6 499	amazon.com
14.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	US$ 1 699	ebay.com
15.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	US$ 2 299	ebay.com
16.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	US$ 2 499	ebay.com
17.		Sony RX1R II	5/5	..	..	82/100	..	4.5/5	Oct 2015	US$ 3 299	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check GFX 50S II price at
amazon.com
Check RX1R III price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

~

Check GFX 50S II price at
amazon.com
Check RX1R III price at
amazon.com

Did you notice an error on this page? If so, please get in touch, so that we can correct the information.