Fujifilm X-E2 vs Sony NEX-5R

The Fujifilm X-E2 and the Sony Alpha NEX-5R are two digital cameras that were revealed to the public, respectively, in October 2013 and August 2012. Both the X-E2 and the NEX-5R are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 16 megapixels.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X-E2		Sony NEX-5R
Mirrorless system camera		Mirrorless system camera
Fujifilm X mount lenses		Sony E mount lenses
16 MP – APS-C sensor		16 MP – APS-C sensor
1080/60p Video		1080/60i Video
ISO 200-6,400 (100 - 51,200)		ISO 100-25,600
Electronic viewfinder (2360k dots)		Viewfinder optional
3.0" LCD – 1040k dots		3.0" LCD – 920k dots
Fixed screen (not touch-sensitive)		Tilting touchscreen
7 shutter flaps per second		10 shutter flaps per second
350 shots per battery charge		330 shots per battery charge
129 x 75 x 37 mm, 350 g		111 x 59 x 39 mm, 276 g

Check X-E2 offers at
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Check NEX-5R offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E2 and the Sony Alpha NEX-5R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm X-E2 and the Sony NEX-5R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

Both cameras are available in two different colors (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5R is considerably smaller (32 percent) than the Fujifilm X-E2. Moreover, the NEX-5R is markedly lighter (21 percent) than the X-E2. In this context, it is worth noting that neither the X-E2 nor the NEX-5R are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-E2) and the Sony E-Mount Lens Catalog (NEX-5R). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the X-E2 gets 350 shots out of its Fujifilm NP-W126 battery, while the NEX-5R can take 330 images on a single charge of its Sony NP-FW50 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm X-E2	129 mm	75 mm	37 mm	350 g	350	n	Oct 2013	US$ 999	ebay.com
2.		Sony NEX-5R	111 mm	59 mm	39 mm	276 g	330	n	Aug 2012	US$ 749	ebay.com
3.		Fujifilm X-A1	117 mm	67 mm	39 mm	330 g	350	n	Sep 2013	US$ 399	ebay.com
4.		Fujifilm X-A2	117 mm	67 mm	40 mm	350 g	410	n	Jan 2015	US$ 399	ebay.com
5.		Fujifilm X-A10	117 mm	67 mm	40 mm	331 g	410	n	Dec 2016	US$ 399	ebay.com
6.		Fujifilm X-E1	129 mm	75 mm	38 mm	350 g	350	n	Sep 2012	US$ 999	ebay.com
7.		Fujifilm X-E2S	129 mm	75 mm	37 mm	350 g	350	n	Jan 2016	US$ 699	ebay.com
8.		Fujifilm X-M1	117 mm	67 mm	39 mm	330 g	350	n	Jun 2013	US$ 699	ebay.com
9.		Fujifilm X-Pro1	140 mm	82 mm	43 mm	450 g	300	n	Jan 2012	US$ 1 699	ebay.com
10.		Fujifilm X-T10	118 mm	83 mm	41 mm	381 g	350	n	May 2015	US$ 799	ebay.com
11.		Fujifilm X-T20	118 mm	83 mm	41 mm	383 g	350	n	Jan 2017	US$ 899	ebay.com
12.		Ricoh GR	117 mm	61 mm	35 mm	245 g	290	n	Apr 2013	US$ 799	ebay.com
13.		Sony NEX-3	117 mm	62 mm	33 mm	297 g	330	n	May 2010	US$ 599	ebay.com
14.		Sony NEX-3N	110 mm	62 mm	35 mm	269 g	480	n	Feb 2013	US$ 499	ebay.com
15.		Sony NEX-5N	111 mm	59 mm	38 mm	269 g	460	n	Aug 2011	US$ 699	ebay.com
16.		Sony NEX-5T	111 mm	59 mm	39 mm	276 g	330	n	Aug 2013	US$ 699	ebay.com
17.		Sony NEX-6	120 mm	67 mm	43 mm	345 g	360	n	Sep 2012	US$ 999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The NEX-5R was launched at a somewhat lower price (by 25 percent) than the X-E2, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-5R is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Even though the X-E2 has a slightly larger sensor, both cameras offer the same resolution of 16 megapixels. This implies that the X-E2 has a lower pixel density and larger individual pixels (with a pixel pitch of 4.80μm versus 4.78μm for the