Fujifilm GFX 50S vs X-T2

The Fujifilm GFX 50S and the Fujifilm X-T2 are two digital cameras that were revealed to the public, respectively, in September 2016 and July 2016. Both the GFX 50S and the X-T2 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50S) and an APS-C (X-T2) sensor. The GFX 50S has a resolution of 51.1 megapixels, whereas the X-T2 provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 50S		Fujifilm X-T2
Mirrorless system camera		Mirrorless system camera
Fujifilm G mount lenses		Fujifilm X mount lenses
51.1 MP – Medium Format sensor		24 MP – APS-C sensor
1080/30p Video		4K/30p Video
ISO 100-12,800 (50 - 102,400)		ISO 200-12,800 (100 - 51,200)
Viewfinder optional		Electronic viewfinder (2360k dots)
3.2" LCD – 2360k dots		3.0" LCD – 1040k dots
Fully flexible touchscreen		Fully flexible screen (no touchscreen)
3 shutter flaps per second		8 shutter flaps per second
Weathersealed body		Weathersealed body
400 shots per battery charge		340 shots per battery charge
148 x 94 x 91 mm, 740 g		133 x 92 x 49 mm, 507 g

Check GFX 50S offers at
ebay.com
Check X-T2 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Fujifilm X-T2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 50S and the Fujifilm X-T2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The X-T2 can be obtained in two different colors (black, silver), while the GFX 50S is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T2 is notably smaller (12 percent) than the Fujifilm GFX 50S. Moreover, the X-T2 is markedly lighter (31 percent) than the GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S gets 400 shots out of its Fujifilm NP-T125 battery, while the X-T2 can take 340 images on a single charge of its Fujifilm NP-W126S power pack. The power pack in the X-T2 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
2.		Fujifilm X-T2	133 mm	92 mm	49 mm	507 g	340	Y	Jul 2016	US$ 1 599	ebay.com
3.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	US$ 3 499	amazon.com
4.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
5.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
6.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
7.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	US$ 1 699	ebay.com
8.		Fujifilm X-Pro3	141 mm	83 mm	46 mm	497 g	440	Y	Oct 2019	US$ 1 799	amazon.com
9.		Fujifilm X-T1	129 mm	90 mm	47 mm	440 g	350	Y	Jan 2014	US$ 1 299	ebay.com
10.		Fujifilm X-T3	133 mm	93 mm	59 mm	539 g	390	Y	Sep 2018	US$ 1 499	ebay.com
11.		Fujifilm X100V	128 mm	75 mm	53 mm	478 g	420	Y	Feb 2020	US$ 1 399	ebay.com
12.		Hasselblad X1D	150 mm	98 mm	71 mm	725 g	..	Y	Jun 2016	US$ 8 995	ebay.com
13.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	US$ 5 749	ebay.com
14.		Leica M10	139 mm	80 mm	39 mm	660 g	210	Y	Jan 2017	US$ 6 599	ebay.com
15.		Leica Q3	130 mm	80 mm	93 mm	743 g	350	Y	May 2023	US$ 5 999	amazon.com
16.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	US$ 7 449	ebay.com
17.		Nikon D7500	136 mm	104 mm	73 mm	720 g	950	Y	Apr 2017	US$ 1 299	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-T2 was launched at a markedly lower price (by 75 percent) than the GFX 50S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Fujifilm X-T2 an APS-C sensor. The sensor area in the X-T2 is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the X-T2 offers a 3:2 aspect.

Technology-wise, the X-T2 uses a more advanced image processing engine (X-Processor Pro2) than the GFX 50S (X Processor Pro), with benefits for noise reduction, color accuracy, and processing speed.

