Leica D-LUX 6 vs Olympus E-3
The Leica D-LUX 6 and the Olympus E-3 are two digital cameras that were announced, respectively, in September 2012 and October 2007. The D-LUX 6 is a fixed lens compact, while the E-3 is a DSLR. The cameras are based on a 1/1.7-inch (D-LUX 6) and a Four Thirds (E-3) sensor. Both cameras offer a resolution of 10 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 6 and the Olympus E-3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Leica D-LUX 6 and the Olympus E-3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The D-LUX 6 can be obtained in three different colors (black, silver, white), while the E-3 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-3 is considerably larger (118 percent) than the Leica D-LUX 6. It is noteworthy in this context that the E-3 is splash and dust-proof, while the D-LUX 6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 6 has a lens built in, whereas the E-3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-3 and their specifications in the Four Thirds Lens Catalog.
Concerning battery life, the D-LUX 6 gets 330 shots out of its Leica BP-DC10 battery, while the E-3 can take 750 images on a single charge of its Olympus BLM-1 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 6 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Sep 2012 | US$ 699 | ebay.com | |
2. | Olympus E-3 | 142 mm | 116 mm | 75 mm | 876 g | 750 | Y | Oct 2007 | US$ 1 699 | ebay.com | |
3. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | US$ 549 | ebay.com | |
4. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | US$ 599 | ebay.com | |
5. | Fujifilm X20 | 117 mm | 70 mm | 57 mm | 353 g | 270 | n | Jan 2013 | US$ 599 | ebay.com | |
6. | Leica D-LUX Typ 109 | 118 mm | 66 mm | 55 mm | 405 g | 300 | n | Sep 2014 | US$ 1 195 | ebay.com | |
7. | Leica D-LUX 5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Sep 2010 | US$ 699 | ebay.com | |
8. | Leica X2 | 124 mm | 69 mm | 52 mm | 345 g | 450 | n | May 2012 | US$ 1 999 | ebay.com | |
9. | Olympus E-1 | 141 mm | 104 mm | 81 mm | 738 g | 750 | Y | Jun 2003 | US$ 1 699 | ebay.com | |
10. | Olympus E-5 | 142 mm | 117 mm | 75 mm | 873 g | 750 | Y | Sep 2010 | US$ 1 699 | ebay.com | |
11. | Olympus E-30 | 142 mm | 108 mm | 75 mm | 701 g | 750 | n | Nov 2008 | US$ 1 299 | ebay.com | |
12. | Olympus E-510 | 136 mm | 92 mm | 68 mm | 538 g | 750 | n | Mar 2007 | US$ 799 | ebay.com | |
13. | Olympus E-520 | 136 mm | 92 mm | 68 mm | 535 g | 750 | n | May 2008 | US$ 699 | ebay.com | |
14. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | US$ 599 | ebay.com | |
15. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | US$ 499 | ebay.com | |
16. | Ricoh GR | 117 mm | 61 mm | 35 mm | 245 g | 290 | n | Apr 2013 | US$ 799 | ebay.com | |
17. | Sony RX100 II | 102 mm | 58 mm | 38 mm | 281 g | 350 | n | Jun 2013 | US$ 749 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D-LUX 6 was launched at a lower price than the E-3, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica D-LUX 6 features a 1/1.7-inch sensor and the Olympus E-3 a Four Thirds sensor. The sensor area in the E-3 is 436 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The D-LUX 6 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Even though the E-3 has a larger sensor, both cameras offer the same resolution of 10 megapixels. This implies that the E-3 has a lower pixel density and larger individual pixels (with a pixel pitch of 4.74μm versus 2.05μm for the D-LUX 6), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the D-LUX 6 is much more recent (by 4 years and 11 months) than the E-3, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The Leica D-LUX 6 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Olympus E-3 are ISO 100 to ISO 3200 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 6 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 19.8 | 10.8 | -303 | 43 | |
2. | Olympus E-3 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.6 | 10.5 | 571 | 56 | |
3. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
4. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
5. | Fujifilm X20 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.1 | 10.9 | -462 | 46 | |
6. | Leica D-LUX Typ 109 | Four Thirds | 12.7 | 4112 | 3088 | 4K/30p | 22.4 | 12.1 | 607 | 67 | |
7. | Leica D-LUX 5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.5 | 10.4 | -583 | 39 | |
8. | Leica X2 | APS-C | 16.1 | 4928 | 3264 | none | 23.2 | 12.4 | 1275 | 74 | |
9. | Olympus E-1 | Four Thirds | 4.9 | 2560 | 1920 | none | 20.0 | 9.7 | -145 | 44 | |
10. | Olympus E-5 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.6 | 10.5 | 519 | 56 | |
11. | Olympus E-30 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.4 | 530 | 55 | |
12. | Olympus E-510 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.2 | 10.0 | 442 | 52 | |
13. | Olympus E-520 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.4 | 10.4 | 548 | 55 | |
14. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
15. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
16. | Ricoh GR | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.6 | 13.5 | 972 | 78 | |
17. | Sony RX100 II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.5 | 12.4 | 483 | 67 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The D-LUX 6 indeed provides movie recording capabilities, while the E-3 does not. The highest resolution format that the D-LUX 6 can use is 1080/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-3 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the D-LUX 6 relies on live view and the rear LCD for framing. That said, the D-LUX 6 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The following table reports on some other key feature differences and similarities of the Leica D-LUX 6, the Olympus E-3, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 6 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
2. | Olympus E-3 | optical | Y | 2.5 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
3. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
4. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
5. | Fujifilm X20 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 12.0/s | Y | Y | |
6. | Leica D-LUX Typ 109 | 2764 | n | 3.0 / 921 | fixed | n | 1/4000s | 11.0/s | n | Y | |
7. | Leica D-LUX 5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
8. | Leica X2 | optional | n | 2.7 / 230 | fixed | n | 1/2000s | 5.0/s | Y | n | |
9. | Olympus E-1 | optical | Y | 1.8 / 134 | fixed | n | 1/4000s | 3.0/s | n | n | |
10. | Olympus E-5 | optical | Y | 3.0 / 920 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
11. | Olympus E-30 | optical | Y | 2.7 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
12. | Olympus E-510 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | Y | |
13. | Olympus E-520 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | Y | |
14. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
15. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
16. | Ricoh GR | optional | n | 3.0 / 1230 | fixed | n | 1/4000s | 4.0/s | Y | n | |
17. | Sony RX100 II | optional | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the E-3, but is missing on the D-LUX 6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The E-3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D-LUX 6 does not have a selfie-screen.The Leica D-LUX 6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D-LUX 6 writes its imaging data to SDXC cards, while the E-3 uses Compact Flash or xD Picture cards. The E-3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX 6 only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 6 and Olympus E-3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 6 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
2. | Olympus E-3 | Y | - / - | - | - | - | 2.0 | - | - | - | |
3. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
4. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Fujifilm X20 | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
6. | Leica D-LUX Typ 109 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
7. | Leica D-LUX 5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
8. | Leica X2 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
9. | Olympus E-1 | Y | - / - | - | - | - | 2.0 | - | - | - | |
10. | Olympus E-5 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
11. | Olympus E-30 | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Olympus E-510 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Olympus E-520 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
15. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Ricoh GR | Y | mono / mono | - | - | micro | 2.0 | - | - | - | |
17. | Sony RX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
Studio photographers will appreciate that the Olympus E-3 (unlike the D-LUX 6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D-LUX 6 and the E-3 have been discontinued, but can regularly be found used on ebay. The E-3 was replaced by the Olympus E-5, while the D-LUX 6 was followed by the Leica D-LUX Typ 109. Further information on the features and operation of the D-LUX 6 and E-3 can be found, respectively, in the Leica D-LUX 6 Manual (free pdf) or the online Olympus E-3 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Leica D-LUX 6 and the Olympus E-3? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica D-LUX 6:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with a built-in lens, while the E-3 requires a separate lens.
- More compact: Is smaller (111x68mm vs 142x116mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-3).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years and 11 months of technical progress since the E-3 launch.
Arguments in favor of the Olympus E-3:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (750 versus 330) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in October 2007).
