Fujifilm X-Pro1 vs Panasonic S9
The Fujifilm X-Pro1 and the Panasonic Lumix DC-S9 are two enthusiast cameras that were officially introduced, respectively, in January 2012 and May 2024. Both the X-Pro1 and the S9 are mirrorless interchangeable lens cameras that are based on an APS-C (X-Pro1) and a full frame (S9) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Panasonic provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check X-Pro1 offers at
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Check S9 price at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro1 and the Panasonic Lumix DC-S9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Fujifilm X-Pro1 and the Panasonic S9 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The S9 can be obtained in four different colors (black, blue, red, green), while the X-Pro1 is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S9 is notably smaller (19 percent) than the Fujifilm X-Pro1. However, the S9 is markedly heavier (8 percent) than the X-Pro1. In this context, it is worth noting that neither the X-Pro1 nor the S9 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the X-Pro1 gets 300 shots out of its Fujifilm NP-W126 battery, while the S9 can take 470 images on a single charge of its Panasonic DMW-BLK22 power pack. The power pack in the S9 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-Pro1 | 140 mm | 82 mm | 43 mm | 450 g | 300 | n | Jan 2012 | US$ 1 699 | ebay.com | |
| 2. | Panasonic S9 | 126 mm | 74 mm | 47 mm | 486 g | 470 | n | May 2024 | US$ 1 499 | amazon.com | |
| 3. | Canon R8 | 133 mm | 86 mm | 70 mm | 461 g | 220 | n | Feb 2023 | US$ 1 499 | amazon.com | |
| 4. | Fujifilm X-A1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Sep 2013 | US$ 399 | ebay.com | |
| 5. | Fujifilm X-E1 | 129 mm | 75 mm | 38 mm | 350 g | 350 | n | Sep 2012 | US$ 999 | ebay.com | |
| 6. | Fujifilm X-E2 | 129 mm | 75 mm | 37 mm | 350 g | 350 | n | Oct 2013 | US$ 999 | ebay.com | |
| 7. | Fujifilm X-M1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Jun 2013 | US$ 699 | ebay.com | |
| 8. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | US$ 1 699 | ebay.com | |
| 9. | Fujifilm X-S20 | 128 mm | 85 mm | 65 mm | 491 g | 750 | n | May 2023 | US$ 1 299 | amazon.com | |
| 10. | Fujifilm X-T1 | 129 mm | 90 mm | 47 mm | 440 g | 350 | Y | Jan 2014 | US$ 1 299 | ebay.com | |
| 11. | Fujifilm X-T3 | 133 mm | 93 mm | 59 mm | 539 g | 390 | Y | Sep 2018 | US$ 1 499 | ebay.com | |
| 12. | Fujifilm X-T10 | 118 mm | 83 mm | 41 mm | 381 g | 350 | n | May 2015 | US$ 799 | ebay.com | |
| 13. | Fujifilm X-T100 | 121 mm | 83 mm | 47 mm | 448 g | 430 | n | May 2018 | US$ 599 | ebay.com | |
| 14. | Fujifilm X100S | 127 mm | 74 mm | 54 mm | 445 g | 330 | n | Jan 2013 | US$ 1 299 | ebay.com | |
| 15. | Panasonic GX9 | 124 mm | 72 mm | 47 mm | 407 g | 260 | n | Feb 2018 | US$ 849 | ebay.com | |
| 16. | Panasonic S1 II | 134 mm | 102 mm | 92 mm | 800 g | 350 | Y | May 2025 | US$ 3 199 | amazon.com | |
| 17. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The S9 was launched at a somewhat lower price (by 12 percent) than the X-Pro1, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro1 features an APS-C sensor and the Panasonic S9 a full frame sensor. The sensor area in the S9 is 130 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the S9 offers a higher resolution than the X-Pro1 (16MP), but the S9 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.80μm for the X-Pro1) due to its larger sensor. Moreover, the S9 is a much more recent model (by 12 years and 4 months) than the X-Pro1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Panasonic S9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S9 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X-Pro1 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The S9 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-S9 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
In terms of underlying technology, the X-Pro1 is build around a CMOS sensor, while the S9 uses a BSI-CMOS imager. The X-Pro1 uses Fujifilm's X-Trans layout of photosites, while the S9 employs the more common Bayer array.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-Pro1 | APS-C | 16.0 | 4896 | 3264 | 1080/24p | 23.1 | 12.3 | 1238 | 74 | |
| 2. | Panasonic S9 | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.8 | 3297 | 96 | |
| 3. | Canon R8 | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 24.5 | 14.7 | 3295 | 93 | |
| 4. | Fujifilm X-A1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.4 | 12.6 | 1390 | 76 | |
| 5. | Fujifilm X-E1 | APS-C | 16.0 | 4896 | 3264 | 1080/24p | 23.2 | 12.4 | 1298 | 75 | |
| 6. | Fujifilm X-E2 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.4 | 12.6 | 1400 | 77 | |
| 7. | Fujifilm X-M1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.4 | 12.6 | 1371 | 76 | |
| 8. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
| 9. | Fujifilm X-S20 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.3 | 14.0 | 2315 | 86 | |
| 10. | Fujifilm X-T1 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.5 | 12.7 | 1426 | 77 | |
| 11. | Fujifilm X-T3 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.0 | 13.4 | 1853 | 83 | |
| 12. | Fujifilm X-T10 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 12.9 | 1546 | 79 | |
