Fujifilm X-E5 vs Pentax K-3 III
The Fujifilm X-E5 and the Pentax K-3 III are two digital cameras that were officially introduced, respectively, in June 2025 and March 2021. The X-E5 is a mirrorless interchangeable lens camera, while the K-3 III is a DSLR. Both cameras are equipped with an APS-C sensor. The Fujifilm has a resolution of 39.8 megapixels, whereas the Pentax provides 25.6 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check X-E5 price at
amazon.com

Check K-3 III price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E5 and the Pentax K-3 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Fujifilm X-E5 and the Pentax K-3 III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 III is considerably larger (54 percent) than the Fujifilm X-E5. Moreover, the K-3 III is substantially heavier (84 percent) than the X-E5. It is noteworthy in this context that the K-3 III is splash and dust-proof, while the X-E5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the X-E5 gets 305 shots out of its Fujifilm NP-W126S battery, while the K-3 III can take 800 images on a single charge of its Pentax D-LI90 power pack. The power pack in the X-E5 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-E5 | 125 mm | 73 mm | 39 mm | 445 g | 305 | n | Jun 2025 | US$ 1 699 | amazon.com | |
| 2. | Pentax K-3 III | 135 mm | 104 mm | 74 mm | 820 g | 800 | Y | Mar 2021 | US$ 1 999 | amazon.com | |
| 3. | Fujifilm X-E4 | 121 mm | 73 mm | 33 mm | 364 g | 380 | n | Jan 2021 | US$ 849 | ebay.com | |
| 4. | Fujifilm X-H1 | 140 mm | 97 mm | 86 mm | 673 g | 310 | Y | Feb 2018 | US$ 1 899 | ebay.com | |
| 5. | Fujifilm X-H2 | 136 mm | 93 mm | 85 mm | 660 g | 680 | Y | Sep 2022 | US$ 1 999 | amazon.com | |
| 6. | Fujifilm X-Pro1 | 140 mm | 82 mm | 43 mm | 450 g | 300 | n | Jan 2012 | US$ 1 699 | ebay.com | |
| 7. | Fujifilm X-S10 | 126 mm | 85 mm | 65 mm | 465 g | 325 | n | Oct 2020 | US$ 999 | amazon.com | |
| 8. | Fujifilm X-S20 | 128 mm | 85 mm | 65 mm | 491 g | 750 | n | May 2023 | US$ 1 299 | amazon.com | |
| 9. | Fujifilm X-T5 | 130 mm | 91 mm | 64 mm | 557 g | 580 | Y | Nov 2022 | US$ 1 699 | amazon.com | |
| 10. | Fujifilm X-T30 II | 118 mm | 83 mm | 47 mm | 383 g | 380 | n | Sep 2021 | US$ 899 | ebay.com | |
| 11. | Fujifilm X-T50 | 124 mm | 84 mm | 49 mm | 438 g | 305 | n | May 2024 | US$ 1 399 | amazon.com | |
| 12. | Fujifilm X100VI | 128 mm | 75 mm | 55 mm | 521 g | 450 | Y | Feb 2024 | US$ 1 599 | amazon.com | |
| 13. | Panasonic S9 | 126 mm | 74 mm | 47 mm | 486 g | 470 | n | May 2024 | US$ 1 499 | amazon.com | |
| 14. | Pentax K-3 | 131 mm | 100 mm | 77 mm | 800 g | 560 | Y | Oct 2013 | US$ 1 299 | ebay.com | |
| 15. | Pentax K-3 II | 131 mm | 100 mm | 77 mm | 800 g | 720 | Y | Apr 2015 | US$ 1 099 | ebay.com | |
| 16. | Pentax K-70 | 126 mm | 93 mm | 74 mm | 688 g | 410 | Y | Jun 2016 | US$ 649 | ebay.com | |
| 17. | Pentax KP | 132 mm | 101 mm | 76 mm | 703 g | 390 | Y | Jan 2017 | US$ 1 099 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-E5 was launched at a somewhat lower price (by 15 percent) than the K-3 III, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the K-3 III is 2 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 39.8MP, the X-E5 offers a higher resolution than the K-3 III (25.6MP), but the X-E5 has smaller individual pixels (pixel pitch of 3.04μm versus 3.76μm for the K-3 III). However, the X-E5 is a much more recent model (by 4 years and 2 months) than the K-3 III, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-E5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E5 for good quality output (200 dots per inch) amounts to 38.6 x 25.8 inches or 98.1 x 65.4 cm, for very good quality (250 dpi) 30.9 x 20.6 inches or 78.5 x 52.3 cm, and for excellent quality (300 dpi) 25.8 x 17.2 inches or 65.4 x 43.6 cm. The corresponding values for the Pentax K-3 III are 31 x 20.6 inches or 78.6 x 52.4 cm for good quality, 24.8 x 16.5 inches or 62.9 x 41.9 cm for very good quality, and 20.6 x 13.8 inches or 52.4 x 35 cm for excellent quality prints.
