Fujifilm X-E5 vs Panasonic S1 II

The Fujifilm X-E5 and the Panasonic Lumix DC-S1 II are two digital cameras that were announced, respectively, in June 2025 and May 2025. Both the X-E5 and the S1 II are mirrorless interchangeable lens cameras that are based on an APS-C (X-E5) and a full frame (S1 II) sensor. The Fujifilm has a resolution of 39.8 megapixels, whereas the Panasonic provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X-E5		Panasonic S1 II
Mirrorless system camera		Mirrorless system camera
Fujifilm X mount lenses		Leica L mount lenses
39.8 MP – APS-C sensor		24 MP – Full Frame sensor
6.2k/30p Video		6K/30p Video
ISO 125-12,800 (64 - 51,200)		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (2360k dots)		Electronic viewfinder (5760k dots)
3.0" LCD – 1040k dots		3.2" LCD – 1840k dots
Tilting touchscreen		Fully flexible touchscreen
8 shutter flaps per second		10 shutter flaps per second
In-body stabilization		In-body stabilization
not weather sealed		Weathersealed body
305 shots per battery charge		350 shots per battery charge
125 x 73 x 39 mm, 445 g		134 x 102 x 92 mm, 800 g

Check X-E5 price at
amazon.com
Check S1 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E5 and the Panasonic Lumix DC-S1 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm X-E5 and the Panasonic S1 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The X-E5 can be obtained in two different colors (black, silver), while the S1 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1 II is considerably larger (50 percent) than the Fujifilm X-E5. Moreover, the S1 II is substantially heavier (80 percent) than the X-E5. It is noteworthy in this context that the S1 II is splash and dust-proof, while the X-E5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the X-E5 gets 305 shots out of its Fujifilm NP-W126S battery, while the S1 II can take 350 images on a single charge of its Panasonic DMW-BLK22 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm X-E5	125 mm	73 mm	39 mm	445 g	305	n	Jun 2025	US$ 1 699	amazon.com
2.		Panasonic S1 II	134 mm	102 mm	92 mm	800 g	350	Y	May 2025	US$ 3 199	amazon.com
3.		Fujifilm X-E4	121 mm	73 mm	33 mm	364 g	380	n	Jan 2021	US$ 849	ebay.com
4.		Fujifilm X-H2	136 mm	93 mm	85 mm	660 g	680	Y	Sep 2022	US$ 1 999	amazon.com
5.		Fujifilm X-Pro1	140 mm	82 mm	43 mm	450 g	300	n	Jan 2012	US$ 1 699	ebay.com
6.		Fujifilm X-S10	126 mm	85 mm	65 mm	465 g	325	n	Oct 2020	US$ 999	amazon.com
7.		Fujifilm X-S20	128 mm	85 mm	65 mm	491 g	750	n	May 2023	US$ 1 299	amazon.com
8.		Fujifilm X-T5	130 mm	91 mm	64 mm	557 g	580	Y	Nov 2022	US$ 1 699	amazon.com
9.		Fujifilm X-T30 II	118 mm	83 mm	47 mm	383 g	380	n	Sep 2021	US$ 899	ebay.com
10.		Fujifilm X-T50	124 mm	84 mm	49 mm	438 g	305	n	May 2024	US$ 1 399	amazon.com
11.		Fujifilm X100VI	128 mm	75 mm	55 mm	521 g	450	Y	Feb 2024	US$ 1 599	amazon.com
12.		Leica SL3-S	141 mm	108 mm	85 mm	852 g	315	Y	Jan 2025	US$ 5 299	amazon.com
13.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	US$ 2 499	ebay.com
14.		Panasonic S1R II	134 mm	102 mm	92 mm	795 g	350	Y	May 2025	US$ 3 299	amazon.com
15.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	US$ 1 999	amazon.com
16.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	US$ 1 999	amazon.com
17.		Panasonic S9	126 mm	74 mm	47 mm	486 g	470	n	May 2024	US$ 1 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-E5 was launched at a markedly lower price (by 47 percent) than the S1 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm X-E5 features an APS-C sensor and the Panasonic S1 II a full frame sensor. The sensor area in the S1 II is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the Fujifilm X-E5 offers a higher resolution of 39.8 megapixels, compared with 24 MP of the Panasonic S1 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.04μm versus 5.97μm for the S1 II). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm X-E5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E5 for good quality output (200 dots per inch) amounts to 38.6 x 25.8 inches or 98.1 x 65.4 cm, for very good quality (250 dpi) 30.9 x 20.6 inches or 78.5 x 52.3 cm, and for excellent quality (300 dpi) 25.8 x 17.2 inches or 65.4 x 43.6 cm. The corresponding values for the Panasonic S1 II are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

