Leica D-LUX Typ 109 vs Sony A7R V

The Leica D-LUX (Typ 109) and the Sony Alpha A7R V are two enthusiast cameras that were announced, respectively, in September 2014 and October 2022. The D-LUX Typ 109 is a fixed lens compact, while the A7R V is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (D-LUX Typ 109) and a full frame (A7R V) sensor. The Leica has a resolution of 12.7 megapixels, whereas the Sony provides 60.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica D-LUX Typ 109		Sony A7R V
Fixed lens compact camera		Mirrorless system camera
24-75mm f/1.7-2.8		Sony E mount lenses
12.7 MP – Four Thirds sensor		60.2 MP – Full Frame sensor
4K/30p Video		8k/24p Video
ISO 200-12,500 (100 - 25,600)		ISO 100-32,000 (50 - 102,400)
Electronic viewfinder (2764k dots)		Electronic viewfinder (9440k dots)
3.0" LCD – 921k dots		3.2" LCD – 2100k dots
Fixed screen (not touch-sensitive)		Fully flexible touchscreen
11 shutter flaps per second		10 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
300 shots per battery charge		530 shots per battery charge
118 x 66 x 55 mm, 405 g		131 x 97 x 82 mm, 723 g

Check D-LUX Typ 109 offers at
ebay.com
Check A7R V price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX (Typ 109) and the Sony Alpha A7R V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Leica D-LUX Typ 109 and the Sony A7R V. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The D-LUX Typ 109 can be obtained in two different colors (black, grey), while the A7R V is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R V is considerably larger (63 percent) than the Leica D-LUX Typ 109. It is noteworthy in this context that the A7R V is splash and dust-proof, while the D-LUX Typ 109 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX Typ 109 has a lens built in, whereas the A7R V is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7R V and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the D-LUX Typ 109 gets 300 shots out of its Leica BP-DC15 battery, while the A7R V can take 530 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A7R V can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Leica D-LUX Typ 109	118 mm	66 mm	55 mm	405 g	300	n	Sep 2014	US$ 1 195	ebay.com
2.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	US$ 3 899	amazon.com
3.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	US$ 549	ebay.com
4.		Fujifilm X20	117 mm	70 mm	57 mm	353 g	270	n	Jan 2013	US$ 599	ebay.com
5.		Fujifilm X30	119 mm	72 mm	60 mm	423 g	470	n	Aug 2014	US$ 599	ebay.com
6.		Fujifilm X100S	127 mm	74 mm	54 mm	445 g	330	n	Jan 2013	US$ 1 299	ebay.com
7.		Fujifilm X100T	127 mm	74 mm	52 mm	440 g	330	n	Sep 2014	US$ 1 299	ebay.com
8.		Leica D-LUX 6	111 mm	68 mm	46 mm	298 g	330	n	Sep 2012	US$ 699	ebay.com
9.		Leica D-LUX 7	115 mm	66 mm	65 mm	392 g	300	n	Nov 2018	US$ 1 195	ebay.com
10.		Leica V-LUX Typ 114	137 mm	99 mm	131 mm	830 g	360	n	Sep 2014	US$ 1 349	ebay.com
11.		Leica X Typ 113	133 mm	73 mm	78 mm	486 g	350	n	Sep 2014	US$ 2 299	ebay.com
12.		Panasonic LX100	115 mm	66 mm	55 mm	393 g	300	n	Sep 2014	US$ 899	ebay.com
13.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	US$ 3 199	ebay.com
14.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670	Y	Jul 2019	US$ 3 499	ebay.com
15.		Sony A7R IVA	129 mm	96 mm	78 mm	665 g	670	Y	Apr 2021	US$ 3 499	amazon.com
16.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	US$ 3 499	amazon.com
17.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	US$ 4 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D-LUX Typ 109 was launched at a lower price than the A7R V, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Leica D-LUX Typ 109 features a Four Thirds sensor and the Sony A7R V a full frame sensor. The sensor area in the A7R V is 359 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the D-LUX Typ 109 has a native 4:3 aspect ratio, while the one in the A7R V offers a 3:2 aspect. The D-LUX Typ 109 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 60.2MP, the A7R V offers a higher resolution than the D-LUX Typ 109 (12.7MP), but the A7R V has marginally smaller individual pixels (pixel pitch of 3.76μm versus 3.82μm for the D-LUX Typ 109). Yet, the A7R V is a much more recent model (by 8 years and 1 month) than the D-LUX Typ 109, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R V has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7R V implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R V for good quality output (200 dots per inch) amounts to 47.5 x 31.7 inches or 120.7 x 80.5 cm, for very good quality (250 dpi) 38 x 25.3 inches or 96.6 x 64.4 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inches or 80.5 x 53.6 cm. The corresponding values for the Leica D-LUX Typ 109 are 20.6 x 15.4 inches or 52.2 x 39.2 cm for good quality, 16.4 x 12.4 inches or 41.8 x 31.4 cm for very good quality, and 13.7 x 10.3 inches or 34.8 x 26.1 cm for excellent quality prints.