If the number of relative strengths (bullet points above) is taken as a guide, the E-3 emerges as the winner of the match-up (15 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 6 and the Olympus E-3 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D-LUX 6 or the E-3 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 6 | .. | .. | .. | .. | 4/5 | 4/5 | Sep 2012 | US$ 699 | ebay.com | |
2. | Olympus E-3 | .. | 88/100 | .. | + + | o | 4/5 | Oct 2007 | US$ 1 699 | ebay.com | |
3. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | US$ 549 | ebay.com | |
4. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | US$ 599 | ebay.com | |
5. | Fujifilm X20 | 4/5 | + + | .. | 77/100 | 4.5/5 | 5/5 | Jan 2013 | US$ 599 | ebay.com | |
6. | Leica D-LUX Typ 109 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Sep 2014 | US$ 1 195 | ebay.com | |
7. | Leica D-LUX 5 | .. | .. | .. | .. | 4.5/5 | 4/5 | Sep 2010 | US$ 699 | ebay.com | |
8. | Leica X2 | 3/5 | .. | .. | .. | 3/5 | 4/5 | May 2012 | US$ 1 999 | ebay.com | |
9. | Olympus E-1 | .. | .. | .. | + | o | .. | Jun 2003 | US$ 1 699 | ebay.com | |
10. | Olympus E-5 | 4/5 | .. | .. | 75/100 | 4/5 | 4.5/5 | Sep 2010 | US$ 1 699 | ebay.com | |
11. | Olympus E-30 | .. | .. | .. | 71/100 | 4.5/5 | 4/5 | Nov 2008 | US$ 1 299 | ebay.com | |
12. | Olympus E-510 | .. | 89/100 | .. | + + | 3.5/5 | 4.5/5 | Mar 2007 | US$ 799 | ebay.com | |
13. | Olympus E-520 | .. | 87/100 | .. | + + | 4.5/5 | 4.5/5 | May 2008 | US$ 699 | ebay.com | |
14. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | US$ 599 | ebay.com | |
15. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | US$ 499 | ebay.com | |
16. | Ricoh GR | 5/5 | .. | .. | 79/100 | 4.5/5 | 4.5/5 | Apr 2013 | US$ 799 | ebay.com | |
17. | Sony RX100 II | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jun 2013 | US$ 749 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D vs Olympus E-3
- Canon SL3 vs Leica D-LUX 6
- Canon T5 vs Leica D-LUX 6
- Hasselblad X1D II vs Leica D-LUX 6
- Leica D-LUX 6 vs Olympus E-PM2
- Leica D-LUX 6 vs Sony NEX-5T
- Leica D-LUX 6 vs Zeiss ZX1
- Nikon D1 vs Olympus E-3
- Nikon D4 vs Olympus E-3
- Nikon D600 vs Olympus E-3
- Olympus E-3 vs Olympus E-300
- Olympus E-3 vs Olympus E-600
Specifications: Leica D-LUX 6 vs Olympus E-3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica D-LUX 6 | Olympus E-3 |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 24-90mm f/1.4-2.3 | Four Thirds lenses |
Launch Date | September 2012 | October 2007 |
Launch Price | USD 699 | USD 1,699 |
Sensor Specs | Leica D-LUX 6 | Olympus E-3 |
Sensor Technology | CMOS | CMOS |
Sensor Format | 1/1.7" Sensor | Four Thirds Sensor |
Sensor Size | 7.44 x 5.58 mm | 17.3 x 13.0 mm |
Sensor Area | 41.5152 mm2 | 224.9 mm2 |
Sensor Diagonal | 9.3 mm | 21.6 mm |
Crop Factor | 4.65x | 2.0x |
Sensor Resolution | 10 Megapixels | 10 Megapixels |
Image Resolution | 3648 x 2736 pixels | 3648 x 2736 pixels |
Pixel Pitch | 2.05 μm | 4.74 μm |
Pixel Density | 24.04 MP/cm2 | 4.44 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | no Video |
ISO Setting | 80 - 6,400 ISO | 100 - 3,200 ISO |
ISO Boost | 80 - 12,800 ISO | no Enhancement |
DXO Sensor Quality (score) | .. | 56 |
DXO Color Depth (bits) | .. | 21.6 |
DXO Dynamic Range (EV) | .. | 10.5 |
DXO Low Light (ISO) | .. | 571 |
Screen Specs | Leica D-LUX 6 | Olympus E-3 |
Viewfinder Type | Viewfinder optional | Optical viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.58x | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 2.5inch |
LCD Resolution | 920k dots | 230k dots |
LCD Attachment | Fixed screen | Swivel screen |
Shooting Specs | Leica D-LUX 6 | Olympus E-3 |
Focus System | Contrast-detect AF | Phase-detect AF |
Continuous Shooting | 11 shutter flaps/s | 5 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | CF or XD cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
Connectivity Specs | Leica D-LUX 6 | Olympus E-3 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | no HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Leica D-LUX 6 | Olympus E-3 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Leica BP-DC10 | Olympus BLM-1 |
Battery Life (CIPA) | 330 shots per charge | 750 shots per charge |
Body Dimensions |
111 x 68 x 46 mm (4.4 x 2.7 x 1.8 in) |
142 x 116 x 75 mm (5.6 x 4.6 x 3.0 in) |
Camera Weight | 298 g (10.5 oz) | 876 g (30.9 oz) |
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