Leica D-LUX 7 vs Ricoh GR II
The Leica D-LUX 7 and the Ricoh GR II are two digital cameras that were officially introduced, respectively, in November 2018 and June 2015. Both the D-LUX 7 and the GR II are fixed lens compact cameras that are based on a Four Thirds (D-LUX 7) and an APS-C (GR II) sensor. The Leica has a resolution of 16.8 megapixels, whereas the Ricoh provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 7 and the Ricoh GR II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Leica D-LUX 7 and the Ricoh GR II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh GR II is somewhat smaller (3 percent) than the Leica D-LUX 7. Moreover, the GR II is substantially lighter (36 percent) than the D-LUX 7. In this context, it is worth noting that neither the D-LUX 7 nor the GR II are weather-sealed.
Concerning battery life, the D-LUX 7 gets 300 shots out of its Leica BP-DC15 battery, while the GR II can take 320 images on a single charge of its Ricoh DB-65 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Nov 2018 | US$ 1 195 | ebay.com | |
2. | Ricoh GR II | 117 mm | 63 mm | 35 mm | 251 g | 320 | n | Jun 2015 | US$ 699 | ebay.com | |
3. | Canon G7 X | 103 mm | 60 mm | 40 mm | 304 g | 210 | n | Sep 2014 | US$ 699 | ebay.com | |
4. | Fujifilm X70 | 113 mm | 64 mm | 44 mm | 340 g | 330 | n | Jan 2016 | US$ 799 | ebay.com | |
5. | Fujifilm X100S | 127 mm | 74 mm | 54 mm | 445 g | 330 | n | Jan 2013 | US$ 1 299 | ebay.com | |
6. | Fujifilm X100T | 127 mm | 74 mm | 52 mm | 440 g | 330 | n | Sep 2014 | US$ 1 299 | ebay.com | |
7. | Fujifilm X100F | 127 mm | 75 mm | 52 mm | 469 g | 390 | n | Jan 2017 | US$ 1 299 | ebay.com | |
8. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | US$ 1 049 | ebay.com | |
9. | Leica D-LUX Typ 109 | 118 mm | 66 mm | 55 mm | 405 g | 300 | n | Sep 2014 | US$ 1 195 | ebay.com | |
10. | Leica D-LUX 8 | 130 mm | 69 mm | 62 mm | 397 g | 300 | n | Jul 2024 | US$ 1 599 | amazon.com | |
11. | Leica V-LUX Typ 114 | 137 mm | 99 mm | 131 mm | 830 g | 360 | n | Sep 2014 | US$ 1 349 | ebay.com | |
12. | Leica V-LUX 5 | 136 mm | 97 mm | 131 mm | 812 g | 350 | n | Jul 2019 | US$ 1 249 | amazon.com | |
13. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | US$ 749 | ebay.com | |
14. | Panasonic LX100 II | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Aug 2018 | US$ 999 | ebay.com | |
15. | Panasonic ZS70 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | US$ 449 | ebay.com | |
16. | Ricoh GR | 117 mm | 61 mm | 35 mm | 245 g | 290 | n | Apr 2013 | US$ 799 | ebay.com | |
17. | Sony RX100 III | 102 mm | 58 mm | 41 mm | 290 g | 320 | n | May 2014 | US$ 799 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GR II was launched at a markedly lower price (by 42 percent) than the D-LUX 7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica D-LUX 7 features a Four Thirds sensor and the Ricoh GR II an APS-C sensor. The sensor area in the GR II is 100 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.2 and 1.5. The sensor in the D-LUX 7 has a native 4:3 aspect ratio, while the one in the GR II offers a 3:2 aspect. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the Leica D-LUX 7 offers a higher resolution of 16.8 megapixels, compared with 16.1 MP of the Ricoh GR II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.32μm versus 4.79μm for the GR II). However, it should be noted that the D-LUX 7 is much more recent (by 3 years and 5 months) than the GR II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The Leica D-LUX 7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Ricoh GR II are ISO 100 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.9 | 12.8 | 1002 | 72 | |
2. | Ricoh GR II | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.6 | 13.7 | 1078 | 80 | |
3. | Canon G7 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 23.0 | 12.7 | 556 | 71 | |
4. | Fujifilm X70 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
5. | Fujifilm X100S | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.3 | 12.5 | 1329 | 75 | |
6. | Fujifilm X100T | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.6 | 12.8 | 1483 | 78 | |
7. | Fujifilm X100F | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.9 | 13.2 | 1704 | 81 | |
8. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 481 | 64 | |
9. | Leica D-LUX Typ 109 | Four Thirds | 12.7 | 4112 | 3088 | 4K/30p | 22.4 | 12.1 | 607 | 67 | |
10. | Leica D-LUX 8 | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 23.1 | 13.4 | 1557 | 75 | |
11. | Leica V-LUX Typ 114 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.6 | 11.7 | 127 | 60 | |
12. | Leica V-LUX 5 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 584 | 65 | |
13. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
14. | Panasonic LX100 II | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.8 | 12.7 | 979 | 72 | |