The A7R V has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the D-LUX Typ 109, the A7R V has the capacity to capture high quality composite images (240MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Leica D-LUX (Typ 109) has a native sensitivity range from ISO 200 to ISO 12500, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7R V are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the D-LUX Typ 109 is build around a CMOS sensor, while the A7R V uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica D-LUX Typ 109	Four Thirds	12.7	4112	3088	4K/30p	22.4	12.1	607	67
2.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
3.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
4.		Fujifilm X20	2/3	12.0	4000	3000	1080/60p	20.1	10.9	-462	46
5.		Fujifilm X30	2/3	12.0	4000	3000	1080/60p	20.4	11.2	-312	49
6.		Fujifilm X100S	APS-C	16.0	4896	3264	1080/60p	23.3	12.5	1329	75
7.		Fujifilm X100T	APS-C	16.0	4896	3264	1080/60p	23.6	12.8	1483	78
8.		Leica D-LUX 6	1/1.7	10.0	3648	2736	1080/60p	19.8	10.8	-303	43
9.		Leica D-LUX 7	Four Thirds	16.8	4736	3552	4K/30p	22.9	12.8	1002	72
10.		Leica V-LUX Typ 114	1-inch	20.0	5472	3648	4K/30p	21.6	11.7	127	60
11.		Leica X Typ 113	APS-C	16.1	4928	3264	1080/30p	23.6	12.8	1491	78
12.		Panasonic LX100	Four Thirds	12.7	4112	3088	4K/30p	22.3	12.5	553	67
13.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
14.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
15.		Sony A7R IVA	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
16.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
17.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7R V provides a better video resolution than the D-LUX Typ 109. It can shoot movie footage at 8k/24p, while the Leica is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R V offers a substantially higher resolution than the one in the D-LUX Typ 109 (9440k vs 2764k dots). The following table reports on some other key feature differences and similarities of the Leica D-LUX Typ 109, the Sony A7R V, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica D-LUX Typ 109	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
2.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
3.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
4.		Fujifilm X20	optical	n	2.8 / 460	fixed	n	1/4000s	12.0/s	Y	Y
5.		Fujifilm X30	2360	n	3.0 / 920	tilting	n	1/4000s	12.0/s	Y	Y
6.		Fujifilm X100S	2360	n	2.8 / 460	fixed	n	1/4000s	6.0/s	Y	n
7.		Fujifilm X100T	2360	n	3.0 / 1040	fixed	n	1/4000s	6.0/s	Y	n
8.		Leica D-LUX 6	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
9.		Leica D-LUX 7	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
10.		Leica V-LUX Typ 114	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
11.		Leica X Typ 113	optional	n	3.0 / 920	fixed	n	1/2000s	5.0/s	Y	n
12.		Panasonic LX100	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
13.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R IV	5760	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7R IVA	5760	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
17.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A7R V has a touchscreen, while the D-LUX Typ 109 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Leica D-LUX Typ 109 and the Sony A7R V both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The D-LUX Typ 109 writes its imaging data to SDXC cards, while the A7R V uses CFexpress (type A) or SDXC cards. The A7R V features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX Typ 109 only has one slot. The A7R V supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the D-LUX Typ 109 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX (Typ 109) and Sony Alpha A7R V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica D-LUX Typ 109	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
2.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
4.		Fujifilm X20	Y	stereo / mono	-	-	micro	2.0	-	-	-
5.		Fujifilm X30	Y	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Fujifilm X100S	Y	stereo / mono	-	-	micro	2.0	-	-	-
7.		Fujifilm X100T	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
8.		Leica D-LUX 6	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Leica D-LUX 7	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
10.		Leica V-LUX Typ 114	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
11.		Leica X Typ 113	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic LX100	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
13.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
14.		Sony A7R IV	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7R IVA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
16.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y