The X-E5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the X-E5, the K-3 III has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-E5 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 64-51200. The corresponding ISO settings for the Pentax K-3 III are ISO 100 to ISO 160000 (no boost).
In terms of underlying technology, the X-E5 is build around a BSI-CMOS sensor, while the K-3 III uses a CMOS imager. The X-E5 uses Fujifilm's X-Trans layout of photosites, while the K-3 III employs the more common Bayer array.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-E5 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 14.2 | 2523 | 86 | |
| 2. | Pentax K-3 III | APS-C | 25.6 | 6192 | 4128 | 4K/30p | 24.2 | 13.7 | 2083 | 85 | |
| 3. | Fujifilm X-E4 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.7 | 2085 | 85 | |
| 4. | Fujifilm X-H1 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.3 | 1806 | 82 | |
| 5. | Fujifilm X-H2 | APS-C | 39.8 | 7728 | 5152 | 8k/30p | 24.3 | 13.9 | 2249 | 86 | |
| 6. | Fujifilm X-Pro1 | APS-C | 16.0 | 4896 | 3264 | 1080/24p | 23.1 | 12.3 | 1238 | 74 | |
| 7. | Fujifilm X-S10 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.7 | 2057 | 85 | |
| 8. | Fujifilm X-S20 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.3 | 14.0 | 2315 | 86 | |
| 9. | Fujifilm X-T5 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 13.9 | 2264 | 86 | |
| 10. | Fujifilm X-T30 II | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.8 | 2144 | 85 | |
| 11. | Fujifilm X-T50 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 14.1 | 2418 | 86 | |
| 12. | Fujifilm X100VI | APS-C | 39.8 | 7728 | 5152 | 6.2K/30p | 24.3 | 14.1 | 2397 | 86 | |
| 13. | Panasonic S9 | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.8 | 3297 | 96 | |
| 14. | Pentax K-3 | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.7 | 13.4 | 1216 | 80 | |
| 15. | Pentax K-3 II | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.6 | 13.6 | 1106 | 80 | |
| 16. | Pentax K-70 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 23.8 | 13.1 | 1639 | 80 | |
| 17. | Pentax KP | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.9 | 13.2 | 1699 | 81 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-E5 provides a higher video resolution than the K-3 III. It can shoot video footage at 6.2k/30p, while the Pentax is limited to 4K/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-E5 has an electronic viewfinder (2360k dots), while the K-3 III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the K-3 III has a higher magnification than the one of the X-E5 (0.70x vs 0.62x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Fujifilm X-E5 and Pentax K-3 III along with similar information for a selection of comparators.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-E5 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
| 2. | Pentax K-3 III | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 12.0/s | n | Y | |
| 3. | Fujifilm X-E4 | 2360 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 8.0/s | n | n | |
| 4. | Fujifilm X-H1 | 3690 | Y | 3.0 / 1040 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 5. | Fujifilm X-H2 | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
| 6. | Fujifilm X-Pro1 | 1440 | n | 3.0 / 1230 | fixed | n | 1/4000s | 6.0/s | n | n | |
| 7. | Fujifilm X-S10 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 8.0/s | Y | Y | |
| 8. | Fujifilm X-S20 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/4000s | 8.0/s | Y | Y | |
| 9. | Fujifilm X-T5 | 3690 | n | 3.0 / 1840 | tilting | Y | 1/8000s | 15.0/s | n | Y | |
| 10. | Fujifilm X-T30 II | 2360 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
| 11. | Fujifilm X-T50 | 2360 | n | 3.0 / 1840 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
| 12. | Fujifilm X100VI | 3690 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 11.0/s | n | Y | |
| 13. | Panasonic S9 | none | n | 3.0 / 1840 | swivel | Y | 1/8000s | 30.0/s | n | Y | |
| 14. | Pentax K-3 | optical | Y | 3.2 / 1037 | fixed | n | 1/8000s | 8.3/s | Y | Y | |
| 15. | Pentax K-3 II | optical | Y | 3.2 / 1037 | fixed | n | 1/8000s | 8.3/s | n | Y | |
| 16. | Pentax K-70 | optical | n | 3.0 / 921 | swivel | n | 1/6000s | 6.0/s | Y | Y | |
| 17. | Pentax KP | optical | n | 3.0 / 921 | tilting | n | 1/6000s | 7.0/s | Y | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the K-3 III, but is missing on the X-E5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-E5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-E5 and the Pentax K-3 III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-E5 and the K-3 III write their files to SDXC cards. The K-3 III features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-E5 only has one slot. The K-3 III supports UHS-II cards (on its first slot), while the X-E5 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E5 and Pentax K-3 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-E5 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 2. | Pentax K-3 III | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 3. | Fujifilm X-E4 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 4. | Fujifilm X-H1 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
| 5. | Fujifilm X-H2 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 6. | Fujifilm X-Pro1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 7. | Fujifilm X-S10 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 8. | Fujifilm X-S20 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 9. | Fujifilm X-T5 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 10. | Fujifilm X-T30 II | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 11. | Fujifilm X-T50 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 12. | Fujifilm X100VI | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 13. | Panasonic S9 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 14. | Pentax K-3 | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
| 15. | Pentax K-3 II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
| 16. | Pentax K-70 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
| 17. | Pentax KP | Y | stereo / mono | Y | - | - | 2.0 | Y | - | - |
It is notable that the K-3 III has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-E5 lacks such a headphone port.