15. | Panasonic ZS70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
16. | Ricoh GR | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.6 | 13.5 | 972 | 78 | |
17. | Sony RX100 III | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 12.3 | 495 | 67 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D-LUX 7 provides a higher video resolution than the GR II. It can shoot video footage at 4K/30p, while the Ricoh is limited to 1080/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D-LUX 7 has an electronic viewfinder (2764k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GR II relies on live view and the rear LCD for framing. That said, the GR II can be equipped with an optional viewfinder – the GV-1. The following table reports on some other key feature differences and similarities of the Leica D-LUX 7, the Ricoh GR II, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
2. | Ricoh GR II | optional | n | 3.0 / 1230 | fixed | n | 1/4000s | 4.0/s | Y | n | |
3. | Canon G7 X | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 6.5/s | Y | Y | |
4. | Fujifilm X70 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
5. | Fujifilm X100S | 2360 | n | 2.8 / 460 | fixed | n | 1/4000s | 6.0/s | Y | n | |
6. | Fujifilm X100T | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 6.0/s | Y | n | |
7. | Fujifilm X100F | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 8.0/s | Y | n | |
8. | Leica C-LUX | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
9. | Leica D-LUX Typ 109 | 2764 | n | 3.0 / 921 | fixed | n | 1/4000s | 11.0/s | n | Y | |
10. | Leica D-LUX 8 | 2360 | n | 3.0 / 1860 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
11. | Leica V-LUX Typ 114 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
12. | Leica V-LUX 5 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
13. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
14. | Panasonic LX100 II | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
15. | Panasonic ZS70 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
16. | Ricoh GR | optional | n | 3.0 / 1230 | fixed | n | 1/4000s | 4.0/s | Y | n | |
17. | Sony RX100 III | 1440 | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D-LUX 7 has a touchscreen, while the GR II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the D-LUX 7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 7 and the Ricoh GR II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D-LUX 7 is equipped with a zoom lens, while the GR II comes with a built-in prime. The D-LUX 7 has a 24-75mm f/1.7-2.8 optic and the GR II offers a 28mm f/2.8 (focal lengths in full frame equivalent terms). Hence, the Leica provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Ricoh. The D-LUX 7 offers the faster maximum aperture.
Concerning the storage of imaging data, both the D-LUX 7 and the GR II write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 7 and Ricoh GR II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
2. | Ricoh GR II | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
3. | Canon G7 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
4. | Fujifilm X70 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
5. | Fujifilm X100S | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
6. | Fujifilm X100T | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
7. | Fujifilm X100F | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
8. | Leica C-LUX | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
9. | Leica D-LUX Typ 109 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
10. | Leica D-LUX 8 | Y | stereo / mono | - | - | micro | 3.0 | Y | - | Y | |
11. | Leica V-LUX Typ 114 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
12. | Leica V-LUX 5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
13. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
14. | Panasonic LX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
15. | Panasonic ZS70 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
16. | Ricoh GR | Y | mono / mono | - | - | micro | 2.0 | - | - | - | |
17. | Sony RX100 III | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
Both the D-LUX 7 and the GR II have been discontinued, but can regularly be found used on ebay. The GR II was replaced by the Ricoh GR III, while the D-LUX 7 does not have a direct successor. Further information on the features and operation of the D-LUX 7 and GR II can be found, respectively, in the Leica D-LUX 7 Manual (free pdf) or the online Ricoh GR II Manual.
Review summary
So what is the bottom line? Is the Leica D-LUX 7 better than the Ricoh GR II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica D-LUX 7:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (11 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.7 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 3 years and 5 months of technical progress since the GR II launch.