Unlike the X-E5, the S1 II has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm X-E5 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 64-51200. The corresponding ISO settings for the Panasonic Lumix DC-S1 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. The X-E5 uses Fujifilm's X-Trans layout of photosites, while the S1 II employs the more common Bayer array.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X-E5	APS-C	39.8	7728	5152	6.2k/30p	24.3	14.2	2523	86
2.		Panasonic S1 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3406	97
3.		Fujifilm X-E4	APS-C	26.0	6240	4160	4K/30p	24.2	13.7	2085	85
4.		Fujifilm X-H2	APS-C	39.8	7728	5152	8k/30p	24.3	13.9	2249	86
5.		Fujifilm X-Pro1	APS-C	16.0	4896	3264	1080/24p	23.1	12.3	1238	74
6.		Fujifilm X-S10	APS-C	26.0	6240	4160	4K/30p	24.2	13.7	2057	85
7.		Fujifilm X-S20	APS-C	26.0	6240	4160	4K/60p	24.3	14.0	2315	86
8.		Fujifilm X-T5	APS-C	39.8	7728	5152	6.2k/30p	24.3	13.9	2264	86
9.		Fujifilm X-T30 II	APS-C	26.0	6240	4160	4K/30p	24.2	13.8	2144	85
10.		Fujifilm X-T50	APS-C	39.8	7728	5152	6.2k/30p	24.3	14.1	2418	86
11.		Fujifilm X100VI	APS-C	39.8	7728	5152	6.2K/30p	24.3	14.1	2397	86
12.		Leica SL3-S	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3383	97
13.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
14.		Panasonic S1R II	Full Frame	44.2	8144	5424	8K/30p	25.4	14.8	3406	97
15.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
16.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
17.		Panasonic S9	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3297	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S1 II provides a better video resolution than the X-E5. It can shoot movie footage at 6K/30p, while the Fujifilm is limited to 6.2k/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the S1 II offers a substantially higher resolution than the one in the X-E5 (5760k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-E5, the Panasonic S1 II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X-E5	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	n	Y
2.		Panasonic S1 II	5760	n	3.2 / 1840	full-flex	Y	1/8000s	10.0/s	n	Y
3.		Fujifilm X-E4	2360	n	3.0 / 1620	tilting	Y	1/4000s	8.0/s	n	n
4.		Fujifilm X-H2	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
5.		Fujifilm X-Pro1	1440	n	3.0 / 1230	fixed	n	1/4000s	6.0/s	n	n
6.		Fujifilm X-S10	2360	n	3.0 / 1040	swivel	Y	1/4000s	8.0/s	Y	Y
7.		Fujifilm X-S20	2360	n	3.0 / 1840	swivel	Y	1/4000s	8.0/s	Y	Y
8.		Fujifilm X-T5	3690	n	3.0 / 1840	tilting	Y	1/8000s	15.0/s	n	Y
9.		Fujifilm X-T30 II	2360	n	3.0 / 1620	tilting	Y	1/4000s	8.0/s	Y	n
10.		Fujifilm X-T50	2360	n	3.0 / 1840	tilting	Y	1/4000s	8.0/s	Y	Y
11.		Fujifilm X100VI	3690	n	3.0 / 1620	tilting	Y	1/4000s	11.0/s	n	Y
12.		Leica SL3-S	5760	Y	3.2 / 2333	tilting	Y	1/8000s	30.0/s	n	Y
13.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
14.		Panasonic S1R II	5760	n	3.2 / 1840	full-flex	Y	1/8000s	9.0/s	n	Y
15.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
16.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
17.		Panasonic S9	none	n	3.0 / 1840	swivel	Y	1/8000s	30.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-E5 and the Panasonic S1 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The X-E5 writes its imaging data to SDXC cards, while the S1 II uses CFexpress (type B) or SDXC cards. The S1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-E5 only has one slot. The S1 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the X-E5 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E5 and Panasonic Lumix DC-S1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X-E5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
2.		Panasonic S1 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Fujifilm X-E4	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
4.		Fujifilm X-H2	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
5.		Fujifilm X-Pro1	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Fujifilm X-S10	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
7.		Fujifilm X-S20	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Fujifilm X-T5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
9.		Fujifilm X-T30 II	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
10.		Fujifilm X-T50	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
11.		Fujifilm X100VI	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
12.		Leica SL3-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
13.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
14.		Panasonic S1R II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
16.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Panasonic S9	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y