NEX-5R), which gives it a potential advantage in terms of light gathering capacity. In addition, the X-E2 is a somewhat more recent model (by 1 year and 1 month) than the NEX-5R, and its sensor might have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the X-E2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The X-E2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm X-E2 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha NEX-5R are ISO 100 to ISO 25600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X-E2 uses Fujifilm's X-Trans layout of photosites, while the NEX-5R employs the more common Bayer array.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X-E2	APS-C	16.0	4896	3264	1080/60p	23.4	12.6	1400	77
2.		Sony NEX-5R	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	910	78
3.		Fujifilm X-A1	APS-C	16.0	4896	3264	1080/30p	23.4	12.6	1390	76
4.		Fujifilm X-A2	APS-C	16.0	4896	3264	1080/30p	23.6	12.8	1515	79
5.		Fujifilm X-A10	APS-C	16.0	4896	3264	1080/30p	23.9	13.2	1691	81
6.		Fujifilm X-E1	APS-C	16.0	4896	3264	1080/24p	23.2	12.4	1298	75
7.		Fujifilm X-E2S	APS-C	16.0	4896	3264	1080/60p	23.7	13.0	1608	80
8.		Fujifilm X-M1	APS-C	16.0	4896	3264	1080/30p	23.4	12.6	1371	76
9.		Fujifilm X-Pro1	APS-C	16.0	4896	3264	1080/24p	23.1	12.3	1238	74
10.		Fujifilm X-T10	APS-C	16.0	4896	3264	1080/60p	23.7	12.9	1546	79
11.		Fujifilm X-T20	APS-C	24.0	6000	4000	4K/30p	23.9	13.2	1704	81
12.		Ricoh GR	APS-C	16.1	4928	3264	1080/30p	23.6	13.5	972	78
13.		Sony NEX-3	APS-C	14.0	4592	3056	720/30p	22.1	12.0	830	68
14.		Sony NEX-3N	APS-C	16.0	4912	3264	1080/60i	22.8	12.5	1067	74
15.		Sony NEX-5N	APS-C	16.0	4912	3264	1080/60i	23.6	12.7	1079	77
16.		Sony NEX-5T	APS-C	16.0	4912	3264	1080/60p	23.6	13.0	1015	78
17.		Sony NEX-6	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	1018	78
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the X-E2 provides a higher frame rate than the NEX-5R. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-E2 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-5R relies on live view and the rear LCD for framing. That said, the NEX-5R can be equipped with an optional viewfinder – the FDA-EV1S. The table below summarizes some of the other core capabilities of the Fujifilm X-E2 and Sony NEX-5R in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X-E2	2360	n	3.0 / 1040	fixed	n	1/4000s	7.0/s	Y	n
2.		Sony NEX-5R	optional	n	3.0 / 920	tilting	Y	1/4000s	10.0/s	n	n
3.		Fujifilm X-A1	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
4.		Fujifilm X-A2	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
5.		Fujifilm X-A10	none	n	3.0 / 1040	tilting	n	1/4000s	6.0/s	Y	n
6.		Fujifilm X-E1	2360	n	2.8 / 460	fixed	n	1/4000s	6.0/s	Y	n
7.		Fujifilm X-E2S	2360	n	3.0 / 1040	fixed	n	1/4000s	7.0/s	Y	n
8.		Fujifilm X-M1	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
9.		Fujifilm X-Pro1	1440	n	3.0 / 1230	fixed	n	1/4000s	6.0/s	n	n
10.		Fujifilm X-T10	2360	n	3.0 / 920	tilting	n	1/4000s	8.0/s	Y	n
11.		Fujifilm X-T20	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
12.		Ricoh GR	optional	n	3.0 / 1230	fixed	n	1/4000s	4.0/s	Y	n
13.		Sony NEX-3	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
14.		Sony NEX-3N	optional	n	3.0 / 460	tilting	n	1/4000s	4.0/s	Y	n
15.		Sony NEX-5N	optional	n	3.0 / 920	tilting	Y	1/4000s	10.0/s	n	n
16.		Sony NEX-5T	optional	n	3.0 / 922	tilting	Y	1/4000s	10.0/s	n	n
17.		Sony NEX-6	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The X-E2 has one, while the NEX-5R does not. While the built-in flash of the X-E2 is not very powerful, it can at times be useful as a fill-in light.