| 13. | Fujifilm X-T100 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1829 | 83 | |
| 14. | Fujifilm X100S | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.3 | 12.5 | 1329 | 75 | |
| 15. | Panasonic GX9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.1 | 12.8 | 1163 | 74 | |
| 16. | Panasonic S1 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.8 | 3406 | 97 | |
| 17. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S9 provides a better video resolution than the X-Pro1. It can shoot movie footage at 6K/30p, while the Fujifilm is limited to 1080/24p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-Pro1 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S9 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro1, the Panasonic S9, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-Pro1 | 1440 | n | 3.0 / 1230 | fixed | n | 1/4000s | 6.0/s | n | n | |
| 2. | Panasonic S9 | none | n | 3.0 / 1840 | swivel | Y | 1/8000s | 30.0/s | n | Y | |
| 3. | Canon R8 | 2360 | n | 3.0 / 1620 | swivel | Y | 1/4000s | 6.0/s | n | n | |
| 4. | Fujifilm X-A1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
| 5. | Fujifilm X-E1 | 2360 | n | 2.8 / 460 | fixed | n | 1/4000s | 6.0/s | Y | n | |
| 6. | Fujifilm X-E2 | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 7.0/s | Y | n | |
| 7. | Fujifilm X-M1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
| 8. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
| 9. | Fujifilm X-S20 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/4000s | 8.0/s | Y | Y | |
| 10. | Fujifilm X-T1 | 2360 | n | 3.0 / 1040 | tilting | n | 1/4000s | 8.0/s | n | n | |
| 11. | Fujifilm X-T3 | 3690 | n | 3.0 / 1040 | full-flex | Y | 1/8000s | 11.0/s | n | n | |
| 12. | Fujifilm X-T10 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 8.0/s | Y | n | |
| 13. | Fujifilm X-T100 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
| 14. | Fujifilm X100S | 2360 | n | 2.8 / 460 | fixed | n | 1/4000s | 6.0/s | Y | n | |
| 15. | Panasonic GX9 | 2760 | n | 3.0 / 1240 | tilting | Y | 1/4000s | 9.0/s | Y | Y | |
| 16. | Panasonic S1 II | 5760 | n | 3.2 / 1840 | full-flex | Y | 1/8000s | 10.0/s | n | Y | |
| 17. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The S9 has a touchscreen, while the X-Pro1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The S9 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-Pro1 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic S9 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro1 and the S9 write their files to SDXC cards. The S9 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the X-Pro1 can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro1 and Panasonic Lumix DC-S9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-Pro1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 2. | Panasonic S9 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 3. | Canon R8 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 4. | Fujifilm X-A1 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
| 5. | Fujifilm X-E1 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
| 6. | Fujifilm X-E2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 7. | Fujifilm X-M1 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | Y | |
| 8. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 9. | Fujifilm X-S20 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 10. | Fujifilm X-T1 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
| 11. | Fujifilm X-T3 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
| 12. | Fujifilm X-T10 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 13. | Fujifilm X-T100 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
| 14. | Fujifilm X100S | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
| 15. | Panasonic GX9 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
| 16. | Panasonic S1 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 17. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
It is notable that the S9 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the X-Pro1 does not provide wifi capability.
Studio photographers will appreciate that the Fujifilm X-Pro1 (unlike the S9) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S9 is a recent model that features in the current product line-up of Panasonic. In contrast, the X-Pro1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the X-Pro1 was succeeded by the Fujifilm X-Pro2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-Pro1 and the Panasonic S9? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Fujifilm X-Pro1:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in January 2012).

Reasons to prefer the Panasonic Lumix DC-S9:
- More detail: Has more megapixels (24 vs 16MP), which boosts linear resolution by 23%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (6K/30p vs 1080/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1840k vs 1230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (30 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (126x74mm vs 140x82mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (470 versus 300) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was released into a lower priced segment (12 percent cheaper at launch).