With 51.1MP, the GFX 50S offers a higher resolution than the X-T2 (24MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.92μm for the X-T2) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Fujifilm X-T2 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The X-T2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-T2 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the GFX 50S uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-T2 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
2.		Fujifilm X-T2	APS-C	24.0	6000	4000	4K/30p	23.8	13.1	1653	81
3.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
4.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
5.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
6.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
7.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
8.		Fujifilm X-Pro3	APS-C	26.0	6240	4160	4K/30p	24.1	13.6	1968	84
9.		Fujifilm X-T1	APS-C	16.0	4896	3264	1080/60p	23.5	12.7	1426	77
10.		Fujifilm X-T3	APS-C	26.0	6240	4160	4K/60p	24.0	13.4	1853	83
11.		Fujifilm X100V	APS-C	26.0	6240	4160	4K/30p	24.2	13.6	1996	84
12.		Hasselblad X1D	Medium Format	51.3	8272	6200	1080/25p	26.2	14.8	4489	102
13.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
14.		Leica M10	Full Frame	23.8	5952	3992	none	24.4	13.2	2133	86
15.		Leica Q3	Full Frame	60.3	9528	6328	8K/30p	25.4	14.7	3216	96
16.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
17.		Nikon D7500	APS-C	20.7	5568	3712	4K/30p	24.3	14.0	1483	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-T2 provides a better video resolution than the GFX 50S. It can shoot movie footage at 4K/30p, while the GFX 50S is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-T2 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The table below summarizes some of the other core capabilities of the Fujifilm GFX 50S and Fujifilm X-T2 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
2.		Fujifilm X-T2	2360	n	3.0 / 1040	full-flex	n	1/8000s	8.0/s	n	n
3.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
4.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
6.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
7.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
8.		Fujifilm X-Pro3	3690	n	3.0 / 1620	tilting	Y	1/8000s	8.0/s	n	n
9.		Fujifilm X-T1	2360	n	3.0 / 1040	tilting	n	1/4000s	8.0/s	n	n
10.		Fujifilm X-T3	3690	n	3.0 / 1040	full-flex	Y	1/8000s	11.0/s	n	n
11.		Fujifilm X100V	3690	n	3.0 / 1620	tilting	Y	1/4000s	11.0/s	n	n
12.		Hasselblad X1D	2360	n	3.0 / 920	fixed	Y	1/2000s	2.3/s	n	n
13.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
14.		Leica M10	optical	n	3.0 / 1037	fixed	n	1/4000s	5.0/s	n	n
15.		Leica Q3	5760	n	3.0 / 1840	tilting	Y	1/2000s	15.0/s	n	Y
16.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
17.		Nikon D7500	optical	Y	3.2 / 922	tilting	Y	1/8000s	8.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 50S, but is missing on the X-T2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S and the Fujifilm X-T2 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 50S and the X-T2 write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both the GFX 50S and the X-T2 support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s, on both slots.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Fujifilm X-T2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
2.		Fujifilm X-T2	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
3.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
4.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
5.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
6.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
7.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
8.		Fujifilm X-Pro3	Y	stereo / mono	Y	-	-	3.1	Y	-	Y
9.		Fujifilm X-T1	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
10.		Fujifilm X-T3	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
11.		Fujifilm X100V	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
12.		Hasselblad X1D	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
13.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
14.		Leica M10	Y	- / -	-	-	-	-	Y	-	-
15.		Leica Q3	Y	stereo / mono	-	-	micro	3.1	Y	-	Y
16.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-
17.		Nikon D7500	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y

It is notable that the GFX 50S has a headphone jack, which is not present on the X-T2 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the GFX 50S and the X-T2 have been discontinued, but can regularly be found used on ebay. The X-T2 was replaced by the Fujifilm X-T3 , while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the features and operation of the GFX 50S and X-T2 can be found, respectively, in the Fujifilm GFX 50S Manual (free pdf) or the online Fujifilm X-T2 Manual.

Review summary

So what conclusions can be drawn? Is the Fujifilm GFX 50S better than the Fujifilm X-T2 or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Fujifilm GFX 50S:

• More detail: Offers more megapixels (51.1 vs 24MP) with a 43% higher linear resolution.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Longer lasting: Can take more shots (400 versus 340) on a single battery charge.

Advantages of the Fujifilm X-T2:

• Better jpgs: Has a more modern image processing engine (X-Processor Pro2 vs X Processor Pro).
• Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (133x92mm vs 148x94mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 233g or 31 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S comes out slightly ahead of the X-T2 (11 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Fujifilm X-T2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 50S or the X-T2. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
2.		Fujifilm X-T2	5/5	+ +	..	86/100	4.5/5	5/5	Jul 2016	US$ 1 599	ebay.com
3.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	US$ 3 499	amazon.com
4.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
5.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
6.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
7.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	US$ 1 699	ebay.com
8.		Fujifilm X-Pro3	4/5	+	4/5	85/100	4/5	..	Oct 2019	US$ 1 799	amazon.com
9.		Fujifilm X-T1	5/5	+ +	..	84/100	5/5	5/5	Jan 2014	US$ 1 299	ebay.com
10.		Fujifilm X-T3	5/5	+ +	4.5/5	88/100	5/5	5/5	Sep 2018	US$ 1 499	ebay.com
11.		Fujifilm X100V	5/5	+ +	4.5/5	86/100	5/5	4.5/5	Feb 2020	US$ 1 399	ebay.com
12.		Hasselblad X1D	..	o	..	81/100	..	4/5	Jun 2016	US$ 8 995	ebay.com
13.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	US$ 5 749	ebay.com
14.		Leica M10	4.5/5	..	..	..	4/5	4.5/5	Jan 2017	US$ 6 599	ebay.com
15.		Leica Q3	5/5	..	4.5/5	..	..	4.5/5	May 2023	US$ 5 999	amazon.com
16.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	US$ 7 449	ebay.com
17.		Nikon D7500	4.5/5	+ +	4.5/5	86/100	5/5	4.5/5	Apr 2017	US$ 1 299	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check GFX 50S offers at
ebay.com
Check X-T2 offers at
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