Studio photographers will appreciate that the Pentax K-3 III (unlike the X-E5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the K-3 III has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the X-E5 and the K-3 III are recent models that are part of the current product line-up. The K-3 III replaced the earlier Pentax K-3 II, while the X-E5 followed on from the Fujifilm X-E4. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Pentax websites.
Review summary
So how do things add up? Is there a clear favorite between the Fujifilm X-E5 and the Pentax K-3 III? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Fujifilm X-E5:
- More detail: Offers more megapixels (39.8 vs 25.6MP) with a 25% higher linear resolution.
- Better video: Provides higher definition movie capture (6.2k/30p vs 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (125x73mm vs 135x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 375g or 46 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More affordable: Was introduced into a lower priced segment (15 percent cheaper at launch).
- More modern: Reflects 4 years and 2 months of technical progress since the K-3 III launch.

Arguments in favor of the Pentax K-3 III:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.62x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (800 versus 305) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been around for much longer (launched in March 2021).
If the count of relative strengths (bullet points above) is taken as a measure, the K-3 III is the clear winner of the contest (16 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E5 and the Pentax K-3 III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the X-E5 and the K-3 III in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-E5 | .. | .. | .. | .. | .. | .. | Jun 2025 | US$ 1 699 | amazon.com | |
| 2. | Pentax K-3 III | 4/5 | .. | 3/5 | .. | 4.5/5 | .. | Mar 2021 | US$ 1 999 | amazon.com | |
| 3. | Fujifilm X-E4 | 4/5 | .. | 4/5 | .. | 4.5/5 | 4/5 | Jan 2021 | US$ 849 | ebay.com | |
| 4. | Fujifilm X-H1 | .. | + | 5/5 | 86/100 | 4.5/5 | 4.5/5 | Feb 2018 | US$ 1 899 | ebay.com | |
| 5. | Fujifilm X-H2 | 5/5 | + + | 5/5 | 89/100 | 5/5 | 5/5 | Sep 2022 | US$ 1 999 | amazon.com | |
| 6. | Fujifilm X-Pro1 | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2012 | US$ 1 699 | ebay.com | |
| 7. | Fujifilm X-S10 | 5/5 | .. | 4.5/5 | 86/100 | 4.5/5 | 4.5/5 | Oct 2020 | US$ 999 | amazon.com | |
| 8. | Fujifilm X-S20 | 5/5 | + + | 5/5 | 86/100 | .. | 4.5/5 | May 2023 | US$ 1 299 | amazon.com | |
| 9. | Fujifilm X-T5 | 5/5 | + + | 4.5/5 | 90/100 | 4.5/5 | .. | Nov 2022 | US$ 1 699 | amazon.com | |
| 10. | Fujifilm X-T30 II | 5/5 | .. | 4/5 | .. | 4.5/5 | 4.5/5 | Sep 2021 | US$ 899 | ebay.com | |
| 11. | Fujifilm X-T50 | .. | .. | .. | 85/100 | .. | .. | May 2024 | US$ 1 399 | amazon.com | |
| 12. | Fujifilm X100VI | 5/5 | + + | 4.5/5 | 87/100 | .. | 4.5/5 | Feb 2024 | US$ 1 599 | amazon.com | |
| 13. | Panasonic S9 | .. | .. | .. | .. | .. | .. | May 2024 | US$ 1 499 | amazon.com | |
| 14. | Pentax K-3 | 4/5 | .. | .. | 83/100 | 5/5 | 5/5 | Oct 2013 | US$ 1 299 | ebay.com | |
| 15. | Pentax K-3 II | 4.5/5 | .. | .. | .. | 5/5 | 5/5 | Apr 2015 | US$ 1 099 | ebay.com | |
| 16. | Pentax K-70 | 4.5/5 | .. | 4/5 | 79/100 | 4.5/5 | 4.5/5 | Jun 2016 | US$ 649 | ebay.com | |
| 17. | Pentax KP | 4/5 | .. | 3/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | US$ 1 099 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Check X-E5 price at
amazon.com

Check K-3 III price at