- More modern: Reflects 12 years and 4 months of technical progress since the X-Pro1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the S9 is the clear winner of the contest (26 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro1 and the Panasonic S9 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the X-Pro1 and the S9 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-Pro1 | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2012 | US$ 1 699 | ebay.com | |
| 2. | Panasonic S9 | .. | .. | .. | .. | .. | .. | May 2024 | US$ 1 499 | amazon.com | |
| 3. | Canon R8 | 4.5/5 | + + | 4.5/5 | 87/100 | 4/5 | 4.5/5 | Feb 2023 | US$ 1 499 | amazon.com | |
| 4. | Fujifilm X-A1 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Sep 2013 | US$ 399 | ebay.com | |
| 5. | Fujifilm X-E1 | 4/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Sep 2012 | US$ 999 | ebay.com | |
| 6. | Fujifilm X-E2 | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | Oct 2013 | US$ 999 | ebay.com | |
| 7. | Fujifilm X-M1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2013 | US$ 699 | ebay.com | |
| 8. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | US$ 1 699 | ebay.com | |
| 9. | Fujifilm X-S20 | 5/5 | + + | 5/5 | 86/100 | .. | 4.5/5 | May 2023 | US$ 1 299 | amazon.com | |
| 10. | Fujifilm X-T1 | 5/5 | + + | .. | 84/100 | 5/5 | 5/5 | Jan 2014 | US$ 1 299 | ebay.com | |
| 11. | Fujifilm X-T3 | 5/5 | + + | 4.5/5 | 88/100 | 5/5 | 5/5 | Sep 2018 | US$ 1 499 | ebay.com | |
| 12. | Fujifilm X-T10 | 4.5/5 | + + | .. | 80/100 | 5/5 | 5/5 | May 2015 | US$ 799 | ebay.com | |
| 13. | Fujifilm X-T100 | 4/5 | + | 4.5/5 | 79/100 | 4/5 | 4.5/5 | May 2018 | US$ 599 | ebay.com | |
| 14. | Fujifilm X100S | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Jan 2013 | US$ 1 299 | ebay.com | |
| 15. | Panasonic GX9 | 4/5 | + | 4/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2018 | US$ 849 | ebay.com | |
| 16. | Panasonic S1 II | .. | .. | .. | .. | .. | .. | May 2025 | US$ 3 199 | amazon.com | |
| 17. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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ebay.com

Check S9 price at
amazon.com
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1300D vs Fujifilm X-Pro1
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Specifications: Fujifilm X-Pro1 vs Panasonic S9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Fujifilm X-Pro1 | Panasonic S9 |
|---|---|---|
| Camera Type | Mirrorless system camera | Mirrorless system camera |
| Camera Lens | Fujifilm X mount lenses | Leica L mount lenses |
| Launch Date | January 2012 | May 2024 |
| Launch Price | USD 1,699 | USD 1,499 |
| Sensor Specs | Fujifilm X-Pro1 | Panasonic S9 |
| Sensor Technology | CMOS | BSI-CMOS |
| Sensor Format | APS-C Sensor | Full Frame Sensor |
| Sensor Size | 23.6 x 15.6 mm | 35.6 x 23.8 mm |
| Sensor Area | 368.16 mm2 | 847.28 mm2 |
| Sensor Diagonal | 28.3 mm | 42.8 mm |
| Crop Factor | 1.5x | 1.0x |
| Sensor Resolution | 16 Megapixels | 24 Megapixels |
| Image Resolution | 4896 x 3264 pixels | 6000 x 4000 pixels |
| Pixel Pitch | 4.80 μm | 5.94 μm |
| Pixel Density | 4.34 MP/cm2 | 2.83 MP/cm2 |
| Moiré control | no AA filter | no AA filter |
| Movie Capability | 1080/24p Video | 6K/30p Video |
| ISO Setting | 200 - 6,400 ISO | 100 - 51,200 ISO |
| ISO Boost | 100 - 25,600 ISO | 50 - 204,800 ISO |
| Image Processor | EXR Processor | Venus |
| Screen Specs | Fujifilm X-Pro1 | Panasonic S9 |
| Viewfinder Type | Electronic viewfinder | no viewfinder |
| Viewfinder Field of View | 100% | |
| Viewfinder Resolution | 1440k dots | |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.0inch |
| LCD Resolution | 1230k dots | 1840k dots |
| LCD Attachment | Fixed screen | Swivel screen |
| Touch Input | no Touchscreen | Touchscreen |
| Shooting Specs | Fujifilm X-Pro1 | Panasonic S9 |
| Focus System | Contrast-detect AF | On-Sensor Phase-detect |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
| Continuous Shooting | 6 shutter flaps/s | 30 shutter flaps/s |
| Electronic Shutter | no E-Shutter | up to 1/8000s |
| Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
| Image Stabilization | Lens stabilization only | In-body stabilization |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | SDXC cards | SDXC cards |
| Single or Dual Card Slots | Single card slot | Single card slot |
| UHS card support | UHS-I | UHS-II |
| Connectivity Specs | Fujifilm X-Pro1 | Panasonic S9 |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 2.0 | USB 3.2 |
| HDMI Port | mini HDMI | micro HDMI |
| Microphone Port | no MIC socket | External MIC port |
| Wifi Support | no Wifi | Wifi built-in |
| Bluetooth Support | no Bluetooth | Bluetooth built-in |
| Body Specs | Fujifilm X-Pro1 | Panasonic S9 |
| Battery Type | Fujifilm NP-W126 | Panasonic DMW-BLK22 |
| Battery Life (CIPA) | 300 shots per charge | 470 shots per charge |
| In-Camera Charging | no USB charging | USB charging |
| Body Dimensions |
140 x 82 x 43 mm (5.5 x 3.2 x 1.7 in) |
126 x 74 x 47 mm (5.0 x 2.9 x 1.9 in) |
| Camera Weight | 450 g (15.9 oz) | 486 g (17.1 oz) |

Check X-Pro1 offers at
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Check S9 price at
amazon.com
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