It is notable that the A7R V has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The D-LUX Typ 109 does not feature such a mic input.

Studio photographers will appreciate that the Sony A7R V (unlike the D-LUX Typ 109) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The A7R V is a recent model that features in the current product line-up of Sony. In contrast, the D-LUX Typ 109 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the D-LUX Typ 109 was succeeded by the Leica D-LUX 7. Further information on the features and operation of the D-LUX Typ 109 and A7R V can be found, respectively, in the Leica D-LUX Typ 109 Manual (free pdf) or the online Sony A7R V Manual.

Review summary

So what is the bottom line? Is the Leica D-LUX Typ 109 better than the Sony A7R V or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Leica D-LUX (Typ 109):

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Ready to shoot: Has a lens built-in, whereas the A7R V requires a separate lens.
• More compact: Is smaller (118x66mm vs 131x97mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7R V).
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in September 2014).

Reasons to prefer the Sony Alpha A7R V:

• More detail: Has more megapixels (60.2 vs 12.7MP), which boosts linear resolution by 122%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (8k/24p vs 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 2764k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.70x).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 921k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (530 versus 300) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 8 years and 1 month of technical progress since the D-LUX Typ 109 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the A7R V is the clear winner of the contest (30 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Leica D-LUX Typ 109 and the Sony A7R V place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the D-LUX Typ 109 or the A7R V perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Leica D-LUX Typ 109	..	..	..	..	4.5/5	4.5/5	Sep 2014	US$ 1 195	ebay.com
2.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	US$ 3 899	amazon.com
3.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	US$ 549	ebay.com
4.		Fujifilm X20	4/5	+ +	..	77/100	4.5/5	5/5	Jan 2013	US$ 599	ebay.com
5.		Fujifilm X30	4/5	..	..	76/100	4.5/5	4.5/5	Aug 2014	US$ 599	ebay.com
6.		Fujifilm X100S	5/5	+ +	..	81/100	4.5/5	5/5	Jan 2013	US$ 1 299	ebay.com
7.		Fujifilm X100T	5/5	+	..	81/100	4.5/5	5/5	Sep 2014	US$ 1 299	ebay.com
8.		Leica D-LUX 6	..	..	..	..	4/5	4/5	Sep 2012	US$ 699	ebay.com
9.		Leica D-LUX 7	..	..	..	..	..	4.5/5	Nov 2018	US$ 1 195	ebay.com
10.		Leica V-LUX Typ 114	..	..	..	..	..	5/5	Sep 2014	US$ 1 349	ebay.com
11.		Leica X Typ 113	3.5/5	..	..	..	3.5/5	4/5	Sep 2014	US$ 2 299	ebay.com
12.		Panasonic LX100	5/5	+ +	..	85/100	5/5	5/5	Sep 2014	US$ 899	ebay.com
13.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	US$ 3 199	ebay.com
14.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	US$ 3 499	ebay.com
15.		Sony A7R IVA	5/5	+	4.5/5	91/100	4.5/5	5/5	Apr 2021	US$ 3 499	amazon.com
16.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	US$ 3 499	amazon.com
17.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	US$ 4 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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