It is notable that the S1 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-E5 lacks such a headphone port.

Studio photographers will appreciate that the Panasonic S1 II (unlike the X-E5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the X-E5 and the S1 II are recent models that are part of the current product line-up. The S1 II replaced the earlier Panasonic S1, while the X-E5 followed on from the Fujifilm X-E4. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.

Review summary

So what is the bottom line? Is there a clear favorite between the Fujifilm X-E5 and the Panasonic S1 II? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Fujifilm X-E5:

• More detail: Offers more megapixels (39.8 vs 24MP) with a 29% higher linear resolution.
• More compact: Is smaller (125x73mm vs 134x102mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 355g or 44 percent) and hence easier to carry around.
• More affordable: Was introduced into a lower priced category (47 percent cheaper at launch).

Reasons to prefer the Panasonic Lumix DC-S1 II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better video: Provides higher definition movie capture (6K/30p vs 6.2k/30p).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.62x).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1840k vs 1040k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
• Longer lasting: Gets more shots (350 versus 305) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).

If the count of relative strengths (bullet points above) is taken as a measure, the S1 II is the clear winner of the contest (21 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X-E5 and the Panasonic S1 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-E5 or the S1 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm X-E5	..	..	..	..	..	..	Jun 2025	US$ 1 699	amazon.com
2.		Panasonic S1 II	..	..	..	..	..	..	May 2025	US$ 3 199	amazon.com
3.		Fujifilm X-E4	4/5	..	4/5	..	4.5/5	4/5	Jan 2021	US$ 849	ebay.com
4.		Fujifilm X-H2	5/5	+ +	5/5	89/100	5/5	5/5	Sep 2022	US$ 1 999	amazon.com
5.		Fujifilm X-Pro1	5/5	+ +	..	79/100	4.5/5	4.5/5	Jan 2012	US$ 1 699	ebay.com
6.		Fujifilm X-S10	5/5	..	4.5/5	86/100	4.5/5	4.5/5	Oct 2020	US$ 999	amazon.com
7.		Fujifilm X-S20	5/5	+ +	5/5	86/100	..	4.5/5	May 2023	US$ 1 299	amazon.com
8.		Fujifilm X-T5	5/5	+ +	4.5/5	90/100	4.5/5	..	Nov 2022	US$ 1 699	amazon.com
9.		Fujifilm X-T30 II	5/5	..	4/5	..	4.5/5	4.5/5	Sep 2021	US$ 899	ebay.com
10.		Fujifilm X-T50	..	..	..	85/100	..	..	May 2024	US$ 1 399	amazon.com
11.		Fujifilm X100VI	5/5	+ +	4.5/5	87/100	..	4.5/5	Feb 2024	US$ 1 599	amazon.com
12.		Leica SL3-S	..	..	..	..	..	..	Jan 2025	US$ 5 299	amazon.com
13.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	US$ 2 499	ebay.com
14.		Panasonic S1R II	..	..	..	..	..	..	May 2025	US$ 3 299	amazon.com
15.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	US$ 1 999	amazon.com
16.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	US$ 1 999	amazon.com
17.		Panasonic S9	..	..	..	..	..	..	May 2024	US$ 1 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check X-E5 price at
amazon.com
Check S1 II price at
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Other camera comparisons

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