The Fujifilm X-E2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The X-E2 writes its imaging data to SDXC cards, while the NEX-5R uses SDXC or Memory Stick PRO Duo cards. The X-E2 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-5R cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E2 and Sony Alpha NEX-5R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X-E2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
2.		Sony NEX-5R	Y	stereo / mono	-	-	mini	2.0	Y	-	-
3.		Fujifilm X-A1	Y	stereo / mono	-	-	mini	2.0	Y	-	-
4.		Fujifilm X-A2	Y	stereo / mono	-	-	mini	2.0	Y	-	-
5.		Fujifilm X-A10	-	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Fujifilm X-E1	Y	stereo / mono	Y	-	mini	2.0	-	-	-
7.		Fujifilm X-E2S	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
8.		Fujifilm X-M1	Y	stereo / mono	-	-	mini	2.0	Y	-	-
9.		Fujifilm X-Pro1	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Fujifilm X-T10	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
11.		Fujifilm X-T20	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Ricoh GR	Y	mono / mono	-	-	micro	2.0	-	-	-
13.		Sony NEX-3	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Sony NEX-3N	-	stereo / mono	-	-	micro	2.0	-	-	-
15.		Sony NEX-5N	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Sony NEX-5T	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
17.		Sony NEX-6	Y	stereo / mono	-	-	mini	2.0	Y	-	-

It is notable that the X-E2 has a microphone port, which is missing on the NEX-5R. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Both the X-E2 and the NEX-5R have been discontinued, but can regularly be found used on ebay. The NEX-5R was replaced by the Sony NEX-5T, while the X-E2 was followed by the Fujifilm X-E2S. Further information on the features and operation of the X-E2 and NEX-5R can be found, respectively, in the Fujifilm X-E2 Manual (free pdf) or the online Sony NEX-5R Manual.

Review summary

So how do things add up? Is there a clear favorite between the Fujifilm X-E2 and the Sony NEX-5R? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Fujifilm X-E2:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Is somewhat more recent (announced 1 year and 1 month after the NEX-5R).

Reasons to prefer the Sony Alpha NEX-5R:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (111x59mm vs 129x75mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 74g or 21 percent) and is thus easier to take along.
• More affordable: Was released into a lower priced segment (25 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in August 2012).

If the count of relative strengths (bullet points above) is taken as a measure, the X-E2 comes out slightly ahead of the NEX-5R (10 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X-E2 and the Sony NEX-5R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the X-E2 and the NEX-5R in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm X-E2	4/5	..	..	80/100	4.5/5	5/5	Oct 2013	US$ 999	ebay.com
2.		Sony NEX-5R	..	..	..	..	4.5/5	4.5/5	Aug 2012	US$ 749	ebay.com
3.		Fujifilm X-A1	..	..	..	..	4.5/5	4.5/5	Sep 2013	US$ 399	ebay.com
4.		Fujifilm X-A2	4/5	..	..	..	4.5/5	4.5/5	Jan 2015	US$ 399	ebay.com
5.		Fujifilm X-A10	..	..	..	..	4/5	4/5	Dec 2016	US$ 399	ebay.com
6.		Fujifilm X-E1	4/5	+ +	..	79/100	4.5/5	4.5/5	Sep 2012	US$ 999	ebay.com
7.		Fujifilm X-E2S	4.5/5	..	..	77/100	4.5/5	4.5/5	Jan 2016	US$ 699	ebay.com
8.		Fujifilm X-M1	3/5	+	..	77/100	4.5/5	4.5/5	Jun 2013	US$ 699	ebay.com
9.		Fujifilm X-Pro1	5/5	+ +	..	79/100	4.5/5	4.5/5	Jan 2012	US$ 1 699	ebay.com
10.		Fujifilm X-T10	4.5/5	+ +	..	80/100	5/5	5/5	May 2015	US$ 799	ebay.com
11.		Fujifilm X-T20	5/5	+ +	5/5	82/100	5/5	4.5/5	Jan 2017	US$ 899	ebay.com
12.		Ricoh GR	5/5	..	..	79/100	4.5/5	4.5/5	Apr 2013	US$ 799	ebay.com
13.		Sony NEX-3	..	..	..	70/100	4.5/5	4/5	May 2010	US$ 599	ebay.com
14.		Sony NEX-3N	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	US$ 499	ebay.com
15.		Sony NEX-5N	3/5	+ +	..	79/100	4.5/5	4.5/5	Aug 2011	US$ 699	ebay.com
16.		Sony NEX-5T	..	..	..	..	4.5/5	4.5/5	Aug 2013	US$ 699	ebay.com
17.		Sony NEX-6	5/5	+ +	..	78/100	4.5/5	4.5/5	Sep 2012	US$ 999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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