amazon.com
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
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- Canon V1 vs Pentax K-3 III
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- Fujifilm X-E5 vs Panasonic GH5 II
- Fujifilm X-E5 vs Ricoh GR III
- Fujifilm X-E5 vs Sony A7 III
- Fujifilm X-Pro1 vs Pentax K-3 III
- Nikon D500 vs Pentax K-3 III
- Nikon D850 vs Pentax K-3 III
- Nikon Z6 III vs Pentax K-3 III
- Pentax K-3 III vs Pentax K-5
Specifications: Fujifilm X-E5 vs Pentax K-3 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Fujifilm X-E5 | Pentax K-3 III |
|---|---|---|
| Camera Type | Mirrorless system camera | Digital single lens reflex |
| Camera Lens | Fujifilm X mount lenses | Pentax K mount lenses |
| Launch Date | June 2025 | March 2021 |
| Launch Price | USD 1,699 | USD 1,999 |
| Sensor Specs | Fujifilm X-E5 | Pentax K-3 III |
| Sensor Technology | BSI-CMOS | CMOS |
| Sensor Format | APS-C Sensor | APS-C Sensor |
| Sensor Size | 23.5 x 15.6 mm | 23.3 x 15.5 mm |
| Sensor Area | 366.6 mm2 | 361.15 mm2 |
| Sensor Diagonal | 28.2 mm | 28 mm |
| Crop Factor | 1.5x | 1.5x |
| Sensor Resolution | 39.8 Megapixels | 25.6 Megapixels |
| Image Resolution | 7728 x 5152 pixels | 6192 x 4128 pixels |
| Pixel Pitch | 3.04 μm | 3.76 μm |
| Pixel Density | 10.86 MP/cm2 | 7.08 MP/cm2 |
| Moiré control | no AA filter | no AA filter |
| Movie Capability | 6.2k/30p Video | 4K/30p Video |
| ISO Setting | 125 - 12,800 ISO | 100 - 160,000 ISO |
| ISO Boost | 64 - 51,200 ISO | no Enhancement |
| Image Processor | X-Processor 5 | PRIME V |
| Screen Specs | Fujifilm X-E5 | Pentax K-3 III |
| Viewfinder Type | Electronic viewfinder | Optical viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.62x | 0.70x |
| Viewfinder Resolution | 2360k dots | |
| Top-Level Screen | no Top Display | Control Panel |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.2inch |
| LCD Resolution | 1040k dots | 1620k dots |
| LCD Attachment | Tilting screen | Fixed screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Fujifilm X-E5 | Pentax K-3 III |
| Focus System | On-Sensor Phase-detect | Phase-detect AF |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
| Continuous Shooting | 8 shutter flaps/s | 12 shutter flaps/s |
| Electronic Shutter | up to 1/180000s | no E-Shutter |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | In-body stabilization |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | SDXC cards | SDXC cards |
| Single or Dual Card Slots | Single card slot | Dual card slots |
| UHS card support | UHS-I | Single UHS-II |
| Connectivity Specs | Fujifilm X-E5 | Pentax K-3 III |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | no PC Sync | PC Sync socket |
| USB Connector | USB 3.2 | USB 3.2 |
| HDMI Port | micro HDMI | micro HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | no Headphone port | Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Geotagging | no internal GPS | GPS built-in |
| Body Specs | Fujifilm X-E5 | Pentax K-3 III |
| Environmental Sealing | not weather sealed | Weathersealed body |
| Battery Type | Fujifilm NP-W126S | Pentax D-LI90 |
| Battery Life (CIPA) | 305 shots per charge | 800 shots per charge |
| In-Camera Charging | USB charging | no USB charging |
| Body Dimensions |
125 x 73 x 39 mm (4.9 x 2.9 x 1.5 in) |
135 x 104 x 74 mm (5.3 x 4.1 x 2.9 in) |
| Camera Weight | 445 g (15.7 oz) | 820 g (28.9 oz) |

Check X-E5 price at
amazon.com

Check K-3 III price at
amazon.com
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