Arguments in favor of the Ricoh GR II:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Less heavy: Has a lower weight (by 141g or 36 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in June 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the D-LUX 7 emerges as the winner of the contest (12 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 7 and the Ricoh GR II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D-LUX 7 and the GR II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | .. | .. | .. | .. | .. | 4.5/5 | Nov 2018 | US$ 1 195 | ebay.com | |
2. | Ricoh GR II | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jun 2015 | US$ 699 | ebay.com | |
3. | Canon G7 X | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Sep 2014 | US$ 699 | ebay.com | |
4. | Fujifilm X70 | 4.5/5 | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Jan 2016 | US$ 799 | ebay.com | |
5. | Fujifilm X100S | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Jan 2013 | US$ 1 299 | ebay.com | |
6. | Fujifilm X100T | 5/5 | + | .. | 81/100 | 4.5/5 | 5/5 | Sep 2014 | US$ 1 299 | ebay.com | |
7. | Fujifilm X100F | 5/5 | + | 3.9/5 | 83/100 | 4.5/5 | 4.5/5 | Jan 2017 | US$ 1 299 | ebay.com | |
8. | Leica C-LUX | .. | .. | 3.5/5 | .. | 4.5/5 | 4/5 | Jun 2018 | US$ 1 049 | ebay.com | |
9. | Leica D-LUX Typ 109 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Sep 2014 | US$ 1 195 | ebay.com | |
10. | Leica D-LUX 8 | .. | .. | .. | .. | .. | .. | Jul 2024 | US$ 1 599 | amazon.com | |
11. | Leica V-LUX Typ 114 | .. | .. | .. | .. | .. | 5/5 | Sep 2014 | US$ 1 349 | ebay.com | |
12. | Leica V-LUX 5 | .. | .. | .. | .. | 4/5 | 4/5 | Jul 2019 | US$ 1 249 | amazon.com | |
13. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | US$ 749 | ebay.com | |
14. | Panasonic LX100 II | 4.5/5 | + | 4.2/5 | 82/100 | 4.5/5 | 4.5/5 | Aug 2018 | US$ 999 | ebay.com | |
15. | Panasonic ZS70 | .. | + + | .. | .. | 4/5 | 4/5 | Apr 2017 | US$ 449 | ebay.com | |
16. | Ricoh GR | 5/5 | .. | .. | 79/100 | 4.5/5 | 4.5/5 | Apr 2013 | US$ 799 | ebay.com | |
17. | Sony RX100 III | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | May 2014 | US$ 799 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon T3i vs Ricoh GR II
- Canon T7 vs Leica D-LUX 7
- Fujifilm GFX 50R vs Leica D-LUX 7
- Fujifilm X20 vs Leica D-LUX 7
- Leica D-LUX 7 vs Panasonic G1
- Leica D-LUX 7 vs Sony A7C II
- Leica D-LUX 7 vs Sony HX90V
- Olympus E-510 vs Ricoh GR II
- Olympus E-M10 vs Ricoh GR II
- Olympus E-PL1 vs Ricoh GR II
- Panasonic FZ2000 vs Ricoh GR II
- Panasonic G95 vs Ricoh GR II
Specifications: Leica D-LUX 7 vs Ricoh GR II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica D-LUX 7 | Ricoh GR II |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 24-75mm f/1.7-2.8 | 28mm f/2.8 |
Launch Date | November 2018 | June 2015 |
Launch Price | USD 1,195 | USD 699 |
Sensor Specs | Leica D-LUX 7 | Ricoh GR II |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | APS-C Sensor |
Sensor Size | 15.7 x 11.8 mm | 23.7 x 15.6 mm |
Sensor Area | 185.26 mm2 | 369.72 mm2 |
Sensor Diagonal | 19.6 mm | 28.4 mm |
Crop Factor | 2.2x | 1.5x |
Sensor Resolution | 16.8 Megapixels | 16.1 Megapixels |
Image Resolution | 4736 x 3552 pixels | 4928 x 3264 pixels |
Pixel Pitch | 3.32 μm | 4.79 μm |
Pixel Density | 9.08 MP/cm2 | 4.35 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 4K/30p Video | 1080/30p Video |
ISO Setting | 200 - 25,600 ISO | 100 - 25,600 ISO |
ISO Boost | 100 - 25,600 ISO | no Enhancement |
DXO Sensor Quality (score) | .. | 80 |
DXO Color Depth (bits) | .. | 23.6 |
DXO Dynamic Range (EV) | .. | 13.7 |
DXO Low Light (ISO) | .. | 1078 |
Screen Specs | Leica D-LUX 7 | Ricoh GR II |
Viewfinder Type | Electronic viewfinder | Viewfinder optional |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.70x | |
Viewfinder Resolution | 2764k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1240k dots | 1230k dots |
LCD Attachment | Fixed screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Leica D-LUX 7 | Ricoh GR II |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 11 shutter flaps/s | 4 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Leica D-LUX 7 | Ricoh GR II |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Leica D-LUX 7 | Ricoh GR II |
Battery Type | Leica BP-DC15 | Ricoh DB-65 |
Battery Life (CIPA) | 300 shots per charge | 320 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
115 x 66 x 65 mm (4.5 x 2.6 x 2.6 in) |
117 x 63 x 35 mm (4.6 x 2.5 x 1.4 in) |
Camera Weight | 392 g (13.8 oz) | 251 g (8.9 oz) |
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